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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 246 240 90 it is the complementary color RGB 9 15 165. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 246 240 90. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 246 240 90 shade: RGB 251 240 85, RGB 255 255 104, RGB 255 255 123, RGB 255 255 142 and RGB 255 255 161

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 246 240 90. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 246 240 90 shade: RGB 246 240 90, RGB 229 222 71, RGB 212 204 52, RGB 195 186 33 and RGB 178 168 14

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 246 240 90 shade: RGB 246 240 90, RGB 246 198 90, RGB 246 156 90, RGB 246 114 90 and RGB 246 90 90

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 246 240 90 shade: RGB 246 240 90, RGB 210 246 90, RGB 168 246 90, RGB 126 246 90 and RGB 90 246 96

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 246 240 90 shade matches the following richer shades: RGB 246 240 90

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 246 240 90 shade: RGB 246 240 90, RGB 232 227 104, RGB 218 214 118, RGB 204 201 132 and RGB 190 188 146

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 246 240 90 shade: RGB 246 155 90, RGB 246 196 90, RGB 246 238 90, RGB 212 246 90 and RGB 170 246 90

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 246 240 90 shade: RGB 241 232 12, RGB 244 236 51, RGB 246 240 90, RGB 248 243 129 and RGB 250 247 168

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 246 240 90 shade: RGB 246 240 90, RGB 90 246 113 and RGB 176 90 246

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 246 240 90 shade: RGB 246 240 90, RGB 90 246 238 and RGB 238 90 246

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 246 240 90 shade: RGB 246 240 90, RGB 90 246 113, RGB 90 98 246 and RGB 246 90 222

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 246 240 90 shade: RGB 246 240 90, RGB 90 246 160, RGB 90 98 246 and RGB 246 90 176

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 2 / 63 / 4

HEX #F6F05A

RGB 246 240 90

HSL 57.69, 0.9%, 0.66%

LAB 92.86, -15.53, 70.54

 

Complementary color

CMYK 95 / 91 / 0 / 35

HEX #090FA5

RGB 9 15 165

HSL 237.69, 0.9%, 0.34%

LAB 20.5, 52.98, -75.14

 

CMYK 0 / 4 / 66 / 2

HEX #FBF055

RGB 251 240 85

HSL 56.02, 0.95%, 0.66%

LAB 93.23, -13.78, 72.98

 

CMYK 0 / 0 / 59 / 0

HEX #FFFF68

RGB 255 255 104

HSL 60, 1%, 0.7%

LAB 97.54, -18.31, 70.1

 

CMYK 0 / 0 / 52 / 0

HEX #FFFF7B

RGB 255 255 123

HSL 60, 1%, 0.74%

LAB 97.72, -16.94, 62.16

 

CMYK 0 / 0 / 44 / 0

HEX #FFFF8E

RGB 255 255 142

HSL 60, 1%, 0.78%

LAB 97.93, -15.3, 53.71

 

CMYK 0 / 0 / 37 / 0

HEX #FFFFA1

RGB 255 255 161

HSL 60, 1%, 0.82%

LAB 98.17, -13.39, 44.93

 

CMYK 0 / 2 / 63 / 4

HEX #F6F05A

RGB 246 240 90

HSL 57.69, 0.9%, 0.66%

LAB 92.86, -15.53, 70.54

 

CMYK 0 / 3 / 69 / 10

HEX #E5DE47

RGB 229 222 71

HSL 57.34, 0.75%, 0.59%

LAB 86.68, -14.69, 71.04

 

CMYK 0 / 4 / 75 / 17

HEX #D4CC34

RGB 212 204 52

HSL 57, 0.65%, 0.52%

LAB 80.42, -13.7, 71.07

 

CMYK 0 / 5 / 83 / 24

HEX #C3BA21

RGB 195 186 33

HSL 56.67, 0.71%, 0.45%

LAB 74.08, -12.53, 70.33

 

CMYK 0 / 6 / 92 / 30

HEX #B2A80E

RGB 178 168 14

HSL 56.34, 0.85%, 0.38%

LAB 67.65, -11.14, 68.36

 

CMYK 0 / 2 / 63 / 4

HEX #F6F05A

RGB 246 240 90

HSL 57.69, 0.9%, 0.66%

LAB 92.86, -15.53, 70.54

 

CMYK 0 / 20 / 63 / 4

HEX #F6C65A

RGB 246 198 90

HSL 41.54, 0.9%, 0.66%

LAB 82.23, 5.63, 59.13

 

CMYK 0 / 37 / 63 / 4

HEX #F69C5A

RGB 246 156 90

HSL 25.38, 0.9%, 0.66%

LAB 72.3, 27.65, 47.9

 

CMYK 0 / 54 / 63 / 4

HEX #F6725A

RGB 246 114 90

HSL 9.23, 0.9%, 0.66%

LAB 63.64, 48.9, 37.58

 

CMYK 0 / 63 / 63 / 4

HEX #F65A5A

RGB 246 90 90

HSL 0, 0.9%, 0.66%

LAB 59.57, 59.63, 32.53

 

CMYK 0 / 2 / 63 / 4

HEX #F6F05A

RGB 246 240 90

HSL 57.69, 0.9%, 0.66%

LAB 92.86, -15.53, 70.54

 

CMYK 15 / 0 / 63 / 4

HEX #D2F65A

RGB 210 246 90

HSL 73.85, 0.9%, 0.66%

LAB 91.84, -32.66, 68.67

 

CMYK 32 / 0 / 63 / 4

HEX #A8F65A

RGB 168 246 90

HSL 90, 0.9%, 0.66%

LAB 89.38, -48.06, 65.3

 

CMYK 49 / 0 / 63 / 4

HEX #7EF65A

RGB 126 246 90

HSL 106.15, 0.9%, 0.66%

LAB 87.53, -61.2, 62.75

 

CMYK 63 / 0 / 61 / 4

HEX #5AF660

RGB 90 246 96

HSL 122.31, 0.9%, 0.66%

LAB 86.47, -69.23, 58.78

 

CMYK 0 / 2 / 63 / 4

HEX #F6F05A

RGB 246 240 90

HSL 57.69, 0.9%, 0.66%

LAB 92.86, -15.53, 70.54

 

CMYK 0 / 2 / 63 / 4

HEX #F6F05A

RGB 246 240 90

HSL 57.69, 0.9%, 0.66%

LAB 92.86, -15.53, 70.54

 

CMYK 0 / 2 / 55 / 9

HEX #E8E368

RGB 232 227 104

HSL 57.66, 0.74%, 0.66%

LAB 88.49, -13.88, 59.56

 

CMYK 0 / 2 / 46 / 15

HEX #DAD676

RGB 218 214 118

HSL 57.6, 0.57%, 0.66%

LAB 84.13, -11.83, 47.62

 

CMYK 0 / 1 / 35 / 20

HEX #CCC984

RGB 204 201 132

HSL 57.5, 0.41%, 0.66%

LAB 79.77, -9.3, 34.89

 

CMYK 0 / 1 / 23 / 25

HEX #BEBC92

RGB 190 188 146

HSL 57.27, 0.25%, 0.66%

LAB 75.44, -6.18, 21.57

 

CMYK 0 / 37 / 63 / 4

HEX #F69B5A

RGB 246 155 90

HSL 25, 0.9%, 0.66%

LAB 72.08, 28.17, 47.64

 

CMYK 0 / 20 / 63 / 4

HEX #F6C45A

RGB 246 196 90

HSL 40.77, 0.9%, 0.66%

LAB 81.74, 6.67, 58.59

 

CMYK 0 / 3 / 63 / 4

HEX #F6EE5A

RGB 246 238 90

HSL 56.92, 0.9%, 0.66%

LAB 92.34, -14.56, 70

 

CMYK 14 / 0 / 63 / 4

HEX #D4F65A

RGB 212 246 90

HSL 73.08, 0.9%, 0.66%

LAB 91.97, -31.89, 68.85

 

CMYK 31 / 0 / 63 / 4

HEX #AAF65A

RGB 170 246 90

HSL 89.23, 0.9%, 0.66%

LAB 89.48, -47.37, 65.44

 

CMYK 0 / 4 / 95 / 5

HEX #F1E80C

RGB 241 232 12

HSL 57.64, 0.91%, 0.5%

LAB 90.06, -16.21, 87.88

 

CMYK 0 / 3 / 79 / 4

HEX #F4EC33

RGB 244 236 51

HSL 57.51, 0.9%, 0.58%

LAB 91.44, -16.14, 82.2

 

CMYK 0 / 2 / 63 / 4

HEX #F6F05A

RGB 246 240 90

HSL 57.69, 0.9%, 0.66%

LAB 92.86, -15.53, 70.54

 

CMYK 0 / 2 / 48 / 3

HEX #F8F381

RGB 248 243 129

HSL 57.48, 0.89%, 0.74%

LAB 94.16, -13.35, 55.1

 

CMYK 0 / 1 / 33 / 2

HEX #FAF7A8

RGB 250 247 168

HSL 57.8, 0.89%, 0.82%

LAB 95.86, -10.56, 38.41

 

CMYK 0 / 2 / 63 / 4

HEX #F6F05A

RGB 246 240 90

HSL 57.69, 0.9%, 0.66%

LAB 92.86, -15.53, 70.54

 

CMYK 63 / 0 / 54 / 4

HEX #5AF671

RGB 90 246 113

HSL 128.85, 0.9%, 0.66%

LAB 86.64, -67.25, 51.51

 

CMYK 28 / 63 / 0 / 4

HEX #B05AF6

RGB 176 90 246

HSL 273.08, 0.9%, 0.66%

LAB 55.27, 61.76, -64.57

 

CMYK 0 / 2 / 63 / 4

HEX #F6F05A

RGB 246 240 90

HSL 57.69, 0.9%, 0.66%

LAB 92.86, -15.53, 70.54

 

CMYK 63 / 0 / 3 / 4

HEX #5AF6EE

RGB 90 246 238

HSL 176.92, 0.9%, 0.66%

LAB 89.04, -42.26, -8.27

 

CMYK 3 / 63 / 0 / 4

HEX #EE5AF6

RGB 238 90 246

HSL 296.92, 0.9%, 0.66%

LAB 63.46, 75.54, -51.02

 

CMYK 0 / 2 / 63 / 4

HEX #F6F05A

RGB 246 240 90

HSL 57.69, 0.9%, 0.66%

LAB 92.86, -15.53, 70.54

 

CMYK 63 / 0 / 54 / 4

HEX #5AF671

RGB 90 246 113

HSL 128.85, 0.9%, 0.66%

LAB 86.64, -67.25, 51.51

 

CMYK 63 / 60 / 0 / 4

HEX #5A62F6

RGB 90 98 246

HSL 236.92, 0.9%, 0.66%

LAB 48.96, 41.28, -75.17

 

CMYK 0 / 63 / 10 / 4

HEX #F65ADE

RGB 246 90 222

HSL 309.23, 0.9%, 0.66%

LAB 63.49, 73.64, -37.53

 

CMYK 0 / 2 / 63 / 4

HEX #F6F05A

RGB 246 240 90

HSL 57.69, 0.9%, 0.66%

LAB 92.86, -15.53, 70.54

 

CMYK 63 / 0 / 35 / 4

HEX #5AF6A0

RGB 90 246 160

HSL 146.92, 0.9%, 0.66%

LAB 87.3, -59.9, 29.58

 

CMYK 63 / 60 / 0 / 4

HEX #5A62F6

RGB 90 98 246

HSL 236.92, 0.9%, 0.66%

LAB 48.96, 41.28, -75.17

 

CMYK 0 / 63 / 28 / 4

HEX #F65AB0

RGB 246 90 176

HSL 326.92, 0.9%, 0.66%

LAB 61.69, 67.41, -14.21

 

Description

Color code: RGB 246 240 90 | qconv.com Color code: RGB 246 240 90 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 246 red, 240 green and 90 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
246 240 90 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 2 magenta, 63 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 2% 63% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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