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Color name
RGB 246 34 193

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 246 34 193 it is the complementary color RGB 9 221 62. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 246 34 193. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 246 34 193 shade: RGB 251 34 188, RGB 255 52 207, RGB 255 70 226, RGB 255 88 245 and RGB 255 106 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 246 34 193. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 246 34 193 shade: RGB 246 34 193, RGB 229 16 174, RGB 212 0 155, RGB 195 0 136 and RGB 178 0 117

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 246 34 193 shade: RGB 245 34 193, RGB 245 34 136, RGB 245 34 79 and RGB 245 34 34

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 246 34 193 shade: RGB 245 34 193, RGB 241 34 245, RGB 184 34 245, RGB 127 34 245 and RGB 70 34 245

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 246 34 193 shade matches the following richer shades: RGB 245 34 193

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 246 34 193 shade: RGB 245 34 193, RGB 227 53 183, RGB 208 71 174, RGB 190 90 165 and RGB 171 108 155

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 246 34 193 shade: RGB 185 34 245, RGB 242 34 245, RGB 245 34 193, RGB 245 34 136 and RGB 245 34 80

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 246 34 193 shade: RGB 190 7 144, RGB 229 9 174, RGB 245 34 193, RGB 247 74 204 and RGB 249 113 215

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 246 34 193 shade: RGB 246 34 193, RGB 245 129 34 and RGB 34 245 214

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 246 34 193 shade: RGB 246 34 193, RGB 193 245 34 and RGB 34 193 245

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 246 34 193 shade: RGB 246 34 193, RGB 245 129 34, RGB 34 245 87 and RGB 34 150 245

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 246 34 193 shade: RGB 246 34 193, RGB 245 193 34, RGB 34 245 87 and RGB 34 87 245

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 86 / 22 / 4

HEX #F622C1

RGB 246 34 193

HSL 315, 0.92%, 0.55%

LAB 56.67, 85.5, -31.69

 

Complementary color

CMYK 96 / 0 / 72 / 13

HEX #09DD3E

RGB 9 221 62

HSL 135, 0.92%, 0.45%

LAB 77.35, -74.35, 61.96

 

CMYK 0 / 86 / 25 / 2

HEX #FB22BC

RGB 251 34 188

HSL 317.42, 0.96%, 0.56%

LAB 57.35, 85.93, -27.68

 

CMYK 0 / 80 / 19 / 0

HEX #FF34CF

RGB 255 52 207

HSL 314.19, 1%, 0.6%

LAB 60.09, 85.46, -34.27

 

CMYK 0 / 73 / 11 / 0

HEX #FF46E2

RGB 255 70 226

HSL 309.41, 1%, 0.64%

LAB 62.62, 83.16, -41.04

 

CMYK 0 / 65 / 4 / 0

HEX #FF58F5

RGB 255 88 245

HSL 303.59, 1%, 0.67%

LAB 65.62, 79.98, -46.9

 

CMYK 0 / 58 / 0 / 0

HEX #FF6AFF

RGB 255 106 255

HSL 300, 1%, 0.71%

LAB 68.6, 74.61, -47.7

 

CMYK 0 / 86 / 22 / 4

HEX #F622C1

RGB 246 34 193

HSL 315, 0.92%, 0.55%

LAB 56.67, 85.5, -31.69

 

CMYK 0 / 93 / 24 / 10

HEX #E510AE

RGB 229 16 174

HSL 315.49, 0.87%, 0.48%

LAB 51.93, 82.31, -28.24

 

CMYK 0 / 100 / 27 / 17

HEX #D4009B

RGB 212 0 155

HSL 316.13, 1%, 0.42%

LAB 47.45, 78.18, -24.17

 

CMYK 0 / 100 / 30 / 24

HEX #C30088

RGB 195 0 136

HSL 318.15, 1%, 0.38%

LAB 43.33, 72.75, -19.28

 

CMYK 0 / 100 / 34 / 30

HEX #B20075

RGB 178 0 117

HSL 320.56, 1%, 0.35%

LAB 39.16, 67.25, -14.2

 

CMYK 0 / 86 / 21 / 4

HEX #F522C1

RGB 245 34 193

HSL 314.79, 0.91%, 0.55%

LAB 56.49, 85.3, -31.98

 

CMYK 0 / 86 / 44 / 4

HEX #F52288

RGB 245 34 136

HSL 331, 0.91%, 0.55%

LAB 54.38, 79.5, -1.7

 

CMYK 0 / 86 / 68 / 4

HEX #F5224F

RGB 245 34 79

HSL 347.2, 0.91%, 0.55%

LAB 53.08, 75.8, 30.76

 

CMYK 0 / 86 / 86 / 4

HEX #F52222

RGB 245 34 34

HSL 0, 0.91%, 0.55%

LAB 52.59, 74.36, 54.83

 

CMYK 0 / 86 / 21 / 4

HEX #F522C1

RGB 245 34 193

HSL 314.79, 0.91%, 0.55%

LAB 56.49, 85.3, -31.98

 

CMYK 2 / 86 / 0 / 4

HEX #F122F5

RGB 241 34 245

HSL 298.86, 0.91%, 0.55%

LAB 58.45, 91.49, -58.41

 

CMYK 25 / 86 / 0 / 4

HEX #B822F5

RGB 184 34 245

HSL 282.65, 0.91%, 0.55%

LAB 49.41, 82.56, -73.46

 

CMYK 48 / 86 / 0 / 4

HEX #7F22F5

RGB 127 34 245

HSL 266.45, 0.91%, 0.55%

LAB 41.61, 75.45, -86.54

 

CMYK 71 / 86 / 0 / 4

HEX #4622F5

RGB 70 34 245

HSL 250.24, 0.91%, 0.55%

LAB 36.06, 70.9, -95.9

 

CMYK 0 / 86 / 21 / 4

HEX #F522C1

RGB 245 34 193

HSL 314.79, 0.91%, 0.55%

LAB 56.49, 85.3, -31.98

 

CMYK 0 / 86 / 21 / 4

HEX #F522C1

RGB 245 34 193

HSL 314.79, 0.91%, 0.55%

LAB 56.49, 85.3, -31.98

 

CMYK 0 / 77 / 19 / 11

HEX #E335B7

RGB 227 53 183

HSL 315.17, 0.76%, 0.55%

LAB 54.34, 76.13, -29.79

 

CMYK 0 / 66 / 16 / 18

HEX #D047AE

RGB 208 71 174

HSL 314.89, 0.59%, 0.55%

LAB 52.92, 64.38, -26.99

 

CMYK 0 / 53 / 13 / 25

HEX #BE5AA5

RGB 190 90 165

HSL 315, 0.43%, 0.55%

LAB 52.92, 49.6, -21.95

 

CMYK 0 / 37 / 9 / 33

HEX #AB6C9B

RGB 171 108 155

HSL 315.24, 0.27%, 0.55%

LAB 53.76, 32.29, -15.05

 

CMYK 24 / 86 / 0 / 4

HEX #B922F5

RGB 185 34 245

HSL 282.94, 0.91%, 0.55%

LAB 49.56, 82.71, -73.21

 

CMYK 1 / 86 / 0 / 4

HEX #F222F5

RGB 242 34 245

HSL 299.15, 0.91%, 0.55%

LAB 58.62, 91.66, -58.14

 

CMYK 0 / 86 / 21 / 4

HEX #F522C1

RGB 245 34 193

HSL 314.79, 0.91%, 0.55%

LAB 56.49, 85.3, -31.98

 

CMYK 0 / 86 / 44 / 4

HEX #F52288

RGB 245 34 136

HSL 331, 0.91%, 0.55%

LAB 54.38, 79.5, -1.7

 

CMYK 0 / 86 / 67 / 4

HEX #F52250

RGB 245 34 80

HSL 346.92, 0.91%, 0.55%

LAB 53.1, 75.85, 30.19

 

CMYK 0 / 96 / 24 / 25

HEX #BE0790

RGB 190 7 144

HSL 315.08, 0.93%, 0.39%

LAB 42.93, 71.99, -24.86

 

CMYK 0 / 96 / 24 / 10

HEX #E509AE

RGB 229 9 174

HSL 315, 0.92%, 0.47%

LAB 51.73, 82.89, -28.55

 

CMYK 0 / 86 / 21 / 4

HEX #F522C1

RGB 245 34 193

HSL 314.79, 0.91%, 0.55%

LAB 56.49, 85.3, -31.98

 

CMYK 0 / 70 / 17 / 3

HEX #F74ACC

RGB 247 74 204

HSL 314.91, 0.92%, 0.63%

LAB 60.81, 77.09, -31.54

 

CMYK 0 / 55 / 14 / 2

HEX #F971D7

RGB 249 113 215

HSL 315, 0.92%, 0.71%

LAB 67.17, 63.74, -27.88

 

CMYK 0 / 86 / 22 / 4

HEX #F622C1

RGB 246 34 193

HSL 315, 0.92%, 0.55%

LAB 56.67, 85.5, -31.69

 

CMYK 0 / 47 / 86 / 4

HEX #F58122

RGB 245 129 34

HSL 27.01, 0.91%, 0.55%

LAB 65.93, 38.85, 65.57

 

CMYK 86 / 0 / 13 / 4

HEX #22F5D6

RGB 34 245 214

HSL 171.18, 0.91%, 0.55%

LAB 87.24, -54.01, 1.51

 

CMYK 0 / 86 / 22 / 4

HEX #F622C1

RGB 246 34 193

HSL 315, 0.92%, 0.55%

LAB 56.67, 85.5, -31.69

 

CMYK 21 / 0 / 86 / 4

HEX #C1F522

RGB 193 245 34

HSL 74.79, 0.91%, 0.55%

LAB 90.21, -41.31, 83.56

 

CMYK 86 / 21 / 0 / 4

HEX #22C1F5

RGB 34 193 245

HSL 194.79, 0.91%, 0.55%

LAB 72.94, -20.89, -36.54

 

CMYK 0 / 86 / 22 / 4

HEX #F622C1

RGB 246 34 193

HSL 315, 0.92%, 0.55%

LAB 56.67, 85.5, -31.69

 

CMYK 0 / 47 / 86 / 4

HEX #F58122

RGB 245 129 34

HSL 27.01, 0.91%, 0.55%

LAB 65.93, 38.85, 65.57

 

CMYK 86 / 0 / 64 / 4

HEX #22F557

RGB 34 245 87

HSL 135.07, 0.91%, 0.55%

LAB 85.17, -77.57, 60.78

 

CMYK 86 / 39 / 0 / 4

HEX #2296F5

RGB 34 150 245

HSL 207.01, 0.91%, 0.55%

LAB 60.56, 2.9, -56.02

 

CMYK 0 / 86 / 22 / 4

HEX #F622C1

RGB 246 34 193

HSL 315, 0.92%, 0.55%

LAB 56.67, 85.5, -31.69

 

CMYK 0 / 21 / 86 / 4

HEX #F5C122

RGB 245 193 34

HSL 45.21, 0.91%, 0.55%

LAB 80.55, 5.5, 77.33

 

CMYK 86 / 0 / 64 / 4

HEX #22F557

RGB 34 245 87

HSL 135.07, 0.91%, 0.55%

LAB 85.17, -77.57, 60.78

 

CMYK 86 / 64 / 0 / 4

HEX #2257F5

RGB 34 87 245

HSL 224.93, 0.91%, 0.55%

LAB 43.87, 42.03, -83.04

 

Description

Color code: RGB 246 34 193 | qconv.com Color code: RGB 246 34 193 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 246 red, 34 green and 193 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
246 34 193 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 86 magenta, 22 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 86% 22% 4% C M Y K

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Provide designers and agencies with accurate color values.

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