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Color name
RGB 246 54 204

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 246 54 204 it is the complementary color RGB 9 201 51. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 246 54 204. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 246 54 204 shade: RGB 251 54 199, RGB 255 72 218, RGB 255 90 237, RGB 255 108 255 and RGB 255 126 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 246 54 204. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 246 54 204 shade: RGB 246 54 204, RGB 229 36 185, RGB 212 18 166, RGB 195 0 147 and RGB 178 0 128

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 246 54 204 shade: RGB 245 55 203, RGB 245 55 152, RGB 245 55 101 and RGB 245 55 55

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 246 54 204 shade: RGB 245 55 203, RGB 235 55 245, RGB 184 55 245, RGB 133 55 245 and RGB 81 55 245

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 246 54 204 shade matches the following richer shades: RGB 245 55 203

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 246 54 204 shade: RGB 245 55 203, RGB 228 72 194, RGB 211 89 184, RGB 194 106 175 and RGB 177 122 165

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 246 54 204 shade: RGB 185 55 245, RGB 236 55 245, RGB 245 55 204, RGB 245 55 153 and RGB 245 55 102

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 246 54 204 shade: RGB 208 9 165, RGB 243 15 193, RGB 245 55 203, RGB 247 94 214 and RGB 249 134 224

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 246 54 204 shade: RGB 246 54 204, RGB 245 134 55 and RGB 55 245 210

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 246 54 204 shade: RGB 246 54 204, RGB 204 245 55 and RGB 55 204 245

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 246 54 204 shade: RGB 246 54 204, RGB 245 134 55, RGB 55 245 96 and RGB 55 166 245

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 246 54 204 shade: RGB 246 54 204, RGB 245 191 55, RGB 55 245 96 and RGB 55 109 245

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 78 / 17 / 4

HEX #F636CC

RGB 246 54 204

HSL 313.13, 0.91%, 0.59%

LAB 58.59, 82.71, -35

Complementary color

CMYK 96 / 0 / 75 / 21

HEX #09C933

RGB 9 201 51

HSL 133.13, 0.91%, 0.41%

LAB 70.92, -69.54, 59.28

 

CMYK 0 / 78 / 21 / 2

HEX #FB36C7

RGB 251 54 199

HSL 315.84, 0.96%, 0.6%

LAB 59.22, 83.15, -31.1

 

CMYK 0 / 72 / 15 / 0

HEX #FF48DA

RGB 255 72 218

HSL 312.13, 1%, 0.64%

LAB 62.47, 81.46, -36.78

 

CMYK 0 / 65 / 7 / 0

HEX #FF5AED

RGB 255 90 237

HSL 306.55, 1%, 0.68%

LAB 65.5, 78.04, -42.65

 

CMYK 0 / 58 / 0 / 0

HEX #FF6CFF

RGB 255 108 255

HSL 300, 1%, 0.71%

LAB 68.9, 73.78, -47.23

 

CMYK 0 / 51 / 0 / 0

HEX #FF7EFF

RGB 255 126 255

HSL 300, 1%, 0.75%

LAB 71.83, 65.87, -42.63

 

CMYK 0 / 78 / 17 / 4

HEX #F636CC

RGB 246 54 204

HSL 313.13, 0.91%, 0.59%

LAB 58.59, 82.71, -35

 

CMYK 0 / 84 / 19 / 10

HEX #E524B9

RGB 229 36 185

HSL 313.68, 0.79%, 0.52%

LAB 53.41, 80.76, -32.37

 

CMYK 0 / 92 / 22 / 17

HEX #D412A6

RGB 212 18 166

HSL 314.23, 0.84%, 0.45%

LAB 48.49, 77.83, -29.11

 

CMYK 0 / 100 / 25 / 24

HEX #C30093

RGB 195 0 147

HSL 314.77, 1%, 0.38%

LAB 43.81, 73.98, -25.24

 

CMYK 0 / 100 / 28 / 30

HEX #B20080

RGB 178 0 128

HSL 316.85, 1%, 0.35%

LAB 39.62, 68.44, -20.34

 

CMYK 0 / 78 / 17 / 4

HEX #F537CB

RGB 245 55 203

HSL 313.26, 0.9%, 0.59%

LAB 58.47, 82.11, -34.64

 

CMYK 0 / 78 / 38 / 4

HEX #F53798

RGB 245 55 152

HSL 329.37, 0.9%, 0.59%

LAB 56.5, 76.31, -8.06

 

CMYK 0 / 78 / 59 / 4

HEX #F53765

RGB 245 55 101

HSL 345.47, 0.9%, 0.59%

LAB 55.16, 72.21, 20.35

 

CMYK 0 / 78 / 78 / 4

HEX #F53737

RGB 245 55 55

HSL 0, 0.9%, 0.59%

LAB 54.47, 70.04, 46.04

 

CMYK 0 / 78 / 17 / 4

HEX #F537CB

RGB 245 55 203

HSL 313.26, 0.9%, 0.59%

LAB 58.47, 82.11, -34.64

 

CMYK 4 / 78 / 0 / 4

HEX #EB37F5

RGB 235 55 245

HSL 296.84, 0.9%, 0.59%

LAB 58.96, 86.11, -57.65

 

CMYK 25 / 78 / 0 / 4

HEX #B837F5

RGB 184 55 245

HSL 280.74, 0.9%, 0.59%

LAB 51.28, 77.07, -70.41

 

CMYK 46 / 78 / 0 / 4

HEX #8537F5

RGB 133 55 245

HSL 264.63, 0.9%, 0.59%

LAB 44.68, 69.25, -81.47

 

CMYK 67 / 78 / 0 / 4

HEX #5137F5

RGB 81 55 245

HSL 248.21, 0.9%, 0.59%

LAB 39.71, 63.31, -89.83

 

CMYK 0 / 78 / 17 / 4

HEX #F537CB

RGB 245 55 203

HSL 313.26, 0.9%, 0.59%

LAB 58.47, 82.11, -34.64

 

CMYK 0 / 78 / 17 / 4

HEX #F537CB

RGB 245 55 203

HSL 313.26, 0.9%, 0.59%

LAB 58.47, 82.11, -34.64

 

CMYK 0 / 68 / 15 / 11

HEX #E448C2

RGB 228 72 194

HSL 313.08, 0.74%, 0.59%

LAB 57.1, 71.86, -31.83

 

CMYK 0 / 58 / 13 / 17

HEX #D359B8

RGB 211 89 184

HSL 313.28, 0.58%, 0.59%

LAB 56.54, 59.15, -27.15

 

CMYK 0 / 45 / 10 / 24

HEX #C26AAF

RGB 194 106 175

HSL 312.95, 0.42%, 0.59%

LAB 56.95, 44.42, -21.53

 

CMYK 0 / 31 / 7 / 31

HEX #B17AA5

RGB 177 122 165

HSL 313.09, 0.26%, 0.59%

LAB 58.02, 28.35, -14.33

 

CMYK 24 / 78 / 0 / 4

HEX #B937F5

RGB 185 55 245

HSL 281.05, 0.9%, 0.59%

LAB 51.43, 77.24, -70.17

 

CMYK 4 / 78 / 0 / 4

HEX #EC37F5

RGB 236 55 245

HSL 297.16, 0.9%, 0.59%

LAB 59.12, 86.29, -57.39

 

CMYK 0 / 78 / 17 / 4

HEX #F537CC

RGB 245 55 204

HSL 312.95, 0.9%, 0.59%

LAB 58.51, 82.24, -35.14

 

CMYK 0 / 78 / 38 / 4

HEX #F53799

RGB 245 55 153

HSL 329.05, 0.9%, 0.59%

LAB 56.53, 76.41, -8.6

 

CMYK 0 / 78 / 58 / 4

HEX #F53766

RGB 245 55 102

HSL 345.16, 0.9%, 0.59%

LAB 55.18, 72.27, 19.78

 

CMYK 0 / 96 / 21 / 18

HEX #D009A5

RGB 208 9 165

HSL 312.96, 0.92%, 0.43%

LAB 47.39, 77.82, -30.28

 

CMYK 0 / 94 / 21 / 5

HEX #F30FC1

RGB 243 15 193

HSL 313.16, 0.9%, 0.51%

LAB 55.33, 87.27, -33.83

 

CMYK 0 / 78 / 17 / 4

HEX #F537CB

RGB 245 55 203

HSL 313.26, 0.9%, 0.59%

LAB 58.47, 82.11, -34.64

 

CMYK 0 / 62 / 13 / 3

HEX #F75ED6

RGB 247 94 214

HSL 312.94, 0.91%, 0.67%

LAB 63.86, 71.14, -32.45

 

CMYK 0 / 46 / 10 / 2

HEX #F986E0

RGB 249 134 224

HSL 313.04, 0.91%, 0.75%

LAB 71.26, 55.26, -26.58

 

CMYK 0 / 78 / 17 / 4

HEX #F636CC

RGB 246 54 204

HSL 313.13, 0.91%, 0.59%

LAB 58.59, 82.71, -35

 

CMYK 0 / 45 / 78 / 4

HEX #F58637

RGB 245 134 55

HSL 24.95, 0.9%, 0.59%

LAB 67.08, 36.92, 58.66

 

CMYK 78 / 0 / 14 / 4

HEX #37F5D2

RGB 55 245 210

HSL 168.95, 0.9%, 0.59%

LAB 87.37, -53.41, 3.81

 

CMYK 0 / 78 / 17 / 4

HEX #F636CC

RGB 246 54 204

HSL 313.13, 0.91%, 0.59%

LAB 58.59, 82.71, -35

 

CMYK 17 / 0 / 78 / 4

HEX #CCF537

RGB 204 245 55

HSL 72.95, 0.9%, 0.59%

LAB 90.97, -36.39, 79.6

 

CMYK 78 / 17 / 0 / 4

HEX #37CCF5

RGB 55 204 245

HSL 192.95, 0.9%, 0.59%

LAB 76.43, -24.81, -31.12

 

CMYK 0 / 78 / 17 / 4

HEX #F636CC

RGB 246 54 204

HSL 313.13, 0.91%, 0.59%

LAB 58.59, 82.71, -35

 

CMYK 0 / 45 / 78 / 4

HEX #F58637

RGB 245 134 55

HSL 24.95, 0.9%, 0.59%

LAB 67.08, 36.92, 58.66

 

CMYK 78 / 0 / 61 / 4

HEX #37F560

RGB 55 245 96

HSL 132.95, 0.9%, 0.59%

LAB 85.48, -74.54, 57.48

 

CMYK 78 / 32 / 0 / 4

HEX #37A6F5

RGB 55 166 245

HSL 204.95, 0.9%, 0.59%

LAB 65.5, -4.56, -48.16

 

CMYK 0 / 78 / 17 / 4

HEX #F636CC

RGB 246 54 204

HSL 313.13, 0.91%, 0.59%

LAB 58.59, 82.71, -35

 

CMYK 0 / 22 / 78 / 4

HEX #F5BF37

RGB 245 191 55

HSL 42.95, 0.9%, 0.59%

LAB 80.15, 7.14, 70.96

 

CMYK 78 / 0 / 61 / 4

HEX #37F560

RGB 55 245 96

HSL 132.95, 0.9%, 0.59%

LAB 85.48, -74.54, 57.48

 

CMYK 78 / 56 / 0 / 4

HEX #376DF5

RGB 55 109 245

HSL 222.95, 0.9%, 0.59%

LAB 49.91, 29.85, -73.14

 

Description

Color code: RGB 246 54 204 | qconv.com Color code: RGB 246 54 204 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 246 red, 54 green and 204 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
246 54 204 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 78 magenta, 17 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 78% 17% 4% C M Y K

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Provide designers and agencies with accurate color values.

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