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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 246 59 215 it is the complementary color RGB 9 196 40. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 246 59 215. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 246 59 215 shade: RGB 251 59 210, RGB 255 77 229, RGB 255 95 248, RGB 255 113 255 and RGB 255 131 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 246 59 215. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 246 59 215 shade: RGB 246 59 215, RGB 229 41 196, RGB 212 23 177, RGB 195 5 158 and RGB 178 0 139

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 246 59 215 shade: RGB 245 60 215, RGB 245 60 164, RGB 245 60 114, RGB 245 60 64 and RGB 245 60 60

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 246 59 215 shade: RGB 245 60 215, RGB 226 60 245, RGB 176 60 245, RGB 126 60 245 and RGB 76 60 245

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 246 59 215 shade matches the following richer shades: RGB 245 60 215

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 246 59 215 shade: RGB 245 60 215, RGB 229 76 204, RGB 212 93 192, RGB 196 109 181 and RGB 179 126 170

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 246 59 215 shade: RGB 174 60 245, RGB 224 60 245, RGB 245 60 217, RGB 245 60 168 and RGB 245 60 118

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 246 59 215 shade: RGB 213 10 179, RGB 243 20 206, RGB 245 60 215, RGB 247 99 223 and RGB 249 138 231

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 246 59 215 shade: RGB 246 59 215, RGB 245 125 60 and RGB 60 245 199

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 246 59 215 shade: RGB 246 59 215, RGB 217 245 60 and RGB 60 217 245

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 246 59 215 shade: RGB 246 59 215, RGB 245 125 60, RGB 60 245 88 and RGB 60 180 245

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 246 59 215 shade: RGB 246 59 215, RGB 245 180 60, RGB 60 245 88 and RGB 60 125 245

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 76 / 13 / 4

HEX #F63BD7

RGB 246 59 215

HSL 309.95, 0.91%, 0.6%

LAB 59.55, 82.86, -39.76

 

Complementary color

CMYK 95 / 0 / 80 / 23

HEX #09C428

RGB 9 196 40

HSL 129.95, 0.91%, 0.4%

LAB 69.25, -68.89, 61.16

 

CMYK 0 / 76 / 16 / 2

HEX #FB3BD2

RGB 251 59 210

HSL 312.81, 0.96%, 0.61%

LAB 60.15, 83.26, -35.93

 

CMYK 0 / 70 / 10 / 0

HEX #FF4DE5

RGB 255 77 229

HSL 308.76, 1%, 0.65%

LAB 63.53, 81.39, -41.29

 

CMYK 0 / 63 / 3 / 0

HEX #FF5FF8

RGB 255 95 248

HSL 302.63, 1%, 0.69%

LAB 66.69, 77.85, -46.86

 

CMYK 0 / 56 / 0 / 0

HEX #FF71FF

RGB 255 113 255

HSL 300, 1%, 0.72%

LAB 69.68, 71.66, -46.01

 

CMYK 0 / 49 / 0 / 0

HEX #FF83FF

RGB 255 131 255

HSL 300, 1%, 0.76%

LAB 72.7, 63.55, -41.27

 

CMYK 0 / 76 / 13 / 4

HEX #F63BD7

RGB 246 59 215

HSL 309.95, 0.91%, 0.6%

LAB 59.55, 82.86, -39.76

 

CMYK 0 / 82 / 14 / 10

HEX #E529C4

RGB 229 41 196

HSL 310.53, 0.78%, 0.53%

LAB 54.27, 81.16, -37.39

 

CMYK 0 / 89 / 17 / 17

HEX #D417B1

RGB 212 23 177

HSL 311.11, 0.8%, 0.46%

LAB 49.23, 78.54, -34.45

 

CMYK 0 / 97 / 19 / 24

HEX #C3059E

RGB 195 5 158

HSL 311.68, 0.95%, 0.39%

LAB 44.49, 74.84, -30.82

 

CMYK 0 / 100 / 22 / 30

HEX #B2008B

RGB 178 0 139

HSL 313.15, 1%, 0.35%

LAB 40.13, 69.73, -26.34

 

CMYK 0 / 76 / 12 / 4

HEX #F53CD7

RGB 245 60 215

HSL 309.73, 0.9%, 0.6%

LAB 59.48, 82.38, -39.88

 

CMYK 0 / 76 / 33 / 4

HEX #F53CA4

RGB 245 60 164

HSL 326.27, 0.9%, 0.6%

LAB 57.39, 76.15, -13.76

 

CMYK 0 / 76 / 53 / 4

HEX #F53C72

RGB 245 60 114

HSL 342.49, 0.9%, 0.6%

LAB 55.95, 71.66, 13.68

 

CMYK 0 / 76 / 74 / 4

HEX #F53C40

RGB 245 60 64

HSL 358.7, 0.9%, 0.6%

LAB 55.09, 68.9, 41.79

 

CMYK 0 / 76 / 76 / 4

HEX #F53C3C

RGB 245 60 60

HSL 0, 0.9%, 0.6%

LAB 55.04, 68.75, 43.94

 

CMYK 0 / 76 / 12 / 4

HEX #F53CD7

RGB 245 60 215

HSL 309.73, 0.9%, 0.6%

LAB 59.48, 82.38, -39.88

 

CMYK 8 / 76 / 0 / 4

HEX #E23CF5

RGB 226 60 245

HSL 293.84, 0.9%, 0.6%

LAB 58.03, 83.08, -59.22

 

CMYK 28 / 76 / 0 / 4

HEX #B03CF5

RGB 176 60 245

HSL 277.62, 0.9%, 0.6%

LAB 50.75, 74.05, -71.33

 

CMYK 49 / 76 / 0 / 4

HEX #7E3CF5

RGB 126 60 245

HSL 261.41, 0.9%, 0.6%

LAB 44.6, 66.25, -81.62

 

CMYK 69 / 76 / 0 / 4

HEX #4C3CF5

RGB 76 60 245

HSL 245.19, 0.9%, 0.6%

LAB 40.18, 60.48, -89.06

 

CMYK 0 / 76 / 12 / 4

HEX #F53CD7

RGB 245 60 215

HSL 309.73, 0.9%, 0.6%

LAB 59.48, 82.38, -39.88

 

CMYK 0 / 76 / 12 / 4

HEX #F53CD7

RGB 245 60 215

HSL 309.73, 0.9%, 0.6%

LAB 59.48, 82.38, -39.88

 

CMYK 0 / 67 / 11 / 10

HEX #E54CCC

RGB 229 76 204

HSL 309.8, 0.75%, 0.6%

LAB 58.21, 72.1, -35.8

 

CMYK 0 / 56 / 9 / 17

HEX #D45DC0

RGB 212 93 192

HSL 310.08, 0.58%, 0.6%

LAB 57.69, 58.89, -29.96

 

CMYK 0 / 44 / 8 / 23

HEX #C46DB5

RGB 196 109 181

HSL 310.34, 0.42%, 0.6%

LAB 58.05, 44.51, -23.28

 

CMYK 0 / 30 / 5 / 30

HEX #B37EAA

RGB 179 126 170

HSL 310.19, 0.26%, 0.6%

LAB 59.35, 27.72, -15.17

 

CMYK 29 / 76 / 0 / 4

HEX #AE3CF5

RGB 174 60 245

HSL 276.97, 0.9%, 0.6%

LAB 50.48, 73.71, -71.78

 

CMYK 9 / 76 / 0 / 4

HEX #E03CF5

RGB 224 60 245

HSL 293.19, 0.9%, 0.6%

LAB 57.72, 82.7, -59.73

 

CMYK 0 / 76 / 11 / 4

HEX #F53CD9

RGB 245 60 217

HSL 309.08, 0.9%, 0.6%

LAB 59.57, 82.65, -40.86

 

CMYK 0 / 76 / 31 / 4

HEX #F53CA8

RGB 245 60 168

HSL 324.97, 0.9%, 0.6%

LAB 57.53, 76.58, -15.89

 

CMYK 0 / 76 / 52 / 4

HEX #F53C76

RGB 245 60 118

HSL 341.19, 0.9%, 0.6%

LAB 56.04, 71.95, 11.43

 

CMYK 0 / 95 / 16 / 16

HEX #D50AB3

RGB 213 10 179

HSL 310.05, 0.91%, 0.44%

LAB 49.03, 80.41, -35.93

 

CMYK 0 / 92 / 15 / 5

HEX #F314CE

RGB 243 20 206

HSL 309.96, 0.9%, 0.52%

LAB 56.1, 88.37, -40.09

 

CMYK 0 / 76 / 12 / 4

HEX #F53CD7

RGB 245 60 215

HSL 309.73, 0.9%, 0.6%

LAB 59.48, 82.38, -39.88

 

CMYK 0 / 60 / 10 / 3

HEX #F763DF

RGB 247 99 223

HSL 309.73, 0.9%, 0.68%

LAB 64.98, 70.45, -35.76

 

CMYK 0 / 45 / 7 / 2

HEX #F98AE7

RGB 249 138 231

HSL 309.73, 0.9%, 0.76%

LAB 72.29, 54.43, -28.86

 

CMYK 0 / 76 / 13 / 4

HEX #F63BD7

RGB 246 59 215

HSL 309.95, 0.91%, 0.6%

LAB 59.55, 82.86, -39.76

 

CMYK 0 / 49 / 76 / 4

HEX #F57D3C

RGB 245 125 60

HSL 21.08, 0.9%, 0.6%

LAB 65.28, 41.65, 54.66

 

CMYK 76 / 0 / 19 / 4

HEX #3CF5C7

RGB 60 245 199

HSL 165.08, 0.9%, 0.6%

LAB 87.19, -55.58, 9.29

 

CMYK 0 / 76 / 13 / 4

HEX #F63BD7

RGB 246 59 215

HSL 309.95, 0.91%, 0.6%

LAB 59.55, 82.86, -39.76

 

CMYK 11 / 0 / 76 / 4

HEX #D9F53C

RGB 217 245 60

HSL 69.08, 0.9%, 0.6%

LAB 91.86, -31.07, 79.29

 

CMYK 76 / 11 / 0 / 4

HEX #3CD9F5

RGB 60 217 245

HSL 189.08, 0.9%, 0.6%

LAB 80.28, -30.69, -25.21

 

CMYK 0 / 76 / 13 / 4

HEX #F63BD7

RGB 246 59 215

HSL 309.95, 0.91%, 0.6%

LAB 59.55, 82.86, -39.76

 

CMYK 0 / 49 / 76 / 4

HEX #F57D3C

RGB 245 125 60

HSL 21.08, 0.9%, 0.6%

LAB 65.28, 41.65, 54.66

 

CMYK 76 / 0 / 64 / 4

HEX #3CF558

RGB 60 245 88

HSL 129.08, 0.9%, 0.6%

LAB 85.49, -74.76, 60.83

 

CMYK 76 / 27 / 0 / 4

HEX #3CB4F5

RGB 60 180 245

HSL 201.08, 0.9%, 0.6%

LAB 69.61, -11.76, -41.69

 

CMYK 0 / 76 / 13 / 4

HEX #F63BD7

RGB 246 59 215

HSL 309.95, 0.91%, 0.6%

LAB 59.55, 82.86, -39.76

 

CMYK 0 / 27 / 76 / 4

HEX #F5B43C

RGB 245 180 60

HSL 38.92, 0.9%, 0.6%

LAB 77.51, 13.08, 66.69

 

CMYK 76 / 0 / 64 / 4

HEX #3CF558

RGB 60 245 88

HSL 129.08, 0.9%, 0.6%

LAB 85.49, -74.76, 60.83

 

CMYK 76 / 49 / 0 / 4

HEX #3C7DF5

RGB 60 125 245

HSL 218.92, 0.9%, 0.6%

LAB 54.26, 20.39, -66.09

 

Description

Color code: RGB 246 59 215 | qconv.com Color code: RGB 246 59 215 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 246 red, 59 green and 215 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
246 59 215 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 76 magenta, 13 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 76% 13% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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