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Color name
RGB 246 80 238

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 246 80 238 it is the complementary color RGB 9 175 17. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 246 80 238. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 246 80 238 shade: RGB 251 80 233, RGB 255 98 252, RGB 255 116 255, RGB 255 134 255 and RGB 255 152 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 246 80 238. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 246 80 238 shade: RGB 246 80 238, RGB 229 62 219, RGB 212 44 200, RGB 195 26 181 and RGB 178 8 162

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 246 80 238 shade: RGB 245 80 237, RGB 245 80 193, RGB 245 80 148, RGB 245 80 104 and RGB 245 80 80

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 246 80 238 shade: RGB 245 80 237, RGB 209 80 245, RGB 164 80 245, RGB 120 80 245 and RGB 80 80 245

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 246 80 238 shade matches the following richer shades: RGB 245 80 237

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 246 80 238 shade: RGB 245 80 237, RGB 230 95 224, RGB 216 110 211, RGB 201 125 197 and RGB 186 139 184

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 246 80 238 shade: RGB 163 80 245, RGB 207 80 245, RGB 245 80 240, RGB 245 80 196 and RGB 245 80 152

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 246 80 238 shade: RGB 231 12 221, RGB 243 41 234, RGB 245 80 237, RGB 247 119 241 and RGB 249 158 245

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 246 80 238 shade: RGB 246 80 238, RGB 245 119 80 and RGB 80 245 185

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 246 80 238 shade: RGB 246 80 238, RGB 240 245 80 and RGB 80 240 245

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 246 80 238 shade: RGB 246 80 238, RGB 245 119 80, RGB 80 245 86 and RGB 80 207 245

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 246 80 238 shade: RGB 246 80 238, RGB 245 168 80, RGB 80 245 86 and RGB 80 157 245

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 67 / 3 / 4

HEX #F650EE

RGB 246 80 238

HSL 302.89, 0.9%, 0.64%

LAB 62.93, 79.72, -47.34

 

Complementary color

CMYK 95 / 0 / 90 / 31

HEX #09AF11

RGB 9 175 17

HSL 122.89, 0.9%, 0.36%

LAB 62.3, -64.09, 60.42

 

CMYK 0 / 68 / 7 / 2

HEX #FB50E9

RGB 251 80 233

HSL 306.32, 0.96%, 0.65%

LAB 63.45, 80.08, -43.69

 

CMYK 0 / 62 / 1 / 0

HEX #FF62FC

RGB 255 98 252

HSL 301.15, 1%, 0.69%

LAB 67.29, 77.33, -48.11

 

CMYK 0 / 55 / 0 / 0

HEX #FF74FF

RGB 255 116 255

HSL 300, 1%, 0.73%

LAB 70.16, 70.36, -45.25

 

CMYK 0 / 47 / 0 / 0

HEX #FF86FF

RGB 255 134 255

HSL 300, 1%, 0.76%

LAB 73.24, 62.13, -40.43

 

CMYK 0 / 40 / 0 / 0

HEX #FF98FF

RGB 255 152 255

HSL 300, 1%, 0.8%

LAB 76.64, 53.33, -35.15

 

CMYK 0 / 67 / 3 / 4

HEX #F650EE

RGB 246 80 238

HSL 302.89, 0.9%, 0.64%

LAB 62.93, 79.72, -47.34

 

CMYK 0 / 73 / 4 / 10

HEX #E53EDB

RGB 229 62 219

HSL 303.59, 0.76%, 0.57%

LAB 57.29, 79, -45.78

 

CMYK 0 / 79 / 6 / 17

HEX #D42CC8

RGB 212 44 200

HSL 304.29, 0.66%, 0.5%

LAB 51.8, 77.63, -43.79

 

CMYK 0 / 87 / 7 / 24

HEX #C31AB5

RGB 195 26 181

HSL 304.97, 0.76%, 0.43%

LAB 46.55, 75.37, -41.24

 

CMYK 0 / 96 / 9 / 30

HEX #B208A2

RGB 178 8 162

HSL 305.65, 0.91%, 0.36%

LAB 41.61, 71.92, -37.98

 

CMYK 0 / 67 / 3 / 4

HEX #F550ED

RGB 245 80 237

HSL 302.91, 0.89%, 0.64%

LAB 62.73, 79.34, -47.11

 

CMYK 0 / 67 / 21 / 4

HEX #F550C1

RGB 245 80 193

HSL 318.91, 0.89%, 0.64%

LAB 60.78, 73.08, -25.35

 

CMYK 0 / 67 / 40 / 4

HEX #F55094

RGB 245 80 148

HSL 335.27, 0.89%, 0.64%

LAB 59.24, 67.88, -1.66

 

CMYK 0 / 67 / 58 / 4

HEX #F55068

RGB 245 80 104

HSL 351.27, 0.89%, 0.64%

LAB 58.18, 64.17, 22.63

 

CMYK 0 / 67 / 67 / 4

HEX #F55050

RGB 245 80 80

HSL 0, 0.89%, 0.64%

LAB 57.78, 62.74, 35.95

 

CMYK 0 / 67 / 3 / 4

HEX #F550ED

RGB 245 80 237

HSL 302.91, 0.89%, 0.64%

LAB 62.73, 79.34, -47.11

 

CMYK 15 / 67 / 0 / 4

HEX #D150F5

RGB 209 80 245

HSL 286.91, 0.89%, 0.64%

LAB 57.93, 72.89, -59.52

 

CMYK 33 / 67 / 0 / 4

HEX #A450F5

RGB 164 80 245

HSL 270.55, 0.89%, 0.64%

LAB 52.09, 63.74, -69.23

 

CMYK 51 / 67 / 0 / 4

HEX #7850F5

RGB 120 80 245

HSL 254.55, 0.89%, 0.64%

LAB 47.4, 55.82, -77.07

 

CMYK 67 / 67 / 0 / 4

HEX #5050F5

RGB 80 80 245

HSL 240, 0.89%, 0.64%

LAB 44.28, 50.18, -82.29

 

CMYK 0 / 67 / 3 / 4

HEX #F550ED

RGB 245 80 237

HSL 302.91, 0.89%, 0.64%

LAB 62.73, 79.34, -47.11

 

CMYK 0 / 67 / 3 / 4

HEX #F550ED

RGB 245 80 237

HSL 302.91, 0.89%, 0.64%

LAB 62.73, 79.34, -47.11

 

CMYK 0 / 59 / 3 / 10

HEX #E65FE0

RGB 230 95 224

HSL 302.67, 0.73%, 0.64%

LAB 61.99, 67.95, -41.17

 

CMYK 0 / 49 / 2 / 15

HEX #D86ED3

RGB 216 110 211

HSL 302.83, 0.58%, 0.64%

LAB 62.04, 55.18, -33.93

 

CMYK 0 / 38 / 2 / 21

HEX #C97DC5

RGB 201 125 197

HSL 303.16, 0.41%, 0.64%

LAB 62.61, 40.5, -25.32

 

CMYK 0 / 25 / 1 / 27

HEX #BA8BB8

RGB 186 139 184

HSL 302.55, 0.25%, 0.64%

LAB 63.64, 25.48, -16.56

 

CMYK 33 / 67 / 0 / 4

HEX #A350F5

RGB 163 80 245

HSL 270.18, 0.89%, 0.64%

LAB 51.97, 63.54, -69.43

 

CMYK 16 / 67 / 0 / 4

HEX #CF50F5

RGB 207 80 245

HSL 286.18, 0.89%, 0.64%

LAB 57.65, 72.47, -59.98

 

CMYK 0 / 67 / 2 / 4

HEX #F550F0

RGB 245 80 240

HSL 301.82, 0.89%, 0.64%

LAB 62.88, 79.8, -48.55

 

CMYK 0 / 67 / 20 / 4

HEX #F550C4

RGB 245 80 196

HSL 317.82, 0.89%, 0.64%

LAB 60.9, 73.47, -26.87

 

CMYK 0 / 67 / 38 / 4

HEX #F55098

RGB 245 80 152

HSL 333.82, 0.89%, 0.64%

LAB 59.36, 68.29, -3.82

 

CMYK 0 / 95 / 4 / 9

HEX #E70CDD

RGB 231 12 221

HSL 302.74, 0.9%, 0.48%

LAB 54.52, 88.97, -51.28

 

CMYK 0 / 83 / 4 / 5

HEX #F329EA

RGB 243 41 234

HSL 302.67, 0.89%, 0.56%

LAB 58.58, 89.04, -52.03

 

CMYK 0 / 67 / 3 / 4

HEX #F550ED

RGB 245 80 237

HSL 302.91, 0.89%, 0.64%

LAB 62.73, 79.34, -47.11

 

CMYK 0 / 52 / 2 / 3

HEX #F777F1

RGB 247 119 241

HSL 302.81, 0.89%, 0.72%

LAB 68.98, 64.59, -39.5

 

CMYK 0 / 37 / 2 / 2

HEX #F99EF5

RGB 249 158 245

HSL 302.64, 0.88%, 0.8%

LAB 76.79, 46.73, -29.57

 

CMYK 0 / 67 / 3 / 4

HEX #F650EE

RGB 246 80 238

HSL 302.89, 0.9%, 0.64%

LAB 62.93, 79.72, -47.34

 

CMYK 0 / 51 / 67 / 4

HEX #F57750

RGB 245 119 80

HSL 14.18, 0.89%, 0.64%

LAB 64.31, 45.54, 43.69

 

CMYK 67 / 0 / 24 / 4

HEX #50F5B9

RGB 80 245 185

HSL 158.18, 0.89%, 0.64%

LAB 87.25, -56.15, 16.68

 

CMYK 0 / 67 / 3 / 4

HEX #F650EE

RGB 246 80 238

HSL 302.89, 0.9%, 0.64%

LAB 62.93, 79.72, -47.34

 

CMYK 2 / 0 / 67 / 4

HEX #F0F550

RGB 240 245 80

HSL 61.82, 0.89%, 0.64%

LAB 93.63, -20.92, 74.96

 

CMYK 67 / 2 / 0 / 4

HEX #50F0F5

RGB 80 240 245

HSL 181.82, 0.89%, 0.64%

LAB 87.3, -39.09, -14.56

 

CMYK 0 / 67 / 3 / 4

HEX #F650EE

RGB 246 80 238

HSL 302.89, 0.9%, 0.64%

LAB 62.93, 79.72, -47.34

 

CMYK 0 / 51 / 67 / 4

HEX #F57750

RGB 245 119 80

HSL 14.18, 0.89%, 0.64%

LAB 64.31, 45.54, 43.69

 

CMYK 67 / 0 / 65 / 4

HEX #50F556

RGB 80 245 86

HSL 122.18, 0.89%, 0.64%

LAB 85.85, -71.82, 62.13

 

CMYK 67 / 16 / 0 / 4

HEX #50CFF5

RGB 80 207 245

HSL 193.82, 0.89%, 0.64%

LAB 77.83, -23.29, -28.92

 

CMYK 0 / 67 / 3 / 4

HEX #F650EE

RGB 246 80 238

HSL 302.89, 0.9%, 0.64%

LAB 62.93, 79.72, -47.34

 

CMYK 0 / 31 / 67 / 4

HEX #F5A850

RGB 245 168 80

HSL 32, 0.89%, 0.64%

LAB 74.82, 20.34, 55.51

 

CMYK 67 / 0 / 65 / 4

HEX #50F556

RGB 80 245 86

HSL 122.18, 0.89%, 0.64%

LAB 85.85, -71.82, 62.13

 

CMYK 67 / 36 / 0 / 4

HEX #509DF5

RGB 80 157 245

HSL 212, 0.89%, 0.64%

LAB 63.68, 3.82, -50.98

 

Description

Color code: RGB 246 80 238 | qconv.com Color code: RGB 246 80 238 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 246 red, 80 green and 238 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
246 80 238 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 67 magenta, 3 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 67% 3% 4% C M Y K

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Provide designers and agencies with accurate color values.

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