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Color name
RGB 247 196 119

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 247 196 119 it is the complementary color RGB 8 59 136. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 247 196 119. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 247 196 119 shade: RGB 252 196 114, RGB 255 214 133, RGB 255 232 152, RGB 255 250 171 and RGB 255 255 190

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 247 196 119. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 247 196 119 shade: RGB 247 196 119, RGB 230 178 100, RGB 213 160 81, RGB 196 142 62 and RGB 179 124 43

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 247 196 119 shade: RGB 247 196 120, RGB 247 162 120, RGB 247 127 120 and RGB 247 120 120

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 247 196 119 shade: RGB 247 196 120, RGB 247 230 120, RGB 229 247 120, RGB 194 247 120 and RGB 160 247 120

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 247 196 119 shade matches the following richer shades: RGB 247 196 120

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 247 196 119 shade: RGB 247 196 120, RGB 235 194 131, RGB 224 191 143, RGB 212 189 154 and RGB 200 187 166

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 247 196 119 shade: RGB 247 128 120, RGB 247 162 120, RGB 247 196 120, RGB 247 230 120 and RGB 230 247 120

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 247 196 119 shade: RGB 242 162 42, RGB 244 179 81, RGB 247 196 120, RGB 249 213 159 and RGB 251 230 198

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 247 196 119 shade: RGB 247 196 119, RGB 145 247 120 and RGB 145 120 247

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 247 196 119 shade: RGB 247 196 119, RGB 120 247 196 and RGB 196 120 247

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 247 196 119 shade: RGB 247 196 119, RGB 145 247 120, RGB 120 170 247 and RGB 221 120 247

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 247 196 119 shade: RGB 247 196 119, RGB 120 247 132, RGB 120 170 247 and RGB 247 120 234

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 21 / 52 / 3

HEX #F7C477

RGB 247 196 119

HSL 36.09, 0.89%, 0.72%

LAB 82.16, 9.21, 45.3

 

Complementary color

CMYK 94 / 57 / 0 / 47

HEX #083B88

RGB 8 59 136

HSL 216.09, 0.89%, 0.28%

LAB 26.61, 16.6, -47.22

 

CMYK 0 / 22 / 55 / 1

HEX #FCC472

RGB 252 196 114

HSL 35.65, 0.96%, 0.72%

LAB 82.59, 10.82, 48.41

 

CMYK 0 / 16 / 48 / 0

HEX #FFD685

RGB 255 214 133

HSL 39.84, 1%, 0.76%

LAB 87.51, 4.35, 45.16

 

CMYK 0 / 9 / 40 / 0

HEX #FFE898

RGB 255 232 152

HSL 46.6, 1%, 0.8%

LAB 92.24, -2.94, 41.73

 

CMYK 0 / 2 / 33 / 0

HEX #FFFAAB

RGB 255 250 171

HSL 56.43, 1%, 0.84%

LAB 97.05, -9.81, 38.56

 

CMYK 0 / 0 / 25 / 0

HEX #FFFFBE

RGB 255 255 190

HSL 60, 1%, 0.87%

LAB 98.63, -9.94, 31.16

 

CMYK 0 / 21 / 52 / 3

HEX #F7C477

RGB 247 196 119

HSL 36.09, 0.89%, 0.72%

LAB 82.16, 9.21, 45.3

 

CMYK 0 / 23 / 57 / 10

HEX #E6B264

RGB 230 178 100

HSL 36, 0.72%, 0.65%

LAB 75.81, 10.17, 46.64

 

CMYK 0 / 25 / 62 / 16

HEX #D5A051

RGB 213 160 81

HSL 35.91, 0.61%, 0.58%

LAB 69.39, 11.27, 47.99

 

CMYK 0 / 28 / 68 / 23

HEX #C48E3E

RGB 196 142 62

HSL 35.82, 0.53%, 0.51%

LAB 62.87, 12.56, 49.29

 

CMYK 0 / 31 / 76 / 30

HEX #B37C2B

RGB 179 124 43

HSL 35.74, 0.61%, 0.44%

LAB 56.26, 14.08, 50.35

 

CMYK 0 / 21 / 51 / 3

HEX #F7C478

RGB 247 196 120

HSL 35.91, 0.89%, 0.72%

LAB 82.17, 9.29, 44.82

 

CMYK 0 / 34 / 51 / 3

HEX #F7A278

RGB 247 162 120

HSL 19.84, 0.89%, 0.72%

LAB 74.17, 27.15, 34.73

 

CMYK 0 / 49 / 51 / 3

HEX #F77F78

RGB 247 127 120

HSL 3.31, 0.89%, 0.72%

LAB 66.76, 45.13, 25.01

 

CMYK 0 / 51 / 51 / 3

HEX #F77878

RGB 247 120 120

HSL 0, 0.89%, 0.72%

LAB 65.41, 48.56, 23.2

 

CMYK 0 / 21 / 51 / 3

HEX #F7C478

RGB 247 196 120

HSL 35.91, 0.89%, 0.72%

LAB 82.17, 9.29, 44.82

 

CMYK 0 / 7 / 51 / 3

HEX #F7E678

RGB 247 230 120

HSL 51.97, 0.89%, 0.72%

LAB 90.65, -8.08, 55.09

 

CMYK 7 / 0 / 51 / 3

HEX #E5F778

RGB 229 247 120

HSL 68.5, 0.89%, 0.72%

LAB 93.68, -23.48, 58.32

 

CMYK 21 / 0 / 51 / 3

HEX #C2F778

RGB 194 247 120

HSL 85.04, 0.89%, 0.72%

LAB 91.39, -36.61, 55.04

 

CMYK 35 / 0 / 51 / 3

HEX #A0F778

RGB 160 247 120

HSL 101.1, 0.89%, 0.72%

LAB 89.56, -48.29, 52.41

 

CMYK 0 / 21 / 51 / 3

HEX #F7C478

RGB 247 196 120

HSL 35.91, 0.89%, 0.72%

LAB 82.17, 9.29, 44.82

 

CMYK 0 / 21 / 51 / 3

HEX #F7C478

RGB 247 196 120

HSL 35.91, 0.89%, 0.72%

LAB 82.17, 9.29, 44.82

 

CMYK 0 / 17 / 44 / 8

HEX #EBC283

RGB 235 194 131

HSL 36.35, 0.72%, 0.72%

LAB 80.67, 6.54, 37.11

 

CMYK 0 / 15 / 36 / 12

HEX #E0BF8F

RGB 224 191 143

HSL 35.56, 0.57%, 0.72%

LAB 79.09, 5.07, 28.59

 

CMYK 0 / 11 / 27 / 17

HEX #D4BD9A

RGB 212 189 154

HSL 36.21, 0.4%, 0.72%

LAB 77.71, 2.85, 20.7

 

CMYK 0 / 7 / 17 / 22

HEX #C8BBA6

RGB 200 187 166

HSL 37.06, 0.24%, 0.72%

LAB 76.42, 1.11, 12.29

 

CMYK 0 / 48 / 51 / 3

HEX #F78078

RGB 247 128 120

HSL 3.78, 0.89%, 0.72%

LAB 66.95, 44.64, 25.27

 

CMYK 0 / 34 / 51 / 3

HEX #F7A278

RGB 247 162 120

HSL 19.84, 0.89%, 0.72%

LAB 74.17, 27.15, 34.73

 

CMYK 0 / 21 / 51 / 3

HEX #F7C478

RGB 247 196 120

HSL 35.91, 0.89%, 0.72%

LAB 82.17, 9.29, 44.82

 

CMYK 0 / 7 / 51 / 3

HEX #F7E678

RGB 247 230 120

HSL 51.97, 0.89%, 0.72%

LAB 90.65, -8.08, 55.09

 

CMYK 7 / 0 / 51 / 3

HEX #E6F778

RGB 230 247 120

HSL 68.03, 0.89%, 0.72%

LAB 93.75, -23.09, 58.42

 

CMYK 0 / 33 / 83 / 5

HEX #F2A22A

RGB 242 162 42

HSL 36, 0.88%, 0.56%

LAB 72.82, 20.68, 68.6

 

CMYK 0 / 27 / 67 / 4

HEX #F4B351

RGB 244 179 81

HSL 36.07, 0.88%, 0.64%

LAB 77.32, 14.19, 57.74

 

CMYK 0 / 21 / 51 / 3

HEX #F7C478

RGB 247 196 120

HSL 35.91, 0.89%, 0.72%

LAB 82.17, 9.29, 44.82

 

CMYK 0 / 14 / 36 / 2

HEX #F9D59F

RGB 249 213 159

HSL 36, 0.88%, 0.8%

LAB 87.11, 5.19, 31.37

 

CMYK 0 / 8 / 21 / 2

HEX #FBE6C6

RGB 251 230 198

HSL 36.23, 0.87%, 0.88%

LAB 92.21, 2.23, 18.2

 

CMYK 0 / 21 / 52 / 3

HEX #F7C477

RGB 247 196 119

HSL 36.09, 0.89%, 0.72%

LAB 82.16, 9.21, 45.3

 

CMYK 41 / 0 / 51 / 3

HEX #91F778

RGB 145 247 120

HSL 108.19, 0.89%, 0.72%

LAB 88.87, -52.97, 51.42

 

CMYK 41 / 51 / 0 / 3

HEX #9178F7

RGB 145 120 247

HSL 251.81, 0.89%, 0.72%

LAB 58.2, 39.19, -60.6

 

CMYK 0 / 21 / 52 / 3

HEX #F7C477

RGB 247 196 119

HSL 36.09, 0.89%, 0.72%

LAB 82.16, 9.21, 45.3

 

CMYK 51 / 0 / 21 / 3

HEX #78F7C4

RGB 120 247 196

HSL 155.91, 0.89%, 0.72%

LAB 89.16, -47.05, 13.84

 

CMYK 21 / 51 / 0 / 3

HEX #C478F7

RGB 196 120 247

HSL 275.91, 0.89%, 0.72%

LAB 63.25, 51.75, -52.25

 

CMYK 0 / 21 / 52 / 3

HEX #F7C477

RGB 247 196 119

HSL 36.09, 0.89%, 0.72%

LAB 82.16, 9.21, 45.3

 

CMYK 41 / 0 / 51 / 3

HEX #91F778

RGB 145 247 120

HSL 108.19, 0.89%, 0.72%

LAB 88.87, -52.97, 51.42

 

CMYK 51 / 31 / 0 / 3

HEX #78AAF7

RGB 120 170 247

HSL 216.38, 0.89%, 0.72%

LAB 69.08, 4.52, -43.45

 

CMYK 11 / 51 / 0 / 3

HEX #DD78F7

RGB 221 120 247

HSL 287.72, 0.89%, 0.72%

LAB 66.15, 58.28, -47.46

 

CMYK 0 / 21 / 52 / 3

HEX #F7C477

RGB 247 196 119

HSL 36.09, 0.89%, 0.72%

LAB 82.16, 9.21, 45.3

 

CMYK 51 / 0 / 47 / 3

HEX #78F784

RGB 120 247 132

HSL 125.67, 0.89%, 0.72%

LAB 88.06, -58.32, 44.55

 

CMYK 51 / 31 / 0 / 3

HEX #78AAF7

RGB 120 170 247

HSL 216.38, 0.89%, 0.72%

LAB 69.08, 4.52, -43.45

 

CMYK 0 / 51 / 5 / 3

HEX #F778EA

RGB 247 120 234

HSL 306.14, 0.89%, 0.72%

LAB 68.86, 62.97, -35.83

 

Description

Color code: RGB 247 196 119 | qconv.com Color code: RGB 247 196 119 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 247 red, 196 green and 119 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
247 196 119 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 21 magenta, 52 yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 21% 52% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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