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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 248 149 177 it is the complementary color RGB 7 106 78. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 248 149 177. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 248 149 177 shade: RGB 253 149 172, RGB 255 167 191, RGB 255 185 210, RGB 255 203 229 and RGB 255 221 248

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 248 149 177. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 248 149 177 shade: RGB 248 149 177, RGB 231 131 158, RGB 214 113 139, RGB 197 95 120 and RGB 180 77 101

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 248 149 177 shade: RGB 248 149 177, RGB 248 149 150 and RGB 248 149 149

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 248 149 177 shade: RGB 248 149 177, RGB 248 149 204, RGB 248 149 230, RGB 239 149 248 and RGB 212 149 248

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 248 149 177 shade matches the following richer shades: RGB 248 149 177

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 248 149 177 shade: RGB 248 149 177, RGB 239 158 181, RGB 230 167 185, RGB 221 176 189 and RGB 211 185 193

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 248 149 177 shade: RGB 248 149 230, RGB 248 149 203, RGB 248 149 177, RGB 248 149 151 and RGB 248 174 149

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 248 149 177 shade: RGB 243 71 120, RGB 245 110 148, RGB 248 149 177, RGB 250 188 205 and RGB 253 227 234

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 248 149 177 shade: RGB 248 149 177, RGB 248 240 149 and RGB 149 217 248

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 248 149 177 shade: RGB 248 149 177, RGB 177 248 149 and RGB 149 177 248

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 248 149 177 shade: RGB 248 149 177, RGB 248 240 149, RGB 149 248 220 and RGB 149 157 248

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 248 149 177 shade: RGB 248 149 177, RGB 226 248 149, RGB 149 248 220 and RGB 170 149 248

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 40 / 29 / 3

HEX #F895B1

RGB 248 149 177

HSL 343.03, 0.88%, 0.78%

LAB 72.64, 40.53, 1.49

 

Complementary color

CMYK 93 / 0 / 26 / 58

HEX #076A4E

RGB 7 106 78

HSL 163.03, 0.88%, 0.22%

LAB 39.42, -33.18, 8.54

 

CMYK 0 / 41 / 32 / 1

HEX #FD95AC

RGB 253 149 172

HSL 346.73, 0.96%, 0.79%

LAB 73.13, 41.64, 5.03

 

CMYK 0 / 35 / 25 / 0

HEX #FFA7BF

RGB 255 167 191

HSL 343.64, 1%, 0.83%

LAB 77.67, 35.53, 1.21

 

CMYK 0 / 27 / 18 / 0

HEX #FFB9D2

RGB 255 185 210

HSL 338.57, 1%, 0.86%

LAB 82.17, 28.87, -2.51

 

CMYK 0 / 20 / 10 / 0

HEX #FFCBE5

RGB 255 203 229

HSL 330, 1%, 0.9%

LAB 86.81, 22.41, -5.82

 

CMYK 0 / 13 / 3 / 0

HEX #FFDDF8

RGB 255 221 248

HSL 312.35, 1%, 0.93%

LAB 91.57, 16.23, -8.79

 

CMYK 0 / 40 / 29 / 3

HEX #F895B1

RGB 248 149 177

HSL 343.03, 0.88%, 0.78%

LAB 72.64, 40.53, 1.49

 

CMYK 0 / 43 / 32 / 9

HEX #E7839E

RGB 231 131 158

HSL 343.8, 0.68%, 0.71%

LAB 66.28, 41.4, 2.62

 

CMYK 0 / 47 / 35 / 16

HEX #D6718B

RGB 214 113 139

HSL 344.55, 0.55%, 0.64%

LAB 59.86, 42.31, 3.91

 

CMYK 0 / 52 / 39 / 23

HEX #C55F78

RGB 197 95 120

HSL 345.29, 0.47%, 0.57%

LAB 53.4, 43.22, 5.4

 

CMYK 0 / 57 / 44 / 29

HEX #B44D65

RGB 180 77 101

HSL 346.02, 0.41%, 0.5%

LAB 46.91, 44.1, 7.2

 

CMYK 0 / 40 / 29 / 3

HEX #F895B1

RGB 248 149 177

HSL 343.03, 0.88%, 0.78%

LAB 72.64, 40.53, 1.49

 

CMYK 0 / 40 / 40 / 3

HEX #F89596

RGB 248 149 150

HSL 359.39, 0.88%, 0.78%

LAB 72, 37.27, 15.52

 

CMYK 0 / 40 / 40 / 3

HEX #F89595

RGB 248 149 149

HSL 0, 0.88%, 0.78%

LAB 71.97, 37.16, 16.05

 

CMYK 0 / 40 / 29 / 3

HEX #F895B1

RGB 248 149 177

HSL 343.03, 0.88%, 0.78%

LAB 72.64, 40.53, 1.49

 

CMYK 0 / 40 / 18 / 3

HEX #F895CC

RGB 248 149 204

HSL 326.67, 0.88%, 0.78%

LAB 73.42, 44.33, -12.29

 

CMYK 0 / 40 / 7 / 3

HEX #F895E6

RGB 248 149 230

HSL 310.91, 0.88%, 0.78%

LAB 74.29, 48.45, -25.25

 

CMYK 4 / 40 / 0 / 3

HEX #EF95F8

RGB 239 149 248

HSL 294.55, 0.88%, 0.78%

LAB 73.95, 48.91, -35.67

 

CMYK 15 / 40 / 0 / 3

HEX #D495F8

RGB 212 149 248

HSL 278.18, 0.88%, 0.78%

LAB 71.06, 41.02, -40.39

 

CMYK 0 / 40 / 29 / 3

HEX #F895B1

RGB 248 149 177

HSL 343.03, 0.88%, 0.78%

LAB 72.64, 40.53, 1.49

 

CMYK 0 / 40 / 29 / 3

HEX #F895B1

RGB 248 149 177

HSL 343.03, 0.88%, 0.78%

LAB 72.64, 40.53, 1.49

 

CMYK 0 / 34 / 24 / 6

HEX #EF9EB5

RGB 239 158 181

HSL 342.96, 0.72%, 0.78%

LAB 73.64, 33.21, 0.59

 

CMYK 0 / 27 / 20 / 10

HEX #E6A7B9

RGB 230 167 185

HSL 342.86, 0.56%, 0.78%

LAB 74.8, 25.8, -0.02

 

CMYK 0 / 20 / 14 / 13

HEX #DDB0BD

RGB 221 176 189

HSL 342.67, 0.4%, 0.78%

LAB 76.13, 18.36, -0.38

 

CMYK 0 / 12 / 9 / 17

HEX #D3B9C1

RGB 211 185 193

HSL 341.54, 0.23%, 0.78%

LAB 77.52, 10.61, -0.63

 

CMYK 0 / 40 / 7 / 3

HEX #F895E6

RGB 248 149 230

HSL 310.91, 0.88%, 0.78%

LAB 74.29, 48.45, -25.25

 

CMYK 0 / 40 / 18 / 3

HEX #F895CB

RGB 248 149 203

HSL 327.27, 0.88%, 0.78%

LAB 73.39, 44.18, -11.79

 

CMYK 0 / 40 / 29 / 3

HEX #F895B1

RGB 248 149 177

HSL 343.03, 0.88%, 0.78%

LAB 72.64, 40.53, 1.49

 

CMYK 0 / 40 / 39 / 3

HEX #F89597

RGB 248 149 151

HSL 358.79, 0.88%, 0.78%

LAB 72.02, 37.38, 15

 

CMYK 0 / 30 / 40 / 3

HEX #F8AE95

RGB 248 174 149

HSL 15.15, 0.88%, 0.78%

LAB 77.52, 24.08, 23.68

 

CMYK 0 / 71 / 51 / 5

HEX #F34778

RGB 243 71 120

HSL 342.91, 0.88%, 0.62%

LAB 56.99, 68.03, 11.54

 

CMYK 0 / 55 / 40 / 4

HEX #F56E94

RGB 245 110 148

HSL 343.11, 0.87%, 0.7%

LAB 63.92, 55.28, 5.14

 

CMYK 0 / 40 / 29 / 3

HEX #F895B1

RGB 248 149 177

HSL 343.03, 0.88%, 0.78%

LAB 72.64, 40.53, 1.49

 

CMYK 0 / 25 / 18 / 2

HEX #FABCCD

RGB 250 188 205

HSL 343.55, 0.86%, 0.86%

LAB 82.22, 24.78, 0.19

 

CMYK 0 / 10 / 8 / 1

HEX #FDE3EA

RGB 253 227 234

HSL 343.85, 0.87%, 0.94%

LAB 92.47, 10.04, -0.16

 

CMYK 0 / 40 / 29 / 3

HEX #F895B1

RGB 248 149 177

HSL 343.03, 0.88%, 0.78%

LAB 72.64, 40.53, 1.49

 

CMYK 0 / 3 / 40 / 3

HEX #F8F095

RGB 248 240 149

HSL 55.15, 0.88%, 0.78%

LAB 93.64, -9.96, 44.89

 

CMYK 40 / 13 / 0 / 3

HEX #95D9F8

RGB 149 217 248

HSL 198.79, 0.88%, 0.78%

LAB 83.33, -13.66, -21.89

 

CMYK 0 / 40 / 29 / 3

HEX #F895B1

RGB 248 149 177

HSL 343.03, 0.88%, 0.78%

LAB 72.64, 40.53, 1.49

 

CMYK 29 / 0 / 40 / 3

HEX #B1F895

RGB 177 248 149

HSL 103.03, 0.88%, 0.78%

LAB 91.08, -39.59, 40.66

 

CMYK 40 / 29 / 0 / 3

HEX #95B1F8

RGB 149 177 248

HSL 223.03, 0.88%, 0.78%

LAB 72.64, 7.82, -38.32

 

CMYK 0 / 40 / 29 / 3

HEX #F895B1

RGB 248 149 177

HSL 343.03, 0.88%, 0.78%

LAB 72.64, 40.53, 1.49

 

CMYK 0 / 3 / 40 / 3

HEX #F8F095

RGB 248 240 149

HSL 55.15, 0.88%, 0.78%

LAB 93.64, -9.96, 44.89

 

CMYK 40 / 0 / 11 / 3

HEX #95F8DC

RGB 149 248 220

HSL 163.03, 0.88%, 0.78%

LAB 91.09, -35.38, 4.33

 

CMYK 40 / 37 / 0 / 3

HEX #959DF8

RGB 149 157 248

HSL 235.15, 0.88%, 0.78%

LAB 67.49, 19.14, -46.37

 

CMYK 0 / 40 / 29 / 3

HEX #F895B1

RGB 248 149 177

HSL 343.03, 0.88%, 0.78%

LAB 72.64, 40.53, 1.49

 

CMYK 9 / 0 / 40 / 3

HEX #E2F895

RGB 226 248 149

HSL 73.33, 0.88%, 0.78%

LAB 94.09, -22.21, 45.12

 

CMYK 40 / 0 / 11 / 3

HEX #95F8DC

RGB 149 248 220

HSL 163.03, 0.88%, 0.78%

LAB 91.09, -35.38, 4.33

 

CMYK 31 / 40 / 0 / 3

HEX #AA95F8

RGB 170 149 248

HSL 252.73, 0.88%, 0.78%

LAB 67.14, 29.21, -46.81

 

Description

Color code: RGB 248 149 177 | qconv.com Color code: RGB 248 149 177 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 248 red, 149 green and 177 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
248 149 177 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 40 magenta, 29 yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 40% 29% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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