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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 248 47 241 it is the complementary color RGB 7 208 14. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 248 47 241. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 248 47 241 shade: RGB 253 47 236, RGB 255 65 255, RGB 255 83 255, RGB 255 101 255 and RGB 255 119 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 248 47 241. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 248 47 241 shade: RGB 248 47 241, RGB 231 29 222, RGB 214 11 203, RGB 197 0 184 and RGB 180 0 165

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 248 47 241 shade: RGB 247 48 240, RGB 247 48 186, RGB 247 48 133, RGB 247 48 79 and RGB 247 48 48

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 248 47 241 shade: RGB 247 48 240, RGB 200 48 247, RGB 147 48 247, RGB 93 48 247 and RGB 48 48 247

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 248 47 241 shade matches the following richer shades: RGB 247 48 240

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 248 47 241 shade: RGB 247 48 240, RGB 230 65 224, RGB 212 82 208, RGB 195 100 192 and RGB 178 117 176

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 248 47 241 shade: RGB 147 48 247, RGB 201 48 247, RGB 247 48 240, RGB 247 48 187 and RGB 247 48 134

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 248 47 241 shade: RGB 205 7 198, RGB 245 8 237, RGB 247 48 240, RGB 248 88 243 and RGB 250 127 246

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 248 47 241 shade: RGB 248 47 241, RGB 247 94 48 and RGB 48 247 174

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 248 47 241 shade: RGB 248 47 241, RGB 240 247 48 and RGB 48 240 247

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 248 47 241 shade: RGB 248 47 241, RGB 247 94 48, RGB 48 247 54 and RGB 48 201 247

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 248 47 241 shade: RGB 248 47 241, RGB 247 154 48, RGB 48 247 54 and RGB 48 141 247

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 81 / 3 / 3

HEX #F82FF1

RGB 248 47 241

HSL 302.09, 0.93%, 0.58%

LAB 60.19, 89.75, -53.33

 

Complementary color

CMYK 97 / 0 / 93 / 18

HEX #07D00E

RGB 7 208 14

HSL 122.09, 0.93%, 0.42%

LAB 73.02, -73.37, 69.92

 

CMYK 0 / 81 / 7 / 1

HEX #FD2FEC

RGB 253 47 236

HSL 304.95, 0.98%, 0.59%

LAB 60.76, 89.97, -49.6

 

CMYK 0 / 75 / 0 / 0

HEX #FF41FF

RGB 255 65 255

HSL 300, 1%, 0.63%

LAB 63.56, 88.79, -55.68

 

CMYK 0 / 67 / 0 / 0

HEX #FF53FF

RGB 255 83 255

HSL 300, 1%, 0.66%

LAB 65.49, 83.28, -52.61

 

CMYK 0 / 60 / 0 / 0

HEX #FF65FF

RGB 255 101 255

HSL 300, 1%, 0.7%

LAB 67.86, 76.64, -48.86

 

CMYK 0 / 53 / 0 / 0

HEX #FF77FF

RGB 255 119 255

HSL 300, 1%, 0.73%

LAB 70.65, 69.04, -44.48

 

CMYK 0 / 81 / 3 / 3

HEX #F82FF1

RGB 248 47 241

HSL 302.09, 0.93%, 0.58%

LAB 60.19, 89.75, -53.33

 

CMYK 0 / 87 / 4 / 9

HEX #E71DDE

RGB 231 29 222

HSL 302.67, 0.81%, 0.51%

LAB 55.22, 87.23, -50.74

 

CMYK 0 / 95 / 5 / 16

HEX #D60BCB

RGB 214 11 203

HSL 303.25, 0.9%, 0.44%

LAB 50.51, 83.7, -47.55

 

CMYK 0 / 100 / 7 / 23

HEX #C500B8

RGB 197 0 184

HSL 303.96, 1%, 0.39%

LAB 46.08, 79.06, -43.72

 

CMYK 0 / 100 / 8 / 29

HEX #B400A5

RGB 180 0 165

HSL 305, 1%, 0.35%

LAB 41.88, 73.5, -39.33

 

CMYK 0 / 81 / 3 / 3

HEX #F730F0

RGB 247 48 240

HSL 302.11, 0.93%, 0.58%

LAB 60.05, 89.21, -53.01

 

CMYK 0 / 81 / 25 / 3

HEX #F730BA

RGB 247 48 186

HSL 318.39, 0.93%, 0.58%

LAB 57.5, 82.15, -26.36

 

CMYK 0 / 81 / 46 / 3

HEX #F73085

RGB 247 48 133

HSL 334.37, 0.93%, 0.58%

LAB 55.67, 76.85, 2.01

 

CMYK 0 / 81 / 68 / 3

HEX #F7304F

RGB 247 48 79

HSL 350.65, 0.93%, 0.58%

LAB 54.5, 73.36, 32.61

 

CMYK 0 / 81 / 81 / 3

HEX #F73030

RGB 247 48 48

HSL 0, 0.93%, 0.58%

LAB 54.13, 72.23, 49.51

 

CMYK 0 / 81 / 3 / 3

HEX #F730F0

RGB 247 48 240

HSL 302.11, 0.93%, 0.58%

LAB 60.05, 89.21, -53.01

 

CMYK 19 / 81 / 0 / 3

HEX #C830F7

RGB 200 48 247

HSL 285.83, 0.93%, 0.58%

LAB 53.07, 82.11, -68.53

 

CMYK 40 / 81 / 0 / 3

HEX #9330F7

RGB 147 48 247

HSL 269.85, 0.93%, 0.58%

LAB 45.68, 74.12, -80.88

 

CMYK 62 / 81 / 0 / 3

HEX #5D30F7

RGB 93 48 247

HSL 253.57, 0.93%, 0.58%

LAB 39.84, 67.96, -90.7

 

CMYK 81 / 81 / 0 / 3

HEX #3030F7

RGB 48 48 247

HSL 240, 0.93%, 0.58%

LAB 36.85, 64.88, -95.75

 

CMYK 0 / 81 / 3 / 3

HEX #F730F0

RGB 247 48 240

HSL 302.11, 0.93%, 0.58%

LAB 60.05, 89.21, -53.01

 

CMYK 0 / 81 / 3 / 3

HEX #F730F0

RGB 247 48 240

HSL 302.11, 0.93%, 0.58%

LAB 60.05, 89.21, -53.01

 

CMYK 0 / 72 / 3 / 10

HEX #E641E0

RGB 230 65 224

HSL 302.18, 0.77%, 0.58%

LAB 58.02, 79.05, -47.43

 

CMYK 0 / 61 / 2 / 17

HEX #D452D0

RGB 212 82 208

HSL 301.85, 0.6%, 0.58%

LAB 56.67, 66.25, -40.68

 

CMYK 0 / 49 / 2 / 24

HEX #C364C0

RGB 195 100 192

HSL 301.89, 0.44%, 0.58%

LAB 56.61, 50.73, -31.82

 

CMYK 0 / 34 / 1 / 30

HEX #B275B0

RGB 178 117 176

HSL 301.97, 0.28%, 0.58%

LAB 57.39, 33.52, -21.61

 

CMYK 40 / 81 / 0 / 3

HEX #9330F7

RGB 147 48 247

HSL 269.85, 0.93%, 0.58%

LAB 45.68, 74.12, -80.88

 

CMYK 19 / 81 / 0 / 3

HEX #C930F7

RGB 201 48 247

HSL 286.13, 0.93%, 0.58%

LAB 53.22, 82.28, -68.28

 

CMYK 0 / 81 / 3 / 3

HEX #F730F0

RGB 247 48 240

HSL 302.11, 0.93%, 0.58%

LAB 60.05, 89.21, -53.01

 

CMYK 0 / 81 / 24 / 3

HEX #F730BB

RGB 247 48 187

HSL 318.09, 0.93%, 0.58%

LAB 57.54, 82.27, -26.87

 

CMYK 0 / 81 / 46 / 3

HEX #F73086

RGB 247 48 134

HSL 334.07, 0.93%, 0.58%

LAB 55.69, 76.93, 1.46

 

CMYK 0 / 97 / 3 / 20

HEX #CD07C6

RGB 205 7 198

HSL 302.12, 0.93%, 0.42%

LAB 48.52, 81.79, -47.92

 

CMYK 0 / 97 / 3 / 4

HEX #F508ED

RGB 245 8 237

HSL 302.03, 0.94%, 0.5%

LAB 57.75, 93.72, -55.02

 

CMYK 0 / 81 / 3 / 3

HEX #F730F0

RGB 247 48 240

HSL 302.11, 0.93%, 0.58%

LAB 60.05, 89.21, -53.01

 

CMYK 0 / 65 / 2 / 3

HEX #F858F3

RGB 248 88 243

HSL 301.88, 0.92%, 0.66%

LAB 64.49, 78.08, -47.64

 

CMYK 0 / 49 / 2 / 2

HEX #FA7FF6

RGB 250 127 246

HSL 301.95, 0.92%, 0.74%

LAB 70.98, 62.53, -39.09

 

CMYK 0 / 81 / 3 / 3

HEX #F82FF1

RGB 248 47 241

HSL 302.09, 0.93%, 0.58%

LAB 60.19, 89.75, -53.33

 

CMYK 0 / 62 / 81 / 3

HEX #F75E30

RGB 247 94 48

HSL 13.87, 0.93%, 0.58%

LAB 59.88, 56.44, 54.98

 

CMYK 81 / 0 / 30 / 3

HEX #30F7AE

RGB 48 247 174

HSL 157.99, 0.93%, 0.58%

LAB 87.1, -63.19, 22.05

 

CMYK 0 / 81 / 3 / 3

HEX #F82FF1

RGB 248 47 241

HSL 302.09, 0.93%, 0.58%

LAB 60.19, 89.75, -53.33

 

CMYK 3 / 0 / 81 / 3

HEX #F0F730

RGB 240 247 48

HSL 62.11, 0.93%, 0.58%

LAB 94, -23.17, 85.04

 

CMYK 81 / 3 / 0 / 3

HEX #30F0F7

RGB 48 240 247

HSL 182.11, 0.93%, 0.58%

LAB 86.83, -41.87, -16.36

 

CMYK 0 / 81 / 3 / 3

HEX #F82FF1

RGB 248 47 241

HSL 302.09, 0.93%, 0.58%

LAB 60.19, 89.75, -53.33

 

CMYK 0 / 62 / 81 / 3

HEX #F75E30

RGB 247 94 48

HSL 13.87, 0.93%, 0.58%

LAB 59.88, 56.44, 54.98

 

CMYK 81 / 0 / 78 / 3

HEX #30F736

RGB 48 247 54

HSL 121.81, 0.93%, 0.58%

LAB 85.71, -79.54, 72.88

 

CMYK 81 / 19 / 0 / 3

HEX #30C9F7

RGB 48 201 247

HSL 193.87, 0.93%, 0.58%

LAB 75.52, -23.29, -33.6

 

CMYK 0 / 81 / 3 / 3

HEX #F82FF1

RGB 248 47 241

HSL 302.09, 0.93%, 0.58%

LAB 60.19, 89.75, -53.33

 

CMYK 0 / 38 / 81 / 3

HEX #F79A30

RGB 247 154 48

HSL 31.96, 0.93%, 0.58%

LAB 71.62, 27.15, 65.74

 

CMYK 81 / 0 / 78 / 3

HEX #30F736

RGB 48 247 54

HSL 121.81, 0.93%, 0.58%

LAB 85.71, -79.54, 72.88

 

CMYK 81 / 43 / 0 / 3

HEX #308DF7

RGB 48 141 247

HSL 211.96, 0.93%, 0.58%

LAB 58.41, 10.1, -60.54

 

Description

Color code: RGB 248 47 241 | qconv.com Color code: RGB 248 47 241 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 248 red, 47 green and 241 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
248 47 241 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 81 magenta, 3 yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 81% 3% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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