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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 248 51 203 it is the complementary color RGB 7 204 52. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 248 51 203. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 248 51 203 shade: RGB 253 51 198, RGB 255 69 217, RGB 255 87 236, RGB 255 105 255 and RGB 255 123 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 248 51 203. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 248 51 203 shade: RGB 248 51 203, RGB 231 33 184, RGB 214 15 165, RGB 197 0 146 and RGB 180 0 127

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 248 51 203 shade: RGB 247 53 203, RGB 247 53 150, RGB 247 53 98 and RGB 247 53 53

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 248 51 203 shade: RGB 247 53 203, RGB 239 53 247, RGB 187 53 247, RGB 134 53 247 and RGB 82 53 247

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 248 51 203 shade matches the following richer shades: RGB 247 53 203

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 248 51 203 shade: RGB 247 53 203, RGB 230 70 194, RGB 213 87 184, RGB 196 103 175 and RGB 180 120 166

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 248 51 203 shade: RGB 186 53 247, RGB 237 53 247, RGB 247 53 205, RGB 247 53 153 and RGB 247 53 101

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 248 51 203 shade: RGB 210 7 164, RGB 246 13 193, RGB 247 53 203, RGB 249 93 213 and RGB 250 132 223

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 248 51 203 shade: RGB 248 51 203, RGB 247 134 53 and RGB 53 247 212

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 248 51 203 shade: RGB 248 51 203, RGB 205 247 53 and RGB 53 205 247

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 248 51 203 shade: RGB 248 51 203, RGB 247 134 53, RGB 53 247 95 and RGB 53 166 247

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 248 51 203 shade: RGB 248 51 203, RGB 247 192 53, RGB 53 247 95 and RGB 53 108 247

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 79 / 18 / 3

HEX #F833CB

RGB 248 51 203

HSL 313.71, 0.93%, 0.59%

LAB 58.64, 83.73, -34.34

 

Complementary color

CMYK 97 / 0 / 75 / 20

HEX #07CC34

RGB 7 204 52

HSL 133.71, 0.93%, 0.41%

LAB 71.88, -70.4, 59.9

 

CMYK 0 / 80 / 22 / 1

HEX #FD33C6

RGB 253 51 198

HSL 316.34, 0.98%, 0.6%

LAB 59.28, 84.17, -30.42

 

CMYK 0 / 73 / 15 / 0

HEX #FF45D9

RGB 255 69 217

HSL 312.26, 1%, 0.64%

LAB 62.11, 82.24, -36.78

 

CMYK 0 / 66 / 7 / 0

HEX #FF57EC

RGB 255 87 236

HSL 306.79, 1%, 0.67%

LAB 65.07, 78.98, -42.78

 

CMYK 0 / 59 / 0 / 0

HEX #FF69FF

RGB 255 105 255

HSL 300, 1%, 0.71%

LAB 68.45, 75.02, -47.94

 

CMYK 0 / 52 / 0 / 0

HEX #FF7BFF

RGB 255 123 255

HSL 300, 1%, 0.74%

LAB 71.31, 67.24, -43.44

 

CMYK 0 / 79 / 18 / 3

HEX #F833CB

RGB 248 51 203

HSL 313.71, 0.93%, 0.59%

LAB 58.64, 83.73, -34.34

 

CMYK 0 / 86 / 20 / 9

HEX #E721B8

RGB 231 33 184

HSL 314.24, 0.8%, 0.52%

LAB 53.53, 81.58, -31.57

 

CMYK 0 / 93 / 23 / 16

HEX #D60FA5

RGB 214 15 165

HSL 314.77, 0.87%, 0.45%

LAB 48.7, 78.44, -28.16

 

CMYK 0 / 100 / 26 / 23

HEX #C50092

RGB 197 0 146

HSL 315.53, 1%, 0.39%

LAB 44.15, 74.25, -24.07

 

CMYK 0 / 100 / 29 / 29

HEX #B4007F

RGB 180 0 127

HSL 317.67, 1%, 0.35%

LAB 39.97, 68.73, -19.14

 

CMYK 0 / 79 / 18 / 3

HEX #F735CB

RGB 247 53 203

HSL 313.61, 0.92%, 0.59%

LAB 58.63, 83.04, -34.36

 

CMYK 0 / 79 / 39 / 3

HEX #F73596

RGB 247 53 150

HSL 330, 0.92%, 0.59%

LAB 56.61, 77.13, -6.68

 

CMYK 0 / 79 / 60 / 3

HEX #F73562

RGB 247 53 98

HSL 346.08, 0.92%, 0.59%

LAB 55.28, 73.1, 22.36

 

CMYK 0 / 79 / 79 / 3

HEX #F73535

RGB 247 53 53

HSL 0, 0.92%, 0.59%

LAB 54.63, 71.09, 47.39

 

CMYK 0 / 79 / 18 / 3

HEX #F735CB

RGB 247 53 203

HSL 313.61, 0.92%, 0.59%

LAB 58.63, 83.04, -34.36

 

CMYK 3 / 79 / 0 / 3

HEX #EF35F7

RGB 239 53 247

HSL 297.53, 0.92%, 0.59%

LAB 59.54, 87.65, -57.81

 

CMYK 24 / 79 / 0 / 3

HEX #BB35F7

RGB 187 53 247

HSL 281.44, 0.92%, 0.59%

LAB 51.64, 78.57, -70.93

 

CMYK 46 / 79 / 0 / 3

HEX #8635F7

RGB 134 53 247

HSL 265.05, 0.92%, 0.59%

LAB 44.7, 70.62, -82.54

 

CMYK 67 / 79 / 0 / 3

HEX #5235F7

RGB 82 53 247

HSL 248.97, 0.92%, 0.59%

LAB 39.67, 64.87, -91.01

 

CMYK 0 / 79 / 18 / 3

HEX #F735CB

RGB 247 53 203

HSL 313.61, 0.92%, 0.59%

LAB 58.63, 83.04, -34.36

 

CMYK 0 / 79 / 18 / 3

HEX #F735CB

RGB 247 53 203

HSL 313.61, 0.92%, 0.59%

LAB 58.63, 83.04, -34.36

 

CMYK 0 / 70 / 16 / 10

HEX #E646C2

RGB 230 70 194

HSL 313.5, 0.76%, 0.59%

LAB 57.17, 73.03, -31.7

 

CMYK 0 / 59 / 14 / 16

HEX #D557B8

RGB 213 87 184

HSL 313.81, 0.6%, 0.59%

LAB 56.51, 60.59, -27.18

 

CMYK 0 / 47 / 11 / 23

HEX #C467AF

RGB 196 103 175

HSL 313.55, 0.44%, 0.59%

LAB 56.62, 46.58, -22.02

 

CMYK 0 / 33 / 8 / 29

HEX #B478A6

RGB 180 120 166

HSL 314, 0.29%, 0.59%

LAB 57.93, 30.68, -15.01

 

CMYK 25 / 79 / 0 / 3

HEX #BA35F7

RGB 186 53 247

HSL 281.13, 0.92%, 0.59%

LAB 51.5, 78.41, -71.17

 

CMYK 4 / 79 / 0 / 3

HEX #ED35F7

RGB 237 53 247

HSL 296.91, 0.92%, 0.59%

LAB 59.22, 87.29, -58.33

 

CMYK 0 / 79 / 17 / 3

HEX #F735CD

RGB 247 53 205

HSL 312.99, 0.92%, 0.59%

LAB 58.72, 83.29, -35.36

 

CMYK 0 / 79 / 38 / 3

HEX #F73599

RGB 247 53 153

HSL 329.07, 0.92%, 0.59%

LAB 56.7, 77.42, -8.31

 

CMYK 0 / 79 / 59 / 3

HEX #F73565

RGB 247 53 101

HSL 345.15, 0.92%, 0.59%

LAB 55.34, 73.28, 20.66

 

CMYK 0 / 97 / 22 / 18

HEX #D207A4

RGB 210 7 164

HSL 313.6, 0.94%, 0.43%

LAB 47.67, 78.25, -29.23

 

CMYK 0 / 95 / 22 / 4

HEX #F60DC1

RGB 246 13 193

HSL 313.65, 0.93%, 0.51%

LAB 55.82, 87.99, -33.02

 

CMYK 0 / 79 / 18 / 3

HEX #F735CB

RGB 247 53 203

HSL 313.61, 0.92%, 0.59%

LAB 58.63, 83.04, -34.36

 

CMYK 0 / 63 / 14 / 2

HEX #F95DD5

RGB 249 93 213

HSL 313.85, 0.93%, 0.67%

LAB 63.98, 71.91, -31.69

 

CMYK 0 / 47 / 11 / 2

HEX #FA84DF

RGB 250 132 223

HSL 313.73, 0.92%, 0.75%

LAB 70.98, 56.37, -26.46

 

CMYK 0 / 79 / 18 / 3

HEX #F833CB

RGB 248 51 203

HSL 313.71, 0.93%, 0.59%

LAB 58.64, 83.73, -34.34

 

CMYK 0 / 46 / 79 / 3

HEX #F78635

RGB 247 134 53

HSL 25.05, 0.92%, 0.59%

LAB 67.34, 37.64, 59.85

 

CMYK 79 / 0 / 14 / 3

HEX #35F7D4

RGB 53 247 212

HSL 169.18, 0.92%, 0.59%

LAB 87.98, -53.91, 3.65

 

CMYK 0 / 79 / 18 / 3

HEX #F833CB

RGB 248 51 203

HSL 313.71, 0.93%, 0.59%

LAB 58.64, 83.73, -34.34

 

CMYK 17 / 0 / 79 / 3

HEX #CDF735

RGB 205 247 53

HSL 72.99, 0.92%, 0.59%

LAB 91.58, -36.97, 80.71

 

CMYK 79 / 17 / 0 / 3

HEX #35CDF7

RGB 53 205 247

HSL 192.99, 0.92%, 0.59%

LAB 76.76, -24.86, -31.68

 

CMYK 0 / 79 / 18 / 3

HEX #F833CB

RGB 248 51 203

HSL 313.71, 0.93%, 0.59%

LAB 58.64, 83.73, -34.34

 

CMYK 0 / 46 / 79 / 3

HEX #F78635

RGB 247 134 53

HSL 25.05, 0.92%, 0.59%

LAB 67.34, 37.64, 59.85

 

CMYK 79 / 0 / 62 / 3

HEX #35F75F

RGB 53 247 95

HSL 132.99, 0.92%, 0.59%

LAB 86.06, -75.5, 58.55

 

CMYK 79 / 33 / 0 / 3

HEX #35A6F7

RGB 53 166 247

HSL 205.05, 0.92%, 0.59%

LAB 65.55, -4.06, -49.17

 

CMYK 0 / 79 / 18 / 3

HEX #F833CB

RGB 248 51 203

HSL 313.71, 0.93%, 0.59%

LAB 58.64, 83.73, -34.34

 

CMYK 0 / 22 / 79 / 3

HEX #F7C035

RGB 247 192 53

HSL 42.99, 0.92%, 0.59%

LAB 80.59, 7.4, 72.1

 

CMYK 79 / 0 / 62 / 3

HEX #35F75F

RGB 53 247 95

HSL 132.99, 0.92%, 0.59%

LAB 86.06, -75.5, 58.55

 

CMYK 79 / 56 / 0 / 3

HEX #356CF7

RGB 53 108 247

HSL 222.99, 0.92%, 0.59%

LAB 49.73, 31.01, -74.54

 

Description

Color code: RGB 248 51 203 | qconv.com Color code: RGB 248 51 203 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 248 red, 51 green and 203 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
248 51 203 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 79 magenta, 18 yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 79% 18% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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