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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 248 82 214 it is the complementary color RGB 7 173 41. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 248 82 214. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 248 82 214 shade: RGB 253 82 209, RGB 255 100 228, RGB 255 118 247, RGB 255 136 255 and RGB 255 154 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 248 82 214. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 248 82 214 shade: RGB 248 82 214, RGB 231 64 195, RGB 214 46 176, RGB 197 28 157 and RGB 180 10 138

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 248 82 214 shade: RGB 247 83 214, RGB 247 83 169, RGB 247 83 125 and RGB 247 83 83

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 248 82 214 shade: RGB 247 83 214, RGB 237 83 247, RGB 192 83 247, RGB 148 83 247 and RGB 104 83 247

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 248 82 214 shade matches the following richer shades: RGB 247 83 214

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 248 82 214 shade: RGB 247 83 214, RGB 233 98 205, RGB 218 112 197, RGB 204 126 188 and RGB 190 141 180

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 248 82 214 shade: RGB 193 83 247, RGB 236 83 247, RGB 247 83 215, RGB 247 83 171 and RGB 247 83 127

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 248 82 214 shade: RGB 239 9 192, RGB 246 44 204, RGB 247 83 214, RGB 249 123 223 and RGB 251 162 233

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 248 82 214 shade: RGB 248 82 214, RGB 247 149 83 and RGB 83 247 215

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 248 82 214 shade: RGB 248 82 214, RGB 215 247 83 and RGB 83 215 247

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 248 82 214 shade: RGB 248 82 214, RGB 247 149 83, RGB 83 247 116 and RGB 83 182 247

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 248 82 214 shade: RGB 248 82 214, RGB 247 198 83, RGB 83 247 116 and RGB 83 132 247

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 67 / 14 / 3

HEX #F852D6

RGB 248 82 214

HSL 312.29, 0.92%, 0.65%

LAB 62.38, 75.94, -34.75

 

Complementary color

CMYK 96 / 0 / 76 / 32

HEX #07AD29

RGB 7 173 41

HSL 132.29, 0.92%, 0.35%

LAB 61.73, -62.29, 53.55

 

CMYK 0 / 68 / 17 / 1

HEX #FD52D1

RGB 253 82 209

HSL 315.44, 0.98%, 0.66%

LAB 62.94, 76.46, -30.99

 

CMYK 0 / 61 / 11 / 0

HEX #FF64E4

RGB 255 100 228

HSL 310.45, 1%, 0.7%

LAB 66.5, 72.83, -36.09

 

CMYK 0 / 54 / 3 / 0

HEX #FF76F7

RGB 255 118 247

HSL 303.5, 1%, 0.73%

LAB 70.13, 68.16, -40.92

 

CMYK 0 / 47 / 0 / 0

HEX #FF88FF

RGB 255 136 255

HSL 300, 1%, 0.77%

LAB 73.6, 61.18, -39.86

 

CMYK 0 / 40 / 0 / 0

HEX #FF9AFF

RGB 255 154 255

HSL 300, 1%, 0.8%

LAB 77.04, 52.33, -34.54

 

CMYK 0 / 67 / 14 / 3

HEX #F852D6

RGB 248 82 214

HSL 312.29, 0.92%, 0.65%

LAB 62.38, 75.94, -34.75

 

CMYK 0 / 72 / 16 / 9

HEX #E740C3

RGB 231 64 195

HSL 312.93, 0.78%, 0.58%

LAB 56.68, 75.38, -33.02

 

CMYK 0 / 79 / 18 / 16

HEX #D62EB0

RGB 214 46 176

HSL 313.57, 0.67%, 0.51%

LAB 51.13, 74.21, -30.86

 

CMYK 0 / 86 / 20 / 23

HEX #C51C9D

RGB 197 28 157

HSL 314.2, 0.75%, 0.44%

LAB 45.82, 72.17, -28.12

 

CMYK 0 / 94 / 23 / 29

HEX #B40A8A

RGB 180 10 138

HSL 314.82, 0.89%, 0.37%

LAB 40.82, 68.97, -24.62

 

CMYK 0 / 66 / 13 / 3

HEX #F753D6

RGB 247 83 214

HSL 312.07, 0.91%, 0.65%

LAB 62.35, 75.34, -34.8

 

CMYK 0 / 66 / 32 / 3

HEX #F753A9

RGB 247 83 169

HSL 328.54, 0.91%, 0.65%

LAB 60.63, 69.57, -11.76

 

CMYK 0 / 66 / 49 / 3

HEX #F7537D

RGB 247 83 125

HSL 344.63, 0.91%, 0.65%

LAB 59.38, 65.22, 12.04

 

CMYK 0 / 66 / 66 / 3

HEX #F75353

RGB 247 83 83

HSL 0, 0.91%, 0.65%

LAB 58.59, 62.37, 35.32

 

CMYK 0 / 66 / 13 / 3

HEX #F753D6

RGB 247 83 214

HSL 312.07, 0.91%, 0.65%

LAB 62.35, 75.34, -34.8

 

CMYK 4 / 66 / 0 / 3

HEX #ED53F7

RGB 237 83 247

HSL 296.34, 0.91%, 0.65%

LAB 62.43, 78.11, -53.22

 

CMYK 22 / 66 / 0 / 3

HEX #C053F7

RGB 192 83 247

HSL 279.88, 0.91%, 0.65%

LAB 56.2, 68.5, -63.54

 

CMYK 40 / 66 / 0 / 3

HEX #9453F7

RGB 148 83 247

HSL 263.78, 0.91%, 0.65%

LAB 50.92, 59.74, -72.33

 

CMYK 58 / 66 / 0 / 3

HEX #6853F7

RGB 104 83 247

HSL 247.68, 0.91%, 0.65%

LAB 46.77, 52.3, -79.27

 

CMYK 0 / 66 / 13 / 3

HEX #F753D6

RGB 247 83 214

HSL 312.07, 0.91%, 0.65%

LAB 62.35, 75.34, -34.8

 

CMYK 0 / 66 / 13 / 3

HEX #F753D6

RGB 247 83 214

HSL 312.07, 0.91%, 0.65%

LAB 62.35, 75.34, -34.8

 

CMYK 0 / 58 / 12 / 9

HEX #E962CD

RGB 233 98 205

HSL 312.44, 0.75%, 0.65%

LAB 62.05, 64.45, -30.35

 

CMYK 0 / 49 / 10 / 15

HEX #DA70C5

RGB 218 112 197

HSL 311.89, 0.59%, 0.65%

LAB 62.1, 52.42, -25.92

 

CMYK 0 / 38 / 8 / 20

HEX #CC7EBC

RGB 204 126 188

HSL 312.31, 0.43%, 0.65%

LAB 62.84, 39.33, -19.86

 

CMYK 0 / 26 / 5 / 25

HEX #BE8DB4

RGB 190 141 180

HSL 312.24, 0.27%, 0.65%

LAB 64.4, 25, -13.12

 

CMYK 22 / 66 / 0 / 3

HEX #C153F7

RGB 193 83 247

HSL 280.24, 0.91%, 0.65%

LAB 56.33, 68.7, -63.32

 

CMYK 4 / 66 / 0 / 3

HEX #EC53F7

RGB 236 83 247

HSL 295.98, 0.91%, 0.65%

LAB 62.28, 77.9, -53.46

 

CMYK 0 / 66 / 13 / 3

HEX #F753D7

RGB 247 83 215

HSL 311.71, 0.91%, 0.65%

LAB 62.4, 75.48, -35.3

 

CMYK 0 / 66 / 31 / 3

HEX #F753AB

RGB 247 83 171

HSL 327.8, 0.91%, 0.65%

LAB 60.69, 69.8, -12.82

 

CMYK 0 / 66 / 49 / 3

HEX #F7537F

RGB 247 83 127

HSL 343.9, 0.91%, 0.65%

LAB 59.43, 65.39, 10.94

 

CMYK 0 / 96 / 20 / 6

HEX #EF09C0

RGB 239 9 192

HSL 312.26, 0.93%, 0.49%

LAB 54.4, 86.86, -34.75

 

CMYK 0 / 82 / 17 / 4

HEX #F62CCC

RGB 246 44 204

HSL 312.48, 0.92%, 0.57%

LAB 57.8, 84.99, -36.24

 

CMYK 0 / 66 / 13 / 3

HEX #F753D6

RGB 247 83 214

HSL 312.07, 0.91%, 0.65%

LAB 62.35, 75.34, -34.8

 

CMYK 0 / 51 / 10 / 2

HEX #F97BDF

RGB 249 123 223

HSL 312.38, 0.91%, 0.73%

LAB 69.21, 60.38, -29.19

 

CMYK 0 / 35 / 7 / 2

HEX #FBA2E9

RGB 251 162 233

HSL 312.13, 0.92%, 0.81%

LAB 77.42, 43.23, -22.08

 

CMYK 0 / 67 / 14 / 3

HEX #F852D6

RGB 248 82 214

HSL 312.29, 0.92%, 0.65%

LAB 62.38, 75.94, -34.75

 

CMYK 0 / 40 / 66 / 3

HEX #F79553

RGB 247 149 83

HSL 24.15, 0.91%, 0.65%

LAB 70.8, 31.29, 49.68

 

CMYK 66 / 0 / 13 / 3

HEX #53F7D7

RGB 83 247 215

HSL 168.29, 0.91%, 0.65%

LAB 88.57, -49.58, 3.01

 

CMYK 0 / 67 / 14 / 3

HEX #F852D6

RGB 248 82 214

HSL 312.29, 0.92%, 0.65%

LAB 62.38, 75.94, -34.75

 

CMYK 13 / 0 / 66 / 3

HEX #D7F753

RGB 215 247 83

HSL 71.71, 0.91%, 0.65%

LAB 92.39, -31.62, 72.04

 

CMYK 66 / 13 / 0 / 3

HEX #53D7F7

RGB 83 215 247

HSL 191.71, 0.91%, 0.65%

LAB 80.27, -26.24, -26.25

 

CMYK 0 / 67 / 14 / 3

HEX #F852D6

RGB 248 82 214

HSL 312.29, 0.92%, 0.65%

LAB 62.38, 75.94, -34.75

 

CMYK 0 / 40 / 66 / 3

HEX #F79553

RGB 247 149 83

HSL 24.15, 0.91%, 0.65%

LAB 70.8, 31.29, 49.68

 

CMYK 66 / 0 / 53 / 3

HEX #53F774

RGB 83 247 116

HSL 132.07, 0.91%, 0.65%

LAB 86.81, -68.52, 50.3

 

CMYK 66 / 26 / 0 / 3

HEX #53B6F7

RGB 83 182 247

HSL 203.78, 0.91%, 0.65%

LAB 70.88, -9.12, -40.75

 

CMYK 0 / 67 / 14 / 3

HEX #F852D6

RGB 248 82 214

HSL 312.29, 0.92%, 0.65%

LAB 62.38, 75.94, -34.75

 

CMYK 0 / 20 / 66 / 3

HEX #F7C653

RGB 247 198 83

HSL 42.07, 0.91%, 0.65%

LAB 82.26, 5.64, 62.26

 

CMYK 66 / 0 / 53 / 3

HEX #53F774

RGB 83 247 116

HSL 132.07, 0.91%, 0.65%

LAB 86.81, -68.52, 50.3

 

CMYK 66 / 47 / 0 / 3

HEX #5384F7

RGB 83 132 247

HSL 222.07, 0.91%, 0.65%

LAB 57.13, 19.86, -62.53

 

Description

Color code: RGB 248 82 214 | qconv.com Color code: RGB 248 82 214 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 248 red, 82 green and 214 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
248 82 214 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 67 magenta, 14 yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 67% 14% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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