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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 249 113 113 it is the complementary color RGB 6 142 142. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 249 113 113. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 249 113 113 shade: RGB 254 113 108, RGB 255 131 127, RGB 255 149 146, RGB 255 167 165 and RGB 255 185 184

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 249 113 113. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 249 113 113 shade: RGB 249 113 113, RGB 232 95 94, RGB 215 77 75, RGB 198 59 56 and RGB 181 41 37

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 249 113 113 shade: RGB 249 113 113

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 249 113 113 shade: RGB 249 113 113, RGB 249 149 113, RGB 249 186 113, RGB 249 223 113 and RGB 238 249 113

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 249 113 113 shade matches the following richer shades: RGB 249 113 113

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 249 113 113 shade: RGB 249 113 113, RGB 237 124 124, RGB 225 136 136, RGB 213 148 148 and RGB 201 160 160

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 249 113 113 shade: RGB 249 113 185, RGB 249 113 149, RGB 249 113 113, RGB 249 149 113 and RGB 249 185 113

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 249 113 113 shade: RGB 245 33 33, RGB 247 73 73, RGB 249 113 113, RGB 250 152 152 and RGB 252 192 192

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 249 113 113 shade: RGB 249 113 113, RGB 221 249 113 and RGB 113 167 249

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 249 113 113 shade: RGB 249 113 113, RGB 113 249 113 and RGB 113 113 249

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 249 113 113 shade: RGB 249 113 113, RGB 221 249 113, RGB 113 249 249 and RGB 140 113 249

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 249 113 113 shade: RGB 249 113 113, RGB 181 249 113, RGB 113 249 249 and RGB 181 113 249

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 55 / 55 / 2

HEX #F97171

RGB 249 113 113

HSL 0, 0.92%, 0.71%

LAB 64.28, 52.02, 25.69

 

Complementary color

CMYK 96 / 0 / 0 / 44

HEX #068E8E

RGB 6 142 142

HSL 180, 0.92%, 0.29%

LAB 53.32, -30.82, -9.08

 

CMYK 0 / 56 / 57 / 0

HEX #FE716C

RGB 254 113 108

HSL 2.05, 0.99%, 0.71%

LAB 64.93, 53.38, 29.5

 

CMYK 0 / 49 / 50 / 0

HEX #FF837F

RGB 255 131 127

HSL 1.87, 1%, 0.75%

LAB 68.77, 46.64, 24

 

CMYK 0 / 42 / 43 / 0

HEX #FF9592

RGB 255 149 146

HSL 1.65, 1%, 0.79%

LAB 72.78, 39.41, 18.95

 

CMYK 0 / 35 / 35 / 0

HEX #FFA7A5

RGB 255 167 165

HSL 1.33, 1%, 0.82%

LAB 77.05, 32.21, 14.5

 

CMYK 0 / 27 / 28 / 0

HEX #FFB9B8

RGB 255 185 184

HSL 0.85, 1%, 0.86%

LAB 81.52, 25.17, 10.54

 

CMYK 0 / 55 / 55 / 2

HEX #F97171

RGB 249 113 113

HSL 0, 0.92%, 0.71%

LAB 64.28, 52.02, 25.69

 

CMYK 0 / 59 / 59 / 9

HEX #E85F5E

RGB 232 95 94

HSL 0.43, 0.75%, 0.64%

LAB 58.18, 53.05, 28.01

 

CMYK 0 / 64 / 65 / 16

HEX #D74D4B

RGB 215 77 75

HSL 0.86, 0.64%, 0.57%

LAB 52.13, 53.97, 30.73

 

CMYK 0 / 70 / 72 / 22

HEX #C63B38

RGB 198 59 56

HSL 1.27, 0.56%, 0.5%

LAB 46.2, 54.64, 33.9

 

CMYK 0 / 77 / 80 / 29

HEX #B52925

RGB 181 41 37

HSL 1.67, 0.66%, 0.43%

LAB 40.48, 54.85, 37.55

 

CMYK 0 / 55 / 55 / 2

HEX #F97171

RGB 249 113 113

HSL 0, 0.92%, 0.71%

LAB 64.28, 52.02, 25.69

 

CMYK 0 / 55 / 55 / 2

HEX #F97171

RGB 249 113 113

HSL 0, 0.92%, 0.71%

LAB 64.28, 52.02, 25.69

 

CMYK 0 / 40 / 55 / 2

HEX #F99571

RGB 249 149 113

HSL 15.88, 0.92%, 0.71%

LAB 71.44, 34.13, 35.01

 

CMYK 0 / 25 / 55 / 2

HEX #F9BA71

RGB 249 186 113

HSL 32.21, 0.92%, 0.71%

LAB 79.87, 14.75, 45.53

 

CMYK 0 / 10 / 55 / 2

HEX #F9DF71

RGB 249 223 113

HSL 48.53, 0.92%, 0.71%

LAB 88.97, -4.33, 56.4

 

CMYK 4 / 0 / 55 / 2

HEX #EEF971

RGB 238 249 113

HSL 64.85, 0.92%, 0.71%

LAB 94.79, -21.5, 62.87

 

CMYK 0 / 55 / 55 / 2

HEX #F97171

RGB 249 113 113

HSL 0, 0.92%, 0.71%

LAB 64.28, 52.02, 25.69

 

CMYK 0 / 55 / 55 / 2

HEX #F97171

RGB 249 113 113

HSL 0, 0.92%, 0.71%

LAB 64.28, 52.02, 25.69

 

CMYK 0 / 48 / 48 / 7

HEX #ED7C7C

RGB 237 124 124

HSL 0, 0.76%, 0.71%

LAB 64.86, 43.36, 19.97

 

CMYK 0 / 40 / 40 / 12

HEX #E18888

RGB 225 136 136

HSL 0, 0.6%, 0.71%

LAB 66.05, 33.98, 14.61

 

CMYK 0 / 31 / 31 / 16

HEX #D59494

RGB 213 148 148

HSL 0, 0.44%, 0.71%

LAB 67.62, 24.5, 9.89

 

CMYK 0 / 20 / 20 / 21

HEX #C9A0A0

RGB 201 160 160

HSL 0, 0.28%, 0.71%

LAB 69.54, 15.15, 5.77

 

CMYK 0 / 55 / 26 / 2

HEX #F971B9

RGB 249 113 185

HSL 328.24, 0.92%, 0.71%

LAB 66.1, 59.54, -12.66

 

CMYK 0 / 55 / 40 / 2

HEX #F97195

RGB 249 113 149

HSL 344.12, 0.92%, 0.71%

LAB 65.06, 55.31, 6.28

 

CMYK 0 / 55 / 55 / 2

HEX #F97171

RGB 249 113 113

HSL 0, 0.92%, 0.71%

LAB 64.28, 52.02, 25.69

 

CMYK 0 / 40 / 55 / 2

HEX #F99571

RGB 249 149 113

HSL 15.88, 0.92%, 0.71%

LAB 71.44, 34.13, 35.01

 

CMYK 0 / 26 / 55 / 2

HEX #F9B971

RGB 249 185 113

HSL 31.76, 0.92%, 0.71%

LAB 79.63, 15.27, 45.24

 

CMYK 0 / 87 / 87 / 4

HEX #F52121

RGB 245 33 33

HSL 0, 0.91%, 0.55%

LAB 52.52, 74.52, 55.23

 

CMYK 0 / 70 / 70 / 3

HEX #F74949

RGB 247 73 73

HSL 0, 0.92%, 0.63%

LAB 57.1, 65.6, 39.16

 

CMYK 0 / 55 / 55 / 2

HEX #F97171

RGB 249 113 113

HSL 0, 0.92%, 0.71%

LAB 64.28, 52.02, 25.69

 

CMYK 0 / 39 / 39 / 2

HEX #FA9898

RGB 250 152 152

HSL 0, 0.91%, 0.79%

LAB 72.92, 36.67, 15.75

 

CMYK 0 / 24 / 24 / 1

HEX #FCC0C0

RGB 252 192 192

HSL 0, 0.91%, 0.87%

LAB 83.02, 21.49, 8.35

 

CMYK 0 / 55 / 55 / 2

HEX #F97171

RGB 249 113 113

HSL 0, 0.92%, 0.71%

LAB 64.28, 52.02, 25.69

 

CMYK 11 / 0 / 55 / 2

HEX #DDF971

RGB 221 249 113

HSL 72.35, 0.92%, 0.71%

LAB 93.59, -28.09, 61.18

 

CMYK 55 / 33 / 0 / 2

HEX #71A7F9

RGB 113 167 249

HSL 216.18, 0.92%, 0.71%

LAB 68.01, 5.34, -46.24

 

CMYK 0 / 55 / 55 / 2

HEX #F97171

RGB 249 113 113

HSL 0, 0.92%, 0.71%

LAB 64.28, 52.02, 25.69

 

CMYK 55 / 0 / 55 / 2

HEX #71F971

RGB 113 249 113

HSL 120, 0.92%, 0.71%

LAB 88.19, -63.27, 53.51

 

CMYK 55 / 55 / 0 / 2

HEX #7171F9

RGB 113 113 249

HSL 240, 0.92%, 0.71%

LAB 54.2, 37.15, -68.27

 

CMYK 0 / 55 / 55 / 2

HEX #F97171

RGB 249 113 113

HSL 0, 0.92%, 0.71%

LAB 64.28, 52.02, 25.69

 

CMYK 11 / 0 / 55 / 2

HEX #DDF971

RGB 221 249 113

HSL 72.35, 0.92%, 0.71%

LAB 93.59, -28.09, 61.18

 

CMYK 55 / 0 / 0 / 2

HEX #71F9F9

RGB 113 249 249

HSL 180, 0.92%, 0.71%

LAB 90.83, -36.89, -11.29

 

CMYK 44 / 55 / 0 / 2

HEX #8C71F9

RGB 140 113 249

HSL 251.91, 0.92%, 0.71%

LAB 56.31, 42.61, -64.75

 

CMYK 0 / 55 / 55 / 2

HEX #F97171

RGB 249 113 113

HSL 0, 0.92%, 0.71%

LAB 64.28, 52.02, 25.69

 

CMYK 27 / 0 / 55 / 2

HEX #B5F971

RGB 181 249 113

HSL 90, 0.92%, 0.71%

LAB 91.13, -42.81, 57.7

 

CMYK 55 / 0 / 0 / 2

HEX #71F9F9

RGB 113 249 249

HSL 180, 0.92%, 0.71%

LAB 90.83, -36.89, -11.29

 

CMYK 27 / 55 / 0 / 2

HEX #B571F9

RGB 181 113 249

HSL 270, 0.92%, 0.71%

LAB 60.31, 52.08, -58.12

 

Description

Color code: RGB 249 113 113 | qconv.com Color code: RGB 249 113 113 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 249 red, 113 green and 113 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
249 113 113 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 55 magenta, 55 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 55% 55% 2% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

51% - Bridge | Creative Mu...
Link: http://demo.qodeinteractive.com

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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