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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 249 51 227 it is the complementary color RGB 6 204 28. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 249 51 227. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 249 51 227 shade: RGB 254 51 222, RGB 255 69 241, RGB 255 87 255, RGB 255 105 255 and RGB 255 123 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 249 51 227. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 249 51 227 shade: RGB 249 51 227, RGB 232 33 208, RGB 215 15 189, RGB 198 0 170 and RGB 181 0 151

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 249 51 227 shade: RGB 248 52 226, RGB 248 52 173, RGB 248 52 120, RGB 248 52 67 and RGB 248 52 52

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 249 51 227 shade: RGB 248 52 226, RGB 217 52 248, RGB 164 52 248, RGB 111 52 248 and RGB 58 52 248

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 249 51 227 shade matches the following richer shades: RGB 248 52 226

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 249 51 227 shade: RGB 248 52 226, RGB 231 69 213, RGB 214 86 200, RGB 197 102 187 and RGB 181 119 174

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 249 51 227 shade: RGB 163 52 248, RGB 215 52 248, RGB 248 52 229, RGB 248 52 176 and RGB 248 52 124

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 249 51 227 shade: RGB 211 6 189, RGB 247 12 221, RGB 248 52 226, RGB 249 92 232 and RGB 251 132 237

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 249 51 227 shade: RGB 249 51 227, RGB 248 111 52 and RGB 52 248 189

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 249 51 227 shade: RGB 249 51 227, RGB 229 248 52 and RGB 52 229 248

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 249 51 227 shade: RGB 249 51 227, RGB 248 111 52, RGB 52 248 71 and RGB 52 189 248

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 249 51 227 shade: RGB 249 51 227, RGB 248 170 52, RGB 52 248 71 and RGB 52 130 248

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 80 / 9 / 2

HEX #F933E3

RGB 249 51 227

HSL 306.67, 0.94%, 0.59%

LAB 59.94, 87.1, -45.89

 

Complementary color

CMYK 97 / 0 / 86 / 20

HEX #06CC1C

RGB 6 204 28

HSL 126.67, 0.94%, 0.41%

LAB 71.76, -71.87, 66.5

 

CMYK 0 / 80 / 13 / 0

HEX #FE33DE

RGB 254 51 222

HSL 309.46, 0.99%, 0.6%

LAB 60.53, 87.41, -42.09

 

CMYK 0 / 73 / 5 / 0

HEX #FF45F1

RGB 255 69 241

HSL 304.52, 1%, 0.64%

LAB 63.23, 85.59, -48.44

 

CMYK 0 / 66 / 0 / 0

HEX #FF57FF

RGB 255 87 255

HSL 300, 1%, 0.67%

LAB 65.98, 81.9, -51.83

 

CMYK 0 / 59 / 0 / 0

HEX #FF69FF

RGB 255 105 255

HSL 300, 1%, 0.71%

LAB 68.45, 75.02, -47.94

 

CMYK 0 / 52 / 0 / 0

HEX #FF7BFF

RGB 255 123 255

HSL 300, 1%, 0.74%

LAB 71.31, 67.24, -43.44

 

CMYK 0 / 80 / 9 / 2

HEX #F933E3

RGB 249 51 227

HSL 306.67, 0.94%, 0.59%

LAB 59.94, 87.1, -45.89

 

CMYK 0 / 86 / 10 / 9

HEX #E821D0

RGB 232 33 208

HSL 307.24, 0.81%, 0.52%

LAB 54.86, 84.85, -43.32

 

CMYK 0 / 93 / 12 / 16

HEX #D70FBD

RGB 215 15 189

HSL 307.8, 0.87%, 0.45%

LAB 50.05, 81.62, -40.15

 

CMYK 0 / 100 / 14 / 22

HEX #C600AA

RGB 198 0 170

HSL 308.48, 1%, 0.39%

LAB 45.51, 77.36, -36.35

 

CMYK 0 / 100 / 17 / 29

HEX #B50097

RGB 181 0 151

HSL 309.94, 1%, 0.35%

LAB 41.31, 71.8, -31.78

 

CMYK 0 / 79 / 9 / 3

HEX #F834E2

RGB 248 52 226

HSL 306.73, 0.93%, 0.59%

LAB 59.8, 86.53, -45.55

 

CMYK 0 / 79 / 30 / 3

HEX #F834AD

RGB 248 52 173

HSL 322.96, 0.93%, 0.59%

LAB 57.49, 79.96, -18.81

 

CMYK 0 / 79 / 52 / 3

HEX #F83478

RGB 248 52 120

HSL 339.18, 0.93%, 0.59%

LAB 55.86, 75.09, 10.06

 

CMYK 0 / 79 / 73 / 3

HEX #F83443

RGB 248 52 67

HSL 355.41, 0.93%, 0.59%

LAB 54.88, 72.11, 40.03

 

CMYK 0 / 79 / 79 / 3

HEX #F83434

RGB 248 52 52

HSL 0, 0.93%, 0.59%

LAB 54.72, 71.6, 48.07

 

CMYK 0 / 79 / 9 / 3

HEX #F834E2

RGB 248 52 226

HSL 306.73, 0.93%, 0.59%

LAB 59.8, 86.53, -45.55

 

CMYK 13 / 79 / 0 / 3

HEX #D934F8

RGB 217 52 248

HSL 290.51, 0.93%, 0.59%

LAB 56.07, 84.13, -64.11

 

CMYK 34 / 79 / 0 / 3

HEX #A434F8

RGB 164 52 248

HSL 274.29, 0.93%, 0.59%

LAB 48.42, 75.46, -76.87

 

CMYK 55 / 79 / 0 / 3

HEX #6F34F8

RGB 111 52 248

HSL 258.06, 0.93%, 0.59%

LAB 42.17, 68.44, -87.35

 

CMYK 77 / 79 / 0 / 3

HEX #3A34F8

RGB 58 52 248

HSL 241.84, 0.93%, 0.59%

LAB 38.08, 63.88, -94.26

 

CMYK 0 / 79 / 9 / 3

HEX #F834E2

RGB 248 52 226

HSL 306.73, 0.93%, 0.59%

LAB 59.8, 86.53, -45.55

 

CMYK 0 / 79 / 9 / 3

HEX #F834E2

RGB 248 52 226

HSL 306.73, 0.93%, 0.59%

LAB 59.8, 86.53, -45.55

 

CMYK 0 / 70 / 8 / 9

HEX #E745D5

RGB 231 69 213

HSL 306.67, 0.77%, 0.59%

LAB 58.08, 76.32, -41.1

 

CMYK 0 / 60 / 7 / 16

HEX #D656C8

RGB 214 86 200

HSL 306.56, 0.61%, 0.59%

LAB 57.19, 63.78, -35.28

 

CMYK 0 / 48 / 5 / 23

HEX #C566BB

RGB 197 102 187

HSL 306.32, 0.45%, 0.59%

LAB 57.04, 49.43, -28.27

 

CMYK 0 / 34 / 4 / 29

HEX #B577AE

RGB 181 119 174

HSL 306.77, 0.3%, 0.59%

LAB 58.11, 33.03, -19.33

 

CMYK 34 / 79 / 0 / 3

HEX #A334F8

RGB 163 52 248

HSL 273.98, 0.93%, 0.59%

LAB 48.29, 75.31, -77.1

 

CMYK 13 / 79 / 0 / 3

HEX #D734F8

RGB 215 52 248

HSL 289.9, 0.93%, 0.59%

LAB 55.77, 83.78, -64.62

 

CMYK 0 / 79 / 8 / 3

HEX #F834E5

RGB 248 52 229

HSL 305.82, 0.93%, 0.59%

LAB 59.95, 86.95, -47

 

CMYK 0 / 79 / 29 / 3

HEX #F834B0

RGB 248 52 176

HSL 322.04, 0.93%, 0.59%

LAB 57.6, 80.29, -20.38

 

CMYK 0 / 79 / 50 / 3

HEX #F8347C

RGB 248 52 124

HSL 337.96, 0.93%, 0.59%

LAB 55.96, 75.4, 7.82

 

CMYK 0 / 97 / 10 / 17

HEX #D306BD

RGB 211 6 189

HSL 306.44, 0.94%, 0.43%

LAB 49.07, 81.66, -41.74

 

CMYK 0 / 95 / 11 / 3

HEX #F70CDD

RGB 247 12 221

HSL 306.64, 0.94%, 0.51%

LAB 57.33, 91.67, -46.65

 

CMYK 0 / 79 / 9 / 3

HEX #F834E2

RGB 248 52 226

HSL 306.73, 0.93%, 0.59%

LAB 59.8, 86.53, -45.55

 

CMYK 0 / 63 / 7 / 2

HEX #F95CE8

RGB 249 92 232

HSL 306.5, 0.93%, 0.67%

LAB 64.66, 75.1, -41.25

 

CMYK 0 / 47 / 6 / 2

HEX #FB84ED

RGB 251 132 237

HSL 307.06, 0.94%, 0.75%

LAB 71.64, 58.93, -33.13

 

CMYK 0 / 80 / 9 / 2

HEX #F933E3

RGB 249 51 227

HSL 306.67, 0.94%, 0.59%

LAB 59.94, 87.1, -45.89

 

CMYK 0 / 55 / 79 / 3

HEX #F86F34

RGB 248 111 52

HSL 18.06, 0.93%, 0.59%

LAB 62.99, 49.27, 56.18

 

CMYK 79 / 0 / 24 / 3

HEX #34F8BD

RGB 52 248 189

HSL 161.94, 0.93%, 0.59%

LAB 87.75, -59.9, 15.25

 

CMYK 0 / 80 / 9 / 2

HEX #F933E3

RGB 249 51 227

HSL 306.67, 0.94%, 0.59%

LAB 59.94, 87.1, -45.89

 

CMYK 8 / 0 / 79 / 3

HEX #E5F834

RGB 229 248 52

HSL 65.82, 0.93%, 0.59%

LAB 93.47, -27.97, 83.27

 

CMYK 79 / 8 / 0 / 3

HEX #34E5F8

RGB 52 229 248

HSL 185.82, 0.93%, 0.59%

LAB 83.73, -36.23, -21.57

 

CMYK 0 / 80 / 9 / 2

HEX #F933E3

RGB 249 51 227

HSL 306.67, 0.94%, 0.59%

LAB 59.94, 87.1, -45.89

 

CMYK 0 / 55 / 79 / 3

HEX #F86F34

RGB 248 111 52

HSL 18.06, 0.93%, 0.59%

LAB 62.99, 49.27, 56.18

 

CMYK 79 / 0 / 71 / 3

HEX #34F847

RGB 52 248 71

HSL 125.82, 0.93%, 0.59%

LAB 86.17, -78.2, 67.94

 

CMYK 79 / 24 / 0 / 3

HEX #34BDF8

RGB 52 189 248

HSL 198.06, 0.93%, 0.59%

LAB 72.16, -16.39, -39.34

 

CMYK 0 / 80 / 9 / 2

HEX #F933E3

RGB 249 51 227

HSL 306.67, 0.94%, 0.59%

LAB 59.94, 87.1, -45.89

 

CMYK 0 / 31 / 79 / 3

HEX #F8AA34

RGB 248 170 52

HSL 36.12, 0.93%, 0.59%

LAB 75.42, 19.3, 67.79

 

CMYK 79 / 0 / 71 / 3

HEX #34F847

RGB 52 248 71

HSL 125.82, 0.93%, 0.59%

LAB 86.17, -78.2, 67.94

 

CMYK 79 / 48 / 0 / 3

HEX #3482F8

RGB 52 130 248

HSL 216.12, 0.93%, 0.59%

LAB 55.56, 17.56, -65.67

 

Description

Color code: RGB 249 51 227 | qconv.com Color code: RGB 249 51 227 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 249 red, 51 green and 227 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
249 51 227 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 80 magenta, 9 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 80% 9% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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