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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 24 189 148 it is the complementary color RGB 231 66 107. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 24 189 148. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 24 189 148 shade: RGB 29 189 143, RGB 46 207 162, RGB 63 225 181, RGB 80 243 200 and RGB 97 255 219

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 24 189 148. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 24 189 148 shade: RGB 24 189 148, RGB 7 171 129, RGB 0 153 110, RGB 0 135 91 and RGB 0 117 72

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 24 189 148 shade: RGB 24 189 148, RGB 24 189 104, RGB 24 189 59, RGB 34 189 24 and RGB 78 189 24

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 24 189 148 shade: RGB 24 189 148, RGB 24 186 189, RGB 24 141 189, RGB 24 97 189 and RGB 24 52 189

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 24 189 148 shade matches the following richer shades: RGB 24 189 148 and RGB 7 206 157

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 24 189 148 shade: RGB 24 189 148, RGB 41 172 139, RGB 59 154 131, RGB 76 137 122 and RGB 93 120 113

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 24 189 148 shade: RGB 24 189 60, RGB 24 189 104, RGB 24 189 148, RGB 24 186 189 and RGB 24 142 189

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 24 189 148 shade: RGB 15 116 91, RGB 19 153 119, RGB 24 189 148, RGB 29 225 177 and RGB 66 230 189

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 24 189 148 shade: RGB 24 189 148, RGB 24 32 189 and RGB 189 82 24

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 24 189 148 shade: RGB 24 189 148, RGB 148 24 189 and RGB 189 148 24

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 24 189 148 shade: RGB 24 189 148, RGB 24 32 189, RGB 189 24 65 and RGB 189 181 24

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 24 189 148 shade: RGB 24 189 148, RGB 65 24 189, RGB 189 24 65 and RGB 148 189 24

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 87 / 0 / 22 / 26

HEX #18BD94

RGB 24 189 148

HSL 165.09, 0.77%, 0.42%

LAB 68.55, -48.78, 9.79

 

Complementary color

CMYK 0 / 71 / 54 / 9

HEX #E7426B

RGB 231 66 107

HSL 345.09, 0.77%, 0.58%

LAB 53.97, 65.31, 14.73

 

CMYK 85 / 0 / 24 / 26

HEX #1DBD8F

RGB 29 189 143

HSL 162.75, 0.73%, 0.43%

LAB 68.49, -49.64, 12.43

 

CMYK 78 / 0 / 22 / 19

HEX #2ECFA2

RGB 46 207 162

HSL 163.23, 0.64%, 0.5%

LAB 74.71, -50.7, 11

 

CMYK 72 / 0 / 20 / 12

HEX #3FE1B5

RGB 63 225 181

HSL 163.7, 0.73%, 0.56%

LAB 80.87, -51.44, 9.71

 

CMYK 67 / 0 / 18 / 5

HEX #50F3C8

RGB 80 243 200

HSL 164.17, 0.87%, 0.63%

LAB 86.99, -51.95, 8.52

 

CMYK 62 / 0 / 14 / 0

HEX #61FFDB

RGB 97 255 219

HSL 166.33, 1%, 0.69%

LAB 91.31, -49.79, 4.94

 

CMYK 87 / 0 / 22 / 26

HEX #18BD94

RGB 24 189 148

HSL 165.09, 0.77%, 0.42%

LAB 68.55, -48.78, 9.79

 

CMYK 96 / 0 / 25 / 33

HEX #07AB81

RGB 7 171 129

HSL 164.63, 0.92%, 0.35%

LAB 62.3, -47.15, 11.36

 

CMYK 100 / 0 / 28 / 40

HEX #00996E

RGB 0 153 110

HSL 163.14, 1%, 0.3%

LAB 56, -44.98, 13.12

 

CMYK 100 / 0 / 33 / 47

HEX #00875B

RGB 0 135 91

HSL 160.44, 1%, 0.26%

LAB 49.6, -42.43, 15.04

 

CMYK 100 / 0 / 38 / 54

HEX #007548

RGB 0 117 72

HSL 156.92, 1%, 0.23%

LAB 43.05, -39.77, 17.08

 

CMYK 87 / 0 / 22 / 26

HEX #18BD94

RGB 24 189 148

HSL 165.09, 0.77%, 0.42%

LAB 68.55, -48.78, 9.79

 

CMYK 87 / 0 / 45 / 26

HEX #18BD68

RGB 24 189 104

HSL 149.09, 0.77%, 0.42%

LAB 67.72, -58.23, 32.11

 

CMYK 87 / 0 / 69 / 26

HEX #18BD3B

RGB 24 189 59

HSL 132.73, 0.77%, 0.42%

LAB 67.21, -64.44, 52.51

 

CMYK 82 / 0 / 87 / 26

HEX #22BD18

RGB 34 189 24

HSL 116.36, 0.77%, 0.42%

LAB 67.13, -65.84, 63.34

 

CMYK 59 / 0 / 87 / 26

HEX #4EBD18

RGB 78 189 24

HSL 100.36, 0.77%, 0.42%

LAB 68.08, -57.74, 64.54

 

CMYK 87 / 0 / 22 / 26

HEX #18BD94

RGB 24 189 148

HSL 165.09, 0.77%, 0.42%

LAB 68.55, -48.78, 9.79

 

CMYK 87 / 2 / 0 / 26

HEX #18BABD

RGB 24 186 189

HSL 181.09, 0.77%, 0.42%

LAB 68.74, -36.09, -12.44

 

CMYK 87 / 25 / 0 / 26

HEX #188DBD

RGB 24 141 189

HSL 197.45, 0.77%, 0.42%

LAB 54.99, -13.18, -33.5

 

CMYK 87 / 49 / 0 / 26

HEX #1861BD

RGB 24 97 189

HSL 213.45, 0.77%, 0.42%

LAB 41.87, 13.58, -54.33

 

CMYK 87 / 72 / 0 / 26

HEX #1834BD

RGB 24 52 189

HSL 229.82, 0.77%, 0.42%

LAB 30.22, 42.89, -73.37

 

CMYK 87 / 0 / 22 / 26

HEX #18BD94

RGB 24 189 148

HSL 165.09, 0.77%, 0.42%

LAB 68.55, -48.78, 9.79

 

CMYK 97 / 0 / 24 / 19

HEX #07CE9D

RGB 7 206 157

HSL 165.23, 0.93%, 0.42%

LAB 73.95, -54.05, 12.55

 

CMYK 87 / 0 / 22 / 26

HEX #18BD94

RGB 24 189 148

HSL 165.09, 0.77%, 0.42%

LAB 68.55, -48.78, 9.79

 

CMYK 76 / 0 / 19 / 33

HEX #29AC8B

RGB 41 172 139

HSL 164.89, 0.62%, 0.42%

LAB 63.21, -42.42, 7.15

 

CMYK 62 / 0 / 15 / 40

HEX #3B9A83

RGB 59 154 131

HSL 165.47, 0.45%, 0.42%

LAB 57.73, -33.6, 3.83

 

CMYK 45 / 0 / 11 / 46

HEX #4C897A

RGB 76 137 122

HSL 165.25, 0.29%, 0.42%

LAB 52.77, -23.59, 1.88

 

CMYK 23 / 0 / 6 / 53

HEX #5D7871

RGB 93 120 113

HSL 164.44, 0.13%, 0.42%

LAB 48.2, -11.34, 0.63

 

CMYK 87 / 0 / 68 / 26

HEX #18BD3C

RGB 24 189 60

HSL 133.09, 0.77%, 0.42%

LAB 67.21, -64.34, 52.11

 

CMYK 87 / 0 / 45 / 26

HEX #18BD68

RGB 24 189 104

HSL 149.09, 0.77%, 0.42%

LAB 67.72, -58.23, 32.11

 

CMYK 87 / 0 / 22 / 26

HEX #18BD94

RGB 24 189 148

HSL 165.09, 0.77%, 0.42%

LAB 68.55, -48.78, 9.79

 

CMYK 87 / 2 / 0 / 26

HEX #18BABD

RGB 24 186 189

HSL 181.09, 0.77%, 0.42%

LAB 68.74, -36.09, -12.44

 

CMYK 87 / 25 / 0 / 26

HEX #188EBD

RGB 24 142 189

HSL 197.09, 0.77%, 0.42%

LAB 55.29, -13.74, -33.02

 

CMYK 87 / 0 / 22 / 55

HEX #0F745B

RGB 15 116 91

HSL 165.15, 0.77%, 0.26%

LAB 43.28, -33.43, 6.23

 

CMYK 88 / 0 / 22 / 40

HEX #139977

RGB 19 153 119

HSL 164.78, 0.78%, 0.34%

LAB 56.34, -41.67, 8.54

 

CMYK 87 / 0 / 22 / 26

HEX #18BD94

RGB 24 189 148

HSL 165.09, 0.77%, 0.42%

LAB 68.55, -48.78, 9.79

 

CMYK 87 / 0 / 21 / 12

HEX #1DE1B1

RGB 29 225 177

HSL 165.31, 0.77%, 0.5%

LAB 80.34, -55.63, 11

 

CMYK 71 / 0 / 18 / 10

HEX #42E6BD

RGB 66 230 189

HSL 165, 0.77%, 0.58%

LAB 82.61, -51.19, 7.97

 

CMYK 87 / 0 / 22 / 26

HEX #18BD94

RGB 24 189 148

HSL 165.09, 0.77%, 0.42%

LAB 68.55, -48.78, 9.79

 

CMYK 87 / 83 / 0 / 26

HEX #1820BD

RGB 24 32 189

HSL 237.09, 0.77%, 0.42%

LAB 26.45, 53.68, -79.61

 

CMYK 0 / 57 / 87 / 26

HEX #BD5218

RGB 189 82 24

HSL 21.09, 0.77%, 0.42%

LAB 48.16, 40.22, 51.19

 

CMYK 87 / 0 / 22 / 26

HEX #18BD94

RGB 24 189 148

HSL 165.09, 0.77%, 0.42%

LAB 68.55, -48.78, 9.79

 

CMYK 22 / 87 / 0 / 26

HEX #9418BD

RGB 148 24 189

HSL 285.09, 0.77%, 0.42%

LAB 38.94, 68.9, -58.59

 

CMYK 0 / 22 / 87 / 26

HEX #BD9418

RGB 189 148 24

HSL 45.09, 0.77%, 0.42%

LAB 63.4, 4.67, 63.5

 

CMYK 87 / 0 / 22 / 26

HEX #18BD94

RGB 24 189 148

HSL 165.09, 0.77%, 0.42%

LAB 68.55, -48.78, 9.79

 

CMYK 87 / 83 / 0 / 26

HEX #1820BD

RGB 24 32 189

HSL 237.09, 0.77%, 0.42%

LAB 26.45, 53.68, -79.61

 

CMYK 0 / 87 / 66 / 26

HEX #BD1841

RGB 189 24 65

HSL 345.09, 0.77%, 0.42%

LAB 40.98, 62.62, 21.65

 

CMYK 0 / 4 / 87 / 26

HEX #BDB518

RGB 189 181 24

HSL 57.09, 0.77%, 0.42%

LAB 72.18, -12.81, 70.58

 

CMYK 87 / 0 / 22 / 26

HEX #18BD94

RGB 24 189 148

HSL 165.09, 0.77%, 0.42%

LAB 68.55, -48.78, 9.79

 

CMYK 66 / 87 / 0 / 26

HEX #4118BD

RGB 65 24 189

HSL 254.91, 0.77%, 0.42%

LAB 27.98, 59.08, -76.99

 

CMYK 0 / 87 / 66 / 26

HEX #BD1841

RGB 189 24 65

HSL 345.09, 0.77%, 0.42%

LAB 40.98, 62.62, 21.65

 

CMYK 22 / 0 / 87 / 26

HEX #94BD18

RGB 148 189 24

HSL 74.91, 0.77%, 0.42%

LAB 71.39, -34.09, 68.67

 

Description

Color code: RGB 24 189 148 | qconv.com Color code: RGB 24 189 148 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 24 red, 189 green and 148 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
24 189 148 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 87 cyan, none magenta, 22 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
87% 0% 22% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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