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Color name
RGB 24 240 164

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 24 240 164 it is the complementary color RGB 231 15 91. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 24 240 164. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 24 240 164 shade: RGB 29 240 159, RGB 46 255 178, RGB 63 255 197, RGB 80 255 216 and RGB 97 255 235

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 24 240 164. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 24 240 164 shade: RGB 24 240 164, RGB 7 222 145, RGB 0 204 126, RGB 0 186 107 and RGB 0 168 88

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 24 240 164 shade: RGB 24 240 164, RGB 24 240 106, RGB 24 240 48, RGB 59 240 24 and RGB 117 240 24

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 24 240 164 shade: RGB 24 240 164, RGB 24 240 222, RGB 24 199 240, RGB 24 141 240 and RGB 24 83 240

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 24 240 164 shade matches the following richer shades: RGB 24 240 164

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 24 240 164 shade: RGB 24 240 164, RGB 44 220 158, RGB 64 200 152, RGB 84 180 146 and RGB 104 161 141

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 24 240 164 shade: RGB 24 240 46, RGB 24 240 103, RGB 24 240 161, RGB 24 240 218 and RGB 24 204 240

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 24 240 164 shade: RGB 10 171 115, RGB 13 210 141, RGB 24 240 164, RGB 63 242 179 and RGB 102 245 195

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 24 240 164 shade: RGB 24 240 164, RGB 24 60 240 and RGB 240 75 24

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 24 240 164 shade: RGB 24 240 164, RGB 161 24 240 and RGB 240 161 24

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 24 240 164 shade: RGB 24 240 164, RGB 24 60 240, RGB 240 24 103 and RGB 240 204 24

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 24 240 164 shade: RGB 24 240 164, RGB 53 24 240, RGB 240 24 103 and RGB 211 240 24

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 90 / 0 / 32 / 6

HEX #18F0A4

RGB 24 240 164

HSL 158.89, 0.88%, 0.52%

LAB 84.58, -64.44, 23.69

 

Complementary color

CMYK 0 / 94 / 61 / 9

HEX #E70F5B

RGB 231 15 91

HSL 338.89, 0.88%, 0.48%

LAB 49.6, 75.67, 18.45

 

CMYK 88 / 0 / 34 / 6

HEX #1DF09F

RGB 29 240 159

HSL 156.97, 0.88%, 0.53%

LAB 84.53, -65.21, 26.17

 

CMYK 82 / 0 / 30 / 0

HEX #2EFFB2

RGB 46 255 178

HSL 157.89, 1%, 0.59%

LAB 89.54, -65.44, 23.37

 

CMYK 75 / 0 / 23 / 0

HEX #3FFFC5

RGB 63 255 197

HSL 161.88, 1%, 0.62%

LAB 90.14, -59.64, 14.52

 

CMYK 69 / 0 / 15 / 0

HEX #50FFD8

RGB 80 255 216

HSL 166.63, 1%, 0.66%

LAB 90.86, -53.09, 5.8

 

CMYK 62 / 0 / 8 / 0

HEX #61FFEB

RGB 97 255 235

HSL 172.41, 1%, 0.69%

LAB 91.71, -45.89, -2.76

 

CMYK 90 / 0 / 32 / 6

HEX #18F0A4

RGB 24 240 164

HSL 158.89, 0.88%, 0.52%

LAB 84.58, -64.44, 23.69

 

CMYK 97 / 0 / 35 / 13

HEX #07DE91

RGB 7 222 145

HSL 158.51, 0.94%, 0.45%

LAB 78.65, -62.64, 25.38

 

CMYK 100 / 0 / 38 / 20

HEX #00CC7E

RGB 0 204 126

HSL 157.06, 1%, 0.4%

LAB 72.69, -60.39, 27.22

 

CMYK 100 / 0 / 42 / 27

HEX #00BA6B

RGB 0 186 107

HSL 154.52, 1%, 0.36%

LAB 66.66, -57.83, 29.15

 

CMYK 100 / 0 / 48 / 34

HEX #00A858

RGB 0 168 88

HSL 151.43, 1%, 0.33%

LAB 60.52, -55.13, 31.13

 

CMYK 90 / 0 / 32 / 6

HEX #18F0A4

RGB 24 240 164

HSL 158.89, 0.88%, 0.52%

LAB 84.58, -64.44, 23.69

 

CMYK 90 / 0 / 56 / 6

HEX #18F06A

RGB 24 240 106

HSL 142.78, 0.88%, 0.52%

LAB 83.73, -74.47, 50.97

 

CMYK 90 / 0 / 80 / 6

HEX #18F030

RGB 24 240 48

HSL 126.67, 0.88%, 0.52%

LAB 83.3, -79.92, 72.19

 

CMYK 75 / 0 / 90 / 6

HEX #3BF018

RGB 59 240 24

HSL 110.28, 0.88%, 0.52%

LAB 83.61, -77.47, 77.64

 

CMYK 51 / 0 / 90 / 6

HEX #75F018

RGB 117 240 24

HSL 94.17, 0.88%, 0.52%

LAB 85.08, -65.23, 79.47

 

CMYK 90 / 0 / 32 / 6

HEX #18F0A4

RGB 24 240 164

HSL 158.89, 0.88%, 0.52%

LAB 84.58, -64.44, 23.69

 

CMYK 90 / 0 / 8 / 6

HEX #18F0DE

RGB 24 240 222

HSL 175, 0.88%, 0.52%

LAB 85.9, -50.33, -4.66

 

CMYK 90 / 17 / 0 / 6

HEX #18C7F0

RGB 24 199 240

HSL 191.39, 0.88%, 0.52%

LAB 74.4, -26.14, -31.59

 

CMYK 90 / 41 / 0 / 6

HEX #188DF0

RGB 24 141 240

HSL 207.5, 0.88%, 0.52%

LAB 57.59, 5.81, -58

 

CMYK 90 / 65 / 0 / 6

HEX #1853F0

RGB 24 83 240

HSL 223.61, 0.88%, 0.52%

LAB 42.26, 42.22, -82.88

 

CMYK 90 / 0 / 32 / 6

HEX #18F0A4

RGB 24 240 164

HSL 158.89, 0.88%, 0.52%

LAB 84.58, -64.44, 23.69

 

CMYK 90 / 0 / 32 / 6

HEX #18F0A4

RGB 24 240 164

HSL 158.89, 0.88%, 0.52%

LAB 84.58, -64.44, 23.69

 

CMYK 80 / 0 / 28 / 14

HEX #2CDC9E

RGB 44 220 158

HSL 158.86, 0.72%, 0.52%

LAB 78.57, -56.92, 18.54

 

CMYK 68 / 0 / 24 / 22

HEX #40C898

RGB 64 200 152

HSL 158.82, 0.55%, 0.52%

LAB 72.67, -47.79, 13.53

 

CMYK 53 / 0 / 19 / 29

HEX #54B492

RGB 84 180 146

HSL 158.75, 0.39%, 0.52%

LAB 66.98, -36.6, 8.81

 

CMYK 35 / 0 / 12 / 37

HEX #68A18D

RGB 104 161 141

HSL 158.95, 0.23%, 0.52%

LAB 61.96, -23.28, 4.51

 

CMYK 90 / 0 / 81 / 6

HEX #18F02E

RGB 24 240 46

HSL 126.11, 0.88%, 0.52%

LAB 83.29, -80.03, 72.71

 

CMYK 90 / 0 / 57 / 6

HEX #18F067

RGB 24 240 103

HSL 141.94, 0.88%, 0.52%

LAB 83.7, -74.86, 52.28

 

CMYK 90 / 0 / 33 / 6

HEX #18F0A1

RGB 24 240 161

HSL 158.06, 0.88%, 0.52%

LAB 84.53, -65.07, 25.15

 

CMYK 90 / 0 / 9 / 6

HEX #18F0DA

RGB 24 240 218

HSL 173.89, 0.88%, 0.52%

LAB 85.79, -51.42, -2.71

 

CMYK 90 / 15 / 0 / 6

HEX #18CCF0

RGB 24 204 240

HSL 190, 0.88%, 0.52%

LAB 75.87, -28.62, -29.33

 

CMYK 94 / 0 / 33 / 33

HEX #0AAB73

RGB 10 171 115

HSL 159.13, 0.89%, 0.35%

LAB 62.02, -50.33, 18.68

 

CMYK 94 / 0 / 33 / 18

HEX #0DD28D

RGB 13 210 141

HSL 158.98, 0.88%, 0.44%

LAB 74.89, -58.99, 22.35

 

CMYK 90 / 0 / 32 / 6

HEX #18F0A4

RGB 24 240 164

HSL 158.89, 0.88%, 0.52%

LAB 84.58, -64.44, 23.69

 

CMYK 74 / 0 / 26 / 5

HEX #3FF2B3

RGB 63 242 179

HSL 158.88, 0.87%, 0.6%

LAB 85.91, -58.63, 17.87

 

CMYK 58 / 0 / 20 / 4

HEX #66F5C3

RGB 102 245 195

HSL 159.02, 0.88%, 0.68%

LAB 88, -50.16, 12.65

 

CMYK 90 / 0 / 32 / 6

HEX #18F0A4

RGB 24 240 164

HSL 158.89, 0.88%, 0.52%

LAB 84.58, -64.44, 23.69

 

CMYK 90 / 75 / 0 / 6

HEX #183CF0

RGB 24 60 240

HSL 230, 0.88%, 0.52%

LAB 37.33, 55.77, -91.03

 

CMYK 0 / 69 / 90 / 6

HEX #F04B18

RGB 240 75 24

HSL 14.17, 0.88%, 0.52%

LAB 55.71, 61.23, 60.73

 

CMYK 90 / 0 / 32 / 6

HEX #18F0A4

RGB 24 240 164

HSL 158.89, 0.88%, 0.52%

LAB 84.58, -64.44, 23.69

 

CMYK 33 / 90 / 0 / 6

HEX #A118F0

RGB 161 24 240

HSL 278.06, 0.88%, 0.52%

LAB 44.97, 80.45, -78.03

 

CMYK 0 / 33 / 90 / 6

HEX #F0A118

RGB 240 161 24

HSL 38.06, 0.88%, 0.52%

LAB 72.28, 19.97, 72.87

 

CMYK 90 / 0 / 32 / 6

HEX #18F0A4

RGB 24 240 164

HSL 158.89, 0.88%, 0.52%

LAB 84.58, -64.44, 23.69

 

CMYK 90 / 75 / 0 / 6

HEX #183CF0

RGB 24 60 240

HSL 230, 0.88%, 0.52%

LAB 37.33, 55.77, -91.03

 

CMYK 0 / 90 / 57 / 6

HEX #F01867

RGB 240 24 103

HSL 338.06, 0.88%, 0.52%

LAB 52.02, 77.45, 14.71

 

CMYK 0 / 15 / 90 / 6

HEX #F0CC18

RGB 240 204 24

HSL 50, 0.88%, 0.52%

LAB 82.79, -2.49, 80.87

 

CMYK 90 / 0 / 32 / 6

HEX #18F0A4

RGB 24 240 164

HSL 158.89, 0.88%, 0.52%

LAB 84.58, -64.44, 23.69

 

CMYK 78 / 90 / 0 / 6

HEX #3518F0

RGB 53 24 240

HSL 248.06, 0.88%, 0.52%

LAB 33.35, 71.84, -97.61

 

CMYK 0 / 90 / 57 / 6

HEX #F01867

RGB 240 24 103

HSL 338.06, 0.88%, 0.52%

LAB 52.02, 77.45, 14.71

 

CMYK 12 / 0 / 90 / 6

HEX #D3F018

RGB 211 240 24

HSL 68.06, 0.88%, 0.52%

LAB 89.97, -32.2, 85.47

 

Description

Color code: RGB 24 240 164 | qconv.com Color code: RGB 24 240 164 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 24 red, 240 green and 164 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
24 240 164 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 90 cyan, none magenta, 32 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
90% 0% 32% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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