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Color name
RGB 250 232 25

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 250 232 25 it is the complementary color RGB 5 23 230. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 250 232 25. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 250 232 25 shade: RGB 255 232 20, RGB 255 250 39, RGB 255 255 58, RGB 255 255 77 and RGB 255 255 96

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 250 232 25. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 250 232 25 shade: RGB 250 232 25, RGB 233 214 6, RGB 216 196 0, RGB 199 178 0 and RGB 182 160 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 250 232 25 shade: RGB 250 232 25, RGB 250 171 25, RGB 250 110 25, RGB 250 50 25 and RGB 250 25 25

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 250 232 25 shade: RGB 250 232 25, RGB 207 250 25, RGB 146 250 25, RGB 86 250 25 and RGB 25 250 25

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 250 232 25 shade matches the following richer shades: RGB 250 232 25

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 250 232 25 shade: RGB 250 232 25, RGB 231 216 44, RGB 212 200 63, RGB 193 184 82 and RGB 174 168 101

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 250 232 25 shade: RGB 250 111 25, RGB 250 171 25, RGB 250 231 25, RGB 209 250 25 and RGB 148 250 25

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 250 232 25 shade: RGB 189 174 3, RGB 229 211 4, RGB 250 232 25, RGB 251 236 65 and RGB 251 240 105

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 250 232 25 shade: RGB 250 232 25, RGB 25 250 51 and RGB 141 25 250

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 250 232 25 shade: RGB 250 232 25, RGB 25 250 231 and RGB 231 25 250

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 250 232 25 shade: RGB 250 232 25, RGB 25 250 51, RGB 25 43 250 and RGB 250 25 224

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 250 232 25 shade: RGB 250 232 25, RGB 25 250 118, RGB 25 43 250 and RGB 250 25 156

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 7 / 90 / 2

HEX #FAE819

RGB 250 232 25

HSL 55.2, 0.96%, 0.54%

LAB 90.83, -12.28, 87.28

 

Complementary color

CMYK 98 / 90 / 0 / 10

HEX #0517E6

RGB 5 23 230

HSL 235.2, 0.96%, 0.46%

LAB 30.3, 68.53, -97.05

 

CMYK 0 / 9 / 92 / 0

HEX #FFE814

RGB 255 232 20

HSL 54.13, 1%, 0.54%

LAB 91.25, -10.25, 88.45

 

CMYK 0 / 2 / 85 / 0

HEX #FFFA27

RGB 255 250 39

HSL 58.61, 1%, 0.58%

LAB 95.9, -18.69, 89.07

 

CMYK 0 / 0 / 77 / 0

HEX #FFFF3A

RGB 255 255 58

HSL 60, 1%, 0.61%

LAB 97.26, -20.55, 85.78

 

CMYK 0 / 0 / 70 / 0

HEX #FFFF4D

RGB 255 255 77

HSL 60, 1%, 0.65%

LAB 97.36, -19.81, 80.06

 

CMYK 0 / 0 / 62 / 0

HEX #FFFF60

RGB 255 255 96

HSL 60, 1%, 0.69%

LAB 97.48, -18.81, 73.24

 

CMYK 0 / 7 / 90 / 2

HEX #FAE819

RGB 250 232 25

HSL 55.2, 0.96%, 0.54%

LAB 90.83, -12.28, 87.28

 

CMYK 0 / 8 / 97 / 9

HEX #E9D606

RGB 233 214 6

HSL 54.98, 0.95%, 0.47%

LAB 84.7, -10.75, 84.12

 

CMYK 0 / 9 / 100 / 15

HEX #D8C400

RGB 216 196 0

HSL 54.44, 1%, 0.42%

LAB 78.51, -9.03, 79.51

 

CMYK 0 / 11 / 100 / 22

HEX #C7B200

RGB 199 178 0

HSL 53.67, 1%, 0.39%

LAB 72.22, -7.2, 74.3

 

CMYK 0 / 12 / 100 / 29

HEX #B6A000

RGB 182 160 0

HSL 52.75, 1%, 0.36%

LAB 65.82, -5.32, 69

 

CMYK 0 / 7 / 90 / 2

HEX #FAE819

RGB 250 232 25

HSL 55.2, 0.96%, 0.54%

LAB 90.83, -12.28, 87.28

 

CMYK 0 / 32 / 90 / 2

HEX #FAAB19

RGB 250 171 25

HSL 38.93, 0.96%, 0.54%

LAB 75.77, 18.96, 75.8

 

CMYK 0 / 56 / 90 / 2

HEX #FA6E19

RGB 250 110 25

HSL 22.67, 0.96%, 0.54%

LAB 62.97, 49.83, 66.35

 

CMYK 0 / 80 / 90 / 2

HEX #FA3219

RGB 250 50 25

HSL 6.67, 0.96%, 0.54%

LAB 54.74, 72.09, 60.57

 

CMYK 0 / 90 / 90 / 2

HEX #FA1919

RGB 250 25 25

HSL 0, 0.96%, 0.54%

LAB 53.05, 76.91, 59.42

 

CMYK 0 / 7 / 90 / 2

HEX #FAE819

RGB 250 232 25

HSL 55.2, 0.96%, 0.54%

LAB 90.83, -12.28, 87.28

 

CMYK 17 / 0 / 90 / 2

HEX #CFFA19

RGB 207 250 25

HSL 71.47, 0.96%, 0.54%

LAB 92.45, -38.3, 87.19

 

CMYK 42 / 0 / 90 / 2

HEX #92FA19

RGB 146 250 25

HSL 87.73, 0.96%, 0.54%

LAB 89.18, -60.2, 83.19

 

CMYK 66 / 0 / 90 / 2

HEX #56FA19

RGB 86 250 25

HSL 103.73, 0.96%, 0.54%

LAB 87.2, -75.85, 80.74

 

CMYK 90 / 0 / 90 / 2

HEX #19FA19

RGB 25 250 25

HSL 120, 0.96%, 0.54%

LAB 86.33, -83.51, 79.65

 

CMYK 0 / 7 / 90 / 2

HEX #FAE819

RGB 250 232 25

HSL 55.2, 0.96%, 0.54%

LAB 90.83, -12.28, 87.28

 

CMYK 0 / 7 / 90 / 2

HEX #FAE819

RGB 250 232 25

HSL 55.2, 0.96%, 0.54%

LAB 90.83, -12.28, 87.28

 

CMYK 0 / 6 / 81 / 9

HEX #E7D82C

RGB 231 216 44

HSL 55.19, 0.8%, 0.54%

LAB 85.14, -11.94, 78.17

 

CMYK 0 / 6 / 70 / 17

HEX #D4C83F

RGB 212 200 63

HSL 55.17, 0.63%, 0.54%

LAB 79.42, -11.2, 66.34

 

CMYK 0 / 5 / 58 / 24

HEX #C1B852

RGB 193 184 82

HSL 55.14, 0.47%, 0.54%

LAB 73.69, -9.88, 51.9

 

CMYK 0 / 3 / 42 / 32

HEX #AEA865

RGB 174 168 101

HSL 55.07, 0.31%, 0.54%

LAB 67.98, -7.71, 35.32

 

CMYK 0 / 56 / 90 / 2

HEX #FA6F19

RGB 250 111 25

HSL 22.93, 0.96%, 0.54%

LAB 63.15, 49.37, 66.48

 

CMYK 0 / 32 / 90 / 2

HEX #FAAB19

RGB 250 171 25

HSL 38.93, 0.96%, 0.54%

LAB 75.77, 18.96, 75.8

 

CMYK 0 / 8 / 90 / 2

HEX #FAE719

RGB 250 231 25

HSL 54.93, 0.96%, 0.54%

LAB 90.57, -11.79, 87.08

 

CMYK 16 / 0 / 90 / 2

HEX #D1FA19

RGB 209 250 25

HSL 70.93, 0.96%, 0.54%

LAB 92.57, -37.51, 87.34

 

CMYK 41 / 0 / 90 / 2

HEX #94FA19

RGB 148 250 25

HSL 87.2, 0.96%, 0.54%

LAB 89.27, -59.56, 83.29

 

CMYK 0 / 8 / 98 / 26

HEX #BDAE03

RGB 189 174 3

HSL 55.16, 0.97%, 0.38%

LAB 70.24, -9.51, 72.11

 

CMYK 0 / 8 / 98 / 10

HEX #E5D304

RGB 229 211 4

HSL 55.2, 0.97%, 0.46%

LAB 83.58, -10.97, 83.31

 

CMYK 0 / 7 / 90 / 2

HEX #FAE819

RGB 250 232 25

HSL 55.2, 0.96%, 0.54%

LAB 90.83, -12.28, 87.28

 

CMYK 0 / 6 / 74 / 2

HEX #FBEC41

RGB 251 236 65

HSL 55.16, 0.96%, 0.62%

LAB 92.08, -12.75, 78.89

 

CMYK 0 / 4 / 58 / 2

HEX #FBF069

RGB 251 240 105

HSL 55.48, 0.95%, 0.7%

LAB 93.39, -12.56, 65.03

 

CMYK 0 / 7 / 90 / 2

HEX #FAE819

RGB 250 232 25

HSL 55.2, 0.96%, 0.54%

LAB 90.83, -12.28, 87.28

 

CMYK 90 / 0 / 80 / 2

HEX #19FA33

RGB 25 250 51

HSL 126.93, 0.96%, 0.54%

LAB 86.41, -82.43, 74.3

 

CMYK 44 / 90 / 0 / 2

HEX #8D19FA

RGB 141 25 250

HSL 270.93, 0.96%, 0.54%

LAB 43.15, 80.04, -86.74

 

CMYK 0 / 7 / 90 / 2

HEX #FAE819

RGB 250 232 25

HSL 55.2, 0.96%, 0.54%

LAB 90.83, -12.28, 87.28

 

CMYK 90 / 0 / 8 / 2

HEX #19FAE7

RGB 25 250 231

HSL 174.93, 0.96%, 0.54%

LAB 89.09, -52.01, -4.67

 

CMYK 8 / 90 / 0 / 2

HEX #E719FA

RGB 231 25 250

HSL 294.93, 0.96%, 0.54%

LAB 56.67, 91.89, -64.14

 

CMYK 0 / 7 / 90 / 2

HEX #FAE819

RGB 250 232 25

HSL 55.2, 0.96%, 0.54%

LAB 90.83, -12.28, 87.28

 

CMYK 90 / 0 / 80 / 2

HEX #19FA33

RGB 25 250 51

HSL 126.93, 0.96%, 0.54%

LAB 86.41, -82.43, 74.3

 

CMYK 90 / 83 / 0 / 2

HEX #192BFA

RGB 25 43 250

HSL 235.2, 0.96%, 0.54%

LAB 35.67, 67.17, -99.43

 

CMYK 0 / 90 / 10 / 2

HEX #FA19E0

RGB 250 25 224

HSL 306.93, 0.96%, 0.54%

LAB 58.42, 91.37, -46.59

 

CMYK 0 / 7 / 90 / 2

HEX #FAE819

RGB 250 232 25

HSL 55.2, 0.96%, 0.54%

LAB 90.83, -12.28, 87.28

 

CMYK 90 / 0 / 53 / 2

HEX #19FA76

RGB 25 250 118

HSL 144.8, 0.96%, 0.54%

LAB 86.94, -75.83, 49.35

 

CMYK 90 / 83 / 0 / 2

HEX #192BFA

RGB 25 43 250

HSL 235.2, 0.96%, 0.54%

LAB 35.67, 67.17, -99.43

 

CMYK 0 / 90 / 38 / 2

HEX #FA199C

RGB 250 25 156

HSL 325.07, 0.96%, 0.54%

LAB 55.5, 83.72, -11.82

 

Description

Color code: RGB 250 232 25 | qconv.com Color code: RGB 250 232 25 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 250 red, 232 green and 25 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
250 232 25 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 7 magenta, 90 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 7% 90% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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