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Color name
RGB 250 233 147

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 250 233 147 it is the complementary color RGB 5 22 108. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 250 233 147. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 250 233 147 shade: RGB 255 233 142, RGB 255 251 161, RGB 255 255 180, RGB 255 255 199 and RGB 255 255 218

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 250 233 147. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 250 233 147 shade: RGB 250 233 147, RGB 233 215 128, RGB 216 197 109, RGB 199 179 90 and RGB 182 161 71

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 250 233 147 shade: RGB 249 233 147, RGB 249 205 147, RGB 249 178 147, RGB 249 150 147 and RGB 249 147 147

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 250 233 147 shade: RGB 249 233 147, RGB 239 249 147, RGB 211 249 147, RGB 184 249 147 and RGB 156 249 147

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 250 233 147 shade matches the following richer shades: RGB 249 233 147

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 250 233 147 shade: RGB 249 233 147, RGB 240 227 156, RGB 231 220 166, RGB 222 214 175 and RGB 213 208 184

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 250 233 147 shade: RGB 249 178 147, RGB 249 205 147, RGB 249 232 147, RGB 239 249 147 and RGB 212 249 147

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 250 233 147 shade: RGB 246 217 69, RGB 248 225 108, RGB 249 233 147, RGB 251 241 187 and RGB 253 249 226

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 250 233 147 shade: RGB 250 233 147, RGB 147 249 151 and RGB 192 147 249

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 250 233 147 shade: RGB 250 233 147, RGB 147 249 232 and RGB 232 147 249

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 250 233 147 shade: RGB 250 233 147, RGB 147 249 151, RGB 147 164 249 and RGB 249 147 246

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 250 233 147 shade: RGB 250 233 147, RGB 147 249 181, RGB 147 164 249 and RGB 249 147 215

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 7 / 41 / 2

HEX #FAE993

RGB 250 233 147

HSL 50.1, 0.91%, 0.78%

LAB 92, -5.9, 43.82

 

Complementary color

CMYK 95 / 80 / 0 / 58

HEX #05166C

RGB 5 22 108

HSL 230.1, 0.91%, 0.22%

LAB 13.76, 30.72, -50.47

 

CMYK 0 / 9 / 44 / 0

HEX #FFE98E

RGB 255 233 142

HSL 48.32, 1%, 0.78%

LAB 92.35, -4.45, 46.8

 

CMYK 0 / 2 / 37 / 0

HEX #FFFBA1

RGB 255 251 161

HSL 57.45, 1%, 0.82%

LAB 97.16, -11.43, 43.62

 

CMYK 0 / 0 / 29 / 0

HEX #FFFFB4

RGB 255 255 180

HSL 60, 1%, 0.85%

LAB 98.46, -11.2, 35.94

 

CMYK 0 / 0 / 22 / 0

HEX #FFFFC7

RGB 255 255 199

HSL 60, 1%, 0.89%

LAB 98.79, -8.74, 26.85

 

CMYK 0 / 0 / 15 / 0

HEX #FFFFDA

RGB 255 255 218

HSL 60, 1%, 0.93%

LAB 99.16, -6.02, 17.71

 

CMYK 0 / 7 / 41 / 2

HEX #FAE993

RGB 250 233 147

HSL 50.1, 0.91%, 0.78%

LAB 92, -5.9, 43.82

 

CMYK 0 / 8 / 45 / 9

HEX #E9D780

RGB 233 215 128

HSL 49.71, 0.7%, 0.71%

LAB 85.75, -5.4, 45.01

 

CMYK 0 / 9 / 50 / 15

HEX #D8C56D

RGB 216 197 109

HSL 49.35, 0.58%, 0.64%

LAB 79.41, -4.81, 46.22

 

CMYK 0 / 10 / 55 / 22

HEX #C7B35A

RGB 199 179 90

HSL 48.99, 0.49%, 0.57%

LAB 72.97, -4.12, 47.43

 

CMYK 0 / 12 / 61 / 29

HEX #B6A147

RGB 182 161 71

HSL 48.65, 0.44%, 0.5%

LAB 66.44, -3.29, 48.59

 

CMYK 0 / 6 / 41 / 2

HEX #F9E993

RGB 249 233 147

HSL 50.59, 0.89%, 0.78%

LAB 91.92, -6.29, 43.7

 

CMYK 0 / 18 / 41 / 2

HEX #F9CD93

RGB 249 205 147

HSL 34.12, 0.89%, 0.78%

LAB 84.95, 8, 34.69

 

CMYK 0 / 29 / 41 / 2

HEX #F9B293

RGB 249 178 147

HSL 18.24, 0.89%, 0.78%

LAB 78.51, 22.14, 26.12

 

CMYK 0 / 40 / 41 / 2

HEX #F99693

RGB 249 150 147

HSL 1.76, 0.89%, 0.78%

LAB 72.27, 36.8, 17.58

 

CMYK 0 / 41 / 41 / 2

HEX #F99393

RGB 249 147 147

HSL 0, 0.89%, 0.78%

LAB 71.63, 38.34, 16.69

 

CMYK 0 / 6 / 41 / 2

HEX #F9E993

RGB 249 233 147

HSL 50.59, 0.89%, 0.78%

LAB 91.92, -6.29, 43.7

 

CMYK 4 / 0 / 41 / 2

HEX #EFF993

RGB 239 249 147

HSL 65.88, 0.89%, 0.78%

LAB 95.25, -18.02, 47.75

 

CMYK 15 / 0 / 41 / 2

HEX #D3F993

RGB 211 249 147

HSL 82.35, 0.89%, 0.78%

LAB 93.32, -28.44, 44.91

 

CMYK 26 / 0 / 41 / 2

HEX #B8F993

RGB 184 249 147

HSL 98.24, 0.89%, 0.78%

LAB 91.71, -37.95, 42.52

 

CMYK 37 / 0 / 41 / 2

HEX #9CF993

RGB 156 249 147

HSL 114.71, 0.89%, 0.78%

LAB 90.29, -46.97, 40.41

 

CMYK 0 / 6 / 41 / 2

HEX #F9E993

RGB 249 233 147

HSL 50.59, 0.89%, 0.78%

LAB 91.92, -6.29, 43.7

 

CMYK 0 / 6 / 41 / 2

HEX #F9E993

RGB 249 233 147

HSL 50.59, 0.89%, 0.78%

LAB 91.92, -6.29, 43.7

 

CMYK 0 / 5 / 35 / 6

HEX #F0E39C

RGB 240 227 156

HSL 50.71, 0.74%, 0.78%

LAB 89.8, -5.77, 36.31

 

CMYK 0 / 5 / 28 / 9

HEX #E7DCA6

RGB 231 220 166

HSL 49.85, 0.58%, 0.78%

LAB 87.45, -4.42, 27.95

 

CMYK 0 / 4 / 21 / 13

HEX #DED6AF

RGB 222 214 175

HSL 49.79, 0.42%, 0.78%

LAB 85.36, -3.48, 20.28

 

CMYK 0 / 2 / 14 / 16

HEX #D5D0B8

RGB 213 208 184

HSL 49.66, 0.26%, 0.78%

LAB 83.29, -2.32, 12.53

 

CMYK 0 / 29 / 41 / 2

HEX #F9B293

RGB 249 178 147

HSL 18.24, 0.89%, 0.78%

LAB 78.51, 22.14, 26.12

 

CMYK 0 / 18 / 41 / 2

HEX #F9CD93

RGB 249 205 147

HSL 34.12, 0.89%, 0.78%

LAB 84.95, 8, 34.69

 

CMYK 0 / 7 / 41 / 2

HEX #F9E893

RGB 249 232 147

HSL 50, 0.89%, 0.78%

LAB 91.67, -5.79, 43.38

 

CMYK 4 / 0 / 41 / 2

HEX #EFF993

RGB 239 249 147

HSL 65.88, 0.89%, 0.78%

LAB 95.25, -18.02, 47.75

 

CMYK 15 / 0 / 41 / 2

HEX #D4F993

RGB 212 249 147

HSL 81.76, 0.89%, 0.78%

LAB 93.39, -28.08, 45.01

 

CMYK 0 / 12 / 72 / 4

HEX #F6D945

RGB 246 217 69

HSL 50.17, 0.91%, 0.62%

LAB 86.82, -5.21, 72.39

 

CMYK 0 / 9 / 56 / 3

HEX #F8E16C

RGB 248 225 108

HSL 50.14, 0.91%, 0.7%

LAB 89.34, -6.11, 59.09

 

CMYK 0 / 6 / 41 / 2

HEX #F9E993

RGB 249 233 147

HSL 50.59, 0.89%, 0.78%

LAB 91.92, -6.29, 43.7

 

CMYK 0 / 4 / 25 / 2

HEX #FBF1BB

RGB 251 241 187

HSL 50.63, 0.89%, 0.86%

LAB 94.74, -4.84, 27.35

 

CMYK 0 / 2 / 11 / 1

HEX #FDF9E2

RGB 253 249 226

HSL 51.11, 0.87%, 0.94%

LAB 97.68, -2.48, 11.51

 

CMYK 0 / 7 / 41 / 2

HEX #FAE993

RGB 250 233 147

HSL 50.1, 0.91%, 0.78%

LAB 92, -5.9, 43.82

 

CMYK 41 / 0 / 39 / 2

HEX #93F997

RGB 147 249 151

HSL 122.35, 0.89%, 0.78%

LAB 89.95, -49.06, 37.93

 

CMYK 23 / 41 / 0 / 2

HEX #C093F9

RGB 192 147 249

HSL 266.47, 0.89%, 0.78%

LAB 68.69, 36.62, -44.78

 

CMYK 0 / 7 / 41 / 2

HEX #FAE993

RGB 250 233 147

HSL 50.1, 0.91%, 0.78%

LAB 92, -5.9, 43.82

 

CMYK 41 / 0 / 7 / 2

HEX #93F9E8

RGB 147 249 232

HSL 170, 0.89%, 0.78%

LAB 91.59, -33.69, -1.19

 

CMYK 7 / 41 / 0 / 2

HEX #E893F9

RGB 232 147 249

HSL 290, 0.89%, 0.78%

LAB 72.8, 48.08, -38.06

 

CMYK 0 / 7 / 41 / 2

HEX #FAE993

RGB 250 233 147

HSL 50.1, 0.91%, 0.78%

LAB 92, -5.9, 43.82

 

CMYK 41 / 0 / 39 / 2

HEX #93F997

RGB 147 249 151

HSL 122.35, 0.89%, 0.78%

LAB 89.95, -49.06, 37.93

 

CMYK 41 / 34 / 0 / 2

HEX #93A4F9

RGB 147 164 249

HSL 230, 0.89%, 0.78%

LAB 69.18, 14.91, -44.27

 

CMYK 0 / 41 / 1 / 2

HEX #F993F6

RGB 249 147 246

HSL 301.76, 0.89%, 0.78%

LAB 74.61, 52.5, -33.47

 

CMYK 0 / 7 / 41 / 2

HEX #FAE993

RGB 250 233 147

HSL 50.1, 0.91%, 0.78%

LAB 92, -5.9, 43.82

 

CMYK 41 / 0 / 27 / 2

HEX #93F9B5

RGB 147 249 181

HSL 140, 0.89%, 0.78%

LAB 90.46, -44.11, 23.52

 

CMYK 41 / 34 / 0 / 2

HEX #93A4F9

RGB 147 164 249

HSL 230, 0.89%, 0.78%

LAB 69.18, 14.91, -44.27

 

CMYK 0 / 41 / 14 / 2

HEX #F993D7

RGB 249 147 215

HSL 320, 0.89%, 0.78%

LAB 73.49, 47.36, -18.24

 

Description

Color code: RGB 250 233 147 | qconv.com Color code: RGB 250 233 147 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 250 red, 233 green and 147 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
250 233 147 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 7 magenta, 41 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 7% 41% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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