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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 251 135 174 it is the complementary color RGB 4 120 81. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 251 135 174. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 251 135 174 shade: RGB 255 135 169, RGB 255 153 188, RGB 255 171 207, RGB 255 189 226 and RGB 255 207 245

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 251 135 174. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 251 135 174 shade: RGB 251 135 174, RGB 234 117 155, RGB 217 99 136, RGB 200 81 117 and RGB 183 63 98

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 251 135 174 shade: RGB 251 136 174, RGB 251 136 143 and RGB 251 136 136

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 251 135 174 shade: RGB 251 136 174, RGB 251 136 205, RGB 251 136 237, RGB 234 136 251 and RGB 203 136 251

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 251 135 174 shade matches the following richer shades: RGB 251 136 174

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 251 135 174 shade: RGB 251 136 174, RGB 241 146 178, RGB 231 156 181, RGB 221 165 184 and RGB 211 175 187

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 251 135 174 shade: RGB 251 136 237, RGB 251 136 207, RGB 251 136 176, RGB 251 136 145 and RGB 251 157 136

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 251 135 174 shade: RGB 248 56 120, RGB 250 96 147, RGB 251 136 174, RGB 252 176 201 and RGB 253 216 228

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 251 135 174 shade: RGB 251 135 174, RGB 251 234 136 and RGB 136 222 251

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 251 135 174 shade: RGB 251 135 174, RGB 176 251 136 and RGB 136 176 251

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 251 135 174 shade: RGB 251 135 174, RGB 251 234 136, RGB 136 251 211 and RGB 136 153 251

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 251 135 174 shade: RGB 251 135 174, RGB 234 251 136, RGB 136 251 211 and RGB 153 136 251

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 46 / 31 / 2

HEX #FB87AE

RGB 251 135 174

HSL 339.83, 0.94%, 0.76%

LAB 70.1, 48.26, -0.5

 

Complementary color

CMYK 97 / 0 / 33 / 53

HEX #047851

RGB 4 120 81

HSL 159.83, 0.94%, 0.24%

LAB 44.31, -38.55, 13.56

 

CMYK 0 / 47 / 34 / 0

HEX #FF87A9

RGB 255 135 169

HSL 343, 1%, 0.76%

LAB 70.49, 49, 2.93

 

CMYK 0 / 40 / 26 / 0

HEX #FF99BC

RGB 255 153 188

HSL 339.41, 1%, 0.8%

LAB 74.62, 42.35, -1.61

 

CMYK 0 / 33 / 19 / 0

HEX #FFABCF

RGB 255 171 207

HSL 334.29, 1%, 0.84%

LAB 78.98, 35.74, -5.58

 

CMYK 0 / 26 / 11 / 0

HEX #FFBDE2

RGB 255 189 226

HSL 326.36, 1%, 0.87%

LAB 83.52, 29.28, -9.1

 

CMYK 0 / 19 / 4 / 0

HEX #FFCFF5

RGB 255 207 245

HSL 312.5, 1%, 0.91%

LAB 88.2, 23.02, -12.23

 

CMYK 0 / 46 / 31 / 2

HEX #FB87AE

RGB 251 135 174

HSL 339.83, 0.94%, 0.76%

LAB 70.1, 48.26, -0.5

 

CMYK 0 / 50 / 34 / 8

HEX #EA759B

RGB 234 117 155

HSL 340.51, 0.74%, 0.69%

LAB 63.82, 49.1, 0.8

 

CMYK 0 / 54 / 37 / 15

HEX #D96388

RGB 217 99 136

HSL 341.19, 0.61%, 0.62%

LAB 57.51, 49.92, 2.31

 

CMYK 0 / 60 / 42 / 22

HEX #C85175

RGB 200 81 117

HSL 341.85, 0.52%, 0.55%

LAB 51.21, 50.64, 4.11

 

CMYK 0 / 66 / 46 / 28

HEX #B73F62

RGB 183 63 98

HSL 342.5, 0.49%, 0.48%

LAB 44.95, 51.16, 6.31

 

CMYK 0 / 46 / 31 / 2

HEX #FB88AE

RGB 251 136 174

HSL 340.17, 0.93%, 0.76%

LAB 70.3, 47.76, -0.22

 

CMYK 0 / 46 / 43 / 2

HEX #FB888F

RGB 251 136 143

HSL 356.35, 0.93%, 0.76%

LAB 69.54, 44.24, 16.05

 

CMYK 0 / 46 / 46 / 2

HEX #FB8888

RGB 251 136 136

HSL 0, 0.93%, 0.76%

LAB 69.39, 43.54, 19.75

 

CMYK 0 / 46 / 31 / 2

HEX #FB88AE

RGB 251 136 174

HSL 340.17, 0.93%, 0.76%

LAB 70.3, 47.76, -0.22

 

CMYK 0 / 46 / 18 / 2

HEX #FB88CD

RGB 251 136 205

HSL 324, 0.93%, 0.76%

LAB 71.23, 51.98, -16.1

 

CMYK 0 / 46 / 6 / 2

HEX #FB88ED

RGB 251 136 237

HSL 307.3, 0.93%, 0.76%

LAB 72.38, 56.99, -31.98

 

CMYK 7 / 46 / 0 / 2

HEX #EA88FB

RGB 234 136 251

HSL 291.13, 0.93%, 0.76%

LAB 70.92, 54.63, -42.07

 

CMYK 19 / 46 / 0 / 2

HEX #CB88FB

RGB 203 136 251

HSL 274.96, 0.93%, 0.76%

LAB 67.48, 46.07, -47.7

 

CMYK 0 / 46 / 31 / 2

HEX #FB88AE

RGB 251 136 174

HSL 340.17, 0.93%, 0.76%

LAB 70.3, 47.76, -0.22

 

CMYK 0 / 46 / 31 / 2

HEX #FB88AE

RGB 251 136 174

HSL 340.17, 0.93%, 0.76%

LAB 70.3, 47.76, -0.22

 

CMYK 0 / 39 / 26 / 5

HEX #F192B2

RGB 241 146 178

HSL 339.79, 0.77%, 0.76%

LAB 71.2, 39.78, -1.28

 

CMYK 0 / 32 / 22 / 9

HEX #E79CB5

RGB 231 156 181

HSL 340, 0.61%, 0.76%

LAB 72.3, 31.43, -1.47

 

CMYK 0 / 25 / 17 / 13

HEX #DDA5B8

RGB 221 165 184

HSL 339.64, 0.45%, 0.76%

LAB 73.38, 23.49, -1.67

 

CMYK 0 / 17 / 11 / 17

HEX #D3AFBB

RGB 211 175 187

HSL 340, 0.29%, 0.76%

LAB 74.89, 14.98, -1.22

 

CMYK 0 / 46 / 6 / 2

HEX #FB88ED

RGB 251 136 237

HSL 307.3, 0.93%, 0.76%

LAB 72.38, 56.99, -31.98

 

CMYK 0 / 46 / 18 / 2

HEX #FB88CF

RGB 251 136 207

HSL 322.96, 0.93%, 0.76%

LAB 71.3, 52.28, -17.11

 

CMYK 0 / 46 / 30 / 2

HEX #FB88B0

RGB 251 136 176

HSL 339.13, 0.93%, 0.76%

LAB 70.35, 48.01, -1.26

 

CMYK 0 / 46 / 42 / 2

HEX #FB8891

RGB 251 136 145

HSL 355.3, 0.93%, 0.76%

LAB 69.58, 44.44, 14.99

 

CMYK 0 / 37 / 46 / 2

HEX #FB9D88

RGB 251 157 136

HSL 10.96, 0.93%, 0.76%

LAB 73.8, 32.79, 25.74

 

CMYK 0 / 77 / 52 / 3

HEX #F83878

RGB 248 56 120

HSL 340, 0.93%, 0.6%

LAB 56.23, 74.04, 10.59

 

CMYK 0 / 62 / 41 / 2

HEX #FA6093

RGB 250 96 147

HSL 340.13, 0.94%, 0.68%

LAB 62.34, 62.92, 3.53

 

CMYK 0 / 46 / 31 / 2

HEX #FB88AE

RGB 251 136 174

HSL 340.17, 0.93%, 0.76%

LAB 70.3, 47.76, -0.22

 

CMYK 0 / 30 / 20 / 1

HEX #FCB0C9

RGB 252 176 201

HSL 340.26, 0.93%, 0.84%

LAB 79.59, 31.2, -1.46

 

CMYK 0 / 15 / 10 / 1

HEX #FDD8E4

RGB 253 216 228

HSL 340.54, 0.9%, 0.92%

LAB 89.67, 14.76, -1.11

 

CMYK 0 / 46 / 31 / 2

HEX #FB87AE

RGB 251 135 174

HSL 339.83, 0.94%, 0.76%

LAB 70.1, 48.26, -0.5

 

CMYK 0 / 7 / 46 / 2

HEX #FBEA88

RGB 251 234 136

HSL 51.13, 0.93%, 0.76%

LAB 92.19, -7.09, 49.44

 

CMYK 46 / 12 / 0 / 2

HEX #88DEFB

RGB 136 222 251

HSL 195.13, 0.93%, 0.76%

LAB 84.2, -18.56, -22.22

 

CMYK 0 / 46 / 31 / 2

HEX #FB87AE

RGB 251 135 174

HSL 339.83, 0.94%, 0.76%

LAB 70.1, 48.26, -0.5

 

CMYK 30 / 0 / 46 / 2

HEX #B0FB88

RGB 176 251 136

HSL 99.13, 0.93%, 0.76%

LAB 91.69, -42.9, 47.7

 

CMYK 46 / 30 / 0 / 2

HEX #88B0FB

RGB 136 176 251

HSL 219.13, 0.93%, 0.76%

LAB 71.72, 5.99, -41.42

 

CMYK 0 / 46 / 31 / 2

HEX #FB87AE

RGB 251 135 174

HSL 339.83, 0.94%, 0.76%

LAB 70.1, 48.26, -0.5

 

CMYK 0 / 7 / 46 / 2

HEX #FBEA88

RGB 251 234 136

HSL 51.13, 0.93%, 0.76%

LAB 92.19, -7.09, 49.44

 

CMYK 46 / 0 / 16 / 2

HEX #88FBD3

RGB 136 251 211

HSL 159.13, 0.93%, 0.76%

LAB 91.2, -41.9, 9.08

 

CMYK 46 / 39 / 0 / 2

HEX #8899FB

RGB 136 153 251

HSL 231.13, 0.93%, 0.76%

LAB 65.73, 19.11, -50.83

 

CMYK 0 / 46 / 31 / 2

HEX #FB87AE

RGB 251 135 174

HSL 339.83, 0.94%, 0.76%

LAB 70.1, 48.26, -0.5

 

CMYK 7 / 0 / 46 / 2

HEX #EAFB88

RGB 234 251 136

HSL 68.87, 0.93%, 0.76%

LAB 95.27, -21.99, 52.93

 

CMYK 46 / 0 / 16 / 2

HEX #88FBD3

RGB 136 251 211

HSL 159.13, 0.93%, 0.76%

LAB 91.2, -41.9, 9.08

 

CMYK 39 / 46 / 0 / 2

HEX #9988FB

RGB 153 136 251

HSL 248.87, 0.93%, 0.76%

LAB 62.8, 33.02, -55.41

 

Description

Color code: RGB 251 135 174 | qconv.com Color code: RGB 251 135 174 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 251 red, 135 green and 174 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
251 135 174 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 46 magenta, 31 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 46% 31% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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