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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 251 136 215 it is the complementary color RGB 4 119 40. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 251 136 215. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 251 136 215 shade: RGB 255 136 210, RGB 255 154 229, RGB 255 172 248, RGB 255 190 255 and RGB 255 208 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 251 136 215. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 251 136 215 shade: RGB 251 136 215, RGB 234 118 196, RGB 217 100 177, RGB 200 82 158 and RGB 183 64 139

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 251 136 215 shade: RGB 250 136 215, RGB 250 136 184, RGB 250 136 153 and RGB 250 136 136

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 251 136 215 shade: RGB 250 136 215, RGB 250 136 245, RGB 224 136 250, RGB 194 136 250 and RGB 163 136 250

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 251 136 215 shade matches the following richer shades: RGB 250 136 215

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 251 136 215 shade: RGB 250 136 215, RGB 240 146 211, RGB 230 156 207, RGB 221 166 203 and RGB 211 176 200

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 251 136 215 shade: RGB 224 136 250, RGB 250 136 246, RGB 250 136 216, RGB 250 136 186 and RGB 250 136 155

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 251 136 215 shade: RGB 247 57 188, RGB 249 97 201, RGB 250 136 215, RGB 252 176 228 and RGB 253 216 241

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 251 136 215 shade: RGB 251 136 215, RGB 250 193 136 and RGB 136 250 239

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 251 136 215 shade: RGB 251 136 215, RGB 216 250 136 and RGB 136 216 250

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 251 136 215 shade: RGB 251 136 215, RGB 250 193 136, RGB 136 250 171 and RGB 136 193 250

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 251 136 215 shade: RGB 251 136 215, RGB 250 227 136, RGB 136 250 171 and RGB 136 159 250

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 46 / 14 / 2

HEX #FB88D7

RGB 251 136 215

HSL 318.78, 0.93%, 0.76%

LAB 71.57, 53.48, -21.12

 

Complementary color

CMYK 97 / 0 / 66 / 53

HEX #047728

RGB 4 119 40

HSL 138.78, 0.93%, 0.24%

LAB 43.32, -45.81, 34.6

 

CMYK 0 / 47 / 18 / 0

HEX #FF88D2

RGB 255 136 210

HSL 322.69, 1%, 0.77%

LAB 71.91, 53.97, -17.8

 

CMYK 0 / 40 / 10 / 0

HEX #FF9AE5

RGB 255 154 229

HSL 315.45, 1%, 0.8%

LAB 76.09, 47.93, -21.89

 

CMYK 0 / 33 / 3 / 0

HEX #FFACF8

RGB 255 172 248

HSL 305.06, 1%, 0.84%

LAB 80.48, 41.88, -25.47

 

CMYK 0 / 25 / 0 / 0

HEX #FFBEFF

RGB 255 190 255

HSL 300, 1%, 0.87%

LAB 84.64, 33.72, -22.89

 

CMYK 0 / 18 / 0 / 0

HEX #FFD0FF

RGB 255 208 255

HSL 300, 1%, 0.91%

LAB 88.73, 24.27, -16.71

 

CMYK 0 / 46 / 14 / 2

HEX #FB88D7

RGB 251 136 215

HSL 318.78, 0.93%, 0.76%

LAB 71.57, 53.48, -21.12

 

CMYK 0 / 50 / 16 / 8

HEX #EA76C4

RGB 234 118 196

HSL 319.66, 0.73%, 0.69%

LAB 65.31, 54.17, -20.26

 

CMYK 0 / 54 / 18 / 15

HEX #D964B1

RGB 217 100 177

HSL 320.51, 0.61%, 0.62%

LAB 59.01, 54.8, -19.25

 

CMYK 0 / 59 / 21 / 22

HEX #C8529E

RGB 200 82 158

HSL 321.36, 0.52%, 0.55%

LAB 52.71, 55.28, -18.04

 

CMYK 0 / 65 / 24 / 28

HEX #B7408B

RGB 183 64 139

HSL 322.18, 0.48%, 0.48%

LAB 46.44, 55.52, -16.52

 

CMYK 0 / 46 / 14 / 2

HEX #FA88D7

RGB 250 136 215

HSL 318.42, 0.92%, 0.76%

LAB 71.45, 53.17, -21.33

 

CMYK 0 / 46 / 26 / 2

HEX #FA88B8

RGB 250 136 184

HSL 334.74, 0.92%, 0.76%

LAB 70.45, 48.72, -5.6

 

CMYK 0 / 46 / 39 / 2

HEX #FA8899

RGB 250 136 153

HSL 351.05, 0.92%, 0.76%

LAB 69.63, 44.95, 10.57

 

CMYK 0 / 46 / 46 / 2

HEX #FA8888

RGB 250 136 136

HSL 0, 0.92%, 0.76%

LAB 69.26, 43.18, 19.55

 

CMYK 0 / 46 / 14 / 2

HEX #FA88D7

RGB 250 136 215

HSL 318.42, 0.92%, 0.76%

LAB 71.45, 53.17, -21.33

 

CMYK 0 / 46 / 2 / 2

HEX #FA88F5

RGB 250 136 245

HSL 302.63, 0.92%, 0.76%

LAB 72.58, 58.06, -36.06

 

CMYK 10 / 46 / 0 / 2

HEX #E088FA

RGB 224 136 250

HSL 286.32, 0.92%, 0.76%

LAB 69.72, 51.65, -43.47

 

CMYK 22 / 46 / 0 / 2

HEX #C288FA

RGB 194 136 250

HSL 270.53, 0.92%, 0.76%

LAB 66.5, 43.4, -48.75

 

CMYK 35 / 46 / 0 / 2

HEX #A388FA

RGB 163 136 250

HSL 254.21, 0.92%, 0.76%

LAB 63.59, 35.24, -53.56

 

CMYK 0 / 46 / 14 / 2

HEX #FA88D7

RGB 250 136 215

HSL 318.42, 0.92%, 0.76%

LAB 71.45, 53.17, -21.33

 

CMYK 0 / 46 / 14 / 2

HEX #FA88D7

RGB 250 136 215

HSL 318.42, 0.92%, 0.76%

LAB 71.45, 53.17, -21.33

 

CMYK 0 / 39 / 12 / 6

HEX #F092D3

RGB 240 146 211

HSL 318.51, 0.76%, 0.76%

LAB 72.09, 44.35, -18.26

 

CMYK 0 / 32 / 10 / 10

HEX #E69CCF

RGB 230 156 207

HSL 318.65, 0.6%, 0.76%

LAB 72.96, 35.17, -14.85

 

CMYK 0 / 25 / 8 / 13

HEX #DDA6CB

RGB 221 166 203

HSL 319.64, 0.45%, 0.76%

LAB 74.16, 26.09, -10.94

 

CMYK 0 / 17 / 5 / 17

HEX #D3B0C8

RGB 211 176 200

HSL 318.86, 0.28%, 0.76%

LAB 75.49, 16.69, -7.42

 

CMYK 10 / 46 / 0 / 2

HEX #E088FA

RGB 224 136 250

HSL 286.32, 0.92%, 0.76%

LAB 69.72, 51.65, -43.47

 

CMYK 0 / 46 / 2 / 2

HEX #FA88F6

RGB 250 136 246

HSL 302.11, 0.92%, 0.76%

LAB 72.62, 58.23, -36.54

 

CMYK 0 / 46 / 14 / 2

HEX #FA88D8

RGB 250 136 216

HSL 317.89, 0.92%, 0.76%

LAB 71.48, 53.33, -21.83

 

CMYK 0 / 46 / 26 / 2

HEX #FA88BA

RGB 250 136 186

HSL 333.68, 0.92%, 0.76%

LAB 70.51, 48.99, -6.63

 

CMYK 0 / 46 / 38 / 2

HEX #FA889B

RGB 250 136 155

HSL 350, 0.92%, 0.76%

LAB 69.68, 45.17, 9.51

 

CMYK 0 / 77 / 24 / 3

HEX #F739BC

RGB 247 57 188

HSL 318.63, 0.92%, 0.6%

LAB 58.35, 80.17, -26.19

 

CMYK 0 / 61 / 19 / 2

HEX #F961C9

RGB 249 97 201

HSL 318.95, 0.93%, 0.68%

LAB 64.08, 68.63, -24.76

 

CMYK 0 / 46 / 14 / 2

HEX #FA88D7

RGB 250 136 215

HSL 318.42, 0.92%, 0.76%

LAB 71.45, 53.17, -21.33

 

CMYK 0 / 30 / 10 / 1

HEX #FCB0E4

RGB 252 176 228

HSL 318.95, 0.93%, 0.84%

LAB 80.37, 35.42, -14.9

 

CMYK 0 / 15 / 5 / 1

HEX #FDD8F1

RGB 253 216 241

HSL 319.46, 0.9%, 0.92%

LAB 90.02, 16.95, -7.44

 

CMYK 0 / 46 / 14 / 2

HEX #FB88D7

RGB 251 136 215

HSL 318.78, 0.93%, 0.76%

LAB 71.57, 53.48, -21.12

 

CMYK 0 / 23 / 46 / 2

HEX #FAC188

RGB 250 193 136

HSL 30, 0.92%, 0.76%

LAB 81.97, 13.53, 36.49

 

CMYK 46 / 0 / 4 / 2

HEX #88FAEF

RGB 136 250 239

HSL 174.21, 0.92%, 0.76%

LAB 91.61, -35.12, -4.84

 

CMYK 0 / 46 / 14 / 2

HEX #FB88D7

RGB 251 136 215

HSL 318.78, 0.93%, 0.76%

LAB 71.57, 53.48, -21.12

 

CMYK 14 / 0 / 46 / 2

HEX #D8FA88

RGB 216 250 136

HSL 77.89, 0.92%, 0.76%

LAB 93.77, -28.29, 50.81

 

CMYK 46 / 14 / 0 / 2

HEX #88D8FA

RGB 136 216 250

HSL 197.89, 0.92%, 0.76%

LAB 82.51, -15.77, -24.25

 

CMYK 0 / 46 / 14 / 2

HEX #FB88D7

RGB 251 136 215

HSL 318.78, 0.93%, 0.76%

LAB 71.57, 53.48, -21.12

 

CMYK 0 / 23 / 46 / 2

HEX #FAC188

RGB 250 193 136

HSL 30, 0.92%, 0.76%

LAB 81.97, 13.53, 36.49

 

CMYK 46 / 0 / 32 / 2

HEX #88FAAB

RGB 136 250 171

HSL 138.42, 0.92%, 0.76%

LAB 90.11, -49.26, 28.06

 

CMYK 46 / 23 / 0 / 2

HEX #88C1FA

RGB 136 193 250

HSL 210, 0.92%, 0.76%

LAB 76.24, -3.66, -33.87

 

CMYK 0 / 46 / 14 / 2

HEX #FB88D7

RGB 251 136 215

HSL 318.78, 0.93%, 0.76%

LAB 71.57, 53.48, -21.12

 

CMYK 0 / 9 / 46 / 2

HEX #FAE388

RGB 250 227 136

HSL 47.89, 0.92%, 0.76%

LAB 90.34, -3.97, 47.12

 

CMYK 46 / 0 / 32 / 2

HEX #88FAAB

RGB 136 250 171

HSL 138.42, 0.92%, 0.76%

LAB 90.11, -49.26, 28.06

 

CMYK 46 / 36 / 0 / 2

HEX #889FFA

RGB 136 159 250

HSL 227.89, 0.92%, 0.76%

LAB 67.23, 15.36, -47.93

 

Description

Color code: RGB 251 136 215 | qconv.com Color code: RGB 251 136 215 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 251 red, 136 green and 215 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
251 136 215 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 46 magenta, 14 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 46% 14% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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