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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 251 34 132 it is the complementary color RGB 4 221 123. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 251 34 132. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 251 34 132 shade: RGB 255 34 127, RGB 255 52 146, RGB 255 70 165, RGB 255 88 184 and RGB 255 106 203

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 251 34 132. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 251 34 132 shade: RGB 251 34 132, RGB 234 16 113, RGB 217 0 94, RGB 200 0 75 and RGB 183 0 56

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 251 34 132 shade: RGB 250 35 132, RGB 250 35 74 and RGB 250 35 35

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 251 34 132 shade: RGB 250 35 132, RGB 250 35 190, RGB 250 35 248, RGB 194 35 250 and RGB 136 35 250

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 251 34 132 shade matches the following richer shades: RGB 250 35 132

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 251 34 132 shade: RGB 250 35 132, RGB 232 53 134, RGB 214 71 135, RGB 196 89 137 and RGB 177 107 139

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 251 34 132 shade: RGB 250 35 250, RGB 250 35 193, RGB 250 35 135, RGB 250 35 78 and RGB 250 49 35

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 251 34 132 shade: RGB 199 4 92, RGB 239 4 110, RGB 250 35 132, RGB 251 75 154 and RGB 252 115 177

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 251 34 132 shade: RGB 251 34 132, RGB 250 193 35 and RGB 35 221 250

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 251 34 132 shade: RGB 251 34 132, RGB 135 250 35 and RGB 35 135 250

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 251 34 132 shade: RGB 251 34 132, RGB 250 193 35, RGB 35 250 149 and RGB 35 92 250

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 251 34 132 shade: RGB 251 34 132, RGB 243 250 35, RGB 35 250 149 and RGB 42 35 250

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 86 / 47 / 2

HEX #FB2284

RGB 251 34 132

HSL 332.9, 0.96%, 0.56%

LAB 55.4, 80.55, 2.32

 

Complementary color

CMYK 98 / 0 / 44 / 13

HEX #04DD7B

RGB 4 221 123

HSL 152.9, 0.96%, 0.44%

LAB 77.97, -66.6, 35.68

 

CMYK 0 / 87 / 50 / 0

HEX #FF227F

RGB 255 34 127

HSL 334.75, 1%, 0.57%

LAB 56.02, 81.1, 6.3

 

CMYK 0 / 80 / 43 / 0

HEX #FF3492

RGB 255 52 146

HSL 332.22, 1%, 0.6%

LAB 57.84, 78.95, -2.34

 

CMYK 0 / 73 / 35 / 0

HEX #FF46A5

RGB 255 70 165

HSL 329.19, 1%, 0.64%

LAB 60.21, 75.73, -9.94

 

CMYK 0 / 65 / 28 / 0

HEX #FF58B8

RGB 255 88 184

HSL 325.51, 1%, 0.67%

LAB 63.09, 71.6, -16.53

 

CMYK 0 / 58 / 20 / 0

HEX #FF6ACB

RGB 255 106 203

HSL 320.94, 1%, 0.71%

LAB 66.43, 66.78, -22.23

 

CMYK 0 / 86 / 47 / 2

HEX #FB2284

RGB 251 34 132

HSL 332.9, 0.96%, 0.56%

LAB 55.4, 80.55, 2.32

 

CMYK 0 / 93 / 52 / 8

HEX #EA1071

RGB 234 16 113

HSL 333.3, 0.87%, 0.49%

LAB 50.75, 77.68, 6.67

 

CMYK 0 / 100 / 57 / 15

HEX #D9005E

RGB 217 0 94

HSL 334.01, 1%, 0.43%

LAB 46.39, 73.89, 11.74

 

CMYK 0 / 100 / 63 / 22

HEX #C8004B

RGB 200 0 75

HSL 337.5, 1%, 0.39%

LAB 42.44, 68.84, 17.69

 

CMYK 0 / 100 / 69 / 28

HEX #B70038

RGB 183 0 56

HSL 341.64, 1%, 0.36%

LAB 38.47, 63.81, 23.89

 

CMYK 0 / 86 / 47 / 2

HEX #FA2384

RGB 250 35 132

HSL 332.93, 0.96%, 0.56%

LAB 55.27, 80.15, 2.1

 

CMYK 0 / 86 / 70 / 2

HEX #FA234A

RGB 250 35 74

HSL 349.12, 0.96%, 0.56%

LAB 54.05, 76.66, 35.12

 

CMYK 0 / 86 / 86 / 2

HEX #FA2323

RGB 250 35 35

HSL 0, 0.96%, 0.56%

LAB 53.65, 75.5, 55.64

 

CMYK 0 / 86 / 47 / 2

HEX #FA2384

RGB 250 35 132

HSL 332.93, 0.96%, 0.56%

LAB 55.27, 80.15, 2.1

 

CMYK 0 / 86 / 24 / 2

HEX #FA23BE

RGB 250 35 190

HSL 316.74, 0.96%, 0.56%

LAB 57.31, 85.79, -28.91

 

CMYK 0 / 86 / 1 / 2

HEX #FA23F8

RGB 250 35 248

HSL 300.56, 0.96%, 0.56%

LAB 60.16, 93.29, -57.26

 

CMYK 22 / 86 / 0 / 2

HEX #C223FA

RGB 194 35 250

HSL 284.37, 0.96%, 0.56%

LAB 51.35, 84.71, -73.03

 

CMYK 46 / 86 / 0 / 2

HEX #8823FA

RGB 136 35 250

HSL 268.19, 0.96%, 0.56%

LAB 43.27, 77.26, -86.57

 

CMYK 0 / 86 / 47 / 2

HEX #FA2384

RGB 250 35 132

HSL 332.93, 0.96%, 0.56%

LAB 55.27, 80.15, 2.1

 

CMYK 0 / 86 / 47 / 2

HEX #FA2384

RGB 250 35 132

HSL 332.93, 0.96%, 0.56%

LAB 55.27, 80.15, 2.1

 

CMYK 0 / 77 / 42 / 9

HEX #E83586

RGB 232 53 134

HSL 332.85, 0.8%, 0.56%

LAB 53.41, 71.9, -2.21

 

CMYK 0 / 67 / 37 / 16

HEX #D64787

RGB 214 71 135

HSL 333.15, 0.64%, 0.56%

LAB 52.46, 61.11, -4.57

 

CMYK 0 / 55 / 30 / 23

HEX #C45989

RGB 196 89 137

HSL 333.08, 0.48%, 0.56%

LAB 52.6, 47.92, -5.85

 

CMYK 0 / 40 / 21 / 31

HEX #B16B8B

RGB 177 107 139

HSL 332.57, 0.31%, 0.56%

LAB 53.74, 32.3, -5.64

 

CMYK 0 / 86 / 0 / 2

HEX #FA23FA

RGB 250 35 250

HSL 300, 0.96%, 0.56%

LAB 60.27, 93.57, -58.19

 

CMYK 0 / 86 / 23 / 2

HEX #FA23C1

RGB 250 35 193

HSL 315.91, 0.96%, 0.56%

LAB 57.44, 86.13, -30.44

 

CMYK 0 / 86 / 46 / 2

HEX #FA2387

RGB 250 35 135

HSL 332.09, 0.96%, 0.56%

LAB 55.35, 80.39, 0.44

 

CMYK 0 / 86 / 69 / 2

HEX #FA234E

RGB 250 35 78

HSL 348, 0.96%, 0.56%

LAB 54.11, 76.83, 32.84

 

CMYK 0 / 80 / 86 / 2

HEX #FA3123

RGB 250 49 35

HSL 3.91, 0.96%, 0.56%

LAB 54.7, 72.51, 56.49

 

CMYK 0 / 98 / 54 / 22

HEX #C7045C

RGB 199 4 92

HSL 332.92, 0.96%, 0.4%

LAB 42.77, 69.3, 7.36

 

CMYK 0 / 98 / 54 / 6

HEX #EF046E

RGB 239 4 110

HSL 332.94, 0.97%, 0.48%

LAB 51.34, 79.55, 9.47

 

CMYK 0 / 86 / 47 / 2

HEX #FA2384

RGB 250 35 132

HSL 332.93, 0.96%, 0.56%

LAB 55.27, 80.15, 2.1

 

CMYK 0 / 70 / 39 / 2

HEX #FB4B9A

RGB 251 75 154

HSL 333.07, 0.96%, 0.64%

LAB 59.78, 71.92, -4.26

 

CMYK 0 / 54 / 30 / 1

HEX #FC73B1

RGB 252 115 177

HSL 332.85, 0.96%, 0.72%

LAB 66.62, 58.53, -7.31

 

CMYK 0 / 86 / 47 / 2

HEX #FB2284

RGB 251 34 132

HSL 332.9, 0.96%, 0.56%

LAB 55.4, 80.55, 2.32

 

CMYK 0 / 23 / 86 / 2

HEX #FAC123

RGB 250 193 35

HSL 44.09, 0.96%, 0.56%

LAB 81.06, 7.66, 77.72

 

CMYK 86 / 12 / 0 / 2

HEX #23DDFA

RGB 35 221 250

HSL 188.09, 0.96%, 0.56%

LAB 81.28, -33.08, -26.37

 

CMYK 0 / 86 / 47 / 2

HEX #FB2284

RGB 251 34 132

HSL 332.9, 0.96%, 0.56%

LAB 55.4, 80.55, 2.32

 

CMYK 46 / 0 / 86 / 2

HEX #87FA23

RGB 135 250 35

HSL 92.09, 0.96%, 0.56%

LAB 88.75, -63.33, 80.98

 

CMYK 86 / 46 / 0 / 2

HEX #2387FA

RGB 35 135 250

HSL 212.09, 0.96%, 0.56%

LAB 56.67, 13.87, -65

 

CMYK 0 / 86 / 47 / 2

HEX #FB2284

RGB 251 34 132

HSL 332.9, 0.96%, 0.56%

LAB 55.4, 80.55, 2.32

 

CMYK 0 / 23 / 86 / 2

HEX #FAC123

RGB 250 193 35

HSL 44.09, 0.96%, 0.56%

LAB 81.06, 7.66, 77.72

 

CMYK 86 / 0 / 40 / 2

HEX #23FA95

RGB 35 250 149

HSL 151.81, 0.96%, 0.56%

LAB 87.44, -70.2, 35.1

 

CMYK 86 / 63 / 0 / 2

HEX #235CFA

RGB 35 92 250

HSL 224.09, 0.96%, 0.56%

LAB 45.52, 40.79, -83.13

 

CMYK 0 / 86 / 47 / 2

HEX #FB2284

RGB 251 34 132

HSL 332.9, 0.96%, 0.56%

LAB 55.4, 80.55, 2.32

 

CMYK 3 / 0 / 86 / 2

HEX #F3FA23

RGB 243 250 35

HSL 61.95, 0.96%, 0.56%

LAB 94.97, -23.69, 88.67

 

CMYK 86 / 0 / 40 / 2

HEX #23FA95

RGB 35 250 149

HSL 151.81, 0.96%, 0.56%

LAB 87.44, -70.2, 35.1

 

CMYK 83 / 86 / 0 / 2

HEX #2A23FA

RGB 42 35 250

HSL 241.95, 0.96%, 0.56%

LAB 35.2, 70.71, -100.2

 

Description

Color code: RGB 251 34 132 | qconv.com Color code: RGB 251 34 132 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 251 red, 34 green and 132 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
251 34 132 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 86 magenta, 47 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 86% 47% 2% C M Y K

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