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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 252 115 172 it is the complementary color RGB 3 140 83. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 252 115 172. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 252 115 172 shade: RGB 255 115 167, RGB 255 133 186, RGB 255 151 205, RGB 255 169 224 and RGB 255 187 243

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 252 115 172. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 252 115 172 shade: RGB 252 115 172, RGB 235 97 153, RGB 218 79 134, RGB 201 61 115 and RGB 184 43 96

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 252 115 172 shade: RGB 252 115 172, RGB 252 115 135 and RGB 252 115 115

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 252 115 172 shade: RGB 252 115 172, RGB 252 115 209, RGB 252 115 246, RGB 221 115 252 and RGB 184 115 252

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 252 115 172 shade matches the following richer shades: RGB 252 115 172

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 252 115 172 shade: RGB 252 115 172, RGB 240 126 174, RGB 229 138 175, RGB 217 149 177 and RGB 205 161 179

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 252 115 172 shade: RGB 252 115 245, RGB 252 115 208, RGB 252 115 172, RGB 252 115 135 and RGB 252 131 115

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 252 115 172 shade: RGB 250 34 124, RGB 251 74 148, RGB 252 115 172, RGB 252 155 196 and RGB 253 195 219

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 252 115 172 shade: RGB 252 115 172, RGB 252 222 115 and RGB 115 227 252

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 252 115 172 shade: RGB 252 115 172, RGB 172 252 115 and RGB 115 172 252

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 252 115 172 shade: RGB 252 115 172, RGB 252 222 115, RGB 115 252 195 and RGB 115 144 252

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 252 115 172 shade: RGB 252 115 172, RGB 240 252 115, RGB 115 252 195 and RGB 126 115 252

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 54 / 32 / 1

HEX #FC73AC

RGB 252 115 172

HSL 335.04, 0.96%, 0.72%

LAB 66.47, 57.93, -4.7

 

Complementary color

CMYK 98 / 0 / 41 / 45

HEX #038C53

RGB 3 140 83

HSL 155.04, 0.96%, 0.28%

LAB 51.15, -45.96, 21.65

 

CMYK 0 / 55 / 35 / 0

HEX #FF73A7

RGB 255 115 167

HSL 337.71, 1%, 0.73%

LAB 66.76, 58.29, -1.39

 

CMYK 0 / 48 / 27 / 0

HEX #FF85BA

RGB 255 133 186

HSL 333.93, 1%, 0.76%

LAB 70.58, 52.1, -6.45

 

CMYK 0 / 41 / 20 / 0

HEX #FF97CD

RGB 255 151 205

HSL 328.85, 1%, 0.8%

LAB 74.7, 45.76, -10.85

 

CMYK 0 / 34 / 12 / 0

HEX #FFA9E0

RGB 255 169 224

HSL 321.63, 1%, 0.83%

LAB 79.05, 39.41, -14.7

 

CMYK 0 / 27 / 5 / 0

HEX #FFBBF3

RGB 255 187 243

HSL 310.59, 1%, 0.87%

LAB 83.59, 33.18, -18.09

 

CMYK 0 / 54 / 32 / 1

HEX #FC73AC

RGB 252 115 172

HSL 335.04, 0.96%, 0.72%

LAB 66.47, 57.93, -4.7

 

CMYK 0 / 59 / 35 / 8

HEX #EB6199

RGB 235 97 153

HSL 335.65, 0.78%, 0.65%

LAB 60.35, 58.54, -3.12

 

CMYK 0 / 64 / 39 / 15

HEX #DA4F86

RGB 218 79 134

HSL 336.26, 0.65%, 0.58%

LAB 54.26, 58.97, -1.24

 

CMYK 0 / 70 / 43 / 21

HEX #C93D73

RGB 201 61 115

HSL 336.86, 0.56%, 0.51%

LAB 48.25, 59.08, 1.05

 

CMYK 0 / 77 / 48 / 28

HEX #B82B60

RGB 184 43 96

HSL 337.45, 0.62%, 0.45%

LAB 42.4, 58.67, 3.93

 

CMYK 0 / 54 / 32 / 1

HEX #FC73AC

RGB 252 115 172

HSL 335.04, 0.96%, 0.72%

LAB 66.47, 57.93, -4.7

 

CMYK 0 / 54 / 46 / 1

HEX #FC7387

RGB 252 115 135

HSL 351.24, 0.96%, 0.72%

LAB 65.52, 53.99, 14.98

 

CMYK 0 / 54 / 54 / 1

HEX #FC7373

RGB 252 115 115

HSL 0, 0.96%, 0.72%

LAB 65.12, 52.28, 25.76

 

CMYK 0 / 54 / 32 / 1

HEX #FC73AC

RGB 252 115 172

HSL 335.04, 0.96%, 0.72%

LAB 66.47, 57.93, -4.7

 

CMYK 0 / 54 / 17 / 1

HEX #FC73D1

RGB 252 115 209

HSL 318.83, 0.96%, 0.72%

LAB 67.7, 62.82, -23.69

 

CMYK 0 / 54 / 2 / 1

HEX #FC73F6

RGB 252 115 246

HSL 302.63, 0.96%, 0.72%

LAB 69.19, 68.54, -41.87

 

CMYK 12 / 54 / 0 / 1

HEX #DD73FC

RGB 221 115 252

HSL 286.42, 0.96%, 0.72%

LAB 65.48, 61.66, -51.26

 

CMYK 27 / 54 / 0 / 1

HEX #B873FC

RGB 184 115 252

HSL 270.22, 0.96%, 0.72%

LAB 61.2, 52.45, -58.33

 

CMYK 0 / 54 / 32 / 1

HEX #FC73AC

RGB 252 115 172

HSL 335.04, 0.96%, 0.72%

LAB 66.47, 57.93, -4.7

 

CMYK 0 / 54 / 32 / 1

HEX #FC73AC

RGB 252 115 172

HSL 335.04, 0.96%, 0.72%

LAB 66.47, 57.93, -4.7

 

CMYK 0 / 48 / 28 / 6

HEX #F07EAE

RGB 240 126 174

HSL 334.74, 0.79%, 0.72%

LAB 66.9, 49.06, -5.38

 

CMYK 0 / 40 / 24 / 10

HEX #E58AAF

RGB 229 138 175

HSL 335.6, 0.64%, 0.72%

LAB 67.97, 39.36, -4.52

 

CMYK 0 / 31 / 18 / 15

HEX #D995B1

RGB 217 149 177

HSL 335.29, 0.47%, 0.72%

LAB 69.06, 29.61, -4.19

 

CMYK 0 / 21 / 13 / 20

HEX #CDA1B3

RGB 205 161 179

HSL 335.45, 0.31%, 0.72%

LAB 70.68, 19.11, -3.06

 

CMYK 0 / 54 / 3 / 1

HEX #FC73F5

RGB 252 115 245

HSL 303.07, 0.96%, 0.72%

LAB 69.15, 68.37, -41.39

 

CMYK 0 / 54 / 17 / 1

HEX #FC73D0

RGB 252 115 208

HSL 319.27, 0.96%, 0.72%

LAB 67.66, 62.67, -23.19

 

CMYK 0 / 54 / 32 / 1

HEX #FC73AC

RGB 252 115 172

HSL 335.04, 0.96%, 0.72%

LAB 66.47, 57.93, -4.7

 

CMYK 0 / 54 / 46 / 1

HEX #FC7387

RGB 252 115 135

HSL 351.24, 0.96%, 0.72%

LAB 65.52, 53.99, 14.98

 

CMYK 0 / 48 / 54 / 1

HEX #FC8373

RGB 252 131 115

HSL 7.01, 0.96%, 0.72%

LAB 68.14, 44.56, 29.74

 

CMYK 0 / 86 / 50 / 2

HEX #FA227C

RGB 250 34 124

HSL 335, 0.96%, 0.56%

LAB 54.99, 79.71, 6.49

 

CMYK 0 / 71 / 41 / 2

HEX #FB4A94

RGB 251 74 148

HSL 334.92, 0.96%, 0.64%

LAB 59.48, 71.68, -1.2

 

CMYK 0 / 54 / 32 / 1

HEX #FC73AC

RGB 252 115 172

HSL 335.04, 0.96%, 0.72%

LAB 66.47, 57.93, -4.7

 

CMYK 0 / 38 / 22 / 1

HEX #FC9BC4

RGB 252 155 196

HSL 334.64, 0.94%, 0.8%

LAB 74.9, 41.41, -5.63

 

CMYK 0 / 23 / 13 / 1

HEX #FDC3DB

RGB 253 195 219

HSL 335.17, 0.94%, 0.88%

LAB 84.5, 24.31, -3.93

 

CMYK 0 / 54 / 32 / 1

HEX #FC73AC

RGB 252 115 172

HSL 335.04, 0.96%, 0.72%

LAB 66.47, 57.93, -4.7

 

CMYK 0 / 12 / 54 / 1

HEX #FCDE73

RGB 252 222 115

HSL 46.86, 0.96%, 0.72%

LAB 89.01, -2.46, 55.58

 

CMYK 54 / 10 / 0 / 1

HEX #73E3FC

RGB 115 227 252

HSL 190.95, 0.96%, 0.72%

LAB 84.8, -25.25, -21.91

 

CMYK 0 / 54 / 32 / 1

HEX #FC73AC

RGB 252 115 172

HSL 335.04, 0.96%, 0.72%

LAB 66.47, 57.93, -4.7

 

CMYK 32 / 0 / 54 / 1

HEX #ACFC73

RGB 172 252 115

HSL 95.04, 0.96%, 0.72%

LAB 91.52, -46.99, 57.15

 

CMYK 54 / 32 / 0 / 1

HEX #73ACFC

RGB 115 172 252

HSL 215.04, 0.96%, 0.72%

LAB 69.6, 3.84, -45.37

 

CMYK 0 / 54 / 32 / 1

HEX #FC73AC

RGB 252 115 172

HSL 335.04, 0.96%, 0.72%

LAB 66.47, 57.93, -4.7

 

CMYK 0 / 12 / 54 / 1

HEX #FCDE73

RGB 252 222 115

HSL 46.86, 0.96%, 0.72%

LAB 89.01, -2.46, 55.58

 

CMYK 54 / 0 / 23 / 1

HEX #73FCC3

RGB 115 252 195

HSL 155.04, 0.96%, 0.72%

LAB 90.42, -50.46, 16.11

 

CMYK 54 / 43 / 0 / 1

HEX #7390FC

RGB 115 144 252

HSL 227.3, 0.96%, 0.72%

LAB 62.19, 20.06, -57.1

 

CMYK 0 / 54 / 32 / 1

HEX #FC73AC

RGB 252 115 172

HSL 335.04, 0.96%, 0.72%

LAB 66.47, 57.93, -4.7

 

CMYK 5 / 0 / 54 / 1

HEX #F0FC73

RGB 240 252 115

HSL 65.26, 0.96%, 0.72%

LAB 95.74, -22, 63.12

 

CMYK 54 / 0 / 23 / 1

HEX #73FCC3

RGB 115 252 195

HSL 155.04, 0.96%, 0.72%

LAB 90.42, -50.46, 16.11

 

CMYK 50 / 54 / 0 / 1

HEX #7E73FC

RGB 126 115 252

HSL 244.82, 0.96%, 0.72%

LAB 55.81, 39.41, -67.28

 

Description

Color code: RGB 252 115 172 | qconv.com Color code: RGB 252 115 172 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 252 red, 115 green and 172 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
252 115 172 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 54 magenta, 32 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 54% 32% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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