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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 252 167 135 it is the complementary color RGB 3 88 120. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 252 167 135. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 252 167 135 shade: RGB 255 167 130, RGB 255 185 149, RGB 255 203 168, RGB 255 221 187 and RGB 255 239 206

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 252 167 135. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 252 167 135 shade: RGB 252 167 135, RGB 235 149 116, RGB 218 131 97, RGB 201 113 78 and RGB 184 95 59

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 252 167 135 shade: RGB 251 167 135, RGB 251 136 135 and RGB 251 135 135

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 252 167 135 shade: RGB 251 167 135, RGB 251 198 135, RGB 251 230 135, RGB 242 251 135 and RGB 210 251 135

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 252 167 135 shade matches the following richer shades: RGB 251 167 135

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 252 167 135 shade: RGB 251 167 135, RGB 242 171 145, RGB 232 176 155, RGB 222 180 165 and RGB 212 185 175

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 252 167 135 shade: RGB 251 135 166, RGB 251 135 135, RGB 251 166 135, RGB 251 197 135 and RGB 251 228 135

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 252 167 135 shade: RGB 249 108 55, RGB 250 137 95, RGB 251 167 135, RGB 252 196 175 and RGB 254 226 216

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 252 167 135 shade: RGB 252 167 135, RGB 197 251 135 and RGB 135 151 251

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 252 167 135 shade: RGB 252 167 135, RGB 135 251 166 and RGB 166 135 251

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 252 167 135 shade: RGB 252 167 135, RGB 197 251 135, RGB 135 220 251 and RGB 189 135 251

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 252 167 135 shade: RGB 252 167 135, RGB 162 251 135, RGB 135 220 251 and RGB 224 135 251

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 34 / 46 / 1

HEX #FCA787

RGB 252 167 135

HSL 16.41, 0.95%, 0.76%

LAB 76.12, 27.85, 29.39

 

Complementary color

CMYK 98 / 27 / 0 / 53

HEX #035878

RGB 3 88 120

HSL 196.41, 0.95%, 0.24%

LAB 34.71, -9.83, -24.36

 

CMYK 0 / 35 / 49 / 0

HEX #FFA782

RGB 255 167 130

HSL 17.76, 1%, 0.75%

LAB 76.38, 28.54, 32.47

 

CMYK 0 / 27 / 42 / 0

HEX #FFB995

RGB 255 185 149

HSL 20.38, 1%, 0.79%

LAB 80.81, 20.99, 28.26

 

CMYK 0 / 20 / 34 / 0

HEX #FFCBA8

RGB 255 203 168

HSL 24.14, 1%, 0.83%

LAB 85.4, 13.73, 24.47

 

CMYK 0 / 13 / 27 / 0

HEX #FFDDBB

RGB 255 221 187

HSL 30, 1%, 0.87%

LAB 90.12, 6.81, 21.04

 

CMYK 0 / 6 / 19 / 0

HEX #FFEFCE

RGB 255 239 206

HSL 40.41, 1%, 0.9%

LAB 94.93, 0.25, 17.92

 

CMYK 0 / 34 / 46 / 1

HEX #FCA787

RGB 252 167 135

HSL 16.41, 0.95%, 0.76%

LAB 76.12, 27.85, 29.39

 

CMYK 0 / 37 / 51 / 8

HEX #EB9574

RGB 235 149 116

HSL 16.64, 0.75%, 0.69%

LAB 69.77, 28.93, 30.9

 

CMYK 0 / 40 / 56 / 15

HEX #DA8361

RGB 218 131 97

HSL 16.86, 0.62%, 0.62%

LAB 63.34, 30.14, 32.55

 

CMYK 0 / 44 / 61 / 21

HEX #C9714E

RGB 201 113 78

HSL 17.07, 0.53%, 0.55%

LAB 56.86, 31.48, 34.38

 

CMYK 0 / 48 / 68 / 28

HEX #B85F3B

RGB 184 95 59

HSL 17.28, 0.51%, 0.48%

LAB 50.32, 32.98, 36.4

 

CMYK 0 / 33 / 46 / 2

HEX #FBA787

RGB 251 167 135

HSL 16.55, 0.94%, 0.76%

LAB 76.01, 27.46, 29.22

 

CMYK 0 / 46 / 46 / 2

HEX #FB8887

RGB 251 136 135

HSL 0.52, 0.94%, 0.76%

LAB 69.37, 43.45, 20.28

 

CMYK 0 / 46 / 46 / 2

HEX #FB8787

RGB 251 135 135

HSL 0, 0.94%, 0.76%

LAB 69.17, 43.95, 20

 

CMYK 0 / 33 / 46 / 2

HEX #FBA787

RGB 251 167 135

HSL 16.55, 0.94%, 0.76%

LAB 76.01, 27.46, 29.22

 

CMYK 0 / 21 / 46 / 2

HEX #FBC687

RGB 251 198 135

HSL 32.59, 0.94%, 0.76%

LAB 83.26, 11.22, 38.68

 

CMYK 0 / 8 / 46 / 2

HEX #FBE687

RGB 251 230 135

HSL 49.14, 0.94%, 0.76%

LAB 91.17, -5.18, 48.66

 

CMYK 4 / 0 / 46 / 2

HEX #F2FB87

RGB 242 251 135

HSL 64.66, 0.94%, 0.76%

LAB 95.84, -19.03, 54.22

 

CMYK 16 / 0 / 46 / 2

HEX #D2FB87

RGB 210 251 135

HSL 81.21, 0.94%, 0.76%

LAB 93.64, -31.07, 51.04

 

CMYK 0 / 33 / 46 / 2

HEX #FBA787

RGB 251 167 135

HSL 16.55, 0.94%, 0.76%

LAB 76.01, 27.46, 29.22

 

CMYK 0 / 33 / 46 / 2

HEX #FBA787

RGB 251 167 135

HSL 16.55, 0.94%, 0.76%

LAB 76.01, 27.46, 29.22

 

CMYK 0 / 29 / 40 / 5

HEX #F2AB91

RGB 242 171 145

HSL 16.08, 0.79%, 0.76%

LAB 76.1, 22.92, 23.8

 

CMYK 0 / 24 / 33 / 9

HEX #E8B09B

RGB 232 176 155

HSL 16.36, 0.63%, 0.76%

LAB 76.42, 17.59, 18.67

 

CMYK 0 / 19 / 26 / 13

HEX #DEB4A5

RGB 222 180 165

HSL 15.79, 0.46%, 0.76%

LAB 76.61, 12.97, 13.38

 

CMYK 0 / 13 / 17 / 17

HEX #D4B9AF

RGB 212 185 175

HSL 16.22, 0.3%, 0.76%

LAB 77.16, 8.03, 8.61

 

CMYK 0 / 46 / 34 / 2

HEX #FB87A6

RGB 251 135 166

HSL 343.97, 0.94%, 0.76%

LAB 69.89, 47.28, 3.67

 

CMYK 0 / 46 / 46 / 2

HEX #FB8787

RGB 251 135 135

HSL 0, 0.94%, 0.76%

LAB 69.17, 43.95, 20

 

CMYK 0 / 34 / 46 / 2

HEX #FBA687

RGB 251 166 135

HSL 16.03, 0.94%, 0.76%

LAB 75.78, 27.99, 28.92

 

CMYK 0 / 22 / 46 / 2

HEX #FBC587

RGB 251 197 135

HSL 32.07, 0.94%, 0.76%

LAB 83.01, 11.74, 38.38

 

CMYK 0 / 9 / 46 / 2

HEX #FBE487

RGB 251 228 135

HSL 48.1, 0.94%, 0.76%

LAB 90.66, -4.17, 48.03

 

CMYK 0 / 57 / 78 / 2

HEX #F96C37

RGB 249 108 55

HSL 16.39, 0.94%, 0.6%

LAB 62.63, 51.14, 54.51

 

CMYK 0 / 45 / 62 / 2

HEX #FA895F

RGB 250 137 95

HSL 16.26, 0.94%, 0.68%

LAB 68.78, 39.36, 41.29

 

CMYK 0 / 33 / 46 / 2

HEX #FBA787

RGB 251 167 135

HSL 16.55, 0.94%, 0.76%

LAB 76.01, 27.46, 29.22

 

CMYK 0 / 22 / 31 / 1

HEX #FCC4AF

RGB 252 196 175

HSL 16.36, 0.93%, 0.84%

LAB 83.58, 17.12, 18.22

 

CMYK 0 / 11 / 15 / 0

HEX #FEE2D8

RGB 254 226 216

HSL 15.79, 0.95%, 0.92%

LAB 91.87, 8.02, 8.39

 

CMYK 0 / 34 / 46 / 1

HEX #FCA787

RGB 252 167 135

HSL 16.41, 0.95%, 0.76%

LAB 76.12, 27.85, 29.39

 

CMYK 22 / 0 / 46 / 2

HEX #C5FB87

RGB 197 251 135

HSL 87.93, 0.94%, 0.76%

LAB 92.85, -35.77, 49.87

 

CMYK 46 / 40 / 0 / 2

HEX #8797FB

RGB 135 151 251

HSL 231.72, 0.94%, 0.76%

LAB 65.16, 20.03, -51.75

 

CMYK 0 / 34 / 46 / 1

HEX #FCA787

RGB 252 167 135

HSL 16.41, 0.95%, 0.76%

LAB 76.12, 27.85, 29.39

 

CMYK 46 / 0 / 34 / 2

HEX #87FBA6

RGB 135 251 166

HSL 136.03, 0.94%, 0.76%

LAB 90.27, -50.8, 30.79

 

CMYK 34 / 46 / 0 / 2

HEX #A687FB

RGB 166 135 251

HSL 256.03, 0.94%, 0.76%

LAB 63.67, 36.83, -53.96

 

CMYK 0 / 34 / 46 / 1

HEX #FCA787

RGB 252 167 135

HSL 16.41, 0.95%, 0.76%

LAB 76.12, 27.85, 29.39

 

CMYK 22 / 0 / 46 / 2

HEX #C5FB87

RGB 197 251 135

HSL 87.93, 0.94%, 0.76%

LAB 92.85, -35.77, 49.87

 

CMYK 46 / 12 / 0 / 2

HEX #87DCFB

RGB 135 220 251

HSL 196.03, 0.94%, 0.76%

LAB 83.6, -17.78, -23.13

 

CMYK 25 / 46 / 0 / 2

HEX #BD87FB

RGB 189 135 251

HSL 267.93, 0.94%, 0.76%

LAB 65.84, 42.82, -50.39

 

CMYK 0 / 34 / 46 / 1

HEX #FCA787

RGB 252 167 135

HSL 16.41, 0.95%, 0.76%

LAB 76.12, 27.85, 29.39

 

CMYK 35 / 0 / 46 / 2

HEX #A2FB87

RGB 162 251 135

HSL 106.03, 0.94%, 0.76%

LAB 90.97, -47.56, 47.14

 

CMYK 46 / 12 / 0 / 2

HEX #87DCFB

RGB 135 220 251

HSL 196.03, 0.94%, 0.76%

LAB 83.6, -17.78, -23.13

 

CMYK 11 / 46 / 0 / 2

HEX #E087FB

RGB 224 135 251

HSL 286.03, 0.94%, 0.76%

LAB 69.57, 52.36, -44.26

 

Description

Color code: RGB 252 167 135 | qconv.com Color code: RGB 252 167 135 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 252 red, 167 green and 135 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
252 167 135 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 34 magenta, 46 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 34% 46% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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