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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 252 181 252 it is the complementary color RGB 3 74 3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 252 181 252. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 252 181 252 shade: RGB 255 181 247, RGB 255 199 255, RGB 255 217 255, RGB 255 235 255 and RGB 255 253 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 252 181 252. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 252 181 252 shade: RGB 252 181 252, RGB 235 163 233, RGB 218 145 214, RGB 201 127 195 and RGB 184 109 176

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 252 181 252 shade: RGB 251 181 251, RGB 251 181 232, RGB 251 181 213, RGB 251 181 195 and RGB 251 181 181

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 252 181 252 shade: RGB 251 181 251, RGB 232 181 251, RGB 213 181 251, RGB 195 181 251 and RGB 181 181 251

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 252 181 252 shade matches the following richer shades: RGB 251 181 251

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 252 181 252 shade: RGB 251 181 251, RGB 245 187 245, RGB 239 193 239, RGB 233 200 233 and RGB 227 206 227

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 252 181 252 shade: RGB 214 181 251, RGB 233 181 251, RGB 251 181 251, RGB 251 181 233 and RGB 251 181 214

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 252 181 252 shade: RGB 248 102 248, RGB 250 141 250, RGB 251 181 251 and RGB 253 221 253

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 252 181 252 shade: RGB 252 181 252, RGB 251 195 181 and RGB 181 251 223

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 252 181 252 shade: RGB 252 181 252, RGB 251 251 181 and RGB 181 251 251

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 252 181 252 shade: RGB 252 181 252, RGB 251 195 181, RGB 181 251 181 and RGB 181 237 251

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 252 181 252 shade: RGB 252 181 252, RGB 251 216 181, RGB 181 251 181 and RGB 181 216 251

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 28 / 0 / 1

HEX #FCB5FC

RGB 252 181 252

HSL 300, 0.92%, 0.85%

LAB 82.26, 36.95, -24.94

 

Complementary color

CMYK 96 / 0 / 96 / 71

HEX #034A03

RGB 3 74 3

HSL 120, 0.92%, 0.15%

LAB 26.52, -34.5, 32.78

 

CMYK 0 / 29 / 3 / 0

HEX #FFB5F7

RGB 255 181 247

HSL 306.49, 1%, 0.85%

LAB 82.39, 37.02, -22.04

 

CMYK 0 / 22 / 0 / 0

HEX #FFC7FF

RGB 255 199 255

HSL 300, 1%, 0.89%

LAB 86.67, 29, -19.82

 

CMYK 0 / 15 / 0 / 0

HEX #FFD9FF

RGB 255 217 255

HSL 300, 1%, 0.93%

LAB 90.83, 19.56, -13.56

 

CMYK 0 / 8 / 0 / 0

HEX #FFEBFF

RGB 255 235 255

HSL 300, 1%, 0.96%

LAB 95.12, 10.21, -7.19

 

CMYK 0 / 1 / 0 / 0

HEX #FFFDFF

RGB 255 253 255

HSL 300, 1%, 1%

LAB 99.51, 1.01, -0.73

 

CMYK 0 / 28 / 0 / 1

HEX #FCB5FC

RGB 252 181 252

HSL 300, 0.92%, 0.85%

LAB 82.26, 36.95, -24.94

 

CMYK 0 / 31 / 1 / 8

HEX #EBA3E9

RGB 235 163 233

HSL 301.67, 0.64%, 0.78%

LAB 75.91, 37.63, -24.54

 

CMYK 0 / 33 / 2 / 15

HEX #DA91D6

RGB 218 145 214

HSL 303.29, 0.5%, 0.71%

LAB 69.48, 38.33, -24.12

 

CMYK 0 / 37 / 3 / 21

HEX #C97FC3

RGB 201 127 195

HSL 304.86, 0.41%, 0.64%

LAB 62.96, 39.07, -23.66

 

CMYK 0 / 41 / 4 / 28

HEX #B86DB0

RGB 184 109 176

HSL 306.4, 0.35%, 0.57%

LAB 56.35, 39.83, -23.14

 

CMYK 0 / 28 / 0 / 2

HEX #FBB5FB

RGB 251 181 251

HSL 300, 0.9%, 0.85%

LAB 82.12, 36.46, -24.62

 

CMYK 0 / 28 / 8 / 2

HEX #FBB5E8

RGB 251 181 232

HSL 316.29, 0.9%, 0.85%

LAB 81.5, 33.14, -15.37

 

CMYK 0 / 28 / 15 / 2

HEX #FBB5D5

RGB 251 181 213

HSL 332.57, 0.9%, 0.85%

LAB 80.94, 30.05, -5.98

 

CMYK 0 / 28 / 22 / 2

HEX #FBB5C3

RGB 251 181 195

HSL 348, 0.9%, 0.85%

LAB 80.46, 27.35, 3.03

 

CMYK 0 / 28 / 28 / 2

HEX #FBB5B5

RGB 251 181 181

HSL 0, 0.9%, 0.85%

LAB 80.12, 25.41, 10.11

 

CMYK 0 / 28 / 0 / 2

HEX #FBB5FB

RGB 251 181 251

HSL 300, 0.9%, 0.85%

LAB 82.12, 36.46, -24.62

 

CMYK 8 / 28 / 0 / 2

HEX #E8B5FB

RGB 232 181 251

HSL 283.71, 0.9%, 0.85%

LAB 80.27, 30.49, -27.61

 

CMYK 15 / 28 / 0 / 2

HEX #D5B5FB

RGB 213 181 251

HSL 267.43, 0.9%, 0.85%

LAB 78.55, 24.61, -30.4

 

CMYK 22 / 28 / 0 / 2

HEX #C3B5FB

RGB 195 181 251

HSL 252, 0.9%, 0.85%

LAB 77.05, 19.19, -32.84

 

CMYK 28 / 28 / 0 / 2

HEX #B5B5FB

RGB 181 181 251

HSL 240, 0.9%, 0.85%

LAB 75.97, 15.11, -34.6

 

CMYK 0 / 28 / 0 / 2

HEX #FBB5FB

RGB 251 181 251

HSL 300, 0.9%, 0.85%

LAB 82.12, 36.46, -24.62

 

CMYK 0 / 28 / 0 / 2

HEX #FBB5FB

RGB 251 181 251

HSL 300, 0.9%, 0.85%

LAB 82.12, 36.46, -24.62

 

CMYK 0 / 24 / 0 / 4

HEX #F5BBF5

RGB 245 187 245

HSL 300, 0.74%, 0.85%

LAB 82.67, 30.29, -20.64

 

CMYK 0 / 19 / 0 / 6

HEX #EFC1EF

RGB 239 193 239

HSL 300, 0.59%, 0.85%

LAB 83.3, 24.06, -16.54

 

CMYK 0 / 14 / 0 / 9

HEX #E9C8E9

RGB 233 200 233

HSL 300, 0.43%, 0.85%

LAB 84.23, 17.26, -11.99

 

CMYK 0 / 9 / 0 / 11

HEX #E3CEE3

RGB 227 206 227

HSL 300, 0.27%, 0.85%

LAB 85.01, 10.97, -7.7

 

CMYK 15 / 28 / 0 / 2

HEX #D6B5FB

RGB 214 181 251

HSL 268.29, 0.9%, 0.85%

LAB 78.64, 24.92, -30.25

 

CMYK 7 / 28 / 0 / 2

HEX #E9B5FB

RGB 233 181 251

HSL 284.57, 0.9%, 0.85%

LAB 80.37, 30.8, -27.46

 

CMYK 0 / 28 / 0 / 2

HEX #FBB5FB

RGB 251 181 251

HSL 300, 0.9%, 0.85%

LAB 82.12, 36.46, -24.62

 

CMYK 0 / 28 / 7 / 2

HEX #FBB5E9

RGB 251 181 233

HSL 315.43, 0.9%, 0.85%

LAB 81.53, 33.31, -15.87

 

CMYK 0 / 28 / 15 / 2

HEX #FBB5D6

RGB 251 181 214

HSL 331.71, 0.9%, 0.85%

LAB 80.97, 30.2, -6.48

 

CMYK 0 / 59 / 0 / 3

HEX #F866F8

RGB 248 102 248

HSL 300, 0.91%, 0.69%

LAB 66.7, 73.42, -46.91

 

CMYK 0 / 44 / 0 / 2

HEX #FA8DFA

RGB 250 141 250

HSL 300, 0.92%, 0.77%

LAB 73.72, 56.48, -37.01

 

CMYK 0 / 28 / 0 / 2

HEX #FBB5FB

RGB 251 181 251

HSL 300, 0.9%, 0.85%

LAB 82.12, 36.46, -24.62

 

CMYK 0 / 13 / 0 / 1

HEX #FDDDFD

RGB 253 221 253

HSL 300, 0.89%, 0.93%

LAB 91.54, 16.45, -11.47

 

CMYK 0 / 28 / 0 / 1

HEX #FCB5FC

RGB 252 181 252

HSL 300, 0.92%, 0.85%

LAB 82.26, 36.95, -24.94

 

CMYK 0 / 22 / 28 / 2

HEX #FBC3B5

RGB 251 195 181

HSL 12, 0.9%, 0.85%

LAB 83.38, 18.05, 14.72

 

CMYK 28 / 0 / 11 / 2

HEX #B5FBDF

RGB 181 251 223

HSL 156, 0.9%, 0.85%

LAB 93.51, -27.34, 6.46

 

CMYK 0 / 28 / 0 / 1

HEX #FCB5FC

RGB 252 181 252

HSL 300, 0.92%, 0.85%

LAB 82.26, 36.95, -24.94

 

CMYK 0 / 0 / 28 / 2

HEX #FBFBB5

RGB 251 251 181

HSL 60, 0.9%, 0.85%

LAB 97.16, -10.58, 33.65

 

CMYK 28 / 0 / 0 / 2

HEX #B5FBFB

RGB 181 251 251

HSL 180, 0.9%, 0.85%

LAB 94.22, -21.48, -6.98

 

CMYK 0 / 28 / 0 / 1

HEX #FCB5FC

RGB 252 181 252

HSL 300, 0.92%, 0.85%

LAB 82.26, 36.95, -24.94

 

CMYK 0 / 22 / 28 / 2

HEX #FBC3B5

RGB 251 195 181

HSL 12, 0.9%, 0.85%

LAB 83.38, 18.05, 14.72

 

CMYK 28 / 0 / 28 / 2

HEX #B5FBB5

RGB 181 251 181

HSL 120, 0.9%, 0.85%

LAB 92.64, -34.9, 26.78

 

CMYK 28 / 6 / 0 / 2

HEX #B5EDFB

RGB 181 237 251

HSL 192, 0.9%, 0.85%

LAB 90.49, -14.55, -12.53

 

CMYK 0 / 28 / 0 / 1

HEX #FCB5FC

RGB 252 181 252

HSL 300, 0.92%, 0.85%

LAB 82.26, 36.95, -24.94

 

CMYK 0 / 14 / 28 / 2

HEX #FBD8B5

RGB 251 216 181

HSL 30, 0.9%, 0.85%

LAB 88.43, 7.11, 21.77

 

CMYK 28 / 0 / 28 / 2

HEX #B5FBB5

RGB 181 251 181

HSL 120, 0.9%, 0.85%

LAB 92.64, -34.9, 26.78

 

CMYK 28 / 14 / 0 / 2

HEX #B5D8FB

RGB 181 216 251

HSL 210, 0.9%, 0.85%

LAB 84.95, -3.77, -20.86

 

Description

Color code: RGB 252 181 252 | qconv.com Color code: RGB 252 181 252 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 252 red, 181 green and 252 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
252 181 252 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 28 magenta, none yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 28% 0% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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