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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 252 90 48 it is the complementary color RGB 3 165 207. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 252 90 48. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 252 90 48 shade: RGB 255 90 43, RGB 255 108 62, RGB 255 126 81, RGB 255 144 100 and RGB 255 162 119

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 252 90 48. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 252 90 48 shade: RGB 252 90 48, RGB 235 72 29, RGB 218 54 10, RGB 201 36 0 and RGB 184 18 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 252 90 48 shade: RGB 251 90 49 and RGB 251 49 49

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 252 90 48 shade: RGB 251 90 49, RGB 251 145 49, RGB 251 200 49, RGB 248 251 49 and RGB 194 251 49

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 252 90 48 shade matches the following richer shades: RGB 251 90 49

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 252 90 48 shade: RGB 251 90 49, RGB 234 100 65, RGB 218 110 82, RGB 201 120 99 and RGB 184 130 116

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 252 90 48 shade: RGB 251 49 116, RGB 251 49 62, RGB 251 89 49, RGB 251 143 49 and RGB 251 197 49

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 252 90 48 shade: RGB 215 46 3, RGB 251 58 8, RGB 251 90 49, RGB 252 123 89 and RGB 253 155 130

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 252 90 48 shade: RGB 252 90 48, RGB 170 251 49 and RGB 49 89 251

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 252 90 48 shade: RGB 252 90 48, RGB 49 251 89 and RGB 89 49 251

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 252 90 48 shade: RGB 252 90 48, RGB 170 251 49, RGB 49 211 251 and RGB 130 49 251

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 252 90 48 shade: RGB 252 90 48, RGB 109 251 49, RGB 49 211 251 and RGB 191 49 251

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 64 / 81 / 1

HEX #FC5A30

RGB 252 90 48

HSL 12.35, 0.97%, 0.59%

LAB 60.09, 59.8, 55.47

 

Complementary color

CMYK 99 / 20 / 0 / 19

HEX #03A5CF

RGB 3 165 207

HSL 192.35, 0.97%, 0.41%

LAB 62.87, -20.66, -31.37

 

CMYK 0 / 65 / 83 / 0

HEX #FF5A2B

RGB 255 90 43

HSL 13.3, 1%, 0.58%

LAB 60.56, 60.67, 58.31

 

CMYK 0 / 58 / 76 / 0

HEX #FF6C3E

RGB 255 108 62

HSL 14.3, 1%, 0.62%

LAB 63.62, 53.53, 52.48

 

CMYK 0 / 51 / 68 / 0

HEX #FF7E51

RGB 255 126 81

HSL 15.52, 1%, 0.66%

LAB 67.11, 45.9, 46.77

 

CMYK 0 / 44 / 61 / 0

HEX #FF9064

RGB 255 144 100

HSL 17.03, 1%, 0.7%

LAB 70.96, 38.05, 41.46

 

CMYK 0 / 36 / 53 / 0

HEX #FFA277

RGB 255 162 119

HSL 18.97, 1%, 0.73%

LAB 75.1, 30.19, 36.64

 

CMYK 0 / 64 / 81 / 1

HEX #FC5A30

RGB 252 90 48

HSL 12.35, 0.97%, 0.59%

LAB 60.09, 59.8, 55.47

 

CMYK 0 / 69 / 88 / 8

HEX #EB481D

RGB 235 72 29

HSL 12.52, 0.84%, 0.52%

LAB 54.43, 60.83, 57.58

 

CMYK 0 / 75 / 95 / 15

HEX #DA360A

RGB 218 54 10

HSL 12.69, 0.91%, 0.45%

LAB 48.97, 61.49, 58.53

 

CMYK 0 / 82 / 100 / 21

HEX #C92400

RGB 201 36 0

HSL 10.75, 1%, 0.39%

LAB 43.77, 61.52, 56.9

 

CMYK 0 / 90 / 100 / 28

HEX #B81200

RGB 184 18 0

HSL 5.87, 1%, 0.36%

LAB 38.94, 60.51, 52.88

 

CMYK 0 / 64 / 80 / 2

HEX #FB5A31

RGB 251 90 49

HSL 12.18, 0.96%, 0.59%

LAB 59.93, 59.5, 54.8

 

CMYK 0 / 80 / 80 / 2

HEX #FB3131

RGB 251 49 49

HSL 0, 0.96%, 0.59%

LAB 55, 73.1, 50.09

 

CMYK 0 / 64 / 80 / 2

HEX #FB5A31

RGB 251 90 49

HSL 12.18, 0.96%, 0.59%

LAB 59.93, 59.5, 54.8

 

CMYK 0 / 42 / 80 / 2

HEX #FB9131

RGB 251 145 49

HSL 28.51, 0.96%, 0.59%

LAB 70.16, 33.48, 64.25

 

CMYK 0 / 20 / 80 / 2

HEX #FBC831

RGB 251 200 49

HSL 44.85, 0.96%, 0.59%

LAB 82.93, 4.83, 75.59

 

CMYK 1 / 0 / 80 / 2

HEX #F8FB31

RGB 248 251 49

HSL 60.89, 0.96%, 0.59%

LAB 95.65, -21.78, 86.46

 

CMYK 23 / 0 / 80 / 2

HEX #C2FB31

RGB 194 251 49

HSL 76.93, 0.96%, 0.59%

LAB 91.99, -43.1, 81.85

 

CMYK 0 / 64 / 80 / 2

HEX #FB5A31

RGB 251 90 49

HSL 12.18, 0.96%, 0.59%

LAB 59.93, 59.5, 54.8

 

CMYK 0 / 64 / 80 / 2

HEX #FB5A31

RGB 251 90 49

HSL 12.18, 0.96%, 0.59%

LAB 59.93, 59.5, 54.8

 

CMYK 0 / 57 / 72 / 8

HEX #EA6441

RGB 234 100 65

HSL 12.43, 0.8%, 0.59%

LAB 58.96, 49.83, 45.02

 

CMYK 0 / 50 / 62 / 15

HEX #DA6E52

RGB 218 110 82

HSL 12.35, 0.65%, 0.59%

LAB 58.66, 39.98, 34.93

 

CMYK 0 / 40 / 51 / 21

HEX #C97863

RGB 201 120 99

HSL 12.35, 0.49%, 0.59%

LAB 58.74, 29.45, 25.06

 

CMYK 0 / 29 / 37 / 28

HEX #B88274

RGB 184 130 116

HSL 12.35, 0.32%, 0.59%

LAB 59.36, 18.99, 15.89

 

CMYK 0 / 80 / 54 / 2

HEX #FB3174

RGB 251 49 116

HSL 340.1, 0.96%, 0.59%

LAB 56.05, 76.31, 12.81

 

CMYK 0 / 80 / 75 / 2

HEX #FB313E

RGB 251 49 62

HSL 356.14, 0.96%, 0.59%

LAB 55.13, 73.5, 43.26

 

CMYK 0 / 65 / 80 / 2

HEX #FB5931

RGB 251 89 49

HSL 11.88, 0.96%, 0.59%

LAB 59.78, 59.9, 54.66

 

CMYK 0 / 43 / 80 / 2

HEX #FB8F31

RGB 251 143 49

HSL 27.92, 0.96%, 0.59%

LAB 69.74, 34.51, 63.86

 

CMYK 0 / 22 / 80 / 2

HEX #FBC531

RGB 251 197 49

HSL 43.96, 0.96%, 0.59%

LAB 82.2, 6.38, 74.94

 

CMYK 0 / 79 / 99 / 16

HEX #D72E03

RGB 215 46 3

HSL 12.17, 0.97%, 0.43%

LAB 47.5, 62.95, 59.27

 

CMYK 0 / 77 / 97 / 2

HEX #FB3A08

RGB 251 58 8

HSL 12.35, 0.97%, 0.51%

LAB 55.64, 70.05, 65.94

 

CMYK 0 / 64 / 80 / 2

HEX #FB5A31

RGB 251 90 49

HSL 12.18, 0.96%, 0.59%

LAB 59.93, 59.5, 54.8

 

CMYK 0 / 51 / 65 / 1

HEX #FC7B59

RGB 252 123 89

HSL 12.52, 0.96%, 0.67%

LAB 66.2, 46.69, 41.42

 

CMYK 0 / 39 / 49 / 1

HEX #FD9B82

RGB 253 155 130

HSL 12.2, 0.97%, 0.75%

LAB 73.5, 34.01, 28.64

 

CMYK 0 / 64 / 81 / 1

HEX #FC5A30

RGB 252 90 48

HSL 12.35, 0.97%, 0.59%

LAB 60.09, 59.8, 55.47

 

CMYK 32 / 0 / 80 / 2

HEX #AAFB31

RGB 170 251 49

HSL 84.06, 0.96%, 0.59%

LAB 90.67, -51.83, 80.18

 

CMYK 80 / 65 / 0 / 2

HEX #3159FB

RGB 49 89 251

HSL 228.12, 0.96%, 0.59%

LAB 45.31, 43.9, -84.02

 

CMYK 0 / 64 / 81 / 1

HEX #FC5A30

RGB 252 90 48

HSL 12.35, 0.97%, 0.59%

LAB 60.09, 59.8, 55.47

 

CMYK 80 / 0 / 65 / 2

HEX #31FB59

RGB 49 251 89

HSL 131.88, 0.96%, 0.59%

LAB 87.18, -77.79, 62.24

 

CMYK 65 / 80 / 0 / 2

HEX #5931FB

RGB 89 49 251

HSL 251.88, 0.96%, 0.59%

LAB 40.06, 68.28, -92.6

 

CMYK 0 / 64 / 81 / 1

HEX #FC5A30

RGB 252 90 48

HSL 12.35, 0.97%, 0.59%

LAB 60.09, 59.8, 55.47

 

CMYK 32 / 0 / 80 / 2

HEX #AAFB31

RGB 170 251 49

HSL 84.06, 0.96%, 0.59%

LAB 90.67, -51.83, 80.18

 

CMYK 80 / 16 / 0 / 2

HEX #31D3FB

RGB 49 211 251

HSL 191.88, 0.96%, 0.59%

LAB 78.58, -26.92, -31.02

 

CMYK 48 / 80 / 0 / 2

HEX #8231FB

RGB 130 49 251

HSL 264.06, 0.96%, 0.59%

LAB 44.1, 72.52, -85.79

 

CMYK 0 / 64 / 81 / 1

HEX #FC5A30

RGB 252 90 48

HSL 12.35, 0.97%, 0.59%

LAB 60.09, 59.8, 55.47

 

CMYK 57 / 0 / 80 / 2

HEX #6DFB31

RGB 109 251 49

HSL 102.18, 0.96%, 0.59%

LAB 88.19, -70.22, 77.01

 

CMYK 80 / 16 / 0 / 2

HEX #31D3FB

RGB 49 211 251

HSL 191.88, 0.96%, 0.59%

LAB 78.58, -26.92, -31.02

 

CMYK 24 / 80 / 0 / 2

HEX #BF31FB

RGB 191 49 251

HSL 282.18, 0.96%, 0.59%

LAB 52.11, 81.13, -72.38

 

Description

Color code: RGB 252 90 48 | qconv.com Color code: RGB 252 90 48 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 252 red, 90 green and 48 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
252 90 48 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 64 magenta, 81 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 64% 81% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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