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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 252 96 198 it is the complementary color RGB 3 159 57. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 252 96 198. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 252 96 198 shade: RGB 255 96 193, RGB 255 114 212, RGB 255 132 231, RGB 255 150 250 and RGB 255 168 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 252 96 198. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 252 96 198 shade: RGB 252 96 198, RGB 235 78 179, RGB 218 60 160, RGB 201 42 141 and RGB 184 24 122

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 252 96 198 shade: RGB 251 95 197, RGB 251 95 155, RGB 251 95 113 and RGB 251 95 95

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 252 96 198 shade: RGB 251 95 197, RGB 251 95 239, RGB 221 95 251, RGB 179 95 251 and RGB 136 95 251

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 252 96 198 shade matches the following richer shades: RGB 251 95 197

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 252 96 198 shade: RGB 251 95 197, RGB 238 108 193, RGB 225 121 189, RGB 212 134 185 and RGB 198 147 181

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 252 96 198 shade: RGB 220 95 251, RGB 251 95 241, RGB 251 95 199, RGB 251 95 157 and RGB 251 95 115

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 252 96 198 shade: RGB 250 14 168, RGB 250 54 182, RGB 251 95 197, RGB 252 135 212 and RGB 253 175 226

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 252 96 198 shade: RGB 252 96 198, RGB 251 178 95 and RGB 95 251 241

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 252 96 198 shade: RGB 252 96 198, RGB 199 251 95 and RGB 95 199 251

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 252 96 198 shade: RGB 252 96 198, RGB 251 178 95, RGB 95 251 147 and RGB 95 168 251

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 252 96 198 shade: RGB 252 96 198, RGB 251 225 95, RGB 95 251 147 and RGB 95 121 251

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 62 / 21 / 1

HEX #FC60C6

RGB 252 96 198

HSL 320.77, 0.96%, 0.68%

LAB 64.27, 69.44, -22.74

 

Complementary color

CMYK 98 / 0 / 64 / 38

HEX #039F39

RGB 3 159 57

HSL 140.77, 0.96%, 0.32%

LAB 57.18, -56.68, 42.33

 

CMYK 0 / 62 / 24 / 0

HEX #FF60C1

RGB 255 96 193

HSL 323.4, 1%, 0.69%

LAB 64.54, 69.6, -19.45

 

CMYK 0 / 55 / 17 / 0

HEX #FF72D4

RGB 255 114 212

HSL 318.3, 1%, 0.72%

LAB 68.06, 64.55, -24.78

 

CMYK 0 / 48 / 9 / 0

HEX #FF84E7

RGB 255 132 231

HSL 311.71, 1%, 0.76%

LAB 71.91, 59.11, -29.37

 

CMYK 0 / 41 / 2 / 0

HEX #FF96FA

RGB 255 150 250

HSL 302.86, 1%, 0.79%

LAB 76.05, 53.46, -33.35

 

CMYK 0 / 34 / 0 / 0

HEX #FFA8FF

RGB 255 168 255

HSL 300, 1%, 0.83%

LAB 79.89, 45.19, -30.14

 

CMYK 0 / 62 / 21 / 1

HEX #FC60C6

RGB 252 96 198

HSL 320.77, 0.96%, 0.68%

LAB 64.27, 69.44, -22.74

 

CMYK 0 / 67 / 24 / 8

HEX #EB4EB3

RGB 235 78 179

HSL 321.4, 0.8%, 0.61%

LAB 58.38, 69.44, -21.12

 

CMYK 0 / 72 / 27 / 15

HEX #DA3CA0

RGB 218 60 160

HSL 322.03, 0.68%, 0.55%

LAB 52.59, 69.01, -19.14

 

CMYK 0 / 79 / 30 / 21

HEX #C92A8D

RGB 201 42 141

HSL 322.64, 0.65%, 0.48%

LAB 46.97, 67.96, -16.65

 

CMYK 0 / 87 / 34 / 28

HEX #B8187A

RGB 184 24 122

HSL 323.25, 0.77%, 0.41%

LAB 41.61, 65.98, -13.47

 

CMYK 0 / 62 / 22 / 2

HEX #FB5FC5

RGB 251 95 197

HSL 320.77, 0.95%, 0.68%

LAB 63.94, 69.44, -22.7

 

CMYK 0 / 62 / 38 / 2

HEX #FB5F9B

RGB 251 95 155

HSL 336.92, 0.95%, 0.68%

LAB 62.56, 64.45, -0.75

 

CMYK 0 / 62 / 55 / 2

HEX #FB5F71

RGB 251 95 113

HSL 353.08, 0.95%, 0.68%

LAB 61.56, 60.69, 22.11

 

CMYK 0 / 62 / 62 / 2

HEX #FB5F5F

RGB 251 95 95

HSL 0, 0.95%, 0.68%

LAB 61.24, 59.48, 31.98

 

CMYK 0 / 62 / 22 / 2

HEX #FB5FC5

RGB 251 95 197

HSL 320.77, 0.95%, 0.68%

LAB 63.94, 69.44, -22.7

 

CMYK 0 / 62 / 5 / 2

HEX #FB5FEF

RGB 251 95 239

HSL 304.62, 0.95%, 0.68%

LAB 65.69, 75.5, -43.5

 

CMYK 12 / 62 / 0 / 2

HEX #DD5FFB

RGB 221 95 251

HSL 288.46, 0.95%, 0.68%

LAB 62.1, 70.51, -56.08

 

CMYK 29 / 62 / 0 / 2

HEX #B35FFB

RGB 179 95 251

HSL 272.31, 0.95%, 0.68%

LAB 56.81, 61.14, -64.85

 

CMYK 46 / 62 / 0 / 2

HEX #885FFB

RGB 136 95 251

HSL 255.77, 0.95%, 0.68%

LAB 52.27, 52.33, -72.42

 

CMYK 0 / 62 / 22 / 2

HEX #FB5FC5

RGB 251 95 197

HSL 320.77, 0.95%, 0.68%

LAB 63.94, 69.44, -22.7

 

CMYK 0 / 62 / 22 / 2

HEX #FB5FC5

RGB 251 95 197

HSL 320.77, 0.95%, 0.68%

LAB 63.94, 69.44, -22.7

 

CMYK 0 / 55 / 19 / 7

HEX #EE6CC1

RGB 238 108 193

HSL 320.77, 0.79%, 0.68%

LAB 63.96, 59.64, -20.57

 

CMYK 0 / 46 / 16 / 12

HEX #E179BD

RGB 225 121 189

HSL 320.77, 0.63%, 0.68%

LAB 64.45, 48.83, -17.73

 

CMYK 0 / 37 / 13 / 17

HEX #D486B9

RGB 212 134 185

HSL 320.77, 0.48%, 0.68%

LAB 65.4, 37.21, -14.19

 

CMYK 0 / 26 / 9 / 22

HEX #C693B5

RGB 198 147 181

HSL 320, 0.31%, 0.68%

LAB 66.68, 24.65, -10.18

 

CMYK 12 / 62 / 0 / 2

HEX #DC5FFB

RGB 220 95 251

HSL 288.08, 0.95%, 0.68%

LAB 61.97, 70.28, -56.31

 

CMYK 0 / 62 / 4 / 2

HEX #FB5FF1

RGB 251 95 241

HSL 303.85, 0.95%, 0.68%

LAB 65.78, 75.81, -44.46

 

CMYK 0 / 62 / 21 / 2

HEX #FB5FC7

RGB 251 95 199

HSL 320, 0.95%, 0.68%

LAB 64.01, 69.71, -23.72

 

CMYK 0 / 62 / 37 / 2

HEX #FB5F9D

RGB 251 95 157

HSL 336.15, 0.95%, 0.68%

LAB 62.62, 64.66, -1.82

 

CMYK 0 / 62 / 54 / 2

HEX #FB5F73

RGB 251 95 115

HSL 352.31, 0.95%, 0.68%

LAB 61.6, 60.84, 21.01

 

CMYK 0 / 94 / 33 / 2

HEX #FA0EA8

RGB 250 14 168

HSL 320.85, 0.96%, 0.52%

LAB 55.55, 86, -18.82

 

CMYK 0 / 78 / 27 / 2

HEX #FA36B6

RGB 250 54 182

HSL 320.82, 0.95%, 0.6%

LAB 58.36, 80.92, -22.68

 

CMYK 0 / 62 / 22 / 2

HEX #FB5FC5

RGB 251 95 197

HSL 320.77, 0.95%, 0.68%

LAB 63.94, 69.44, -22.7

 

CMYK 0 / 46 / 16 / 1

HEX #FC87D4

RGB 252 135 212

HSL 320.51, 0.95%, 0.76%

LAB 71.4, 53.82, -19.71

 

CMYK 0 / 31 / 11 / 1

HEX #FDAFE2

RGB 253 175 226

HSL 320.77, 0.95%, 0.84%

LAB 80.2, 35.95, -14.08

 

CMYK 0 / 62 / 21 / 1

HEX #FC60C6

RGB 252 96 198

HSL 320.77, 0.96%, 0.68%

LAB 64.27, 69.44, -22.74

 

CMYK 0 / 29 / 62 / 2

HEX #FBB25F

RGB 251 178 95

HSL 31.92, 0.95%, 0.68%

LAB 77.98, 18.45, 52.17

 

CMYK 62 / 0 / 4 / 2

HEX #5FFBF1

RGB 95 251 241

HSL 176.15, 0.95%, 0.68%

LAB 90.68, -42.93, -7.4

 

CMYK 0 / 62 / 21 / 1

HEX #FC60C6

RGB 252 96 198

HSL 320.77, 0.96%, 0.68%

LAB 64.27, 69.44, -22.74

 

CMYK 21 / 0 / 62 / 2

HEX #C7FB5F

RGB 199 251 95

HSL 80, 0.95%, 0.68%

LAB 92.56, -38.73, 67.24

 

CMYK 62 / 21 / 0 / 2

HEX #5FC7FB

RGB 95 199 251

HSL 200, 0.95%, 0.68%

LAB 76.22, -14.99, -34.58

 

CMYK 0 / 62 / 21 / 1

HEX #FC60C6

RGB 252 96 198

HSL 320.77, 0.96%, 0.68%

LAB 64.27, 69.44, -22.74

 

CMYK 0 / 29 / 62 / 2

HEX #FBB25F

RGB 251 178 95

HSL 31.92, 0.95%, 0.68%

LAB 77.98, 18.45, 52.17

 

CMYK 62 / 0 / 41 / 2

HEX #5FFB93

RGB 95 251 147

HSL 140, 0.95%, 0.68%

LAB 88.7, -63.1, 37.94

 

CMYK 62 / 33 / 0 / 2

HEX #5FA8FB

RGB 95 168 251

HSL 211.92, 0.95%, 0.68%

LAB 67.58, 1.96, -48.06

 

CMYK 0 / 62 / 21 / 1

HEX #FC60C6

RGB 252 96 198

HSL 320.77, 0.96%, 0.68%

LAB 64.27, 69.44, -22.74

 

CMYK 0 / 10 / 62 / 2

HEX #FBE15F

RGB 251 225 95

HSL 50, 0.95%, 0.68%

LAB 89.48, -5.77, 65.01

 

CMYK 62 / 0 / 41 / 2

HEX #5FFB93

RGB 95 251 147

HSL 140, 0.95%, 0.68%

LAB 88.7, -63.1, 37.94

 

CMYK 62 / 52 / 0 / 2

HEX #5F79FB

RGB 95 121 251

HSL 230, 0.95%, 0.68%

LAB 55.15, 29.82, -67.9

 

Description

Color code: RGB 252 96 198 | qconv.com Color code: RGB 252 96 198 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 252 red, 96 green and 198 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
252 96 198 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 62 magenta, 21 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 62% 21% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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