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Color name
RGB 253 120 180

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 253 120 180 it is the complementary color RGB 2 135 75. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 253 120 180. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 253 120 180 shade: RGB 255 120 175, RGB 255 138 194, RGB 255 156 213, RGB 255 174 232 and RGB 255 192 251

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 253 120 180. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 253 120 180 shade: RGB 253 120 180, RGB 236 102 161, RGB 219 84 142, RGB 202 66 123 and RGB 185 48 104

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 253 120 180 shade: RGB 252 119 179, RGB 252 119 143 and RGB 252 119 119

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 253 120 180 shade: RGB 252 119 179, RGB 252 119 215, RGB 252 119 251, RGB 218 119 252 and RGB 182 119 252

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 253 120 180 shade matches the following richer shades: RGB 252 119 179

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 253 120 180 shade: RGB 252 119 179, RGB 241 130 180, RGB 230 141 181, RGB 219 152 182 and RGB 208 163 183

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 253 120 180 shade: RGB 252 119 252, RGB 252 119 217, RGB 252 119 181, RGB 252 119 146 and RGB 252 128 119

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 253 120 180 shade: RGB 251 38 134, RGB 252 78 157, RGB 252 119 179, RGB 253 160 202 and RGB 254 200 224

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 253 120 180 shade: RGB 253 120 180, RGB 252 217 119 and RGB 119 235 252

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 253 120 180 shade: RGB 253 120 180, RGB 181 252 119 and RGB 119 181 252

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 253 120 180 shade: RGB 253 120 180, RGB 252 217 119, RGB 119 252 190 and RGB 119 154 252

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 253 120 180 shade: RGB 253 120 180, RGB 248 252 119, RGB 119 252 190 and RGB 123 119 252

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 53 / 29 / 1

HEX #FD78B4

RGB 253 120 180

HSL 332.93, 0.97%, 0.73%

LAB 67.73, 56.9, -7.34

 

Complementary color

CMYK 99 / 0 / 44 / 47

HEX #02874B

RGB 2 135 75

HSL 152.93, 0.97%, 0.27%

LAB 49.31, -45.8, 23.66

 

CMYK 0 / 53 / 31 / 0

HEX #FF78AF

RGB 255 120 175

HSL 335.56, 1%, 0.74%

LAB 67.86, 56.92, -4.29

 

CMYK 0 / 46 / 24 / 0

HEX #FF8AC2

RGB 255 138 194

HSL 331.28, 1%, 0.77%

LAB 71.78, 50.71, -9.12

 

CMYK 0 / 39 / 16 / 0

HEX #FF9CD5

RGB 255 156 213

HSL 325.45, 1%, 0.81%

LAB 75.97, 44.4, -13.33

 

CMYK 0 / 32 / 9 / 0

HEX #FFAEE8

RGB 255 174 232

HSL 317.04, 1%, 0.84%

LAB 80.38, 38.11, -17.02

 

CMYK 0 / 25 / 2 / 0

HEX #FFC0FB

RGB 255 192 251

HSL 303.81, 1%, 0.88%

LAB 84.96, 31.96, -20.28

 

CMYK 0 / 53 / 29 / 1

HEX #FD78B4

RGB 253 120 180

HSL 332.93, 0.97%, 0.73%

LAB 67.73, 56.9, -7.34

 

CMYK 0 / 57 / 32 / 7

HEX #EC66A1

RGB 236 102 161

HSL 333.58, 0.78%, 0.66%

LAB 61.58, 57.55, -5.91

 

CMYK 0 / 62 / 35 / 14

HEX #DB548E

RGB 219 84 142

HSL 334.22, 0.65%, 0.59%

LAB 55.43, 58.05, -4.22

 

CMYK 0 / 67 / 39 / 21

HEX #CA427B

RGB 202 66 123

HSL 334.85, 0.56%, 0.53%

LAB 49.35, 58.28, -2.17

 

CMYK 0 / 74 / 44 / 27

HEX #B93068

RGB 185 48 104

HSL 335.47, 0.59%, 0.46%

LAB 43.4, 58.06, 0.41

 

CMYK 0 / 53 / 29 / 1

HEX #FC77B3

RGB 252 119 179

HSL 332.93, 0.96%, 0.73%

LAB 67.38, 56.93, -7.3

 

CMYK 0 / 53 / 43 / 1

HEX #FC778F

RGB 252 119 143

HSL 349.17, 0.96%, 0.73%

LAB 66.42, 52.88, 11.7

 

CMYK 0 / 53 / 53 / 1

HEX #FC7777

RGB 252 119 119

HSL 0, 0.96%, 0.73%

LAB 65.92, 50.71, 24.58

 

CMYK 0 / 53 / 29 / 1

HEX #FC77B3

RGB 252 119 179

HSL 332.93, 0.96%, 0.73%

LAB 67.38, 56.93, -7.3

 

CMYK 0 / 53 / 15 / 1

HEX #FC77D7

RGB 252 119 215

HSL 316.69, 0.96%, 0.73%

LAB 68.6, 61.87, -25.65

 

CMYK 0 / 53 / 0 / 1

HEX #FC77FB

RGB 252 119 251

HSL 300.45, 0.96%, 0.73%

LAB 70.07, 67.59, -43.22

 

CMYK 13 / 53 / 0 / 1

HEX #DA77FC

RGB 218 119 252

HSL 284.66, 0.96%, 0.73%

LAB 65.85, 58.96, -50.71

 

CMYK 28 / 53 / 0 / 1

HEX #B677FC

RGB 182 119 252

HSL 268.42, 0.96%, 0.73%

LAB 61.8, 49.86, -57.4

 

CMYK 0 / 53 / 29 / 1

HEX #FC77B3

RGB 252 119 179

HSL 332.93, 0.96%, 0.73%

LAB 67.38, 56.93, -7.3

 

CMYK 0 / 53 / 29 / 1

HEX #FC77B3

RGB 252 119 179

HSL 332.93, 0.96%, 0.73%

LAB 67.38, 56.93, -7.3

 

CMYK 0 / 46 / 25 / 5

HEX #F182B4

RGB 241 130 180

HSL 332.97, 0.8%, 0.73%

LAB 67.99, 48.2, -7.13

 

CMYK 0 / 39 / 21 / 10

HEX #E68DB5

RGB 230 141 181

HSL 333.03, 0.64%, 0.73%

LAB 68.9, 39.01, -6.49

 

CMYK 0 / 31 / 17 / 14

HEX #DB98B6

RGB 219 152 182

HSL 333.13, 0.48%, 0.73%

LAB 70.1, 29.48, -5.41

 

CMYK 0 / 22 / 12 / 18

HEX #D0A3B7

RGB 208 163 183

HSL 333.33, 0.32%, 0.73%

LAB 71.57, 19.76, -3.92

 

CMYK 0 / 53 / 0 / 1

HEX #FC77FC

RGB 252 119 252

HSL 300, 0.96%, 0.73%

LAB 70.12, 67.76, -43.7

 

CMYK 0 / 53 / 14 / 1

HEX #FC77D9

RGB 252 119 217

HSL 315.79, 0.96%, 0.73%

LAB 68.68, 62.17, -26.64

 

CMYK 0 / 53 / 28 / 1

HEX #FC77B5

RGB 252 119 181

HSL 332.03, 0.96%, 0.73%

LAB 67.45, 57.18, -8.34

 

CMYK 0 / 53 / 42 / 1

HEX #FC7792

RGB 252 119 146

HSL 347.82, 0.96%, 0.73%

LAB 66.49, 53.18, 10.09

 

CMYK 0 / 49 / 53 / 1

HEX #FC8077

RGB 252 128 119

HSL 4.06, 0.96%, 0.73%

LAB 67.62, 46.36, 26.85

 

CMYK 0 / 85 / 47 / 2

HEX #FB2686

RGB 251 38 134

HSL 332.96, 0.96%, 0.57%

LAB 55.7, 80, 1.56

 

CMYK 0 / 69 / 38 / 1

HEX #FC4E9D

RGB 252 78 157

HSL 332.76, 0.97%, 0.65%

LAB 60.41, 71.45, -5.05

 

CMYK 0 / 53 / 29 / 1

HEX #FC77B3

RGB 252 119 179

HSL 332.93, 0.96%, 0.73%

LAB 67.38, 56.93, -7.3

 

CMYK 0 / 37 / 20 / 1

HEX #FDA0CA

RGB 253 160 202

HSL 332.9, 0.96%, 0.81%

LAB 76.25, 40.04, -6.93

 

CMYK 0 / 21 / 12 / 0

HEX #FEC8E0

RGB 254 200 224

HSL 333.33, 0.96%, 0.89%

LAB 85.89, 22.83, -4.54

 

CMYK 0 / 53 / 29 / 1

HEX #FD78B4

RGB 253 120 180

HSL 332.93, 0.97%, 0.73%

LAB 67.73, 56.9, -7.34

 

CMYK 0 / 14 / 53 / 1

HEX #FCD977

RGB 252 217 119

HSL 44.21, 0.96%, 0.73%

LAB 87.8, 0.4, 52.26

 

CMYK 53 / 7 / 0 / 1

HEX #77EBFC

RGB 119 235 252

HSL 187.67, 0.96%, 0.73%

LAB 87.18, -28.36, -18.3

 

CMYK 0 / 53 / 29 / 1

HEX #FD78B4

RGB 253 120 180

HSL 332.93, 0.97%, 0.73%

LAB 67.73, 56.9, -7.34

 

CMYK 28 / 0 / 53 / 1

HEX #B5FC77

RGB 181 252 119

HSL 92.03, 0.96%, 0.73%

LAB 92.03, -43.53, 56.08

 

CMYK 53 / 28 / 0 / 1

HEX #77B5FC

RGB 119 181 252

HSL 212.03, 0.96%, 0.73%

LAB 72.23, -0.35, -41.24

 

CMYK 0 / 53 / 29 / 1

HEX #FD78B4

RGB 253 120 180

HSL 332.93, 0.97%, 0.73%

LAB 67.73, 56.9, -7.34

 

CMYK 0 / 14 / 53 / 1

HEX #FCD977

RGB 252 217 119

HSL 44.21, 0.96%, 0.73%

LAB 87.8, 0.4, 52.26

 

CMYK 53 / 0 / 25 / 1

HEX #77FCBE

RGB 119 252 190

HSL 152.03, 0.96%, 0.73%

LAB 90.44, -50.62, 18.73

 

CMYK 53 / 39 / 0 / 1

HEX #779AFC

RGB 119 154 252

HSL 224.21, 0.96%, 0.73%

LAB 65.01, 15.02, -52.59

 

CMYK 0 / 53 / 29 / 1

HEX #FD78B4

RGB 253 120 180

HSL 332.93, 0.97%, 0.73%

LAB 67.73, 56.9, -7.34

 

CMYK 2 / 0 / 53 / 1

HEX #F8FC77

RGB 248 252 119

HSL 61.8, 0.96%, 0.73%

LAB 96.37, -18.56, 62.25

 

CMYK 53 / 0 / 25 / 1

HEX #77FCBE

RGB 119 252 190

HSL 152.03, 0.96%, 0.73%

LAB 90.44, -50.62, 18.73

 

CMYK 51 / 53 / 0 / 1

HEX #7B77FC

RGB 123 119 252

HSL 241.8, 0.96%, 0.73%

LAB 56.52, 36.47, -66.15

 

Description

Color code: RGB 253 120 180 | qconv.com Color code: RGB 253 120 180 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 253 red, 120 green and 180 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
253 120 180 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 53 magenta, 29 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 53% 29% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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