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Color name
RGB 253 165 111

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 253 165 111 it is the complementary color RGB 2 90 144. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 253 165 111. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 253 165 111 shade: RGB 255 165 106, RGB 255 183 125, RGB 255 201 144, RGB 255 219 163 and RGB 255 237 182

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 253 165 111. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 253 165 111 shade: RGB 253 165 111, RGB 236 147 92, RGB 219 129 73, RGB 202 111 54 and RGB 185 93 35

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 253 165 111 shade: RGB 252 163 109, RGB 252 125 109 and RGB 252 109 109

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 253 165 111 shade: RGB 252 163 109, RGB 252 202 109, RGB 252 241 109, RGB 225 252 109 and RGB 186 252 109

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 253 165 111 shade matches the following richer shades: RGB 252 163 109

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 253 165 111 shade: RGB 252 163 109, RGB 240 166 121, RGB 228 169 133, RGB 216 172 145 and RGB 204 175 157

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 253 165 111 shade: RGB 252 109 133, RGB 252 123 109, RGB 252 161 109, RGB 252 200 109 and RGB 252 238 109

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 253 165 111 shade: RGB 251 113 28, RGB 252 138 68, RGB 252 163 109, RGB 253 189 149 and RGB 254 214 190

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 253 165 111 shade: RGB 253 165 111, RGB 171 252 109 and RGB 109 114 252

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 253 165 111 shade: RGB 253 165 111, RGB 109 252 161 and RGB 161 109 252

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 253 165 111 shade: RGB 253 165 111, RGB 171 252 109, RGB 109 200 252 and RGB 190 109 252

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 253 165 111 shade: RGB 253 165 111, RGB 128 252 109, RGB 109 200 252 and RGB 233 109 252

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 35 / 56 / 1

HEX #FDA56F

RGB 253 165 111

HSL 22.82, 0.97%, 0.71%

LAB 75.41, 27.21, 41.17

 

Complementary color

CMYK 99 / 38 / 0 / 44

HEX #025A90

RGB 2 90 144

HSL 202.82, 0.97%, 0.29%

LAB 36.63, -1.38, -36.03

 

CMYK 0 / 35 / 58 / 0

HEX #FFA56A

RGB 255 165 106

HSL 23.76, 1%, 0.71%

LAB 75.58, 27.63, 43.99

 

CMYK 0 / 28 / 51 / 0

HEX #FFB77D

RGB 255 183 125

HSL 26.77, 1%, 0.75%

LAB 79.96, 19.73, 39.69

 

CMYK 0 / 21 / 44 / 0

HEX #FFC990

RGB 255 201 144

HSL 30.81, 1%, 0.78%

LAB 84.51, 12.12, 35.76

 

CMYK 0 / 14 / 36 / 0

HEX #FFDBA3

RGB 255 219 163

HSL 36.52, 1%, 0.82%

LAB 89.19, 4.87, 32.18

 

CMYK 0 / 7 / 29 / 0

HEX #FFEDB6

RGB 255 237 182

HSL 45.21, 1%, 0.86%

LAB 93.97, -1.99, 28.9

 

CMYK 0 / 35 / 56 / 1

HEX #FDA56F

RGB 253 165 111

HSL 22.82, 0.97%, 0.71%

LAB 75.41, 27.21, 41.17

 

CMYK 0 / 38 / 61 / 7

HEX #EC935C

RGB 236 147 92

HSL 22.92, 0.79%, 0.64%

LAB 69.09, 28.49, 42.8

 

CMYK 0 / 41 / 67 / 14

HEX #DB8149

RGB 219 129 73

HSL 23.01, 0.67%, 0.57%

LAB 62.71, 29.93, 44.53

 

CMYK 0 / 45 / 73 / 21

HEX #CA6F36

RGB 202 111 54

HSL 23.11, 0.58%, 0.5%

LAB 56.28, 31.54, 46.29

 

CMYK 0 / 50 / 81 / 27

HEX #B95D23

RGB 185 93 35

HSL 23.2, 0.68%, 0.43%

LAB 49.82, 33.33, 47.89

 

CMYK 0 / 35 / 57 / 1

HEX #FCA36D

RGB 252 163 109

HSL 22.66, 0.96%, 0.71%

LAB 74.82, 27.7, 41.44

 

CMYK 0 / 50 / 57 / 1

HEX #FC7D6D

RGB 252 125 109

HSL 6.71, 0.96%, 0.71%

LAB 66.88, 47.05, 31.4

 

CMYK 0 / 57 / 57 / 1

HEX #FC6D6D

RGB 252 109 109

HSL 0, 0.96%, 0.71%

LAB 63.95, 54.6, 27.59

 

CMYK 0 / 35 / 57 / 1

HEX #FCA36D

RGB 252 163 109

HSL 22.66, 0.96%, 0.71%

LAB 74.82, 27.7, 41.44

 

CMYK 0 / 20 / 57 / 1

HEX #FCCA6D

RGB 252 202 109

HSL 39.02, 0.96%, 0.71%

LAB 83.99, 7.33, 52.5

 

CMYK 0 / 4 / 57 / 1

HEX #FCF16D

RGB 252 241 109

HSL 55.38, 0.96%, 0.71%

LAB 93.76, -12.37, 63.74

 

CMYK 11 / 0 / 57 / 1

HEX #E1FC6D

RGB 225 252 109

HSL 71.33, 0.96%, 0.71%

LAB 94.62, -28.28, 64.17

 

CMYK 26 / 0 / 57 / 1

HEX #BAFC6D

RGB 186 252 109

HSL 87.69, 0.96%, 0.71%

LAB 92.2, -42.74, 60.77

 

CMYK 0 / 35 / 57 / 1

HEX #FCA36D

RGB 252 163 109

HSL 22.66, 0.96%, 0.71%

LAB 74.82, 27.7, 41.44

 

CMYK 0 / 35 / 57 / 1

HEX #FCA36D

RGB 252 163 109

HSL 22.66, 0.96%, 0.71%

LAB 74.82, 27.7, 41.44

 

CMYK 0 / 31 / 50 / 6

HEX #F0A679

RGB 240 166 121

HSL 22.69, 0.8%, 0.71%

LAB 74.3, 22.36, 34.21

 

CMYK 0 / 26 / 42 / 11

HEX #E4A985

RGB 228 169 133

HSL 22.74, 0.64%, 0.71%

LAB 73.91, 17.2, 27.05

 

CMYK 0 / 20 / 33 / 15

HEX #D8AC91

RGB 216 172 145

HSL 22.82, 0.48%, 0.71%

LAB 73.64, 12.29, 20

 

CMYK 0 / 14 / 23 / 20

HEX #CCAF9D

RGB 204 175 157

HSL 22.98, 0.32%, 0.71%

LAB 73.5, 7.68, 13.1

 

CMYK 0 / 57 / 47 / 1

HEX #FC6D85

RGB 252 109 133

HSL 349.93, 0.96%, 0.71%

LAB 64.42, 56.56, 14.59

 

CMYK 0 / 51 / 57 / 1

HEX #FC7B6D

RGB 252 123 109

HSL 5.87, 0.96%, 0.71%

LAB 66.49, 48.02, 30.91

 

CMYK 0 / 36 / 57 / 1

HEX #FCA16D

RGB 252 161 109

HSL 21.82, 0.96%, 0.71%

LAB 74.37, 28.75, 40.89

 

CMYK 0 / 21 / 57 / 1

HEX #FCC86D

RGB 252 200 109

HSL 38.18, 0.96%, 0.71%

LAB 83.5, 8.36, 51.93

 

CMYK 0 / 6 / 57 / 1

HEX #FCEE6D

RGB 252 238 109

HSL 54.13, 0.96%, 0.71%

LAB 92.99, -10.9, 62.88

 

CMYK 0 / 55 / 89 / 2

HEX #FB711C

RGB 251 113 28

HSL 22.87, 0.97%, 0.55%

LAB 63.67, 48.85, 66.07

 

CMYK 0 / 45 / 73 / 1

HEX #FC8A44

RGB 252 138 68

HSL 22.83, 0.97%, 0.63%

LAB 68.96, 38.16, 55.05

 

CMYK 0 / 35 / 57 / 1

HEX #FCA36D

RGB 252 163 109

HSL 22.66, 0.96%, 0.71%

LAB 74.82, 27.7, 41.44

 

CMYK 0 / 25 / 41 / 1

HEX #FDBD95

RGB 253 189 149

HSL 23.08, 0.96%, 0.79%

LAB 81.54, 18.12, 29.2

 

CMYK 0 / 16 / 25 / 0

HEX #FED6BE

RGB 254 214 190

HSL 22.5, 0.97%, 0.87%

LAB 88.39, 10.46, 17.05

 

CMYK 0 / 35 / 56 / 1

HEX #FDA56F

RGB 253 165 111

HSL 22.82, 0.97%, 0.71%

LAB 75.41, 27.21, 41.17

 

CMYK 32 / 0 / 57 / 1

HEX #ABFC6D

RGB 171 252 109

HSL 93.99, 0.96%, 0.71%

LAB 91.41, -47.91, 59.65

 

CMYK 57 / 55 / 0 / 1

HEX #6D72FC

RGB 109 114 252

HSL 237.9, 0.96%, 0.71%

LAB 54.36, 36.76, -69.69

 

CMYK 0 / 35 / 56 / 1

HEX #FDA56F

RGB 253 165 111

HSL 22.82, 0.97%, 0.71%

LAB 75.41, 27.21, 41.17

 

CMYK 57 / 0 / 36 / 1

HEX #6DFCA1

RGB 109 252 161

HSL 141.82, 0.96%, 0.71%

LAB 89.6, -58.25, 32.25

 

CMYK 36 / 57 / 0 / 1

HEX #A16DFC

RGB 161 109 252

HSL 261.82, 0.96%, 0.71%

LAB 57.6, 50.25, -64.24

 

CMYK 0 / 35 / 56 / 1

HEX #FDA56F

RGB 253 165 111

HSL 22.82, 0.97%, 0.71%

LAB 75.41, 27.21, 41.17

 

CMYK 32 / 0 / 57 / 1

HEX #ABFC6D

RGB 171 252 109

HSL 93.99, 0.96%, 0.71%

LAB 91.41, -47.91, 59.65

 

CMYK 57 / 21 / 0 / 1

HEX #6DC8FC

RGB 109 200 252

HSL 201.82, 0.96%, 0.71%

LAB 77.03, -12.67, -33.81

 

CMYK 25 / 57 / 0 / 1

HEX #BE6DFC

RGB 190 109 252

HSL 273.99, 0.96%, 0.71%

LAB 60.7, 56.97, -59.09

 

CMYK 0 / 35 / 56 / 1

HEX #FDA56F

RGB 253 165 111

HSL 22.82, 0.97%, 0.71%

LAB 75.41, 27.21, 41.17

 

CMYK 49 / 0 / 57 / 1

HEX #80FC6D

RGB 128 252 109

HSL 112.03, 0.96%, 0.71%

LAB 89.54, -61.01, 57.01

 

CMYK 57 / 21 / 0 / 1

HEX #6DC8FC

RGB 109 200 252

HSL 201.82, 0.96%, 0.71%

LAB 77.03, -12.67, -33.81

 

CMYK 8 / 57 / 0 / 1

HEX #E96DFC

RGB 233 109 252

HSL 292.03, 0.96%, 0.71%

LAB 65.97, 67.43, -50.39

 

Description

Color code: RGB 253 165 111 | qconv.com Color code: RGB 253 165 111 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 253 red, 165 green and 111 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
253 165 111 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 35 magenta, 56 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 35% 56% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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