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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 253 181 71 it is the complementary color RGB 2 74 184. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 253 181 71. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 253 181 71 shade: RGB 255 181 66, RGB 255 199 85, RGB 255 217 104, RGB 255 235 123 and RGB 255 253 142

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 253 181 71. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 253 181 71 shade: RGB 253 181 71, RGB 236 163 52, RGB 219 145 33, RGB 202 127 14 and RGB 185 109 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 253 181 71 shade: RGB 253 181 73, RGB 253 133 73, RGB 253 84 73 and RGB 253 73 73

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 253 181 71 shade: RGB 253 181 73, RGB 253 230 73, RGB 227 253 73, RGB 178 253 73 and RGB 130 253 73

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 253 181 71 shade matches the following richer shades: RGB 253 181 73

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 253 181 71 shade: RGB 253 181 73, RGB 238 178 88, RGB 223 175 102, RGB 208 172 117 and RGB 193 169 132

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 253 181 71 shade: RGB 253 85 73, RGB 253 133 73, RGB 253 181 73, RGB 253 229 73 and RGB 229 253 73

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 253 181 71 shade: RGB 241 146 2, RGB 252 165 32, RGB 253 181 73, RGB 253 198 114 and RGB 253 214 154

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 253 181 71 shade: RGB 253 181 71, RGB 109 253 73 and RGB 109 73 253

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 253 181 71 shade: RGB 253 181 71, RGB 73 253 181 and RGB 181 73 253

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 253 181 71 shade: RGB 253 181 71, RGB 109 253 73, RGB 73 145 253 and RGB 217 73 253

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 253 181 71 shade: RGB 253 181 71, RGB 73 253 91, RGB 73 145 253 and RGB 253 73 235

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 28 / 72 / 1

HEX #FDB547

RGB 253 181 71

HSL 36.26, 0.98%, 0.64%

LAB 78.69, 16.38, 63.79

 

Complementary color

CMYK 99 / 60 / 0 / 28

HEX #024AB8

RGB 2 74 184

HSL 216.26, 0.98%, 0.36%

LAB 34.74, 25.86, -62.99

 

CMYK 0 / 29 / 74 / 0

HEX #FFB542

RGB 255 181 66

HSL 36.51, 1%, 0.63%

LAB 78.87, 16.99, 66.06

 

CMYK 0 / 22 / 67 / 0

HEX #FFC755

RGB 255 199 85

HSL 40.24, 1%, 0.67%

LAB 83.32, 8.56, 62.76

 

CMYK 0 / 15 / 59 / 0

HEX #FFD968

RGB 255 217 104

HSL 44.9, 1%, 0.7%

LAB 87.91, 0.5, 59.43

 

CMYK 0 / 8 / 52 / 0

HEX #FFEB7B

RGB 255 235 123

HSL 50.91, 1%, 0.74%

LAB 92.62, -7.14, 56.19

 

CMYK 0 / 1 / 44 / 0

HEX #FFFD8E

RGB 255 253 142

HSL 58.94, 1%, 0.78%

LAB 97.42, -14.33, 53.09

 

CMYK 0 / 28 / 72 / 1

HEX #FDB547

RGB 253 181 71

HSL 36.26, 0.98%, 0.64%

LAB 78.69, 16.38, 63.79

 

CMYK 0 / 31 / 78 / 7

HEX #ECA334

RGB 236 163 52

HSL 36.2, 0.83%, 0.56%

LAB 72.41, 17.94, 64.52

 

CMYK 0 / 34 / 85 / 14

HEX #DB9121

RGB 219 145 33

HSL 36.13, 0.74%, 0.49%

LAB 66.07, 19.71, 64.61

 

CMYK 0 / 37 / 93 / 21

HEX #CA7F0E

RGB 202 127 14

HSL 36.06, 0.87%, 0.42%

LAB 59.68, 21.73, 63.51

 

CMYK 0 / 41 / 100 / 27

HEX #B96D00

RGB 185 109 0

HSL 35.35, 1%, 0.36%

LAB 53.22, 24, 60.61

 

CMYK 0 / 28 / 71 / 1

HEX #FDB549

RGB 253 181 73

HSL 36, 0.98%, 0.64%

LAB 78.7, 16.47, 62.97

 

CMYK 0 / 47 / 71 / 1

HEX #FD8549

RGB 253 133 73

HSL 20, 0.98%, 0.64%

LAB 68.12, 41.29, 51.82

 

CMYK 0 / 67 / 71 / 1

HEX #FD5449

RGB 253 84 73

HSL 3.67, 0.98%, 0.64%

LAB 59.62, 63.4, 42.35

 

CMYK 0 / 71 / 71 / 1

HEX #FD4949

RGB 253 73 73

HSL 0, 0.98%, 0.64%

LAB 58.16, 67.41, 40.67

 

CMYK 0 / 28 / 71 / 1

HEX #FDB549

RGB 253 181 73

HSL 36, 0.98%, 0.64%

LAB 78.7, 16.47, 62.97

 

CMYK 0 / 9 / 71 / 1

HEX #FDE649

RGB 253 230 73

HSL 52.33, 0.98%, 0.64%

LAB 90.76, -8.62, 75

 

CMYK 10 / 0 / 71 / 1

HEX #E3FD49

RGB 227 253 73

HSL 68.67, 0.98%, 0.64%

LAB 94.76, -30.23, 78.19

 

CMYK 30 / 0 / 71 / 1

HEX #B2FD49

RGB 178 253 73

HSL 85, 0.98%, 0.64%

LAB 91.77, -48.67, 74.25

 

CMYK 49 / 0 / 71 / 1

HEX #82FD49

RGB 130 253 73

HSL 101, 0.98%, 0.64%

LAB 89.62, -64.01, 71.38

 

CMYK 0 / 28 / 71 / 1

HEX #FDB549

RGB 253 181 73

HSL 36, 0.98%, 0.64%

LAB 78.7, 16.47, 62.97

 

CMYK 0 / 28 / 71 / 1

HEX #FDB549

RGB 253 181 73

HSL 36, 0.98%, 0.64%

LAB 78.7, 16.47, 62.97

 

CMYK 0 / 25 / 63 / 7

HEX #EEB258

RGB 238 178 88

HSL 36, 0.82%, 0.64%

LAB 76.51, 12.64, 53.45

 

CMYK 0 / 22 / 54 / 13

HEX #DFAF66

RGB 223 175 102

HSL 36.2, 0.65%, 0.64%

LAB 74.39, 9.02, 43.76

 

CMYK 0 / 17 / 44 / 18

HEX #D0AC75

RGB 208 172 117

HSL 36.26, 0.49%, 0.64%

LAB 72.36, 5.85, 33.16

 

CMYK 0 / 12 / 32 / 24

HEX #C1A984

RGB 193 169 132

HSL 36.39, 0.33%, 0.64%

LAB 70.44, 3.18, 22.32

 

CMYK 0 / 66 / 71 / 1

HEX #FD5549

RGB 253 85 73

HSL 4, 0.98%, 0.64%

LAB 59.76, 63.02, 42.51

 

CMYK 0 / 47 / 71 / 1

HEX #FD8549

RGB 253 133 73

HSL 20, 0.98%, 0.64%

LAB 68.12, 41.29, 51.82

 

CMYK 0 / 28 / 71 / 1

HEX #FDB549

RGB 253 181 73

HSL 36, 0.98%, 0.64%

LAB 78.7, 16.47, 62.97

 

CMYK 0 / 9 / 71 / 1

HEX #FDE549

RGB 253 229 73

HSL 52, 0.98%, 0.64%

LAB 90.51, -8.13, 74.75

 

CMYK 9 / 0 / 71 / 1

HEX #E5FD49

RGB 229 253 73

HSL 68, 0.98%, 0.64%

LAB 94.9, -29.44, 78.38

 

CMYK 0 / 39 / 99 / 5

HEX #F19202

RGB 241 146 2

HSL 36.15, 0.98%, 0.48%

LAB 68.94, 28.04, 73.97

 

CMYK 0 / 35 / 87 / 1

HEX #FCA520

RGB 252 165 32

HSL 36.27, 0.97%, 0.56%

LAB 74.64, 23.06, 73.44

 

CMYK 0 / 28 / 71 / 1

HEX #FDB549

RGB 253 181 73

HSL 36, 0.98%, 0.64%

LAB 78.7, 16.47, 62.97

 

CMYK 0 / 22 / 55 / 1

HEX #FDC672

RGB 253 198 114

HSL 36.26, 0.97%, 0.72%

LAB 83.17, 10.19, 49.14

 

CMYK 0 / 15 / 39 / 1

HEX #FDD69A

RGB 253 214 154

HSL 36.36, 0.96%, 0.8%

LAB 87.63, 5.66, 34.7

 

CMYK 0 / 28 / 72 / 1

HEX #FDB547

RGB 253 181 71

HSL 36.26, 0.98%, 0.64%

LAB 78.69, 16.38, 63.79

 

CMYK 57 / 0 / 71 / 1

HEX #6DFD49

RGB 109 253 73

HSL 108, 0.98%, 0.64%

LAB 88.91, -69.47, 70.44

 

CMYK 57 / 71 / 0 / 1

HEX #6D49FD

RGB 109 73 253

HSL 252, 0.98%, 0.64%

LAB 45.78, 60.01, -84.22

 

CMYK 0 / 28 / 72 / 1

HEX #FDB547

RGB 253 181 71

HSL 36.26, 0.98%, 0.64%

LAB 78.69, 16.38, 63.79

 

CMYK 71 / 0 / 28 / 1

HEX #49FDB5

RGB 73 253 181

HSL 156, 0.98%, 0.64%

LAB 89.39, -61.12, 21.71

 

CMYK 28 / 71 / 0 / 1

HEX #B549FD

RGB 181 73 253

HSL 276, 0.98%, 0.64%

LAB 53.69, 71.71, -70.99

 

CMYK 0 / 28 / 72 / 1

HEX #FDB547

RGB 253 181 71

HSL 36.26, 0.98%, 0.64%

LAB 78.69, 16.38, 63.79

 

CMYK 57 / 0 / 71 / 1

HEX #6DFD49

RGB 109 253 73

HSL 108, 0.98%, 0.64%

LAB 88.91, -69.47, 70.44

 

CMYK 71 / 43 / 0 / 1

HEX #4991FD

RGB 73 145 253

HSL 216, 0.98%, 0.64%

LAB 60.57, 12.66, -60.34

 

CMYK 14 / 71 / 0 / 1

HEX #D949FD

RGB 217 73 253

HSL 288, 0.98%, 0.64%

LAB 58.61, 78.58, -62.8

 

CMYK 0 / 28 / 72 / 1

HEX #FDB547

RGB 253 181 71

HSL 36.26, 0.98%, 0.64%

LAB 78.69, 16.38, 63.79

 

CMYK 71 / 0 / 64 / 1

HEX #49FD5B

RGB 73 253 91

HSL 126, 0.98%, 0.64%

LAB 88.17, -75.07, 62.64

 

CMYK 71 / 43 / 0 / 1

HEX #4991FD

RGB 73 145 253

HSL 216, 0.98%, 0.64%

LAB 60.57, 12.66, -60.34

 

CMYK 0 / 71 / 7 / 1

HEX #FD49EB

RGB 253 73 235

HSL 306, 0.98%, 0.64%

LAB 63.05, 83.09, -45.41

 

Description

Color code: RGB 253 181 71 | qconv.com Color code: RGB 253 181 71 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 253 red, 181 green and 71 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
253 181 71 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 28 magenta, 72 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 28% 72% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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