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Color name
RGB 253 197 144

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 253 197 144 it is the complementary color RGB 2 58 111. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 253 197 144. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 253 197 144 shade: RGB 255 197 139, RGB 255 215 158, RGB 255 233 177, RGB 255 251 196 and RGB 255 255 215

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 253 197 144. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 253 197 144 shade: RGB 253 197 144, RGB 236 179 125, RGB 219 161 106, RGB 202 143 87 and RGB 185 125 68

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 253 197 144 shade: RGB 252 197 145, RGB 252 168 145 and RGB 252 145 145

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 253 197 144 shade: RGB 252 197 145, RGB 252 226 145, RGB 250 252 145, RGB 220 252 145 and RGB 191 252 145

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 253 197 144 shade matches the following richer shades: RGB 252 197 145

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 253 197 144 shade: RGB 252 197 145, RGB 243 197 154, RGB 234 197 163, RGB 225 198 172 and RGB 216 198 181

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 253 197 144 shade: RGB 252 145 150, RGB 252 168 145, RGB 252 197 145, RGB 252 225 145 and RGB 250 252 145

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 253 197 144 shade: RGB 251 155 64, RGB 251 176 104, RGB 252 197 145, RGB 253 218 185 and RGB 254 239 225

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 253 197 144 shade: RGB 253 197 144, RGB 179 252 145 and RGB 154 145 252

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 253 197 144 shade: RGB 253 197 144, RGB 145 252 197 and RGB 197 145 252

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 253 197 144 shade: RGB 253 197 144, RGB 179 252 145, RGB 145 200 252 and RGB 218 145 252

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 253 197 144 shade: RGB 253 197 144, RGB 146 252 145, RGB 145 200 252 and RGB 250 145 252

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 22 / 43 / 1

HEX #FDC590

RGB 253 197 144

HSL 29.17, 0.96%, 0.78%

LAB 83.35, 13.42, 34.21

 

Complementary color

CMYK 98 / 48 / 0 / 56

HEX #023A6F

RGB 2 58 111

HSL 209.17, 0.96%, 0.22%

LAB 24.28, 6.01, -35.24

 

CMYK 0 / 23 / 45 / 0

HEX #FFC58B

RGB 255 197 139

HSL 30, 1%, 0.77%

LAB 83.47, 13.71, 36.99

 

CMYK 0 / 16 / 38 / 0

HEX #FFD79E

RGB 255 215 158

HSL 35.26, 1%, 0.81%

LAB 88.13, 6.36, 33.33

 

CMYK 0 / 9 / 31 / 0

HEX #FFE9B1

RGB 255 233 177

HSL 43.08, 1%, 0.85%

LAB 92.89, -0.6, 29.99

 

CMYK 0 / 2 / 23 / 0

HEX #FFFBC4

RGB 255 251 196

HSL 55.93, 1%, 0.88%

LAB 97.73, -7.17, 26.91

 

CMYK 0 / 0 / 16 / 0

HEX #FFFFD7

RGB 255 255 215

HSL 60, 1%, 0.92%

LAB 99.1, -6.46, 19.16

 

CMYK 0 / 22 / 43 / 1

HEX #FDC590

RGB 253 197 144

HSL 29.17, 0.96%, 0.78%

LAB 83.35, 13.42, 34.21

 

CMYK 0 / 24 / 47 / 7

HEX #ECB37D

RGB 236 179 125

HSL 29.19, 0.74%, 0.71%

LAB 77.01, 14.25, 35.52

 

CMYK 0 / 26 / 52 / 14

HEX #DBA16A

RGB 219 161 106

HSL 29.2, 0.61%, 0.64%

LAB 70.59, 15.2, 36.91

 

CMYK 0 / 29 / 57 / 21

HEX #CA8F57

RGB 202 143 87

HSL 29.22, 0.52%, 0.57%

LAB 64.07, 16.29, 38.39

 

CMYK 0 / 32 / 63 / 27

HEX #B97D44

RGB 185 125 68

HSL 29.23, 0.46%, 0.5%

LAB 57.46, 17.56, 39.94

 

CMYK 0 / 22 / 42 / 1

HEX #FCC591

RGB 252 197 145

HSL 29.16, 0.95%, 0.78%

LAB 83.27, 13.13, 33.57

 

CMYK 0 / 33 / 42 / 1

HEX #FCA891

RGB 252 168 145

HSL 12.9, 0.95%, 0.78%

LAB 76.52, 28.33, 24.56

 

CMYK 0 / 42 / 42 / 1

HEX #FC9191

RGB 252 145 145

HSL 0, 0.95%, 0.78%

LAB 71.55, 40.25, 17.74

 

CMYK 0 / 22 / 42 / 1

HEX #FCC591

RGB 252 197 145

HSL 29.16, 0.95%, 0.78%

LAB 83.27, 13.13, 33.57

 

CMYK 0 / 10 / 42 / 1

HEX #FCE291

RGB 252 226 145

HSL 45.42, 0.95%, 0.78%

LAB 90.38, -1.8, 42.78

 

CMYK 1 / 0 / 42 / 1

HEX #FAFC91

RGB 250 252 145

HSL 61.12, 0.95%, 0.78%

LAB 96.82, -15.48, 50.84

 

CMYK 13 / 0 / 42 / 1

HEX #DCFC91

RGB 220 252 145

HSL 77.94, 0.95%, 0.78%

LAB 94.69, -26.78, 47.72

 

CMYK 24 / 0 / 42 / 1

HEX #BFFC91

RGB 191 252 145

HSL 94.21, 0.95%, 0.78%

LAB 92.9, -37.16, 45.09

 

CMYK 0 / 22 / 42 / 1

HEX #FCC591

RGB 252 197 145

HSL 29.16, 0.95%, 0.78%

LAB 83.27, 13.13, 33.57

 

CMYK 0 / 22 / 42 / 1

HEX #FCC591

RGB 252 197 145

HSL 29.16, 0.95%, 0.78%

LAB 83.27, 13.13, 33.57

 

CMYK 0 / 19 / 37 / 5

HEX #F3C59A

RGB 243 197 154

HSL 28.99, 0.79%, 0.78%

LAB 82.55, 10.61, 27.76

 

CMYK 0 / 16 / 30 / 8

HEX #EAC5A3

RGB 234 197 163

HSL 28.73, 0.63%, 0.78%

LAB 81.88, 8.25, 21.95

 

CMYK 0 / 12 / 24 / 12

HEX #E1C6AC

RGB 225 198 172

HSL 29.43, 0.47%, 0.78%

LAB 81.5, 5.53, 16.52

 

CMYK 0 / 8 / 16 / 15

HEX #D8C6B5

RGB 216 198 181

HSL 29.14, 0.31%, 0.78%

LAB 80.92, 3.53, 10.79

 

CMYK 0 / 42 / 40 / 1

HEX #FC9196

RGB 252 145 150

HSL 357.2, 0.95%, 0.78%

LAB 71.66, 40.78, 15.12

 

CMYK 0 / 33 / 42 / 1

HEX #FCA891

RGB 252 168 145

HSL 12.9, 0.95%, 0.78%

LAB 76.52, 28.33, 24.56

 

CMYK 0 / 22 / 42 / 1

HEX #FCC591

RGB 252 197 145

HSL 29.16, 0.95%, 0.78%

LAB 83.27, 13.13, 33.57

 

CMYK 0 / 11 / 42 / 1

HEX #FCE191

RGB 252 225 145

HSL 44.86, 0.95%, 0.78%

LAB 90.13, -1.29, 42.46

 

CMYK 1 / 0 / 42 / 1

HEX #FAFC91

RGB 250 252 145

HSL 61.12, 0.95%, 0.78%

LAB 96.82, -15.48, 50.84

 

CMYK 0 / 38 / 75 / 2

HEX #FB9B40

RGB 251 155 64

HSL 29.2, 0.96%, 0.62%

LAB 72.44, 28.84, 60.36

 

CMYK 0 / 30 / 59 / 2

HEX #FBB068

RGB 251 176 104

HSL 29.39, 0.95%, 0.7%

LAB 77.61, 20.12, 47.35

 

CMYK 0 / 22 / 42 / 1

HEX #FCC591

RGB 252 197 145

HSL 29.16, 0.95%, 0.78%

LAB 83.27, 13.13, 33.57

 

CMYK 0 / 14 / 27 / 1

HEX #FDDAB9

RGB 253 218 185

HSL 29.12, 0.94%, 0.86%

LAB 89.17, 7.35, 20.74

 

CMYK 0 / 6 / 11 / 0

HEX #FEEFE1

RGB 254 239 225

HSL 28.97, 0.94%, 0.94%

LAB 95.26, 2.77, 8.57

 

CMYK 0 / 22 / 43 / 1

HEX #FDC590

RGB 253 197 144

HSL 29.17, 0.96%, 0.78%

LAB 83.35, 13.42, 34.21

 

CMYK 29 / 0 / 42 / 1

HEX #B3FC91

RGB 179 252 145

HSL 100.93, 0.95%, 0.78%

LAB 92.24, -41.22, 44.12

 

CMYK 39 / 42 / 0 / 1

HEX #9A91FC

RGB 154 145 252

HSL 245.05, 0.95%, 0.78%

LAB 65.08, 28.37, -52.33

 

CMYK 0 / 22 / 43 / 1

HEX #FDC590

RGB 253 197 144

HSL 29.17, 0.96%, 0.78%

LAB 83.35, 13.42, 34.21

 

CMYK 42 / 0 / 22 / 1

HEX #91FCC5

RGB 145 252 197

HSL 149.16, 0.95%, 0.78%

LAB 91.54, -42.95, 16.82

 

CMYK 22 / 42 / 0 / 1

HEX #C591FC

RGB 197 145 252

HSL 269.16, 0.95%, 0.78%

LAB 68.86, 39.79, -46.12

 

CMYK 0 / 22 / 43 / 1

HEX #FDC590

RGB 253 197 144

HSL 29.17, 0.96%, 0.78%

LAB 83.35, 13.42, 34.21

 

CMYK 29 / 0 / 42 / 1

HEX #B3FC91

RGB 179 252 145

HSL 100.93, 0.95%, 0.78%

LAB 92.24, -41.22, 44.12

 

CMYK 42 / 21 / 0 / 1

HEX #91C8FC

RGB 145 200 252

HSL 209.16, 0.95%, 0.78%

LAB 78.67, -4.69, -31.16

 

CMYK 13 / 42 / 0 / 1

HEX #DA91FC

RGB 218 145 252

HSL 280.93, 0.95%, 0.78%

LAB 71, 45.69, -42.61

 

CMYK 0 / 22 / 43 / 1

HEX #FDC590

RGB 253 197 144

HSL 29.17, 0.96%, 0.78%

LAB 83.35, 13.42, 34.21

 

CMYK 42 / 0 / 42 / 1

HEX #92FC91

RGB 146 252 145

HSL 119.44, 0.95%, 0.78%

LAB 90.68, -51.47, 41.8

 

CMYK 42 / 21 / 0 / 1

HEX #91C8FC

RGB 145 200 252

HSL 209.16, 0.95%, 0.78%

LAB 78.67, -4.69, -31.16

 

CMYK 1 / 42 / 0 / 1

HEX #FA91FC

RGB 250 145 252

HSL 298.88, 0.95%, 0.78%

LAB 74.57, 54.85, -36.77

 

Description

Color code: RGB 253 197 144 | qconv.com Color code: RGB 253 197 144 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 253 red, 197 green and 144 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
253 197 144 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 22 magenta, 43 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 22% 43% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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