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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 254 168 234 it is the complementary color RGB 1 87 21. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 254 168 234. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 254 168 234 shade: RGB 255 168 229, RGB 255 186 248, RGB 255 204 255, RGB 255 222 255 and RGB 255 240 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 254 168 234. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 254 168 234 shade: RGB 254 168 234, RGB 237 150 215, RGB 220 132 196, RGB 203 114 177 and RGB 186 96 158

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 254 168 234 shade: RGB 254 169 234, RGB 254 169 211, RGB 254 169 188 and RGB 254 169 169

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 254 168 234 shade: RGB 254 169 234, RGB 250 169 254, RGB 228 169 254, RGB 205 169 254 and RGB 182 169 254

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 254 168 234 shade matches the following richer shades: RGB 254 169 234

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 254 168 234 shade: RGB 254 169 234, RGB 247 176 230, RGB 240 183 226, RGB 233 190 223 and RGB 226 197 219

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 254 168 234 shade: RGB 227 169 254, RGB 249 169 254, RGB 254 169 235, RGB 254 169 213 and RGB 254 169 190

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 254 168 234 shade: RGB 253 87 214, RGB 253 128 224, RGB 254 169 234, RGB 254 210 244 and RGB 254 250 254

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 254 168 234 shade: RGB 254 168 234, RGB 254 204 169 and RGB 169 254 238

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 254 168 234 shade: RGB 254 168 234, RGB 235 254 169 and RGB 169 235 254

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 254 168 234 shade: RGB 254 168 234, RGB 254 204 169, RGB 169 254 187 and RGB 169 218 254

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 254 168 234 shade: RGB 254 168 234, RGB 254 230 169, RGB 169 254 187 and RGB 169 193 254

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 34 / 8 / 0

HEX #FEA8EA

RGB 254 168 234

HSL 313.95, 0.98%, 0.83%

LAB 79.05, 41.24, -20.12

 

Complementary color

CMYK 99 / 0 / 76 / 66

HEX #015715

RGB 1 87 21

HSL 133.95, 0.98%, 0.17%

LAB 31.53, -37.62, 30.53

 

CMYK 0 / 34 / 10 / 0

HEX #FFA8E5

RGB 255 168 229

HSL 317.93, 1%, 0.83%

LAB 79, 40.74, -17.49

 

CMYK 0 / 27 / 3 / 0

HEX #FFBAF8

RGB 255 186 248

HSL 306.09, 1%, 0.86%

LAB 83.52, 34.57, -20.85

 

CMYK 0 / 20 / 0 / 0

HEX #FFCCFF

RGB 255 204 255

HSL 300, 1%, 0.9%

LAB 87.81, 26.37, -18.1

 

CMYK 0 / 13 / 0 / 0

HEX #FFDEFF

RGB 255 222 255

HSL 300, 1%, 0.94%

LAB 92.01, 16.95, -11.8

 

CMYK 0 / 6 / 0 / 0

HEX #FFF0FF

RGB 255 240 255

HSL 300, 1%, 0.97%

LAB 96.33, 7.63, -5.4

 

CMYK 0 / 34 / 8 / 0

HEX #FEA8EA

RGB 254 168 234

HSL 313.95, 0.98%, 0.83%

LAB 79.05, 41.24, -20.12

 

CMYK 0 / 37 / 9 / 7

HEX #ED96D7

RGB 237 150 215

HSL 315.17, 0.71%, 0.76%

LAB 72.71, 41.97, -19.55

 

CMYK 0 / 40 / 11 / 14

HEX #DC84C4

RGB 220 132 196

HSL 316.36, 0.56%, 0.69%

LAB 66.29, 42.71, -18.93

 

CMYK 0 / 44 / 13 / 20

HEX #CB72B1

RGB 203 114 177

HSL 317.53, 0.46%, 0.62%

LAB 59.8, 43.47, -18.22

 

CMYK 0 / 48 / 15 / 27

HEX #BA609E

RGB 186 96 158

HSL 318.67, 0.39%, 0.55%

LAB 53.25, 44.22, -17.4

 

CMYK 0 / 33 / 8 / 0

HEX #FEA9EA

RGB 254 169 234

HSL 314.12, 0.98%, 0.83%

LAB 79.26, 40.72, -19.8

 

CMYK 0 / 33 / 17 / 0

HEX #FEA9D3

RGB 254 169 211

HSL 330.35, 0.98%, 0.83%

LAB 78.55, 37.05, -8.41

 

CMYK 0 / 33 / 26 / 0

HEX #FEA9BC

RGB 254 169 188

HSL 346.59, 0.98%, 0.83%

LAB 77.92, 33.73, 3.19

 

CMYK 0 / 33 / 33 / 0

HEX #FEA9A9

RGB 254 169 169

HSL 0, 0.98%, 0.83%

LAB 77.47, 31.28, 12.89

 

CMYK 0 / 33 / 8 / 0

HEX #FEA9EA

RGB 254 169 234

HSL 314.12, 0.98%, 0.83%

LAB 79.26, 40.72, -19.8

 

CMYK 2 / 33 / 0 / 0

HEX #FAA9FE

RGB 250 169 254

HSL 297.18, 0.98%, 0.83%

LAB 79.53, 42.97, -30.2

 

CMYK 10 / 33 / 0 / 0

HEX #E4A9FE

RGB 228 169 254

HSL 281.65, 0.98%, 0.83%

LAB 77.3, 36.27, -33.83

 

CMYK 19 / 33 / 0 / 0

HEX #CDA9FE

RGB 205 169 254

HSL 265.41, 0.98%, 0.83%

LAB 75.15, 29.4, -37.33

 

CMYK 28 / 33 / 0 / 0

HEX #B6A9FE

RGB 182 169 254

HSL 249.18, 0.98%, 0.83%

LAB 73.2, 22.77, -40.5

 

CMYK 0 / 33 / 8 / 0

HEX #FEA9EA

RGB 254 169 234

HSL 314.12, 0.98%, 0.83%

LAB 79.26, 40.72, -19.8

 

CMYK 0 / 33 / 8 / 0

HEX #FEA9EA

RGB 254 169 234

HSL 314.12, 0.98%, 0.83%

LAB 79.26, 40.72, -19.8

 

CMYK 0 / 29 / 7 / 3

HEX #F7B0E6

RGB 247 176 230

HSL 314.37, 0.82%, 0.83%

LAB 79.92, 34.11, -16.72

 

CMYK 0 / 24 / 6 / 6

HEX #F0B7E2

RGB 240 183 226

HSL 314.74, 0.66%, 0.83%

LAB 80.67, 27.4, -13.5

 

CMYK 0 / 18 / 4 / 9

HEX #E9BEDF

RGB 233 190 223

HSL 313.95, 0.49%, 0.83%

LAB 81.55, 20.79, -10.64

 

CMYK 0 / 13 / 3 / 11

HEX #E2C5DB

RGB 226 197 219

HSL 314.48, 0.33%, 0.83%

LAB 82.49, 13.97, -7.17

 

CMYK 11 / 33 / 0 / 0

HEX #E3A9FE

RGB 227 169 254

HSL 280.94, 0.98%, 0.83%

LAB 77.2, 35.97, -33.99

 

CMYK 2 / 33 / 0 / 0

HEX #F9A9FE

RGB 249 169 254

HSL 296.47, 0.98%, 0.83%

LAB 79.43, 42.66, -30.37

 

CMYK 0 / 33 / 7 / 0

HEX #FEA9EB

RGB 254 169 235

HSL 313.41, 0.98%, 0.83%

LAB 79.3, 40.89, -20.29

 

CMYK 0 / 33 / 16 / 0

HEX #FEA9D5

RGB 254 169 213

HSL 328.94, 0.98%, 0.83%

LAB 78.61, 37.35, -9.4

 

CMYK 0 / 33 / 25 / 0

HEX #FEA9BE

RGB 254 169 190

HSL 345.18, 0.98%, 0.83%

LAB 77.97, 34, 2.18

 

CMYK 0 / 66 / 15 / 1

HEX #FD57D6

RGB 253 87 214

HSL 314.1, 0.98%, 0.67%

LAB 63.8, 75.34, -32.48

 

CMYK 0 / 49 / 11 / 1

HEX #FD80E0

RGB 253 128 224

HSL 313.92, 0.97%, 0.75%

LAB 70.67, 59.33, -27.46

 

CMYK 0 / 33 / 8 / 0

HEX #FEA9EA

RGB 254 169 234

HSL 314.12, 0.98%, 0.83%

LAB 79.26, 40.72, -19.8

 

CMYK 0 / 17 / 4 / 0

HEX #FED2F4

RGB 254 210 244

HSL 313.64, 0.96%, 0.91%

LAB 88.78, 20.94, -10.85

 

CMYK 0 / 2 / 0 / 0

HEX #FEFAFE

RGB 254 250 254

HSL 300, 0.67%, 0.99%

LAB 98.67, 2.03, -1.45

 

CMYK 0 / 34 / 8 / 0

HEX #FEA8EA

RGB 254 168 234

HSL 313.95, 0.98%, 0.83%

LAB 79.05, 41.24, -20.12

 

CMYK 0 / 20 / 33 / 0

HEX #FECCA9

RGB 254 204 169

HSL 24.71, 0.98%, 0.83%

LAB 85.57, 12.95, 24.15

 

CMYK 33 / 0 / 6 / 0

HEX #A9FEEE

RGB 169 254 238

HSL 168.71, 0.98%, 0.83%

LAB 94.09, -29.03, -0.52

 

CMYK 0 / 34 / 8 / 0

HEX #FEA8EA

RGB 254 168 234

HSL 313.95, 0.98%, 0.83%

LAB 79.05, 41.24, -20.12

 

CMYK 7 / 0 / 33 / 0

HEX #EBFEA9

RGB 235 254 169

HSL 73.41, 0.98%, 0.83%

LAB 96.58, -19.42, 38.65

 

CMYK 33 / 7 / 0 / 0

HEX #A9EBFE

RGB 169 235 254

HSL 193.41, 0.98%, 0.83%

LAB 89.4, -16.14, -15.8

 

CMYK 0 / 34 / 8 / 0

HEX #FEA8EA

RGB 254 168 234

HSL 313.95, 0.98%, 0.83%

LAB 79.05, 41.24, -20.12

 

CMYK 0 / 20 / 33 / 0

HEX #FECCA9

RGB 254 204 169

HSL 24.71, 0.98%, 0.83%

LAB 85.57, 12.95, 24.15

 

CMYK 33 / 0 / 26 / 0

HEX #A9FEBB

RGB 169 254 187

HSL 132.71, 0.98%, 0.83%

LAB 92.97, -38.96, 24.09

 

CMYK 33 / 14 / 0 / 0

HEX #A9DAFE

RGB 169 218 254

HSL 205.41, 0.98%, 0.83%

LAB 84.86, -7.44, -22.64

 

CMYK 0 / 34 / 8 / 0

HEX #FEA8EA

RGB 254 168 234

HSL 313.95, 0.98%, 0.83%

LAB 79.05, 41.24, -20.12

 

CMYK 0 / 9 / 33 / 0

HEX #FEE6A9

RGB 254 230 169

HSL 43.06, 0.98%, 0.83%

LAB 91.92, -0.42, 32.75

 

CMYK 33 / 0 / 26 / 0

HEX #A9FEBB

RGB 169 254 187

HSL 132.71, 0.98%, 0.83%

LAB 92.97, -38.96, 24.09

 

CMYK 33 / 24 / 0 / 0

HEX #A9C1FE

RGB 169 193 254

HSL 223.06, 0.98%, 0.83%

LAB 78.3, 5.89, -32.67

 

Description

Color code: RGB 254 168 234 | qconv.com Color code: RGB 254 168 234 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 254 red, 168 green and 234 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
254 168 234 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 34 magenta, 8 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 34% 8% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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