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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 254 235 52 it is the complementary color RGB 1 20 203. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 254 235 52. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 254 235 52 shade: RGB 255 235 47, RGB 255 253 66, RGB 255 255 85, RGB 255 255 104 and RGB 255 255 123

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 254 235 52. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 254 235 52 shade: RGB 254 235 52, RGB 237 217 33, RGB 220 199 14, RGB 203 181 0 and RGB 186 163 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 254 235 52 shade: RGB 253 234 52, RGB 253 180 52, RGB 253 126 52, RGB 253 71 52 and RGB 253 52 52

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 254 235 52 shade: RGB 253 234 52, RGB 218 253 52, RGB 164 253 52, RGB 109 253 52 and RGB 55 253 52

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 254 235 52 shade matches the following richer shades: RGB 253 234 52

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 254 235 52 shade: RGB 253 234 52, RGB 237 221 68, RGB 220 208 85, RGB 204 194 101 and RGB 187 181 118

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 254 235 52 shade: RGB 253 126 52, RGB 253 179 52, RGB 253 233 52, RGB 220 253 52 and RGB 166 253 52

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 254 235 52 shade: RGB 222 201 1, RGB 253 230 10, RGB 253 234 52, RGB 254 239 93 and RGB 254 243 134

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 254 235 52 shade: RGB 254 235 52, RGB 52 253 72 and RGB 153 52 253

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 254 235 52 shade: RGB 254 235 52, RGB 52 253 233 and RGB 233 52 253

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 254 235 52 shade: RGB 254 235 52, RGB 52 253 72, RGB 52 72 253 and RGB 253 52 233

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 254 235 52 shade: RGB 254 235 52, RGB 52 253 132, RGB 52 72 253 and RGB 253 52 173

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 7 / 80 / 0

HEX #FEEB34

RGB 254 235 52

HSL 54.36, 0.99%, 0.6%

LAB 92.01, -11.48, 82.75

 

Complementary color

CMYK 100 / 90 / 0 / 20

HEX #0114CB

RGB 1 20 203

HSL 234.36, 0.99%, 0.4%

LAB 26.21, 62.03, -88.27

 

CMYK 0 / 8 / 82 / 0

HEX #FFEB2F

RGB 255 235 47

HSL 54.23, 1%, 0.59%

LAB 92.08, -11.2, 84.13

 

CMYK 0 / 1 / 74 / 0

HEX #FFFD42

RGB 255 253 66

HSL 59.37, 1%, 0.63%

LAB 96.78, -19.31, 83.05

 

CMYK 0 / 0 / 67 / 0

HEX #FFFF55

RGB 255 255 85

HSL 60, 1%, 0.67%

LAB 97.4, -19.42, 77.31

 

CMYK 0 / 0 / 59 / 0

HEX #FFFF68

RGB 255 255 104

HSL 60, 1%, 0.7%

LAB 97.54, -18.31, 70.1

 

CMYK 0 / 0 / 52 / 0

HEX #FFFF7B

RGB 255 255 123

HSL 60, 1%, 0.74%

LAB 97.72, -16.94, 62.16

 

CMYK 0 / 7 / 80 / 0

HEX #FEEB34

RGB 254 235 52

HSL 54.36, 0.99%, 0.6%

LAB 92.01, -11.48, 82.75

 

CMYK 0 / 8 / 86 / 7

HEX #EDD921

RGB 237 217 33

HSL 54.12, 0.85%, 0.53%

LAB 85.88, -10.17, 81.52

 

CMYK 0 / 10 / 94 / 14

HEX #DCC70E

RGB 220 199 14

HSL 53.88, 0.88%, 0.46%

LAB 79.67, -8.68, 79.11

 

CMYK 0 / 11 / 100 / 20

HEX #CBB500

RGB 203 181 0

HSL 53.5, 1%, 0.4%

LAB 73.38, -7, 75.3

 

CMYK 0 / 12 / 100 / 27

HEX #BAA300

RGB 186 163 0

HSL 52.58, 1%, 0.36%

LAB 67, -5.11, 70.02

 

CMYK 0 / 8 / 79 / 1

HEX #FDEA34

RGB 253 234 52

HSL 54.33, 0.98%, 0.6%

LAB 91.67, -11.4, 82.43

 

CMYK 0 / 29 / 79 / 1

HEX #FDB434

RGB 253 180 52

HSL 38.21, 0.98%, 0.6%

LAB 78.33, 16.16, 70.63

 

CMYK 0 / 50 / 79 / 1

HEX #FD7E34

RGB 253 126 52

HSL 22.09, 0.98%, 0.6%

LAB 66.56, 43.93, 59.83

 

CMYK 0 / 72 / 79 / 1

HEX #FD4734

RGB 253 71 52

HSL 5.67, 0.98%, 0.6%

LAB 57.69, 67.33, 51.32

 

CMYK 0 / 79 / 79 / 1

HEX #FD3434

RGB 253 52 52

HSL 0, 0.98%, 0.6%

LAB 55.67, 72.98, 49.33

 

CMYK 0 / 8 / 79 / 1

HEX #FDEA34

RGB 253 234 52

HSL 54.33, 0.98%, 0.6%

LAB 91.67, -11.4, 82.43

 

CMYK 14 / 0 / 79 / 1

HEX #DAFD34

RGB 218 253 52

HSL 70.45, 0.98%, 0.6%

LAB 94.06, -34.64, 83.5

 

CMYK 35 / 0 / 79 / 1

HEX #A4FD34

RGB 164 253 52

HSL 86.57, 0.98%, 0.6%

LAB 90.96, -54.58, 79.56

 

CMYK 57 / 0 / 79 / 1

HEX #6DFD34

RGB 109 253 52

HSL 102.99, 0.98%, 0.6%

LAB 88.8, -70.75, 76.79

 

CMYK 78 / 0 / 79 / 1

HEX #37FD34

RGB 55 253 52

HSL 119.1, 0.98%, 0.6%

LAB 87.64, -80.57, 75.28

 

CMYK 0 / 8 / 79 / 1

HEX #FDEA34

RGB 253 234 52

HSL 54.33, 0.98%, 0.6%

LAB 91.67, -11.4, 82.43

 

CMYK 0 / 8 / 79 / 1

HEX #FDEA34

RGB 253 234 52

HSL 54.33, 0.98%, 0.6%

LAB 91.67, -11.4, 82.43

 

CMYK 0 / 7 / 71 / 7

HEX #EDDD44

RGB 237 221 68

HSL 54.32, 0.82%, 0.6%

LAB 87.06, -11.01, 72.71

 

CMYK 0 / 5 / 61 / 14

HEX #DCD055

RGB 220 208 85

HSL 54.67, 0.66%, 0.6%

LAB 82.37, -10.63, 60.79

 

CMYK 0 / 5 / 50 / 20

HEX #CCC265

RGB 204 194 101

HSL 54.17, 0.5%, 0.6%

LAB 77.5, -8.9, 47.58

 

CMYK 0 / 3 / 37 / 27

HEX #BBB576

RGB 187 181 118

HSL 54.78, 0.34%, 0.6%

LAB 72.84, -7.34, 32.89

 

CMYK 0 / 50 / 79 / 1

HEX #FD7E34

RGB 253 126 52

HSL 22.09, 0.98%, 0.6%

LAB 66.56, 43.93, 59.83

 

CMYK 0 / 29 / 79 / 1

HEX #FDB334

RGB 253 179 52

HSL 37.91, 0.98%, 0.6%

LAB 78.09, 16.68, 70.42

 

CMYK 0 / 8 / 79 / 1

HEX #FDE934

RGB 253 233 52

HSL 54.03, 0.98%, 0.6%

LAB 91.42, -10.91, 82.2

 

CMYK 13 / 0 / 79 / 1

HEX #DCFD34

RGB 220 253 52

HSL 69.85, 0.98%, 0.6%

LAB 94.19, -33.85, 83.67

 

CMYK 34 / 0 / 79 / 1

HEX #A6FD34

RGB 166 253 52

HSL 85.97, 0.98%, 0.6%

LAB 91.06, -53.9, 79.68

 

CMYK 0 / 9 / 100 / 13

HEX #DEC901

RGB 222 201 1

HSL 54.3, 0.99%, 0.44%

LAB 80.35, -8.96, 80.98

 

CMYK 0 / 9 / 96 / 1

HEX #FDE60A

RGB 253 230 10

HSL 54.32, 0.98%, 0.52%

LAB 90.55, -10.2, 88.85

 

CMYK 0 / 8 / 79 / 1

HEX #FDEA34

RGB 253 234 52

HSL 54.33, 0.98%, 0.6%

LAB 91.67, -11.4, 82.43

 

CMYK 0 / 6 / 63 / 0

HEX #FEEF5D

RGB 254 239 93

HSL 54.41, 0.99%, 0.68%

LAB 93.27, -11.62, 69.98

 

CMYK 0 / 4 / 47 / 0

HEX #FEF386

RGB 254 243 134

HSL 54.5, 0.98%, 0.76%

LAB 94.69, -10.56, 53.51

 

CMYK 0 / 7 / 80 / 0

HEX #FEEB34

RGB 254 235 52

HSL 54.36, 0.99%, 0.6%

LAB 92.01, -11.48, 82.75

 

CMYK 79 / 0 / 72 / 1

HEX #34FD48

RGB 52 253 72

HSL 125.97, 0.98%, 0.6%

LAB 87.7, -79.59, 69.17

 

CMYK 40 / 79 / 0 / 1

HEX #9934FD

RGB 153 52 253

HSL 270.15, 0.98%, 0.6%

LAB 47.39, 74.94, -81.4

 

CMYK 0 / 7 / 80 / 0

HEX #FEEB34

RGB 254 235 52

HSL 54.36, 0.99%, 0.6%

LAB 92.01, -11.48, 82.75

 

CMYK 79 / 0 / 8 / 1

HEX #34FDE9

RGB 52 253 233

HSL 174.03, 0.98%, 0.6%

LAB 90.26, -51.05, -3.95

 

CMYK 8 / 79 / 0 / 1

HEX #E934FD

RGB 233 52 253

HSL 294.03, 0.98%, 0.6%

LAB 58.86, 87.75, -62.28

 

CMYK 0 / 7 / 80 / 0

HEX #FEEB34

RGB 254 235 52

HSL 54.36, 0.99%, 0.6%

LAB 92.01, -11.48, 82.75

 

CMYK 79 / 0 / 72 / 1

HEX #34FD48

RGB 52 253 72

HSL 125.97, 0.98%, 0.6%

LAB 87.7, -79.59, 69.17

 

CMYK 79 / 72 / 0 / 1

HEX #3448FD

RGB 52 72 253

HSL 234.03, 0.98%, 0.6%

LAB 41.93, 54.77, -90.69

 

CMYK 0 / 79 / 8 / 1

HEX #FD34E9

RGB 253 52 233

HSL 305.97, 0.98%, 0.6%

LAB 60.98, 88.47, -47.57

 

CMYK 0 / 7 / 80 / 0

HEX #FEEB34

RGB 254 235 52

HSL 54.36, 0.99%, 0.6%

LAB 92.01, -11.48, 82.75

 

CMYK 79 / 0 / 48 / 1

HEX #34FD84

RGB 52 253 132

HSL 143.88, 0.98%, 0.6%

LAB 88.28, -72.59, 44.5

 

CMYK 79 / 72 / 0 / 1

HEX #3448FD

RGB 52 72 253

HSL 234.03, 0.98%, 0.6%

LAB 41.93, 54.77, -90.69

 

CMYK 0 / 79 / 32 / 1

HEX #FD34AD

RGB 253 52 173

HSL 323.88, 0.98%, 0.6%

LAB 58.37, 81.1, -17.39

 

Description

Color code: RGB 254 235 52 | qconv.com Color code: RGB 254 235 52 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 254 red, 235 green and 52 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
254 235 52 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 7 magenta, 80 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 7% 80% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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