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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 254 242 5 it is the complementary color RGB 1 13 250. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 254 242 5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 254 242 5 shade: RGB 255 242 0, RGB 255 255 19, RGB 255 255 38, RGB 255 255 57 and RGB 255 255 76

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 254 242 5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 254 242 5 shade: RGB 254 242 5, RGB 237 224 0, RGB 220 206 0, RGB 203 188 0 and RGB 186 170 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 254 242 5 shade: RGB 253 241 6, RGB 253 175 6, RGB 253 108 6, RGB 253 41 6 and RGB 253 6 6

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 254 242 5 shade: RGB 253 241 6, RGB 198 253 6, RGB 132 253 6, RGB 65 253 6 and RGB 6 253 13

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 254 242 5 shade matches the following richer shades: RGB 253 241 6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 254 242 5 shade: RGB 253 241 6, RGB 233 223 26, RGB 213 205 46, RGB 193 187 67 and RGB 172 168 87

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 254 242 5 shade: RGB 253 109 6, RGB 253 175 6, RGB 253 241 6, RGB 200 253 6 and RGB 134 253 6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 254 242 5 shade: RGB 176 168 0, RGB 217 207 1, RGB 253 241 6, RGB 253 244 47 and RGB 254 246 88

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 254 242 5 shade: RGB 254 242 5, RGB 6 253 43 and RGB 142 6 253

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 254 242 5 shade: RGB 254 242 5, RGB 6 253 241 and RGB 241 6 253

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 254 242 5 shade: RGB 254 242 5, RGB 6 253 43, RGB 6 18 253 and RGB 253 6 216

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 254 242 5 shade: RGB 254 242 5, RGB 6 253 117, RGB 6 18 253 and RGB 253 6 142

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 5 / 98 / 0

HEX #FEF205

RGB 254 242 5

HSL 57.11, 0.99%, 0.51%

LAB 93.7, -15.7, 91.58

 

Complementary color

CMYK 100 / 95 / 0 / 2

HEX #010DFA

RGB 1 13 250

HSL 237.11, 0.99%, 0.49%

LAB 32.25, 76, -105.14

 

CMYK 0 / 5 / 100 / 0

HEX #FFF200

RGB 255 242 0

HSL 56.94, 1%, 0.5%

LAB 93.78, -15.32, 92.04

 

CMYK 0 / 0 / 93 / 0

HEX #FFFF13

RGB 255 255 19

HSL 60, 1%, 0.54%

LAB 97.16, -21.4, 93.04

 

CMYK 0 / 0 / 85 / 0

HEX #FFFF26

RGB 255 255 38

HSL 60, 1%, 0.57%

LAB 97.2, -21.1, 90.31

 

CMYK 0 / 0 / 78 / 0

HEX #FFFF39

RGB 255 255 57

HSL 60, 1%, 0.61%

LAB 97.26, -20.59, 86.04

 

CMYK 0 / 0 / 70 / 0

HEX #FFFF4C

RGB 255 255 76

HSL 60, 1%, 0.65%

LAB 97.35, -19.85, 80.39

 

CMYK 0 / 5 / 98 / 0

HEX #FEF205

RGB 254 242 5

HSL 57.11, 0.99%, 0.51%

LAB 93.7, -15.7, 91.58

 

CMYK 0 / 5 / 100 / 7

HEX #EDE000

RGB 237 224 0

HSL 56.71, 1%, 0.46%

LAB 87.64, -14.06, 86.91

 

CMYK 0 / 6 / 100 / 14

HEX #DCCE00

RGB 220 206 0

HSL 56.18, 1%, 0.43%

LAB 81.49, -12.36, 81.81

 

CMYK 0 / 7 / 100 / 20

HEX #CBBC00

RGB 203 188 0

HSL 55.57, 1%, 0.4%

LAB 75.24, -10.6, 76.64

 

CMYK 0 / 9 / 100 / 27

HEX #BAAA00

RGB 186 170 0

HSL 54.84, 1%, 0.36%

LAB 68.89, -8.8, 71.37

RGB 186 170 0

CMYK 0 / 5 / 98 / 1

HEX #FDF106

RGB 253 241 6

HSL 57.09, 0.98%, 0.51%

LAB 93.37, -15.62, 91.22

 

CMYK 0 / 31 / 98 / 1

HEX #FDAF06

RGB 253 175 6

HSL 41.05, 0.98%, 0.51%

LAB 77.01, 17.92, 79.57

 

CMYK 0 / 57 / 98 / 1

HEX #FD6C06

RGB 253 108 6

HSL 24.78, 0.98%, 0.51%

LAB 63.03, 51.65, 70.58

 

CMYK 0 / 84 / 98 / 1

HEX #FD2906

RGB 253 41 6

HSL 8.5, 0.98%, 0.51%

LAB 54.53, 74.79, 66.06

 

CMYK 0 / 98 / 98 / 1

HEX #FD0606

RGB 253 6 6

HSL 0, 0.98%, 0.51%

LAB 52.98, 79.26, 65.37

 

CMYK 0 / 5 / 98 / 1

HEX #FDF106

RGB 253 241 6

HSL 57.09, 0.98%, 0.51%

LAB 93.37, -15.62, 91.22

 

CMYK 22 / 0 / 98 / 1

HEX #C6FD06

RGB 198 253 6

HSL 73.36, 0.98%, 0.51%

LAB 92.69, -43.32, 88.99

 

CMYK 48 / 0 / 98 / 1

HEX #84FD06

RGB 132 253 6

HSL 89.39, 0.98%, 0.51%

LAB 89.47, -65.87, 85.1

 

CMYK 74 / 0 / 98 / 1

HEX #41FD06

RGB 65 253 6

HSL 105.67, 0.98%, 0.51%

LAB 87.67, -80.67, 82.9

 

CMYK 98 / 0 / 95 / 1

HEX #06FD0D

RGB 6 253 13

HSL 121.7, 0.98%, 0.51%

LAB 87.15, -85.31, 81.71

 

CMYK 0 / 5 / 98 / 1

HEX #FDF106

RGB 253 241 6

HSL 57.09, 0.98%, 0.51%

LAB 93.37, -15.62, 91.22

 

CMYK 0 / 5 / 98 / 1

HEX #FDF106

RGB 253 241 6

HSL 57.09, 0.98%, 0.51%

LAB 93.37, -15.62, 91.22

 

CMYK 0 / 4 / 89 / 9

HEX #E9DF1A

RGB 233 223 26

HSL 57.1, 0.82%, 0.51%

LAB 87.08, -14.98, 83.6

 

CMYK 0 / 4 / 78 / 16

HEX #D5CD2E

RGB 213 205 46

HSL 57.13, 0.67%, 0.51%

LAB 80.74, -14, 73.2

 

CMYK 0 / 3 / 65 / 24

HEX #C1BB43

RGB 193 187 67

HSL 57.14, 0.5%, 0.51%

LAB 74.37, -12.43, 59.16

 

CMYK 0 / 2 / 49 / 33

HEX #ACA857

RGB 172 168 87

HSL 57.18, 0.34%, 0.51%

LAB 67.62, -9.96, 41.99

 

CMYK 0 / 57 / 98 / 1

HEX #FD6D06

RGB 253 109 6

HSL 25.02, 0.98%, 0.51%

LAB 63.2, 51.19, 70.68

 

CMYK 0 / 31 / 98 / 1

HEX #FDAF06

RGB 253 175 6

HSL 41.05, 0.98%, 0.51%

LAB 77.01, 17.92, 79.57

 

CMYK 0 / 5 / 98 / 1

HEX #FDF106

RGB 253 241 6

HSL 57.09, 0.98%, 0.51%

LAB 93.37, -15.62, 91.22

 

CMYK 21 / 0 / 98 / 1

HEX #C8FD06

RGB 200 253 6

HSL 72.87, 0.98%, 0.51%

LAB 92.81, -42.56, 89.14

 

CMYK 47 / 0 / 98 / 1

HEX #86FD06

RGB 134 253 6

HSL 88.91, 0.98%, 0.51%

LAB 89.55, -65.28, 85.19

 

CMYK 0 / 5 / 100 / 31

HEX #B0A800

RGB 176 168 0

HSL 57.27, 1%, 0.35%

LAB 67.45, -12.21, 69.93

 

CMYK 0 / 5 / 100 / 15

HEX #D9CF01

RGB 217 207 1

HSL 57.22, 0.99%, 0.43%

LAB 81.5, -14.13, 81.61

 

CMYK 0 / 5 / 98 / 1

HEX #FDF106

RGB 253 241 6

HSL 57.09, 0.98%, 0.51%

LAB 93.37, -15.62, 91.22

 

CMYK 0 / 4 / 81 / 1

HEX #FDF42F

RGB 253 244 47

HSL 57.38, 0.98%, 0.59%

LAB 94.22, -16.43, 85.88

 

CMYK 0 / 3 / 65 / 0

HEX #FEF658

RGB 254 246 88

HSL 57.11, 0.99%, 0.67%

LAB 95.03, -15.33, 73.76

 

CMYK 0 / 5 / 98 / 0

HEX #FEF205

RGB 254 242 5

HSL 57.11, 0.99%, 0.51%

LAB 93.7, -15.7, 91.58

 

CMYK 98 / 0 / 83 / 1

HEX #06FD2B

RGB 6 253 43

HSL 128.99, 0.98%, 0.51%

LAB 87.22, -84.39, 77.01

 

CMYK 44 / 98 / 0 / 1

HEX #8E06FD

RGB 142 6 253

HSL 273.04, 0.98%, 0.51%

LAB 42.72, 83.3, -89.13

 

CMYK 0 / 5 / 98 / 0

HEX #FEF205

RGB 254 242 5

HSL 57.11, 0.99%, 0.51%

LAB 93.7, -15.7, 91.58

 

CMYK 98 / 0 / 5 / 1

HEX #06FDF1

RGB 6 253 241

HSL 177.09, 0.98%, 0.51%

LAB 90.16, -51.06, -8.3

 

CMYK 5 / 98 / 0 / 1

HEX #F106FD

RGB 241 6 253

HSL 297.09, 0.98%, 0.51%

LAB 57.96, 95.49, -63.64

 

CMYK 0 / 5 / 98 / 0

HEX #FEF205

RGB 254 242 5

HSL 57.11, 0.99%, 0.51%

LAB 93.7, -15.7, 91.58

 

CMYK 98 / 0 / 83 / 1

HEX #06FD2B

RGB 6 253 43

HSL 128.99, 0.98%, 0.51%

LAB 87.22, -84.39, 77.01

 

CMYK 98 / 93 / 0 / 1

HEX #0612FD

RGB 6 18 253

HSL 237.09, 0.98%, 0.51%

LAB 33.06, 75.8, -105.48

 

CMYK 0 / 98 / 15 / 1

HEX #FD06D8

RGB 253 6 216

HSL 308.99, 0.98%, 0.51%

LAB 58.01, 92.45, -42.67

 

CMYK 0 / 5 / 98 / 0

HEX #FEF205

RGB 254 242 5

HSL 57.11, 0.99%, 0.51%

LAB 93.7, -15.7, 91.58

 

CMYK 98 / 0 / 54 / 1

HEX #06FD75

RGB 6 253 117

HSL 146.96, 0.98%, 0.51%

LAB 87.76, -77.59, 50.79

 

CMYK 98 / 93 / 0 / 1

HEX #0612FD

RGB 6 18 253

HSL 237.09, 0.98%, 0.51%

LAB 33.06, 75.8, -105.48

 

CMYK 0 / 98 / 44 / 1

HEX #FD068E

RGB 253 6 142

HSL 326.96, 0.98%, 0.51%

LAB 55.04, 84.81, -4.14

 

Description

Color code: RGB 254 242 5 | qconv.com Color code: RGB 254 242 5 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 254 red, 242 green and 5 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
254 242 5 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 5 magenta, 98 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 5% 98% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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