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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 254 99 255 it is the complementary color RGB 1 156 0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 254 99 255. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 254 99 255 shade: RGB 255 99 250, RGB 255 117 255, RGB 255 135 255, RGB 255 153 255 and RGB 255 171 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 254 99 255. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 254 99 255 shade: RGB 254 99 255, RGB 237 81 236, RGB 220 63 217, RGB 203 45 198 and RGB 186 27 179

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 254 99 255 shade: RGB 253 96 255, RGB 255 96 213, RGB 255 96 170, RGB 255 96 128 and RGB 255 96 96

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 254 99 255 shade: RGB 253 96 255, RGB 211 96 255, RGB 168 96 255, RGB 126 96 255 and RGB 96 96 255

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 254 99 255 shade matches the following richer shades: RGB 253 96 255

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 254 99 255 shade: RGB 253 96 255, RGB 241 109 242, RGB 228 122 229, RGB 216 135 216 and RGB 203 148 203

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 254 99 255 shade: RGB 168 96 255, RGB 210 96 255, RGB 252 96 255, RGB 255 96 215 and RGB 255 96 173

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 254 99 255 shade: RGB 253 14 255, RGB 253 55 255, RGB 253 96 255, RGB 254 138 255 and RGB 254 179 255

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 254 99 255 shade: RGB 254 99 255, RGB 255 125 96 and RGB 96 255 189

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 254 99 255 shade: RGB 254 99 255, RGB 255 252 96 and RGB 96 255 252

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 254 99 255 shade: RGB 254 99 255, RGB 255 125 96, RGB 99 255 96 and RGB 96 226 255

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 254 99 255 shade: RGB 254 99 255, RGB 255 173 96, RGB 99 255 96 and RGB 96 178 255

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 61 / 0 / 0

HEX #FE63FF

RGB 254 99 255

HSL 299.62, 1%, 0.69%

LAB 67.44, 77.19, -49.54

 

Complementary color

CMYK 99 / 0 / 100 / 39

HEX #019C00

RGB 1 156 0

HSL 119.62, 1%, 0.31%

LAB 55.87, -59.64, 57.63

 

CMYK 0 / 61 / 2 / 0

HEX #FF63FA

RGB 255 99 250

HSL 301.92, 1%, 0.69%

LAB 67.34, 76.62, -46.94

 

CMYK 0 / 54 / 0 / 0

HEX #FF75FF

RGB 255 117 255

HSL 300, 1%, 0.73%

LAB 70.32, 69.92, -45

 

CMYK 0 / 47 / 0 / 0

HEX #FF87FF

RGB 255 135 255

HSL 300, 1%, 0.76%

LAB 73.42, 61.66, -40.15

 

CMYK 0 / 40 / 0 / 0

HEX #FF99FF

RGB 255 153 255

HSL 300, 1%, 0.8%

LAB 76.84, 52.83, -34.84

 

CMYK 0 / 33 / 0 / 0

HEX #FFABFF

RGB 255 171 255

HSL 300, 1%, 0.84%

LAB 80.52, 43.64, -29.18

 

CMYK 0 / 61 / 0 / 0

HEX #FE63FF

RGB 254 99 255

HSL 299.62, 1%, 0.69%

LAB 67.44, 77.19, -49.54

 

CMYK 0 / 66 / 0 / 7

HEX #ED51EC

RGB 237 81 236

HSL 300.38, 0.81%, 0.62%

LAB 61.61, 77.05, -48.41

 

CMYK 0 / 71 / 1 / 14

HEX #DC3FD9

RGB 220 63 217

HSL 301.15, 0.69%, 0.55%

LAB 55.87, 76.48, -46.98

 

CMYK 0 / 78 / 2 / 20

HEX #CB2DC6

RGB 203 45 198

HSL 301.9, 0.64%, 0.49%

LAB 50.28, 75.29, -45.15

 

CMYK 0 / 85 / 4 / 27

HEX #BA1BB3

RGB 186 27 179

HSL 302.64, 0.75%, 0.42%

LAB 44.91, 73.2, -42.76

 

CMYK 1 / 62 / 0 / 0

HEX #FD60FF

RGB 253 96 255

HSL 299.25, 1%, 0.69%

LAB 66.88, 78.13, -50.43

 

CMYK 0 / 62 / 16 / 0

HEX #FF60D5

RGB 255 96 213

HSL 315.85, 1%, 0.69%

LAB 65.3, 72.27, -29.57

 

CMYK 0 / 62 / 33 / 0

HEX #FF60AA

RGB 255 96 170

HSL 332.08, 1%, 0.69%

LAB 63.78, 66.84, -7.5

 

CMYK 0 / 62 / 50 / 0

HEX #FF6080

RGB 255 96 128

HSL 347.92, 1%, 0.69%

LAB 62.66, 62.72, 15.08

 

CMYK 0 / 62 / 62 / 0

HEX #FF6060

RGB 255 96 96

HSL 0, 1%, 0.69%

LAB 62.06, 60.42, 32.59

 

CMYK 1 / 62 / 0 / 0

HEX #FD60FF

RGB 253 96 255

HSL 299.25, 1%, 0.69%

LAB 66.88, 78.13, -50.43

 

CMYK 17 / 62 / 0 / 0

HEX #D360FF

RGB 211 96 255

HSL 283.4, 1%, 0.69%

LAB 61.16, 68.58, -59.86

 

CMYK 34 / 62 / 0 / 0

HEX #A860FF

RGB 168 96 255

HSL 267.17, 1%, 0.69%

LAB 56, 59.23, -68.44

 

CMYK 51 / 62 / 0 / 0

HEX #7E60FF

RGB 126 96 255

HSL 251.32, 1%, 0.69%

LAB 51.86, 51.06, -75.34

 

CMYK 62 / 62 / 0 / 0

HEX #6060FF

RGB 96 96 255

HSL 240, 1%, 0.69%

LAB 49.58, 46.22, -79.15

 

CMYK 1 / 62 / 0 / 0

HEX #FD60FF

RGB 253 96 255

HSL 299.25, 1%, 0.69%

LAB 66.88, 78.13, -50.43

 

CMYK 1 / 62 / 0 / 0

HEX #FD60FF

RGB 253 96 255

HSL 299.25, 1%, 0.69%

LAB 66.88, 78.13, -50.43

 

CMYK 0 / 55 / 0 / 5

HEX #F16DF2

RGB 241 109 242

HSL 299.55, 0.84%, 0.69%

LAB 66.56, 67.69, -43.9

 

CMYK 0 / 47 / 0 / 10

HEX #E47AE5

RGB 228 122 229

HSL 299.44, 0.67%, 0.69%

LAB 66.57, 55.87, -36.81

 

CMYK 0 / 38 / 0 / 15

HEX #D887D8

RGB 216 135 216

HSL 300, 0.51%, 0.69%

LAB 67.19, 43.37, -28.76

 

CMYK 0 / 27 / 0 / 20

HEX #CB94CB

RGB 203 148 203

HSL 300, 0.35%, 0.69%

LAB 68.16, 29.8, -20.17

 

CMYK 34 / 62 / 0 / 0

HEX #A860FF

RGB 168 96 255

HSL 267.17, 1%, 0.69%

LAB 56, 59.23, -68.44

 

CMYK 18 / 62 / 0 / 0

HEX #D260FF

RGB 210 96 255

HSL 283.02, 1%, 0.69%

LAB 61.03, 68.36, -60.08

 

CMYK 1 / 62 / 0 / 0

HEX #FC60FF

RGB 252 96 255

HSL 298.87, 1%, 0.69%

LAB 66.73, 77.9, -50.67

 

CMYK 0 / 62 / 16 / 0

HEX #FF60D7

RGB 255 96 215

HSL 315.09, 1%, 0.69%

LAB 65.38, 72.55, -30.57

 

CMYK 0 / 62 / 32 / 0

HEX #FF60AD

RGB 255 96 173

HSL 330.94, 1%, 0.69%

LAB 63.87, 67.18, -9.08

 

CMYK 1 / 95 / 0 / 0

HEX #FD0EFF

RGB 253 14 255

HSL 299.5, 1%, 0.53%

LAB 60.26, 97.11, -60.95

 

CMYK 1 / 78 / 0 / 0

HEX #FD37FF

RGB 253 55 255

HSL 299.4, 1%, 0.61%

LAB 62.37, 90.94, -57.59

 

CMYK 1 / 62 / 0 / 0

HEX #FD60FF

RGB 253 96 255

HSL 299.25, 1%, 0.69%

LAB 66.88, 78.13, -50.43

 

CMYK 0 / 46 / 0 / 0

HEX #FE8AFF

RGB 254 138 255

HSL 299.49, 1%, 0.77%

LAB 73.85, 59.94, -39.49

 

CMYK 0 / 30 / 0 / 0

HEX #FEB3FF

RGB 254 179 255

HSL 299.21, 1%, 0.85%

LAB 82.13, 39.17, -26.73

 

CMYK 0 / 61 / 0 / 0

HEX #FE63FF

RGB 254 99 255

HSL 299.62, 1%, 0.69%

LAB 67.44, 77.19, -49.54

 

CMYK 0 / 51 / 62 / 0

HEX #FF7D60

RGB 255 125 96

HSL 10.94, 1%, 0.69%

LAB 67.11, 47.25, 38.87

 

CMYK 62 / 0 / 26 / 0

HEX #60FFBD

RGB 96 255 189

HSL 155.09, 1%, 0.69%

LAB 90.63, -56.62, 19.42

 

CMYK 0 / 61 / 0 / 0

HEX #FE63FF

RGB 254 99 255

HSL 299.62, 1%, 0.69%

LAB 67.44, 77.19, -49.54

 

CMYK 0 / 1 / 62 / 0

HEX #FFFC60

RGB 255 252 96

HSL 58.87, 1%, 0.69%

LAB 96.71, -17.37, 72.43

 

CMYK 62 / 0 / 1 / 0

HEX #60FFFC

RGB 96 255 252

HSL 178.87, 1%, 0.69%

LAB 92.15, -41.68, -10.93

 

CMYK 0 / 61 / 0 / 0

HEX #FE63FF

RGB 254 99 255

HSL 299.62, 1%, 0.69%

LAB 67.44, 77.19, -49.54

 

CMYK 0 / 51 / 62 / 0

HEX #FF7D60

RGB 255 125 96

HSL 10.94, 1%, 0.69%

LAB 67.11, 47.25, 38.87

 

CMYK 61 / 0 / 62 / 0

HEX #63FF60

RGB 99 255 96

HSL 118.87, 1%, 0.69%

LAB 89.4, -70.43, 62.14

 

CMYK 62 / 11 / 0 / 0

HEX #60E2FF

RGB 96 226 255

HSL 190.94, 1%, 0.69%

LAB 84.02, -27.29, -24.74

 

CMYK 0 / 61 / 0 / 0

HEX #FE63FF

RGB 254 99 255

HSL 299.62, 1%, 0.69%

LAB 67.44, 77.19, -49.54

 

CMYK 0 / 32 / 62 / 0

HEX #FFAD60

RGB 255 173 96

HSL 29.06, 1%, 0.69%

LAB 77.28, 22.76, 51

 

CMYK 61 / 0 / 62 / 0

HEX #63FF60

RGB 99 255 96

HSL 118.87, 1%, 0.69%

LAB 89.4, -70.43, 62.14

 

CMYK 62 / 30 / 0 / 0

HEX #60B2FF

RGB 96 178 255

HSL 209.06, 1%, 0.69%

LAB 70.56, -2.2, -45.55

 

Description

Color code: RGB 254 99 255 | qconv.com Color code: RGB 254 99 255 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 254 red, 99 green and 255 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
254 99 255 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 61 magenta, none yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 61% 0% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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