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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 255 30 161 it is the complementary color RGB 0 225 94. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 255 30 161. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 255 30 161 shade: RGB 255 30 156, RGB 255 48 175, RGB 255 66 194, RGB 255 84 213 and RGB 255 102 232

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 255 30 161. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 255 30 161 shade: RGB 255 30 161, RGB 238 12 142, RGB 221 0 123, RGB 204 0 104 and RGB 187 0 85

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 255 30 161 shade: RGB 255 30 161, RGB 255 30 100, RGB 255 30 40 and RGB 255 30 30

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 255 30 161 shade: RGB 255 30 161, RGB 255 30 221, RGB 227 30 255, RGB 167 30 255 and RGB 106 30 255

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 255 30 161 shade matches the following richer shades: RGB 255 30 161

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 255 30 161 shade: RGB 255 30 161, RGB 236 48 158, RGB 218 66 155, RGB 200 85 152 and RGB 182 103 149

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 255 30 161 shade: RGB 228 30 255, RGB 255 30 221, RGB 255 30 161, RGB 255 30 101 and RGB 255 30 41

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 255 30 161 shade: RGB 203 0 118, RGB 244 0 142, RGB 255 30 161, RGB 255 71 178 and RGB 255 113 195

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 255 30 161 shade: RGB 255 30 161, RGB 255 168 30 and RGB 30 251 255

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 255 30 161 shade: RGB 255 30 161, RGB 161 255 30 and RGB 30 161 255

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 255 30 161 shade: RGB 255 30 161, RGB 255 168 30, RGB 30 255 124 and RGB 30 116 255

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 255 30 161 shade: RGB 255 30 161, RGB 255 236 30, RGB 30 255 124 and RGB 30 49 255

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 88 / 37 / 0

HEX #FF1EA1

RGB 255 30 161

HSL 325.07, 1%, 0.56%

LAB 56.84, 84.57, -12.66

 

Complementary color

CMYK 100 / 0 / 58 / 12

HEX #00E15E

RGB 0 225 94

HSL 145.07, 1%, 0.44%

LAB 78.84, -72.41, 50.57

 

CMYK 0 / 88 / 39 / 0

HEX #FF1E9C

RGB 255 30 156

HSL 326.4, 1%, 0.56%

LAB 56.67, 84.11, -9.97

 

CMYK 0 / 81 / 31 / 0

HEX #FF30AF

RGB 255 48 175

HSL 323.19, 1%, 0.59%

LAB 58.48, 82.69, -18.35

 

CMYK 0 / 74 / 24 / 0

HEX #FF42C2

RGB 255 66 194

HSL 319.37, 1%, 0.63%

LAB 60.83, 80.2, -25.71

 

CMYK 0 / 67 / 16 / 0

HEX #FF54D5

RGB 255 84 213

HSL 314.74, 1%, 0.66%

LAB 63.68, 76.78, -32.09

 

CMYK 0 / 60 / 9 / 0

HEX #FF66E8

RGB 255 102 232

HSL 309.02, 1%, 0.7%

LAB 66.97, 72.62, -37.58

 

CMYK 0 / 88 / 37 / 0

HEX #FF1EA1

RGB 255 30 161

HSL 325.07, 1%, 0.56%

LAB 56.84, 84.57, -12.66

 

CMYK 0 / 95 / 40 / 7

HEX #EE0C8E

RGB 238 12 142

HSL 325.49, 0.9%, 0.49%

LAB 52.28, 81.24, -8.55

 

CMYK 0 / 100 / 44 / 13

HEX #DD007B

RGB 221 0 123

HSL 326.61, 1%, 0.43%

LAB 48.01, 76.91, -3.75

 

CMYK 0 / 100 / 49 / 20

HEX #CC0068

RGB 204 0 104

HSL 329.41, 1%, 0.4%

LAB 44, 71.69, 1.73

 

CMYK 0 / 100 / 55 / 27

HEX #BB0055

RGB 187 0 85

HSL 332.73, 1%, 0.37%

LAB 39.95, 66.45, 7.47

 

CMYK 0 / 88 / 37 / 0

HEX #FF1EA1

RGB 255 30 161

HSL 325.07, 1%, 0.56%

LAB 56.84, 84.57, -12.66

 

CMYK 0 / 88 / 61 / 0

HEX #FF1E64

RGB 255 30 100

HSL 341.33, 1%, 0.56%

LAB 55.18, 79.97, 21.31

 

CMYK 0 / 88 / 84 / 0

HEX #FF1E28

RGB 255 30 40

HSL 357.33, 1%, 0.56%

LAB 54.39, 77.71, 54.31

 

CMYK 0 / 88 / 88 / 0

HEX #FF1E1E

RGB 255 30 30

HSL 0, 1%, 0.56%

LAB 54.33, 77.53, 58.78

 

CMYK 0 / 88 / 37 / 0

HEX #FF1EA1

RGB 255 30 161

HSL 325.07, 1%, 0.56%

LAB 56.84, 84.57, -12.66

 

CMYK 0 / 88 / 13 / 0

HEX #FF1EDD

RGB 255 30 221

HSL 309.07, 1%, 0.56%

LAB 59.35, 91.25, -43.36

 

CMYK 11 / 88 / 0 / 0

HEX #E31EFF

RGB 227 30 255

HSL 292.53, 1%, 0.56%

LAB 56.56, 91.37, -67.12

 

CMYK 35 / 88 / 0 / 0

HEX #A71EFF

RGB 167 30 255

HSL 276.53, 1%, 0.56%

LAB 47.45, 83.01, -82.35

 

CMYK 58 / 88 / 0 / 0

HEX #6A1EFF

RGB 106 30 255

HSL 260.27, 1%, 0.56%

LAB 39.94, 76.92, -94.99

 

CMYK 0 / 88 / 37 / 0

HEX #FF1EA1

RGB 255 30 161

HSL 325.07, 1%, 0.56%

LAB 56.84, 84.57, -12.66

 

CMYK 0 / 88 / 37 / 0

HEX #FF1EA1

RGB 255 30 161

HSL 325.07, 1%, 0.56%

LAB 56.84, 84.57, -12.66

 

CMYK 0 / 80 / 33 / 7

HEX #EC309E

RGB 236 48 158

HSL 324.89, 0.83%, 0.56%

LAB 54.46, 76.57, -14.82

 

CMYK 0 / 70 / 29 / 15

HEX #DA429B

RGB 218 66 155

HSL 324.87, 0.67%, 0.56%

LAB 53.13, 66.36, -15.36

 

CMYK 0 / 58 / 24 / 22

HEX #C85598

RGB 200 85 152

HSL 325.04, 0.51%, 0.56%

LAB 53, 53.08, -14.07

 

CMYK 0 / 43 / 18 / 29

HEX #B66795

RGB 182 103 149

HSL 325.06, 0.35%, 0.56%

LAB 53.83, 37.79, -11.3

 

CMYK 11 / 88 / 0 / 0

HEX #E41EFF

RGB 228 30 255

HSL 292.8, 1%, 0.56%

LAB 56.73, 91.52, -66.86

 

CMYK 0 / 88 / 13 / 0

HEX #FF1EDD

RGB 255 30 221

HSL 309.07, 1%, 0.56%

LAB 59.35, 91.25, -43.36

 

CMYK 0 / 88 / 37 / 0

HEX #FF1EA1

RGB 255 30 161

HSL 325.07, 1%, 0.56%

LAB 56.84, 84.57, -12.66

 

CMYK 0 / 88 / 60 / 0

HEX #FF1E65

RGB 255 30 101

HSL 341.07, 1%, 0.56%

LAB 55.2, 80.03, 20.74

 

CMYK 0 / 88 / 84 / 0

HEX #FF1E29

RGB 255 30 41

HSL 357.07, 1%, 0.56%

LAB 54.39, 77.73, 53.84

 

CMYK 0 / 100 / 42 / 20

HEX #CB0076

RGB 203 0 118

HSL 325.12, 1%, 0.4%

LAB 44.24, 72.64, -6.66

 

CMYK 0 / 100 / 42 / 4

HEX #F4008E

RGB 244 0 142

HSL 325.08, 1%, 0.48%

LAB 53.15, 83.34, -7.13

 

CMYK 0 / 88 / 37 / 0

HEX #FF1EA1

RGB 255 30 161

HSL 325.07, 1%, 0.56%

LAB 56.84, 84.57, -12.66

 

CMYK 0 / 72 / 30 / 0

HEX #FF47B2

RGB 255 71 178

HSL 325.11, 1%, 0.64%

LAB 60.76, 76.82, -16.62

 

CMYK 0 / 56 / 24 / 0

HEX #FF71C3

RGB 255 113 195

HSL 325.35, 1%, 0.72%

LAB 67.28, 62.65, -16.43

 

CMYK 0 / 88 / 37 / 0

HEX #FF1EA1

RGB 255 30 161

HSL 325.07, 1%, 0.56%

LAB 56.84, 84.57, -12.66

 

CMYK 0 / 34 / 88 / 0

HEX #FFA81E

RGB 255 168 30

HSL 36.8, 1%, 0.56%

LAB 75.67, 22.71, 74.88

 

CMYK 88 / 2 / 0 / 0

HEX #1EFBFF

RGB 30 251 255

HSL 181.07, 1%, 0.56%

LAB 90.09, -45.51, -15.67

 

CMYK 0 / 88 / 37 / 0

HEX #FF1EA1

RGB 255 30 161

HSL 325.07, 1%, 0.56%

LAB 56.84, 84.57, -12.66

 

CMYK 37 / 0 / 88 / 0

HEX #A1FF1E

RGB 161 255 30

HSL 85.07, 1%, 0.56%

LAB 91.32, -57.11, 84.47

 

CMYK 88 / 37 / 0 / 0

HEX #1EA1FF

RGB 30 161 255

HSL 205.07, 1%, 0.56%

LAB 64.15, -0.08, -55.78

 

CMYK 0 / 88 / 37 / 0

HEX #FF1EA1

RGB 255 30 161

HSL 325.07, 1%, 0.56%

LAB 56.84, 84.57, -12.66

 

CMYK 0 / 34 / 88 / 0

HEX #FFA81E

RGB 255 168 30

HSL 36.8, 1%, 0.56%

LAB 75.67, 22.71, 74.88

 

CMYK 88 / 0 / 51 / 0

HEX #1EFF7C

RGB 30 255 124

HSL 145.07, 1%, 0.56%

LAB 88.57, -76.23, 48.57

 

CMYK 88 / 55 / 0 / 0

HEX #1E74FF

RGB 30 116 255

HSL 217.07, 1%, 0.56%

LAB 51.82, 27.3, -75.61

 

CMYK 0 / 88 / 37 / 0

HEX #FF1EA1

RGB 255 30 161

HSL 325.07, 1%, 0.56%

LAB 56.84, 84.57, -12.66

 

CMYK 0 / 7 / 88 / 0

HEX #FFEC1E

RGB 255 236 30

HSL 54.93, 1%, 0.56%

LAB 92.28, -12.07, 87.81

 

CMYK 88 / 0 / 51 / 0

HEX #1EFF7C

RGB 30 255 124

HSL 145.07, 1%, 0.56%

LAB 88.57, -76.23, 48.57

 

CMYK 88 / 81 / 0 / 0

HEX #1E31FF

RGB 30 49 255

HSL 234.93, 1%, 0.56%

LAB 37.29, 66.14, -99.54

 

Description

Color code: RGB 255 30 161 | qconv.com Color code: RGB 255 30 161 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 255 red, 30 green and 161 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
255 30 161 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 88 magenta, 37 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 88% 37% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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