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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 255 31 128 it is the complementary color RGB 0 224 127. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 255 31 128. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 255 31 128 shade: RGB 255 31 123, RGB 255 49 142, RGB 255 67 161, RGB 255 85 180 and RGB 255 103 199

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 255 31 128. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 255 31 128 shade: RGB 255 31 128, RGB 238 13 109, RGB 221 0 90, RGB 204 0 71 and RGB 187 0 52

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 255 31 128 shade: RGB 255 30 127, RGB 255 30 67 and RGB 255 30 30

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 255 31 128 shade: RGB 255 30 127, RGB 255 30 188, RGB 255 30 248, RGB 200 30 255 and RGB 140 30 255

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 255 31 128 shade matches the following richer shades: RGB 255 30 127

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 255 31 128 shade: RGB 255 30 127, RGB 236 48 130, RGB 218 66 132, RGB 200 85 135 and RGB 182 103 137

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 255 31 128 shade: RGB 255 30 247, RGB 255 30 187, RGB 255 30 127, RGB 255 30 68 and RGB 255 53 30

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 255 31 128 shade: RGB 203 0 87, RGB 244 0 105, RGB 255 30 127, RGB 255 71 151 and RGB 255 113 174

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 255 31 128 shade: RGB 255 31 128, RGB 255 202 30 and RGB 30 217 255

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 255 31 128 shade: RGB 255 31 128, RGB 127 255 30 and RGB 30 127 255

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 255 31 128 shade: RGB 255 31 128, RGB 255 202 30, RGB 30 255 157 and RGB 30 82 255

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 255 31 128 shade: RGB 255 31 128, RGB 240 255 30, RGB 30 255 157 and RGB 45 30 255

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 88 / 50 / 0

HEX #FF1F80

RGB 255 31 128

HSL 334.02, 1%, 0.56%

LAB 55.89, 81.65, 5.5

 

Complementary color

CMYK 100 / 0 / 43 / 12

HEX #00E07F

RGB 0 224 127

HSL 154.02, 1%, 0.44%

LAB 78.95, -67.01, 34.94

 

CMYK 0 / 88 / 52 / 0

HEX #FF1F7B

RGB 255 31 123

HSL 335.36, 1%, 0.56%

LAB 55.76, 81.28, 8.31

 

CMYK 0 / 81 / 44 / 0

HEX #FF318E

RGB 255 49 142

HSL 332.91, 1%, 0.6%

LAB 57.47, 79.31, -0.52

 

CMYK 0 / 74 / 37 / 0

HEX #FF43A1

RGB 255 67 161

HSL 330, 1%, 0.63%

LAB 59.75, 76.25, -8.3

 

CMYK 0 / 67 / 29 / 0

HEX #FF55B4

RGB 255 85 180

HSL 326.47, 1%, 0.67%

LAB 62.55, 72.25, -15.06

 

CMYK 0 / 60 / 22 / 0

HEX #FF67C7

RGB 255 103 199

HSL 322.11, 1%, 0.7%

LAB 65.81, 67.51, -20.91

 

CMYK 0 / 88 / 50 / 0

HEX #FF1F80

RGB 255 31 128

HSL 334.02, 1%, 0.56%

LAB 55.89, 81.65, 5.5

 

CMYK 0 / 95 / 54 / 7

HEX #EE0D6D

RGB 238 13 109

HSL 334.4, 0.9%, 0.49%

LAB 51.35, 78.59, 10.06

 

CMYK 0 / 100 / 59 / 13

HEX #DD005A

RGB 221 0 90

HSL 335.57, 1%, 0.43%

LAB 47.12, 74.55, 15.36

 

CMYK 0 / 100 / 65 / 20

HEX #CC0047

RGB 204 0 71

HSL 339.12, 1%, 0.4%

LAB 43.2, 69.56, 21.36

 

CMYK 0 / 100 / 72 / 27

HEX #BB0034

RGB 187 0 52

HSL 343.32, 1%, 0.37%

LAB 39.26, 64.61, 27.58

 

CMYK 0 / 88 / 50 / 0

HEX #FF1E7F

RGB 255 30 127

HSL 334.13, 1%, 0.56%

LAB 55.81, 81.72, 5.99

 

CMYK 0 / 88 / 74 / 0

HEX #FF1E43

RGB 255 30 67

HSL 350.13, 1%, 0.56%

LAB 54.65, 78.46, 40.12

 

CMYK 0 / 88 / 88 / 0

HEX #FF1E1E

RGB 255 30 30

HSL 0, 1%, 0.56%

LAB 54.33, 77.53, 58.78

 

CMYK 0 / 88 / 50 / 0

HEX #FF1E7F

RGB 255 30 127

HSL 334.13, 1%, 0.56%

LAB 55.81, 81.72, 5.99

 

CMYK 0 / 88 / 26 / 0

HEX #FF1EBC

RGB 255 30 188

HSL 317.87, 1%, 0.56%

LAB 57.87, 87.33, -26.83

 

CMYK 0 / 88 / 3 / 0

HEX #FF1EF8

RGB 255 30 248

HSL 301.87, 1%, 0.56%

LAB 60.75, 94.85, -56.27

 

CMYK 22 / 88 / 0 / 0

HEX #C81EFF

RGB 200 30 255

HSL 285.33, 1%, 0.56%

LAB 52.32, 87.37, -74.2

 

CMYK 45 / 88 / 0 / 0

HEX #8C1EFF

RGB 140 30 255

HSL 269.33, 1%, 0.56%

LAB 43.83, 79.97, -88.42

 

CMYK 0 / 88 / 50 / 0

HEX #FF1E7F

RGB 255 30 127

HSL 334.13, 1%, 0.56%

LAB 55.81, 81.72, 5.99

 

CMYK 0 / 88 / 50 / 0

HEX #FF1E7F

RGB 255 30 127

HSL 334.13, 1%, 0.56%

LAB 55.81, 81.72, 5.99

 

CMYK 0 / 80 / 45 / 7

HEX #EC3082

RGB 236 48 130

HSL 333.83, 0.83%, 0.56%

LAB 53.56, 73.88, 0.49

 

CMYK 0 / 70 / 39 / 15

HEX #DA4284

RGB 218 66 132

HSL 333.95, 0.67%, 0.56%

LAB 52.36, 63.81, -2.84

 

CMYK 0 / 58 / 33 / 22

HEX #C85587

RGB 200 85 135

HSL 333.91, 0.51%, 0.56%

LAB 52.43, 50.86, -4.86

 

CMYK 0 / 43 / 25 / 29

HEX #B66789

RGB 182 103 137

HSL 334.18, 0.35%, 0.56%

LAB 53.44, 35.96, -4.83

 

CMYK 0 / 88 / 3 / 0

HEX #FF1EF7

RGB 255 30 247

HSL 302.13, 1%, 0.56%

LAB 60.7, 94.71, -55.8

 

CMYK 0 / 88 / 27 / 0

HEX #FF1EBB

RGB 255 30 187

HSL 318.13, 1%, 0.56%

LAB 57.82, 87.22, -26.31

 

CMYK 0 / 88 / 50 / 0

HEX #FF1E7F

RGB 255 30 127

HSL 334.13, 1%, 0.56%

LAB 55.81, 81.72, 5.99

 

CMYK 0 / 88 / 73 / 0

HEX #FF1E44

RGB 255 30 68

HSL 349.87, 1%, 0.56%

LAB 54.66, 78.5, 39.56

 

CMYK 0 / 79 / 88 / 0

HEX #FF351E

RGB 255 53 30

HSL 6.13, 1%, 0.56%

LAB 55.99, 72.79, 59.99

 

CMYK 0 / 100 / 57 / 20

HEX #CB0057

RGB 203 0 87

HSL 334.29, 1%, 0.4%

LAB 43.34, 70.26, 11.44

 

CMYK 0 / 100 / 57 / 4

HEX #F40069

RGB 244 0 105

HSL 334.18, 1%, 0.48%

LAB 52.12, 80.62, 13.76

 

CMYK 0 / 88 / 50 / 0

HEX #FF1E7F

RGB 255 30 127

HSL 334.13, 1%, 0.56%

LAB 55.81, 81.72, 5.99

 

CMYK 0 / 72 / 41 / 0

HEX #FF4797

RGB 255 71 151

HSL 333.91, 1%, 0.64%

LAB 59.89, 74.02, -2.26

 

CMYK 0 / 56 / 32 / 0

HEX #FF71AE

RGB 255 113 174

HSL 334.23, 1%, 0.72%

LAB 66.62, 60.01, -5.57

 

CMYK 0 / 88 / 50 / 0

HEX #FF1F80

RGB 255 31 128

HSL 334.02, 1%, 0.56%

LAB 55.89, 81.65, 5.5

 

CMYK 0 / 21 / 88 / 0

HEX #FFCA1E

RGB 255 202 30

HSL 45.87, 1%, 0.56%

LAB 83.75, 5.04, 81.14

 

CMYK 88 / 15 / 0 / 0

HEX #1ED9FF

RGB 30 217 255

HSL 190.13, 1%, 0.56%

LAB 80.25, -29.84, -30.61

 

CMYK 0 / 88 / 50 / 0

HEX #FF1F80

RGB 255 31 128

HSL 334.02, 1%, 0.56%

LAB 55.89, 81.65, 5.5

 

CMYK 50 / 0 / 88 / 0

HEX #7FFF1E

RGB 127 255 30

HSL 94.13, 1%, 0.56%

LAB 89.92, -67.58, 82.73

 

CMYK 88 / 50 / 0 / 0

HEX #1E7FFF

RGB 30 127 255

HSL 214.13, 1%, 0.56%

LAB 54.74, 20.41, -70.88

 

CMYK 0 / 88 / 50 / 0

HEX #FF1F80

RGB 255 31 128

HSL 334.02, 1%, 0.56%

LAB 55.89, 81.65, 5.5

 

CMYK 0 / 21 / 88 / 0

HEX #FFCA1E

RGB 255 202 30

HSL 45.87, 1%, 0.56%

LAB 83.75, 5.04, 81.14

 

CMYK 88 / 0 / 38 / 0

HEX #1EFF9D

RGB 30 255 157

HSL 153.87, 1%, 0.56%

LAB 89.03, -70.73, 33.23

 

CMYK 88 / 68 / 0 / 0

HEX #1E52FF

RGB 30 82 255

HSL 226.13, 1%, 0.56%

LAB 43.55, 48.45, -89.16

 

CMYK 0 / 88 / 50 / 0

HEX #FF1F80

RGB 255 31 128

HSL 334.02, 1%, 0.56%

LAB 55.89, 81.65, 5.5

 

CMYK 6 / 0 / 88 / 0

HEX #F0FF1E

RGB 240 255 30

HSL 64, 1%, 0.56%

LAB 96.05, -27.35, 90.28

 

CMYK 88 / 0 / 38 / 0

HEX #1EFF9D

RGB 30 255 157

HSL 153.87, 1%, 0.56%

LAB 89.03, -70.73, 33.23

 

CMYK 82 / 88 / 0 / 0

HEX #2D1EFF

RGB 45 30 255

HSL 244, 1%, 0.56%

LAB 35.41, 73.77, -102.64

 

Description

Color code: RGB 255 31 128 | qconv.com Color code: RGB 255 31 128 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 255 red, 31 green and 128 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
255 31 128 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 88 magenta, 50 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 88% 50% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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