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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 255 51 230 it is the complementary color RGB 0 204 25. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 255 51 230. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 255 51 230 shade: RGB 255 51 225, RGB 255 69 244, RGB 255 87 255, RGB 255 105 255 and RGB 255 123 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 255 51 230. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 255 51 230 shade: RGB 255 51 230, RGB 238 33 211, RGB 221 15 192, RGB 204 0 173 and RGB 187 0 154

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 255 51 230 shade: RGB 255 50 230, RGB 255 50 174, RGB 255 50 119, RGB 255 50 64 and RGB 255 50 50

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 255 51 230 shade: RGB 255 50 230, RGB 224 50 255, RGB 169 50 255, RGB 114 50 255 and RGB 59 50 255

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 255 51 230 shade matches the following richer shades: RGB 255 50 230

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 255 51 230 shade: RGB 255 50 230, RGB 238 67 217, RGB 221 84 205, RGB 205 100 192 and RGB 188 117 180

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 255 51 230 shade: RGB 169 50 255, RGB 224 50 255, RGB 255 50 231, RGB 255 50 176 and RGB 255 50 122

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 255 51 230 shade: RGB 223 0 196, RGB 255 9 224, RGB 255 50 230, RGB 255 92 235 and RGB 255 133 240

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 255 51 230 shade: RGB 255 51 230, RGB 255 115 50 and RGB 50 255 197

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 255 51 230 shade: RGB 255 51 230, RGB 231 255 50 and RGB 50 231 255

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 255 51 230 shade: RGB 255 51 230, RGB 255 115 50, RGB 50 255 74 and RGB 50 190 255

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 255 51 230 shade: RGB 255 51 230, RGB 255 176 50, RGB 50 255 74 and RGB 50 129 255

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 80 / 10 / 0

HEX #FF33E6

RGB 255 51 230

HSL 307.35, 1%, 0.6%

LAB 61.08, 88.68, -45.7

 

Complementary color

CMYK 100 / 0 / 88 / 20

HEX #00CC19

RGB 0 204 25

HSL 127.35, 1%, 0.4%

LAB 71.73, -72.23, 67.07

 

CMYK 0 / 80 / 12 / 0

HEX #FF33E1

RGB 255 51 225

HSL 308.82, 1%, 0.6%

LAB 60.84, 88, -43.28

 

CMYK 0 / 73 / 4 / 0

HEX #FF45F4

RGB 255 69 244

HSL 303.55, 1%, 0.64%

LAB 63.38, 86.03, -49.87

 

CMYK 0 / 66 / 0 / 0

HEX #FF57FF

RGB 255 87 255

HSL 300, 1%, 0.67%

LAB 65.98, 81.9, -51.83

 

CMYK 0 / 59 / 0 / 0

HEX #FF69FF

RGB 255 105 255

HSL 300, 1%, 0.71%

LAB 68.45, 75.02, -47.94

 

CMYK 0 / 52 / 0 / 0

HEX #FF7BFF

RGB 255 123 255

HSL 300, 1%, 0.74%

LAB 71.31, 67.24, -43.44

 

CMYK 0 / 80 / 10 / 0

HEX #FF33E6

RGB 255 51 230

HSL 307.35, 1%, 0.6%

LAB 61.08, 88.68, -45.7

 

CMYK 0 / 86 / 11 / 7

HEX #EE21D3

RGB 238 33 211

HSL 307.9, 0.86%, 0.53%

LAB 56.06, 86.37, -43.08

 

CMYK 0 / 93 / 13 / 13

HEX #DD0FC0

RGB 221 15 192

HSL 308.45, 0.87%, 0.46%

LAB 51.29, 83.1, -39.87

 

CMYK 0 / 100 / 15 / 20

HEX #CC00AD

RGB 204 0 173

HSL 309.12, 1%, 0.4%

LAB 46.78, 78.82, -36.04

 

CMYK 0 / 100 / 18 / 27

HEX #BB009A

RGB 187 0 154

HSL 310.59, 1%, 0.37%

LAB 42.61, 73.3, -31.47

 

CMYK 0 / 80 / 10 / 0

HEX #FF32E6

RGB 255 50 230

HSL 307.32, 1%, 0.6%

LAB 61.01, 88.9, -45.82

 

CMYK 0 / 80 / 32 / 0

HEX #FF32AE

RGB 255 50 174

HSL 323.71, 1%, 0.6%

LAB 58.6, 82.13, -17.59

 

CMYK 0 / 80 / 53 / 0

HEX #FF3277

RGB 255 50 119

HSL 339.8, 1%, 0.6%

LAB 56.95, 77.29, 12.38

 

CMYK 0 / 80 / 75 / 0

HEX #FF3240

RGB 255 50 64

HSL 355.9, 1%, 0.6%

LAB 56, 74.4, 43.32

 

CMYK 0 / 80 / 80 / 0

HEX #FF3232

RGB 255 50 50

HSL 0, 1%, 0.6%

LAB 55.86, 73.97, 50.68

 

CMYK 0 / 80 / 10 / 0

HEX #FF32E6

RGB 255 50 230

HSL 307.32, 1%, 0.6%

LAB 61.01, 88.9, -45.82

 

CMYK 12 / 80 / 0 / 0

HEX #E032FF

RGB 224 50 255

HSL 290.93, 1%, 0.6%

LAB 57.41, 87, -65.78

 

CMYK 34 / 80 / 0 / 0

HEX #A932FF

RGB 169 50 255

HSL 274.83, 1%, 0.6%

LAB 49.42, 78.28, -79.12

 

CMYK 55 / 80 / 0 / 0

HEX #7232FF

RGB 114 50 255

HSL 258.73, 1%, 0.6%

LAB 42.88, 71.32, -90.1

 

CMYK 77 / 80 / 0 / 0

HEX #3B32FF

RGB 59 50 255

HSL 242.63, 1%, 0.6%

LAB 38.61, 66.88, -97.31

 

CMYK 0 / 80 / 10 / 0

HEX #FF32E6

RGB 255 50 230

HSL 307.32, 1%, 0.6%

LAB 61.01, 88.9, -45.82

 

CMYK 0 / 80 / 10 / 0

HEX #FF32E6

RGB 255 50 230

HSL 307.32, 1%, 0.6%

LAB 61.01, 88.9, -45.82

 

CMYK 0 / 72 / 9 / 7

HEX #EE43D9

RGB 238 67 217

HSL 307.37, 0.83%, 0.6%

LAB 59.16, 79.1, -41.6

 

CMYK 0 / 62 / 7 / 13

HEX #DD54CD

RGB 221 84 205

HSL 307.01, 0.67%, 0.6%

LAB 58.15, 67.2, -36.56

 

CMYK 0 / 51 / 6 / 20

HEX #CD64C0

RGB 205 100 192

HSL 307.43, 0.51%, 0.6%

LAB 57.94, 53.62, -29.64

 

CMYK 0 / 38 / 4 / 26

HEX #BC75B4

RGB 188 117 180

HSL 306.76, 0.35%, 0.6%

LAB 58.7, 37.53, -21.78

 

CMYK 34 / 80 / 0 / 0

HEX #A932FF

RGB 169 50 255

HSL 274.83, 1%, 0.6%

LAB 49.42, 78.28, -79.12

 

CMYK 12 / 80 / 0 / 0

HEX #E032FF

RGB 224 50 255

HSL 290.93, 1%, 0.6%

LAB 57.41, 87, -65.78

 

CMYK 0 / 80 / 9 / 0

HEX #FF32E7

RGB 255 50 231

HSL 307.02, 1%, 0.6%

LAB 61.05, 89.03, -46.3

 

CMYK 0 / 80 / 31 / 0

HEX #FF32B0

RGB 255 50 176

HSL 323.12, 1%, 0.6%

LAB 58.67, 82.34, -18.64

 

CMYK 0 / 80 / 52 / 0

HEX #FF327A

RGB 255 50 122

HSL 338.93, 1%, 0.6%

LAB 57.02, 77.51, 10.7

 

CMYK 0 / 100 / 12 / 13

HEX #DF00C4

RGB 223 0 196

HSL 307.26, 1%, 0.44%

LAB 51.47, 85.12, -41.88

 

CMYK 0 / 96 / 12 / 0

HEX #FF09E0

RGB 255 9 224

HSL 307.56, 1%, 0.52%

LAB 58.82, 93.62, -45.89

 

CMYK 0 / 80 / 10 / 0

HEX #FF32E6

RGB 255 50 230

HSL 307.32, 1%, 0.6%

LAB 61.01, 88.9, -45.82

 

CMYK 0 / 64 / 8 / 0

HEX #FF5CEB

RGB 255 92 235

HSL 307.36, 1%, 0.68%

LAB 65.68, 77, -41.26

 

CMYK 0 / 48 / 6 / 0

HEX #FF85F0

RGB 255 133 240

HSL 307.38, 1%, 0.76%

LAB 72.45, 60.08, -33.48

 

CMYK 0 / 80 / 10 / 0

HEX #FF33E6

RGB 255 51 230

HSL 307.35, 1%, 0.6%

LAB 61.08, 88.68, -45.7

 

CMYK 0 / 55 / 80 / 0

HEX #FF7332

RGB 255 115 50

HSL 19.02, 1%, 0.6%

LAB 64.77, 49.9, 59.11

 

CMYK 80 / 0 / 23 / 0

HEX #32FFC5

RGB 50 255 197

HSL 163.02, 1%, 0.6%

LAB 89.97, -60.93, 14.25

 

CMYK 0 / 80 / 10 / 0

HEX #FF33E6

RGB 255 51 230

HSL 307.35, 1%, 0.6%

LAB 61.08, 88.68, -45.7

 

CMYK 9 / 0 / 80 / 0

HEX #E7FF32

RGB 231 255 50

HSL 67.02, 1%, 0.6%

LAB 95.47, -30.48, 85.58

 

CMYK 80 / 9 / 0 / 0

HEX #32E7FF

RGB 50 231 255

HSL 187.02, 1%, 0.6%

LAB 84.51, -35.22, -24.07

 

CMYK 0 / 80 / 10 / 0

HEX #FF33E6

RGB 255 51 230

HSL 307.35, 1%, 0.6%

LAB 61.08, 88.68, -45.7

 

CMYK 0 / 55 / 80 / 0

HEX #FF7332

RGB 255 115 50

HSL 19.02, 1%, 0.6%

LAB 64.77, 49.9, 59.11

 

CMYK 80 / 0 / 71 / 0

HEX #32FF4A

RGB 50 255 74

HSL 127.02, 1%, 0.6%

LAB 88.3, -80.23, 69.08

 

CMYK 80 / 25 / 0 / 0

HEX #32BEFF

RGB 50 190 255

HSL 199.02, 1%, 0.6%

LAB 72.71, -14.75, -42.26

 

CMYK 0 / 80 / 10 / 0

HEX #FF33E6

RGB 255 51 230

HSL 307.35, 1%, 0.6%

LAB 61.08, 88.68, -45.7

 

CMYK 0 / 31 / 80 / 0

HEX #FFB032

RGB 255 176 50

HSL 36.88, 1%, 0.6%

LAB 77.6, 19.02, 70.74

 

CMYK 80 / 0 / 71 / 0

HEX #32FF4A

RGB 50 255 74

HSL 127.02, 1%, 0.6%

LAB 88.3, -80.23, 69.08

 

CMYK 80 / 49 / 0 / 0

HEX #3281FF

RGB 50 129 255

HSL 216.88, 1%, 0.6%

LAB 55.68, 20.58, -69.33

 

Description

Color code: RGB 255 51 230 | qconv.com Color code: RGB 255 51 230 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 255 red, 51 green and 230 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
255 51 230 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 80 magenta, 10 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 80% 10% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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