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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 255 94 107 it is the complementary color RGB 0 161 148. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 255 94 107. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 255 94 107 shade: RGB 255 94 102, RGB 255 112 121, RGB 255 130 140, RGB 255 148 159 and RGB 255 166 178

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 255 94 107. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 255 94 107 shade: RGB 255 94 107, RGB 238 76 88, RGB 221 58 69, RGB 204 40 50 and RGB 187 22 31

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 255 94 107 shade: RGB 255 91 104 and RGB 255 91 91

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 255 94 107 shade: RGB 255 91 104, RGB 255 91 148, RGB 255 91 192, RGB 255 91 236 and RGB 228 91 255

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 255 94 107 shade matches the following richer shades: RGB 255 91 104

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 255 94 107 shade: RGB 255 91 104, RGB 241 105 116, RGB 228 118 127, RGB 215 131 138 and RGB 202 144 149

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 255 94 107 shade: RGB 255 91 192, RGB 255 91 148, RGB 255 91 105, RGB 255 121 91 and RGB 255 165 91

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 255 94 107 shade: RGB 255 9 29, RGB 255 50 67, RGB 255 91 104, RGB 255 133 142 and RGB 255 174 180

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 255 94 107 shade: RGB 255 94 107, RGB 235 255 91 and RGB 91 170 255

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 255 94 107 shade: RGB 255 94 107, RGB 105 255 91 and RGB 91 105 255

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 255 94 107 shade: RGB 255 94 107, RGB 235 255 91, RGB 91 255 241 and RGB 110 91 255

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 255 94 107 shade: RGB 255 94 107, RGB 187 255 91, RGB 91 255 241 and RGB 159 91 255

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 63 / 58 / 0

HEX #FF5E6B

RGB 255 94 107

HSL 355.16, 1%, 0.68%

LAB 61.94, 61.96, 26.17

 

Complementary color

CMYK 100 / 0 / 8 / 37

HEX #00A194

RGB 0 161 148

HSL 175.16, 1%, 0.32%

LAB 59.55, -38.04, -3.26

 

CMYK 0 / 63 / 60 / 0

HEX #FF5E66

RGB 255 94 102

HSL 357.02, 1%, 0.68%

LAB 61.85, 61.63, 28.92

 

CMYK 0 / 56 / 53 / 0

HEX #FF7079

RGB 255 112 121

HSL 356.22, 1%, 0.72%

LAB 65.14, 55.17, 22.48

 

CMYK 0 / 49 / 45 / 0

HEX #FF828C

RGB 255 130 140

HSL 355.2, 1%, 0.75%

LAB 68.84, 48.33, 16.83

 

CMYK 0 / 42 / 38 / 0

HEX #FF949F

RGB 255 148 159

HSL 353.83, 1%, 0.79%

LAB 72.85, 41.32, 11.88

 

CMYK 0 / 35 / 30 / 0

HEX #FFA6B2

RGB 255 166 178

HSL 351.91, 1%, 0.83%

LAB 77.13, 34.33, 7.52

 

CMYK 0 / 63 / 58 / 0

HEX #FF5E6B

RGB 255 94 107

HSL 355.16, 1%, 0.68%

LAB 61.94, 61.96, 26.17

 

CMYK 0 / 68 / 63 / 7

HEX #EE4C58

RGB 238 76 88

HSL 355.56, 0.83%, 0.62%

LAB 56.14, 62.52, 29.06

 

CMYK 0 / 74 / 69 / 13

HEX #DD3A45

RGB 221 58 69

HSL 355.95, 0.71%, 0.55%

LAB 50.49, 62.73, 32.44

 

CMYK 0 / 80 / 75 / 20

HEX #CC2832

RGB 204 40 50

HSL 356.34, 0.67%, 0.48%

LAB 45.06, 62.36, 36.39

 

CMYK 0 / 88 / 83 / 27

HEX #BB161F

RGB 187 22 31

HSL 356.73, 0.79%, 0.41%

LAB 39.98, 61.12, 40.77

 

CMYK 0 / 64 / 59 / 0

HEX #FF5B68

RGB 255 91 104

HSL 355.24, 1%, 0.68%

LAB 61.43, 62.98, 27.23

 

CMYK 0 / 64 / 64 / 0

HEX #FF5B5B

RGB 255 91 91

HSL 0, 1%, 0.68%

LAB 61.22, 62.18, 34.35

 

CMYK 0 / 64 / 59 / 0

HEX #FF5B68

RGB 255 91 104

HSL 355.24, 1%, 0.68%

LAB 61.43, 62.98, 27.23

 

CMYK 0 / 64 / 42 / 0

HEX #FF5B94

RGB 255 91 148

HSL 339.15, 1%, 0.68%

LAB 62.41, 66.54, 3.15

 

CMYK 0 / 64 / 25 / 0

HEX #FF5BC0

RGB 255 91 192

HSL 323.05, 1%, 0.68%

LAB 63.79, 71.44, -20.03

 

CMYK 0 / 64 / 7 / 0

HEX #FF5BEC

RGB 255 91 236

HSL 306.95, 1%, 0.68%

LAB 65.59, 77.52, -41.95

 

CMYK 11 / 64 / 0 / 0

HEX #E45BFF

RGB 228 91 255

HSL 290.12, 1%, 0.68%

LAB 62.67, 74.46, -57.32

 

CMYK 0 / 64 / 59 / 0

HEX #FF5B68

RGB 255 91 104

HSL 355.24, 1%, 0.68%

LAB 61.43, 62.98, 27.23

 

CMYK 0 / 64 / 59 / 0

HEX #FF5B68

RGB 255 91 104

HSL 355.24, 1%, 0.68%

LAB 61.43, 62.98, 27.23

 

CMYK 0 / 56 / 52 / 5

HEX #F16974

RGB 241 105 116

HSL 355.15, 0.83%, 0.68%

LAB 61.71, 53.23, 20.33

 

CMYK 0 / 48 / 44 / 11

HEX #E4767F

RGB 228 118 127

HSL 355.09, 0.67%, 0.68%

LAB 62.49, 43.42, 14.81

 

CMYK 0 / 39 / 36 / 16

HEX #D7838A

RGB 215 131 138

HSL 355, 0.51%, 0.68%

LAB 63.77, 33.14, 10.08

 

CMYK 0 / 29 / 26 / 21

HEX #CA9095

RGB 202 144 149

HSL 354.83, 0.35%, 0.68%

LAB 65.49, 22.66, 6.12

 

CMYK 0 / 64 / 25 / 0

HEX #FF5BC0

RGB 255 91 192

HSL 323.05, 1%, 0.68%

LAB 63.79, 71.44, -20.03

 

CMYK 0 / 64 / 42 / 0

HEX #FF5B94

RGB 255 91 148

HSL 339.15, 1%, 0.68%

LAB 62.41, 66.54, 3.15

 

CMYK 0 / 64 / 59 / 0

HEX #FF5B69

RGB 255 91 105

HSL 354.88, 1%, 0.68%

LAB 61.45, 63.04, 26.68

 

CMYK 0 / 53 / 64 / 0

HEX #FF795B

RGB 255 121 91

HSL 10.98, 1%, 0.68%

LAB 66.28, 48.87, 40.55

 

CMYK 0 / 35 / 64 / 0

HEX #FFA55B

RGB 255 165 91

HSL 27.07, 1%, 0.68%

LAB 75.41, 26.63, 51.27

 

CMYK 0 / 96 / 89 / 0

HEX #FF091D

RGB 255 9 29

HSL 355.12, 1%, 0.52%

LAB 53.54, 79.76, 58.63

 

CMYK 0 / 80 / 74 / 0

HEX #FF3243

RGB 255 50 67

HSL 355.02, 1%, 0.6%

LAB 56.03, 74.51, 41.69

 

CMYK 0 / 64 / 59 / 0

HEX #FF5B68

RGB 255 91 104

HSL 355.24, 1%, 0.68%

LAB 61.43, 62.98, 27.23

 

CMYK 0 / 48 / 44 / 0

HEX #FF858E

RGB 255 133 142

HSL 355.57, 1%, 0.76%

LAB 69.46, 47.05, 16.58

 

CMYK 0 / 32 / 29 / 0

HEX #FFAEB4

RGB 255 174 180

HSL 355.56, 1%, 0.84%

LAB 78.94, 30.41, 9.03

 

CMYK 0 / 63 / 58 / 0

HEX #FF5E6B

RGB 255 94 107

HSL 355.16, 1%, 0.68%

LAB 61.94, 61.96, 26.17

 

CMYK 8 / 0 / 64 / 0

HEX #EBFF5B

RGB 235 255 91

HSL 67.32, 1%, 0.68%

LAB 95.97, -27.03, 73.14

 

CMYK 64 / 33 / 0 / 0

HEX #5BAAFF

RGB 91 170 255

HSL 211.1, 1%, 0.68%

LAB 68.16, 1.45, -49.33

 

CMYK 0 / 63 / 58 / 0

HEX #FF5E6B

RGB 255 94 107

HSL 355.16, 1%, 0.68%

LAB 61.94, 61.96, 26.17

 

CMYK 59 / 0 / 64 / 0

HEX #69FF5B

RGB 105 255 91

HSL 114.88, 1%, 0.68%

LAB 89.52, -69.6, 64.34

 

CMYK 64 / 59 / 0 / 0

HEX #5B69FF

RGB 91 105 255

HSL 234.88, 1%, 0.68%

LAB 51.32, 40.18, -76.33

 

CMYK 0 / 63 / 58 / 0

HEX #FF5E6B

RGB 255 94 107

HSL 355.16, 1%, 0.68%

LAB 61.94, 61.96, 26.17

 

CMYK 8 / 0 / 64 / 0

HEX #EBFF5B

RGB 235 255 91

HSL 67.32, 1%, 0.68%

LAB 95.97, -27.03, 73.14

 

CMYK 64 / 0 / 5 / 0

HEX #5BFFF1

RGB 91 255 241

HSL 174.88, 1%, 0.68%

LAB 91.73, -45.3, -5.86

 

CMYK 57 / 64 / 0 / 0

HEX #6E5BFF

RGB 110 91 255

HSL 246.95, 1%, 0.68%

LAB 49.52, 51.17, -79.22

 

CMYK 0 / 63 / 58 / 0

HEX #FF5E6B

RGB 255 94 107

HSL 355.16, 1%, 0.68%

LAB 61.94, 61.96, 26.17

 

CMYK 27 / 0 / 64 / 0

HEX #BBFF5B

RGB 187 255 91

HSL 84.88, 1%, 0.68%

LAB 92.94, -45.14, 69.03

 

CMYK 64 / 0 / 5 / 0

HEX #5BFFF1

RGB 91 255 241

HSL 174.88, 1%, 0.68%

LAB 91.73, -45.3, -5.86

 

CMYK 38 / 64 / 0 / 0

HEX #9F5BFF

RGB 159 91 255

HSL 264.88, 1%, 0.68%

LAB 54.1, 59.89, -71.55

 

Description

Color code: RGB 255 94 107 | qconv.com Color code: RGB 255 94 107 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 255 red, 94 green and 107 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
255 94 107 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 63 magenta, 58 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 63% 58% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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