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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 25 126 19 it is the complementary color RGB 230 129 236. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 25 126 19. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 25 126 19 shade: RGB 30 126 14, RGB 47 144 33, RGB 64 162 52, RGB 81 180 71 and RGB 98 198 90

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 25 126 19. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 25 126 19 shade: RGB 25 126 19, RGB 8 108 0, RGB 0 90 0, RGB 0 72 0 and RGB 0 54 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 25 126 19 shade: RGB 24 124 18, RGB 52 124 18, RGB 81 124 18, RGB 109 124 18 and RGB 124 110 18

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 25 126 19 shade: RGB 24 124 18, RGB 18 124 41, RGB 18 124 69, RGB 18 124 98 and RGB 18 121 124

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 25 126 19 shade matches the following richer shades: RGB 24 124 18 and RGB 14 135 7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 25 126 19 shade: RGB 24 124 18, RGB 34 112 30, RGB 44 101 41, RGB 55 89 53 and RGB 65 78 64

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 25 126 19 shade: RGB 81 124 18, RGB 53 124 18, RGB 25 124 18, RGB 18 124 39 and RGB 18 124 67

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 25 126 19 shade: RGB 10 52 7, RGB 17 88 13, RGB 24 124 18, RGB 31 160 23 and RGB 38 196 29

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 25 126 19 shade: RGB 25 126 19, RGB 18 110 124 and RGB 124 18 67

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 25 126 19 shade: RGB 25 126 19, RGB 18 25 124 and RGB 124 18 25

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 25 126 19 shade: RGB 25 126 19, RGB 18 110 124, RGB 117 18 124 and RGB 124 32 18

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 25 126 19 shade: RGB 25 126 19, RGB 18 78 124, RGB 117 18 124 and RGB 124 64 18

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 80 / 0 / 85 / 51

HEX #197E13

RGB 25 126 19

HSL 116.64, 0.74%, 0.28%

LAB 45.87, -47.76, 45.45

 

Complementary color

CMYK 3 / 45 / 0 / 7

HEX #E681EC

RGB 230 129 236

HSL 296.64, 0.74%, 0.72%

LAB 68.45, 54.24, -37.74

 

CMYK 76 / 0 / 89 / 51

HEX #1E7E0E

RGB 30 126 14

HSL 111.43, 0.8%, 0.27%

LAB 45.95, -47.2, 46.88

 

CMYK 67 / 0 / 77 / 44

HEX #2F9021

RGB 47 144 33

HSL 112.43, 0.63%, 0.35%

LAB 52.58, -48.86, 47.46

 

CMYK 60 / 0 / 68 / 36

HEX #40A234

RGB 64 162 52

HSL 113.45, 0.51%, 0.42%

LAB 59.14, -49.8, 46.95

 

CMYK 55 / 0 / 61 / 29

HEX #51B447

RGB 81 180 71

HSL 114.5, 0.43%, 0.49%

LAB 65.63, -50.29, 45.96

 

CMYK 51 / 0 / 55 / 22

HEX #62C65A

RGB 98 198 90

HSL 115.56, 0.49%, 0.56%

LAB 72.04, -50.5, 44.77

 

CMYK 80 / 0 / 85 / 51

HEX #197E13

RGB 25 126 19

HSL 116.64, 0.74%, 0.28%

LAB 45.87, -47.76, 45.45

 

CMYK 93 / 0 / 100 / 58

HEX #086C00

RGB 8 108 0

HSL 115.56, 1%, 0.21%

LAB 39.2, -44.98, 44.3

 

CMYK 100 / 0 / 100 / 65

HEX #005A00

RGB 0 90 0

HSL 120, 1%, 0.18%

LAB 32.51, -40.3, 38.9

 

CMYK 100 / 0 / 100 / 72

HEX #004800

RGB 0 72 0

HSL 120, 1%, 0.14%

LAB 25.67, -34.62, 33.21

 

CMYK 100 / 0 / 100 / 79

HEX #003600

RGB 0 54 0

HSL 120, 1%, 0.11%

LAB 18.53, -28.69, 25.66

 

CMYK 81 / 0 / 85 / 51

HEX #187C12

RGB 24 124 18

HSL 116.6, 0.75%, 0.28%

LAB 45.16, -47.31, 45.07

 

CMYK 58 / 0 / 85 / 51

HEX #347C12

RGB 52 124 18

HSL 100.75, 0.75%, 0.28%

LAB 45.89, -41.16, 46.01

 

CMYK 35 / 0 / 85 / 51

HEX #517C12

RGB 81 124 18

HSL 84.34, 0.75%, 0.28%

LAB 47.25, -31.11, 47.74

 

CMYK 12 / 0 / 85 / 51

HEX #6D7C12

RGB 109 124 18

HSL 68.49, 0.75%, 0.28%

LAB 49.14, -19.12, 50.13

 

CMYK 0 / 11 / 85 / 51

HEX #7C6E12

RGB 124 110 18

HSL 52.08, 0.75%, 0.28%

LAB 46.29, -4.43, 48.2

 

CMYK 81 / 0 / 85 / 51

HEX #187C12

RGB 24 124 18

HSL 116.6, 0.75%, 0.28%

LAB 45.16, -47.31, 45.07

 

CMYK 85 / 0 / 67 / 51

HEX #127C29

RGB 18 124 41

HSL 133.02, 0.75%, 0.28%

LAB 45.23, -46.09, 36.3

 

CMYK 85 / 0 / 44 / 51

HEX #127C45

RGB 18 124 69

HSL 148.87, 0.75%, 0.28%

LAB 45.6, -41.64, 22.19

 

CMYK 85 / 0 / 21 / 51

HEX #127C62

RGB 18 124 98

HSL 165.28, 0.75%, 0.28%

LAB 46.21, -34.8, 6.26

 

CMYK 85 / 2 / 0 / 51

HEX #12797C

RGB 18 121 124

HSL 181.7, 0.75%, 0.28%

LAB 45.99, -25.57, -9.5

 

CMYK 81 / 0 / 85 / 51

HEX #187C12

RGB 24 124 18

HSL 116.6, 0.75%, 0.28%

LAB 45.16, -47.31, 45.07

 

CMYK 90 / 0 / 95 / 47

HEX #0E8707

RGB 14 135 7

HSL 116.72, 0.9%, 0.28%

LAB 48.81, -52.43, 50.67

 

CMYK 81 / 0 / 85 / 51

HEX #187C12

RGB 24 124 18

HSL 116.6, 0.75%, 0.28%

LAB 45.16, -47.31, 45.07

 

CMYK 70 / 0 / 73 / 56

HEX #22701E

RGB 34 112 30

HSL 117.07, 0.58%, 0.28%

LAB 41.25, -40.35, 37.01

 

CMYK 56 / 0 / 59 / 60

HEX #2C6529

RGB 44 101 41

HSL 117, 0.42%, 0.28%

LAB 37.85, -32, 28.02

 

CMYK 38 / 0 / 40 / 65

HEX #375935

RGB 55 89 53

HSL 116.67, 0.25%, 0.28%

LAB 34.42, -20.61, 17.04

 

CMYK 17 / 0 / 18 / 69

HEX #414E40

RGB 65 78 64

HSL 115.71, 0.1%, 0.28%

LAB 31.68, -8.32, 6.59

 

CMYK 35 / 0 / 85 / 51

HEX #517C12

RGB 81 124 18

HSL 84.34, 0.75%, 0.28%

LAB 47.25, -31.11, 47.74

 

CMYK 57 / 0 / 85 / 51

HEX #357C12

RGB 53 124 18

HSL 100.19, 0.75%, 0.28%

LAB 45.93, -40.87, 46.06

 

CMYK 80 / 0 / 85 / 51

HEX #197C12

RGB 25 124 18

HSL 116.04, 0.75%, 0.28%

LAB 45.17, -47.16, 45.09

 

CMYK 85 / 0 / 69 / 51

HEX #127C27

RGB 18 124 39

HSL 131.89, 0.75%, 0.28%

LAB 45.21, -46.33, 37.2

 

CMYK 85 / 0 / 46 / 51

HEX #127C43

RGB 18 124 67

HSL 147.74, 0.75%, 0.28%

LAB 45.56, -42.03, 23.26

 

CMYK 81 / 0 / 87 / 80

HEX #0A3407

RGB 10 52 7

HSL 116, 0.76%, 0.12%

LAB 18.08, -24.58, 22.35

 

CMYK 81 / 0 / 85 / 65

HEX #11580D

RGB 17 88 13

HSL 116.8, 0.74%, 0.2%

LAB 32.1, -36.44, 34.38

 

CMYK 81 / 0 / 85 / 51

HEX #187C12

RGB 24 124 18

HSL 116.6, 0.75%, 0.28%

LAB 45.16, -47.31, 45.07

 

CMYK 81 / 0 / 86 / 37

HEX #1FA017

RGB 31 160 23

HSL 116.5, 0.75%, 0.36%

LAB 57.55, -57.52, 55.05

 

CMYK 81 / 0 / 85 / 23

HEX #26C41D

RGB 38 196 29

HSL 116.77, 0.74%, 0.44%

LAB 69.46, -67.22, 64.33

 

CMYK 80 / 0 / 85 / 51

HEX #197E13

RGB 25 126 19

HSL 116.64, 0.74%, 0.28%

LAB 45.87, -47.76, 45.45

 

CMYK 85 / 11 / 0 / 51

HEX #126E7C

RGB 18 110 124

HSL 187.92, 0.75%, 0.28%

LAB 42.36, -19.82, -14.98

 

CMYK 0 / 85 / 46 / 51

HEX #7C1243

RGB 124 18 67

HSL 332.26, 0.75%, 0.28%

LAB 27.08, 46.68, -0.96

 

CMYK 80 / 0 / 85 / 51

HEX #197E13

RGB 25 126 19

HSL 116.64, 0.74%, 0.28%

LAB 45.87, -47.76, 45.45

 

CMYK 85 / 80 / 0 / 51

HEX #12197C

RGB 18 25 124

HSL 236.04, 0.75%, 0.28%

LAB 16.89, 35.5, -55.61

 

CMYK 0 / 85 / 80 / 51

HEX #7C1219

RGB 124 18 25

HSL 356.04, 0.75%, 0.28%

LAB 26.12, 43.81, 25.94

 

CMYK 80 / 0 / 85 / 51

HEX #197E13

RGB 25 126 19

HSL 116.64, 0.74%, 0.28%

LAB 45.87, -47.76, 45.45

 

CMYK 85 / 11 / 0 / 51

HEX #126E7C

RGB 18 110 124

HSL 187.92, 0.75%, 0.28%

LAB 42.36, -19.82, -14.98

 

CMYK 6 / 85 / 0 / 51

HEX #75127C

RGB 117 18 124

HSL 296.04, 0.75%, 0.28%

LAB 28.56, 52.98, -36.04

 

CMYK 0 / 74 / 85 / 51

HEX #7C2012

RGB 124 32 18

HSL 7.92, 0.75%, 0.28%

LAB 27.74, 38.83, 31.71

 

CMYK 80 / 0 / 85 / 51

HEX #197E13

RGB 25 126 19

HSL 116.64, 0.74%, 0.28%

LAB 45.87, -47.76, 45.45

 

CMYK 85 / 37 / 0 / 51

HEX #124E7C

RGB 18 78 124

HSL 206.04, 0.75%, 0.28%

LAB 31.88, -0.75, -31.28

 

CMYK 6 / 85 / 0 / 51

HEX #75127C

RGB 117 18 124

HSL 296.04, 0.75%, 0.28%

LAB 28.56, 52.98, -36.04

 

CMYK 0 / 48 / 85 / 51

HEX #7C4012

RGB 124 64 18

HSL 26.04, 0.75%, 0.28%

LAB 33.97, 22.63, 37.43

 

Description

Color code: RGB 25 126 19 | qconv.com Color code: RGB 25 126 19 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 25 red, 126 green and 19 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
25 126 19 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 80 cyan, none magenta, 85 yellow and 51 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
80% 0% 85% 51% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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