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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 25 204 101 it is the complementary color RGB 230 51 154. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 25 204 101. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 25 204 101 shade: RGB 30 204 96, RGB 47 222 115, RGB 64 240 134, RGB 81 255 153 and RGB 98 255 172

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 25 204 101. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 25 204 101 shade: RGB 25 204 101, RGB 8 186 82, RGB 0 168 63, RGB 0 150 44 and RGB 0 132 25

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 25 204 101 shade: RGB 25 204 101, RGB 25 204 52, RGB 45 204 25, RGB 94 204 25 and RGB 142 204 25

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 25 204 101 shade: RGB 25 204 101, RGB 25 204 149, RGB 25 204 197, RGB 25 162 204 and RGB 25 114 204

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 25 204 101 shade matches the following richer shades: RGB 25 204 101 and RGB 6 222 98

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 25 204 101 shade: RGB 25 204 101, RGB 43 185 104, RGB 62 167 106, RGB 80 148 109 and RGB 99 129 112

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 25 204 101 shade: RGB 46 204 25, RGB 25 204 52, RGB 25 204 99, RGB 25 204 147 and RGB 25 204 195

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 25 204 101 shade: RGB 16 130 64, RGB 20 167 83, RGB 25 204 101, RGB 42 228 121 and RGB 78 233 144

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 25 204 101 shade: RGB 25 204 101, RGB 25 93 204 and RGB 204 28 25

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 25 204 101 shade: RGB 25 204 101, RGB 99 25 204 and RGB 204 99 25

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 25 204 101 shade: RGB 25 204 101, RGB 25 93 204, RGB 204 25 129 and RGB 204 135 25

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 25 204 101 shade: RGB 25 204 101, RGB 25 40 204, RGB 204 25 129 and RGB 204 189 25

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 88 / 0 / 50 / 20

HEX #19CC65

RGB 25 204 101

HSL 145.47, 0.78%, 0.45%

LAB 72.45, -63.72, 39.6

 

Complementary color

CMYK 0 / 78 / 33 / 10

HEX #E6339A

RGB 230 51 154

HSL 325.47, 0.78%, 0.55%

LAB 53.52, 73.95, -13.99

 

CMYK 85 / 0 / 53 / 20

HEX #1ECC60

RGB 30 204 96

HSL 142.76, 0.74%, 0.46%

LAB 72.43, -64.1, 42.02

 

CMYK 79 / 0 / 48 / 13

HEX #2FDE73

RGB 47 222 115

HSL 143.31, 0.73%, 0.53%

LAB 78.51, -65.48, 40.39

 

CMYK 73 / 0 / 44 / 6

HEX #40F086

RGB 64 240 134

HSL 143.86, 0.85%, 0.6%

LAB 84.55, -66.44, 38.82

 

CMYK 68 / 0 / 40 / 0

HEX #51FF99

RGB 81 255 153

HSL 144.83, 1%, 0.66%

LAB 89.66, -66.01, 36.17

 

CMYK 62 / 0 / 33 / 0

HEX #62FFAC

RGB 98 255 172

HSL 148.28, 1%, 0.69%

LAB 90.37, -59.63, 27.69

 

CMYK 88 / 0 / 50 / 20

HEX #19CC65

RGB 25 204 101

HSL 145.47, 0.78%, 0.45%

LAB 72.45, -63.72, 39.6

 

CMYK 96 / 0 / 56 / 27

HEX #08BA52

RGB 8 186 82

HSL 144.94, 0.92%, 0.38%

LAB 66.35, -61.67, 41.33

 

CMYK 100 / 0 / 63 / 34

HEX #00A83F

RGB 0 168 63

HSL 142.5, 1%, 0.33%

LAB 60.22, -58.92, 43.04

 

CMYK 100 / 0 / 71 / 41

HEX #00962C

RGB 0 150 44

HSL 137.6, 1%, 0.29%

LAB 54.02, -55.52, 44.49

 

CMYK 100 / 0 / 81 / 48

HEX #008419

RGB 0 132 25

HSL 131.36, 1%, 0.26%

LAB 47.72, -51.69, 45.23

 

CMYK 88 / 0 / 50 / 20

HEX #19CC65

RGB 25 204 101

HSL 145.47, 0.78%, 0.45%

LAB 72.45, -63.72, 39.6

 

CMYK 88 / 0 / 75 / 20

HEX #19CC34

RGB 25 204 52

HSL 129.05, 0.78%, 0.45%

LAB 71.99, -69.43, 60.04

 

CMYK 78 / 0 / 88 / 20

HEX #2DCC19

RGB 45 204 25

HSL 113.3, 0.78%, 0.45%

LAB 72.1, -68.86, 67.54

 

CMYK 54 / 0 / 88 / 20

HEX #5ECC19

RGB 94 204 25

HSL 96.87, 0.78%, 0.45%

LAB 73.31, -58.78, 69.05

 

CMYK 30 / 0 / 88 / 20

HEX #8ECC19

RGB 142 204 25

HSL 80.78, 0.78%, 0.45%

LAB 75.46, -43.05, 71.73

 

CMYK 88 / 0 / 50 / 20

HEX #19CC65

RGB 25 204 101

HSL 145.47, 0.78%, 0.45%

LAB 72.45, -63.72, 39.6

 

CMYK 88 / 0 / 27 / 20

HEX #19CC95

RGB 25 204 149

HSL 161.56, 0.78%, 0.45%

LAB 73.26, -54.37, 15.88

 

CMYK 88 / 0 / 3 / 20

HEX #19CCC5

RGB 25 204 197

HSL 177.65, 0.78%, 0.45%

LAB 74.46, -41.82, -8.26

 

CMYK 88 / 21 / 0 / 20

HEX #19A2CC

RGB 25 162 204

HSL 194.08, 0.78%, 0.45%

LAB 62, -19.23, -31.03

 

CMYK 88 / 44 / 0 / 20

HEX #1972CC

RGB 25 114 204

HSL 210.17, 0.78%, 0.45%

LAB 47.75, 8.66, -53.52

 

CMYK 88 / 0 / 50 / 20

HEX #19CC65

RGB 25 204 101

HSL 145.47, 0.78%, 0.45%

LAB 72.45, -63.72, 39.6

 

CMYK 97 / 0 / 56 / 13

HEX #06DE62

RGB 6 222 98

HSL 145.56, 0.95%, 0.45%

LAB 77.97, -70.78, 47.73

 

CMYK 88 / 0 / 50 / 20

HEX #19CC65

RGB 25 204 101

HSL 145.47, 0.78%, 0.45%

LAB 72.45, -63.72, 39.6

 

CMYK 77 / 0 / 44 / 27

HEX #2BB968

RGB 43 185 104

HSL 145.77, 0.62%, 0.45%

LAB 66.68, -54.86, 30.82

 

CMYK 63 / 0 / 37 / 35

HEX #3EA76A

RGB 62 167 106

HSL 145.14, 0.46%, 0.45%

LAB 61.4, -44.33, 22.87

 

CMYK 46 / 0 / 26 / 42

HEX #50946D

RGB 80 148 109

HSL 145.59, 0.3%, 0.45%

LAB 56.08, -30.86, 14.06

 

CMYK 23 / 0 / 13 / 49

HEX #638170

RGB 99 129 112

HSL 146, 0.13%, 0.45%

LAB 51.29, -14.44, 5.73

 

CMYK 77 / 0 / 88 / 20

HEX #2ECC19

RGB 46 204 25

HSL 112.96, 0.78%, 0.45%

LAB 72.12, -68.72, 67.56

 

CMYK 88 / 0 / 75 / 20

HEX #19CC34

RGB 25 204 52

HSL 129.05, 0.78%, 0.45%

LAB 71.99, -69.43, 60.04

 

CMYK 88 / 0 / 51 / 20

HEX #19CC63

RGB 25 204 99

HSL 144.8, 0.78%, 0.45%

LAB 72.42, -64.03, 40.54

 

CMYK 88 / 0 / 28 / 20

HEX #19CC93

RGB 25 204 147

HSL 160.89, 0.78%, 0.45%

LAB 73.22, -54.83, 16.89

 

CMYK 88 / 0 / 4 / 20

HEX #19CCC3

RGB 25 204 195

HSL 176.98, 0.78%, 0.45%

LAB 74.4, -42.39, -7.27

 

CMYK 88 / 0 / 51 / 49

HEX #108240

RGB 16 130 64

HSL 145.26, 0.78%, 0.29%

LAB 47.55, -45.02, 27.43

 

CMYK 88 / 0 / 50 / 35

HEX #14A753

RGB 20 167 83

HSL 145.71, 0.79%, 0.37%

LAB 60.26, -54.54, 33.4

 

CMYK 88 / 0 / 50 / 20

HEX #19CC65

RGB 25 204 101

HSL 145.47, 0.78%, 0.45%

LAB 72.45, -63.72, 39.6

 

CMYK 82 / 0 / 47 / 11

HEX #2AE479

RGB 42 228 121

HSL 145.48, 0.78%, 0.53%

LAB 80.38, -67.06, 39.81

 

CMYK 67 / 0 / 38 / 9

HEX #4EE990

RGB 78 233 144

HSL 145.55, 0.78%, 0.61%

LAB 82.87, -60.03, 31.69

 

CMYK 88 / 0 / 50 / 20

HEX #19CC65

RGB 25 204 101

HSL 145.47, 0.78%, 0.45%

LAB 72.45, -63.72, 39.6

 

CMYK 88 / 54 / 0 / 20

HEX #195DCC

RGB 25 93 204

HSL 217.21, 0.78%, 0.45%

LAB 41.84, 22.18, -63.07

 

CMYK 0 / 86 / 88 / 20

HEX #CC1C19

RGB 204 28 25

HSL 1.01, 0.78%, 0.45%

LAB 43.85, 64.45, 48.5

 

CMYK 88 / 0 / 50 / 20

HEX #19CC65

RGB 25 204 101

HSL 145.47, 0.78%, 0.45%

LAB 72.45, -63.72, 39.6

 

CMYK 51 / 88 / 0 / 20

HEX #6319CC

RGB 99 25 204

HSL 264.8, 0.78%, 0.45%

LAB 33.37, 65.53, -76.78

 

CMYK 0 / 51 / 88 / 20

HEX #CC6319

RGB 204 99 25

HSL 24.8, 0.78%, 0.45%

LAB 53.85, 37.61, 56.37

 

CMYK 88 / 0 / 50 / 20

HEX #19CC65

RGB 25 204 101

HSL 145.47, 0.78%, 0.45%

LAB 72.45, -63.72, 39.6

 

CMYK 88 / 54 / 0 / 20

HEX #195DCC

RGB 25 93 204

HSL 217.21, 0.78%, 0.45%

LAB 41.84, 22.18, -63.07

 

CMYK 0 / 88 / 37 / 20

HEX #CC1981

RGB 204 25 129

HSL 325.14, 0.78%, 0.45%

LAB 45.79, 71.07, -11.08

 

CMYK 0 / 34 / 88 / 20

HEX #CC8719

RGB 204 135 25

HSL 36.87, 0.78%, 0.45%

LAB 61.86, 18.44, 62.72

 

CMYK 88 / 0 / 50 / 20

HEX #19CC65

RGB 25 204 101

HSL 145.47, 0.78%, 0.45%

LAB 72.45, -63.72, 39.6

 

CMYK 88 / 80 / 0 / 20

HEX #1928CC

RGB 25 40 204

HSL 234.97, 0.78%, 0.45%

LAB 29.62, 54.59, -83.15

 

CMYK 0 / 88 / 37 / 20

HEX #CC1981

RGB 204 25 129

HSL 325.14, 0.78%, 0.45%

LAB 45.79, 71.07, -11.08

 

CMYK 0 / 7 / 88 / 20

HEX #CCBD19

RGB 204 189 25

HSL 54.97, 0.78%, 0.45%

LAB 75.64, -10.34, 73.69

 

Description

Color code: RGB 25 204 101 | qconv.com Color code: RGB 25 204 101 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 25 red, 204 green and 101 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
25 204 101 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 88 cyan, none magenta, 50 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
88% 0% 50% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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