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Color name
RGB 25 204 92

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 25 204 92 it is the complementary color RGB 230 51 163. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 25 204 92. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 25 204 92 shade: RGB 30 204 87, RGB 47 222 106, RGB 64 240 125, RGB 81 255 144 and RGB 98 255 163

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 25 204 92. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 25 204 92 shade: RGB 25 204 92, RGB 8 186 73, RGB 0 168 54, RGB 0 150 35 and RGB 0 132 16

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 25 204 92 shade: RGB 25 204 92, RGB 25 204 43, RGB 54 204 25, RGB 103 204 25 and RGB 151 204 25

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 25 204 92 shade: RGB 25 204 92, RGB 25 204 140, RGB 25 204 188, RGB 25 171 204 and RGB 25 123 204

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 25 204 92 shade matches the following richer shades: RGB 25 204 92 and RGB 6 222 87

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 25 204 92 shade: RGB 25 204 92, RGB 43 185 96, RGB 62 167 101, RGB 80 148 106 and RGB 99 129 110

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 25 204 92 shade: RGB 55 204 25, RGB 25 204 43, RGB 25 204 90, RGB 25 204 138 and RGB 25 204 186

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 25 204 92 shade: RGB 16 130 59, RGB 20 167 75, RGB 25 204 92, RGB 42 228 111 and RGB 78 233 136

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 25 204 92 shade: RGB 25 204 92, RGB 25 102 204 and RGB 204 25 31

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 25 204 92 shade: RGB 25 204 92, RGB 90 25 204 and RGB 204 90 25

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 25 204 92 shade: RGB 25 204 92, RGB 25 102 204, RGB 204 25 138 and RGB 204 126 25

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 25 204 92 shade: RGB 25 204 92, RGB 25 49 204, RGB 204 25 138 and RGB 204 180 25

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 88 / 0 / 55 / 20

HEX #19CC5C

RGB 25 204 92

HSL 142.46, 0.78%, 0.45%

LAB 72.34, -65.07, 43.8

 

Complementary color

CMYK 0 / 78 / 29 / 10

HEX #E633A3

RGB 230 51 163

HSL 322.46, 0.78%, 0.55%

LAB 53.85, 74.94, -18.8

 

CMYK 85 / 0 / 57 / 20

HEX #1ECC57

RGB 30 204 87

HSL 139.66, 0.74%, 0.46%

LAB 72.33, -65.36, 46.14

 

CMYK 79 / 0 / 52 / 13

HEX #2FDE6A

RGB 47 222 106

HSL 140.23, 0.73%, 0.53%

LAB 78.4, -66.84, 44.58

 

CMYK 73 / 0 / 48 / 6

HEX #40F07D

RGB 64 240 125

HSL 140.8, 0.85%, 0.6%

LAB 84.43, -67.87, 43.04

 

CMYK 68 / 0 / 44 / 0

HEX #51FF90

RGB 81 255 144

HSL 141.72, 1%, 0.66%

LAB 89.53, -67.51, 40.41

 

CMYK 62 / 0 / 36 / 0

HEX #62FFA3

RGB 98 255 163

HSL 144.84, 1%, 0.69%

LAB 90.21, -61.28, 32.01

 

CMYK 88 / 0 / 55 / 20

HEX #19CC5C

RGB 25 204 92

HSL 142.46, 0.78%, 0.45%

LAB 72.34, -65.07, 43.8

 

CMYK 96 / 0 / 61 / 27

HEX #08BA49

RGB 8 186 73

HSL 141.91, 0.92%, 0.38%

LAB 66.25, -62.89, 45.42

 

CMYK 100 / 0 / 68 / 34

HEX #00A836

RGB 0 168 54

HSL 139.29, 1%, 0.33%

LAB 60.13, -59.96, 46.89

 

CMYK 100 / 0 / 77 / 41

HEX #009623

RGB 0 150 35

HSL 134, 1%, 0.29%

LAB 53.96, -56.34, 47.9

 

CMYK 100 / 0 / 88 / 48

HEX #008410

RGB 0 132 16

HSL 127.27, 1%, 0.26%

LAB 47.68, -52.24, 47.79

 

CMYK 88 / 0 / 55 / 20

HEX #19CC5C

RGB 25 204 92

HSL 142.46, 0.78%, 0.45%

LAB 72.34, -65.07, 43.8

 

CMYK 88 / 0 / 79 / 20

HEX #19CC2B

RGB 25 204 43

HSL 126.03, 0.78%, 0.45%

LAB 71.94, -70.06, 62.87

 

CMYK 74 / 0 / 88 / 20

HEX #36CC19

RGB 54 204 25

HSL 110.28, 0.78%, 0.45%

LAB 72.26, -67.53, 67.73

 

CMYK 50 / 0 / 88 / 20

HEX #67CC19

RGB 103 204 25

HSL 93.85, 0.78%, 0.45%

LAB 73.64, -56.22, 69.46

 

CMYK 26 / 0 / 88 / 20

HEX #97CC19

RGB 151 204 25

HSL 77.77, 0.78%, 0.45%

LAB 75.97, -39.64, 72.36

 

CMYK 88 / 0 / 55 / 20

HEX #19CC5C

RGB 25 204 92

HSL 142.46, 0.78%, 0.45%

LAB 72.34, -65.07, 43.8

 

CMYK 88 / 0 / 31 / 20

HEX #19CC8C

RGB 25 204 140

HSL 158.55, 0.78%, 0.45%

LAB 73.08, -56.39, 20.42

 

CMYK 88 / 0 / 8 / 20

HEX #19CCBC

RGB 25 204 188

HSL 174.64, 0.78%, 0.45%

LAB 74.2, -44.38, -3.77

 

CMYK 88 / 16 / 0 / 20

HEX #19ABCC

RGB 25 171 204

HSL 191.06, 0.78%, 0.45%

LAB 64.72, -23.92, -26.84

 

CMYK 88 / 40 / 0 / 20

HEX #197BCC

RGB 25 123 204

HSL 207.15, 0.78%, 0.45%

LAB 50.37, 3.07, -49.33

 

CMYK 88 / 0 / 55 / 20

HEX #19CC5C

RGB 25 204 92

HSL 142.46, 0.78%, 0.45%

LAB 72.34, -65.07, 43.8

 

CMYK 97 / 0 / 61 / 13

HEX #06DE57

RGB 6 222 87

HSL 142.5, 0.95%, 0.45%

LAB 77.86, -72.19, 52.53

 

CMYK 88 / 0 / 55 / 20

HEX #19CC5C

RGB 25 204 92

HSL 142.46, 0.78%, 0.45%

LAB 72.34, -65.07, 43.8

 

CMYK 77 / 0 / 48 / 27

HEX #2BB960

RGB 43 185 96

HSL 142.39, 0.62%, 0.45%

LAB 66.56, -56.23, 34.77

 

CMYK 63 / 0 / 40 / 35

HEX #3EA765

RGB 62 167 101

HSL 142.29, 0.46%, 0.45%

LAB 61.31, -45.28, 25.45

 

CMYK 46 / 0 / 28 / 42

HEX #50946A

RGB 80 148 106

HSL 142.94, 0.3%, 0.45%

LAB 56.01, -31.48, 15.66

 

CMYK 23 / 0 / 15 / 49

HEX #63816E

RGB 99 129 110

HSL 142, 0.13%, 0.45%

LAB 51.24, -14.86, 6.83

 

CMYK 73 / 0 / 88 / 20

HEX #37CC19

RGB 55 204 25

HSL 109.94, 0.78%, 0.45%

LAB 72.27, -67.37, 67.75

 

CMYK 88 / 0 / 79 / 20

HEX #19CC2B

RGB 25 204 43

HSL 126.03, 0.78%, 0.45%

LAB 71.94, -70.06, 62.87

 

CMYK 88 / 0 / 56 / 20

HEX #19CC5A

RGB 25 204 90

HSL 141.79, 0.78%, 0.45%

LAB 72.32, -65.35, 44.71

 

CMYK 88 / 0 / 32 / 20

HEX #19CC8A

RGB 25 204 138

HSL 157.88, 0.78%, 0.45%

LAB 73.04, -56.82, 21.42

 

CMYK 88 / 0 / 9 / 20

HEX #19CCBA

RGB 25 204 186

HSL 173.97, 0.78%, 0.45%

LAB 74.15, -44.93, -2.77

 

CMYK 88 / 0 / 55 / 49

HEX #10823B

RGB 16 130 59

HSL 142.63, 0.78%, 0.29%

LAB 47.48, -45.86, 30

 

CMYK 88 / 0 / 55 / 35

HEX #14A74B

RGB 20 167 75

HSL 142.45, 0.79%, 0.37%

LAB 60.15, -55.8, 37.29

 

CMYK 88 / 0 / 55 / 20

HEX #19CC5C

RGB 25 204 92

HSL 142.46, 0.78%, 0.45%

LAB 72.34, -65.07, 43.8

 

CMYK 82 / 0 / 51 / 11

HEX #2AE46F

RGB 42 228 111

HSL 142.26, 0.78%, 0.53%

LAB 80.25, -68.61, 44.47

 

CMYK 67 / 0 / 42 / 9

HEX #4EE988

RGB 78 233 136

HSL 142.45, 0.78%, 0.61%

LAB 82.74, -61.43, 35.55

 

CMYK 88 / 0 / 55 / 20

HEX #19CC5C

RGB 25 204 92

HSL 142.46, 0.78%, 0.45%

LAB 72.34, -65.07, 43.8

 

CMYK 88 / 50 / 0 / 20

HEX #1966CC

RGB 25 102 204

HSL 214.19, 0.78%, 0.45%

LAB 44.33, 16.32, -59.03

 

CMYK 0 / 88 / 85 / 20

HEX #CC191F

RGB 204 25 31

HSL 357.99, 0.78%, 0.45%

LAB 43.7, 65.14, 45.46

 

CMYK 88 / 0 / 55 / 20

HEX #19CC5C

RGB 25 204 92

HSL 142.46, 0.78%, 0.45%

LAB 72.34, -65.07, 43.8

 

CMYK 56 / 88 / 0 / 20

HEX #5A19CC

RGB 90 25 204

HSL 261.79, 0.78%, 0.45%

LAB 32.32, 64.67, -78.54

 

CMYK 0 / 56 / 88 / 20

HEX #CC5A19

RGB 204 90 25

HSL 21.79, 0.78%, 0.45%

LAB 52.08, 42.1, 54.98

 

CMYK 88 / 0 / 55 / 20

HEX #19CC5C

RGB 25 204 92

HSL 142.46, 0.78%, 0.45%

LAB 72.34, -65.07, 43.8

 

CMYK 88 / 50 / 0 / 20

HEX #1966CC

RGB 25 102 204

HSL 214.19, 0.78%, 0.45%

LAB 44.33, 16.32, -59.03

 

CMYK 0 / 88 / 32 / 20

HEX #CC198A

RGB 204 25 138

HSL 322.12, 0.78%, 0.45%

LAB 46.13, 72, -16.05

 

CMYK 0 / 38 / 88 / 20

HEX #CC7E19

RGB 204 126 25

HSL 33.85, 0.78%, 0.45%

LAB 59.73, 23.33, 61.04

 

CMYK 88 / 0 / 55 / 20

HEX #19CC5C

RGB 25 204 92

HSL 142.46, 0.78%, 0.45%

LAB 72.34, -65.07, 43.8

 

CMYK 88 / 76 / 0 / 20

HEX #1931CC

RGB 25 49 204

HSL 231.96, 0.78%, 0.45%

LAB 31.26, 49.87, -80.43

 

CMYK 0 / 88 / 32 / 20

HEX #CC198A

RGB 204 25 138

HSL 322.12, 0.78%, 0.45%

LAB 46.13, 72, -16.05

 

CMYK 0 / 12 / 88 / 20

HEX #CCB419

RGB 204 180 25

HSL 51.96, 0.78%, 0.45%

LAB 73.25, -5.7, 71.79

 

Description

Color code: RGB 25 204 92 | qconv.com Color code: RGB 25 204 92 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 25 red, 204 green and 92 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
25 204 92 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 88 cyan, none magenta, 55 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
88% 0% 55% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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