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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 25 205 235 it is the complementary color RGB 230 50 20. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 25 205 235. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 25 205 235 shade: RGB 30 205 230, RGB 47 223 249, RGB 64 241 255, RGB 81 255 255 and RGB 98 255 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 25 205 235. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 25 205 235 shade: RGB 25 205 235, RGB 8 187 216, RGB 0 169 197, RGB 0 151 178 and RGB 0 133 159

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 25 205 235 shade: RGB 25 205 235, RGB 25 148 235, RGB 25 91 235, RGB 25 35 235 and RGB 71 25 235

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 25 205 235 shade: RGB 25 205 235, RGB 25 148 235, RGB 25 91 235, RGB 25 35 235 and RGB 25 25 235

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 25 205 235 shade matches the following richer shades: RGB 25 205 235

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 25 205 235 shade: RGB 25 205 235, RGB 45 190 214, RGB 65 176 194, RGB 85 161 174 and RGB 105 147 154

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 25 205 235 shade: RGB 25 235 151, RGB 25 235 207, RGB 25 207 235, RGB 25 151 235 and RGB 25 95 235

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 25 205 235 shade: RGB 14 142 163, RGB 17 175 201, RGB 25 205 235, RGB 63 213 238 and RGB 101 221 241

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 25 205 235 shade: RGB 25 205 235, RGB 95 25 235 and RGB 235 179 25

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 25 205 235 shade: RGB 25 205 235, RGB 235 25 207 and RGB 207 235 25

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 25 205 235 shade: RGB 25 205 235, RGB 95 25 235, RGB 235 53 25 and RGB 165 235 25

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 25 205 235 shade: RGB 25 205 235, RGB 158 25 235, RGB 235 53 25 and RGB 102 235 25

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 89 / 13 / 0 / 8

HEX #19CDEB

RGB 25 205 235

HSL 188.57, 0.84%, 0.51%

LAB 75.99, -30.67, -26.46

 

Complementary color

CMYK 0 / 78 / 91 / 10

HEX #E63214

RGB 230 50 20

HSL 8.57, 0.84%, 0.49%

LAB 50.87, 66.36, 57.9

 

CMYK 87 / 11 / 0 / 10

HEX #1ECDE6

RGB 30 205 230

HSL 187.5, 0.8%, 0.51%

LAB 75.86, -32, -23.97

 

CMYK 81 / 10 / 0 / 2

HEX #2FDFF9

RGB 47 223 249

HSL 187.72, 0.94%, 0.58%

LAB 81.96, -33.52, -24.79

 

CMYK 75 / 5 / 0 / 0

HEX #40F1FF

RGB 64 241 255

HSL 184.4, 1%, 0.63%

LAB 87.59, -38.58, -19.38

 

CMYK 68 / 0 / 0 / 0

HEX #51FFFF

RGB 81 255 255

HSL 180, 1%, 0.66%

LAB 91.9, -42.96, -12.88

 

CMYK 62 / 0 / 0 / 0

HEX #62FFFF

RGB 98 255 255

HSL 180, 1%, 0.69%

LAB 92.28, -40.58, -12.28

 

CMYK 89 / 13 / 0 / 8

HEX #19CDEB

RGB 25 205 235

HSL 188.57, 0.84%, 0.51%

LAB 75.99, -30.67, -26.46

 

CMYK 96 / 13 / 0 / 15

HEX #08BBD8

RGB 8 187 216

HSL 188.37, 0.93%, 0.44%

LAB 69.86, -28.65, -25.56

 

CMYK 100 / 14 / 0 / 23

HEX #00A9C5

RGB 0 169 197

HSL 188.53, 1%, 0.39%

LAB 63.68, -26.25, -24.56

 

CMYK 100 / 15 / 0 / 30

HEX #0097B2

RGB 0 151 178

HSL 189.1, 1%, 0.35%

LAB 57.41, -23.55, -23.5

 

CMYK 100 / 16 / 0 / 38

HEX #00859F

RGB 0 133 159

HSL 189.81, 1%, 0.31%

LAB 51.01, -20.79, -22.44

 

CMYK 89 / 13 / 0 / 8

HEX #19CDEB

RGB 25 205 235

HSL 188.57, 0.84%, 0.51%

LAB 75.99, -30.67, -26.46

 

CMYK 89 / 37 / 0 / 8

HEX #1994EB

RGB 25 148 235

HSL 204.86, 0.84%, 0.51%

LAB 59.33, -0.18, -52.46

 

CMYK 89 / 61 / 0 / 8

HEX #195BEB

RGB 25 91 235

HSL 221.14, 0.84%, 0.51%

LAB 43.78, 35.38, -77.57

 

CMYK 89 / 85 / 0 / 8

HEX #1923EB

RGB 25 35 235

HSL 237.14, 0.84%, 0.51%

LAB 32.72, 66.08, -95.86

 

CMYK 70 / 89 / 0 / 8

HEX #4719EB

RGB 71 25 235

HSL 253.14, 0.84%, 0.51%

LAB 34.05, 71.08, -93.57

 

CMYK 89 / 13 / 0 / 8

HEX #19CDEB

RGB 25 205 235

HSL 188.57, 0.84%, 0.51%

LAB 75.99, -30.67, -26.46

 

CMYK 89 / 37 / 0 / 8

HEX #1994EB

RGB 25 148 235

HSL 204.86, 0.84%, 0.51%

LAB 59.33, -0.18, -52.46

 

CMYK 89 / 61 / 0 / 8

HEX #195BEB

RGB 25 91 235

HSL 221.14, 0.84%, 0.51%

LAB 43.78, 35.38, -77.57

 

CMYK 89 / 85 / 0 / 8

HEX #1923EB

RGB 25 35 235

HSL 237.14, 0.84%, 0.51%

LAB 32.72, 66.08, -95.86

 

CMYK 89 / 89 / 0 / 8

HEX #1919EB

RGB 25 25 235

HSL 240, 0.84%, 0.51%

LAB 31.58, 69.52, -97.76

 

CMYK 89 / 13 / 0 / 8

HEX #19CDEB

RGB 25 205 235

HSL 188.57, 0.84%, 0.51%

LAB 75.99, -30.67, -26.46

 

CMYK 89 / 13 / 0 / 8

HEX #19CDEB

RGB 25 205 235

HSL 188.57, 0.84%, 0.51%

LAB 75.99, -30.67, -26.46

 

CMYK 79 / 11 / 0 / 16

HEX #2DBED6

RGB 45 190 214

HSL 188.52, 0.67%, 0.51%

LAB 71.04, -28.65, -22.64

 

CMYK 66 / 9 / 0 / 24

HEX #41B0C2

RGB 65 176 194

HSL 188.37, 0.51%, 0.51%

LAB 66.57, -25.45, -18.4

 

CMYK 51 / 7 / 0 / 32

HEX #55A1AE

RGB 85 161 174

HSL 188.76, 0.35%, 0.51%

LAB 62.06, -19.88, -14

 

CMYK 32 / 5 / 0 / 40

HEX #69939A

RGB 105 147 154

HSL 188.57, 0.2%, 0.51%

LAB 58.23, -12.53, -8.32

 

CMYK 89 / 0 / 36 / 8

HEX #19EB97

RGB 25 235 151

HSL 156, 0.84%, 0.51%

LAB 82.84, -65.29, 27.97

 

CMYK 89 / 0 / 12 / 8

HEX #19EBCF

RGB 25 235 207

HSL 172, 0.84%, 0.51%

LAB 84.03, -52.25, 0.49

 

CMYK 89 / 12 / 0 / 8

HEX #19CFEB

RGB 25 207 235

HSL 188, 0.84%, 0.51%

LAB 76.58, -31.64, -25.56

 

CMYK 89 / 36 / 0 / 8

HEX #1997EB

RGB 25 151 235

HSL 204, 0.84%, 0.51%

LAB 60.19, -1.93, -51.09

 

CMYK 89 / 60 / 0 / 8

HEX #195FEB

RGB 25 95 235

HSL 220, 0.84%, 0.51%

LAB 44.79, 32.83, -75.93

 

CMYK 91 / 13 / 0 / 36

HEX #0E8EA3

RGB 14 142 163

HSL 188.46, 0.84%, 0.35%

LAB 54.12, -23.5, -19.98

 

CMYK 92 / 13 / 0 / 21

HEX #11AFC9

RGB 17 175 201

HSL 188.48, 0.84%, 0.43%

LAB 65.75, -27.35, -23.61

 

CMYK 89 / 13 / 0 / 8

HEX #19CDEB

RGB 25 205 235

HSL 188.57, 0.84%, 0.51%

LAB 75.99, -30.67, -26.46

 

CMYK 74 / 11 / 0 / 7

HEX #3FD5EE

RGB 63 213 238

HSL 188.57, 0.84%, 0.59%

LAB 78.94, -30.57, -23.52

 

CMYK 58 / 8 / 0 / 5

HEX #65DDF1

RGB 101 221 241

HSL 188.57, 0.83%, 0.67%

LAB 82.29, -27.98, -19.94

 

CMYK 89 / 13 / 0 / 8

HEX #19CDEB

RGB 25 205 235

HSL 188.57, 0.84%, 0.51%

LAB 75.99, -30.67, -26.46

 

CMYK 60 / 89 / 0 / 8

HEX #5F19EB

RGB 95 25 235

HSL 260, 0.84%, 0.51%

LAB 36.23, 72.59, -89.9

 

CMYK 0 / 24 / 89 / 8

HEX #EBB319

RGB 235 179 25

HSL 44, 0.84%, 0.51%

LAB 76.05, 8.34, 75.29

 

CMYK 89 / 13 / 0 / 8

HEX #19CDEB

RGB 25 205 235

HSL 188.57, 0.84%, 0.51%

LAB 75.99, -30.67, -26.46

 

CMYK 0 / 89 / 12 / 8

HEX #EB19CF

RGB 235 25 207

HSL 308, 0.84%, 0.51%

LAB 54.93, 86.46, -42.6

 

CMYK 12 / 0 / 89 / 8

HEX #CFEB19

RGB 207 235 25

HSL 68, 0.84%, 0.51%

LAB 88.33, -31.49, 83.91

 

CMYK 89 / 13 / 0 / 8

HEX #19CDEB

RGB 25 205 235

HSL 188.57, 0.84%, 0.51%

LAB 75.99, -30.67, -26.46

 

CMYK 60 / 89 / 0 / 8

HEX #5F19EB

RGB 95 25 235

HSL 260, 0.84%, 0.51%

LAB 36.23, 72.59, -89.9

 

CMYK 0 / 77 / 89 / 8

HEX #EB3519

RGB 235 53 25

HSL 8, 0.84%, 0.51%

LAB 52.15, 67.03, 57.42

 

CMYK 30 / 0 / 89 / 8

HEX #A5EB19

RGB 165 235 25

HSL 80, 0.84%, 0.51%

LAB 85.75, -47.72, 80.75

 

CMYK 89 / 13 / 0 / 8

HEX #19CDEB

RGB 25 205 235

HSL 188.57, 0.84%, 0.51%

LAB 75.99, -30.67, -26.46

 

CMYK 33 / 89 / 0 / 8

HEX #9E19EB

RGB 158 25 235

HSL 278, 0.84%, 0.51%

LAB 44.18, 78.92, -76.52

 

CMYK 0 / 77 / 89 / 8

HEX #EB3519

RGB 235 53 25

HSL 8, 0.84%, 0.51%

LAB 52.15, 67.03, 57.42

 

CMYK 57 / 0 / 89 / 8

HEX #66EB19

RGB 102 235 25

HSL 98, 0.84%, 0.51%

LAB 83.08, -67.45, 77.44

 

Description

Color code: RGB 25 205 235 | qconv.com Color code: RGB 25 205 235 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 25 red, 205 green and 235 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
25 205 235 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 89 cyan, 13 magenta, none yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
89% 13% 0% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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