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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 25 222 255 it is the complementary color RGB 230 33 0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 25 222 255. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 25 222 255 shade: RGB 30 222 250, RGB 47 240 255, RGB 64 255 255, RGB 81 255 255 and RGB 98 255 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 25 222 255. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 25 222 255 shade: RGB 25 222 255, RGB 8 204 236, RGB 0 186 217, RGB 0 168 198 and RGB 0 150 179

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 25 222 255 shade: RGB 25 222 255, RGB 25 160 255, RGB 25 98 255, RGB 25 36 255 and RGB 76 25 255

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 25 222 255 shade: RGB 25 222 255, RGB 25 160 255, RGB 25 98 255, RGB 25 36 255 and RGB 25 25 255

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 25 222 255 shade matches the following richer shades: RGB 25 222 255

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 25 222 255 shade: RGB 25 222 255, RGB 44 208 236, RGB 62 195 217, RGB 81 182 199 and RGB 99 169 180

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 25 222 255 shade: RGB 25 255 163, RGB 25 255 224, RGB 25 224 255, RGB 25 163 255 and RGB 25 102 255

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 25 222 255 shade: RGB 0 169 197, RGB 0 204 239, RGB 25 222 255, RGB 66 227 255 and RGB 108 233 255

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 25 222 255 shade: RGB 25 222 255, RGB 101 25 255 and RGB 255 193 25

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 25 222 255 shade: RGB 25 222 255, RGB 255 25 224 and RGB 224 255 25

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 25 222 255 shade: RGB 25 222 255, RGB 101 25 255, RGB 255 56 25 and RGB 178 255 25

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 25 222 255 shade: RGB 25 222 255, RGB 170 25 255, RGB 255 56 25 and RGB 109 255 25

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 90 / 13 / 0 / 0

HEX #19DEFF

RGB 25 222 255

HSL 188.61, 1%, 0.55%

LAB 81.66, -32.48, -28.45

 

Complementary color

CMYK 0 / 86 / 100 / 10

HEX #E62100

RGB 230 33 0

HSL 8.61, 1%, 0.45%

LAB 49.39, 70.21, 62.67

 

CMYK 88 / 11 / 0 / 2

HEX #1EDEFA

RGB 30 222 250

HSL 187.64, 0.96%, 0.55%

LAB 81.52, -33.82, -26

 

CMYK 82 / 6 / 0 / 0

HEX #2FF0FF

RGB 47 240 255

HSL 184.33, 1%, 0.59%

LAB 87.07, -39.6, -20.2

 

CMYK 75 / 0 / 0 / 0

HEX #40FFFF

RGB 64 255 255

HSL 180, 1%, 0.63%

LAB 91.61, -44.85, -13.35

 

CMYK 68 / 0 / 0 / 0

HEX #51FFFF

RGB 81 255 255

HSL 180, 1%, 0.66%

LAB 91.9, -42.96, -12.88

 

CMYK 62 / 0 / 0 / 0

HEX #62FFFF

RGB 98 255 255

HSL 180, 1%, 0.69%

LAB 92.28, -40.58, -12.28

 

CMYK 90 / 13 / 0 / 0

HEX #19DEFF

RGB 25 222 255

HSL 188.61, 1%, 0.55%

LAB 81.66, -32.48, -28.45

 

CMYK 97 / 14 / 0 / 7

HEX #08CCEC

RGB 8 204 236

HSL 188.42, 0.93%, 0.48%

LAB 75.63, -30.44, -27.55

 

CMYK 100 / 14 / 0 / 15

HEX #00BAD9

RGB 0 186 217

HSL 188.57, 1%, 0.43%

LAB 69.56, -28.05, -26.57

 

CMYK 100 / 15 / 0 / 22

HEX #00A8C6

RGB 0 168 198

HSL 189.09, 1%, 0.39%

LAB 63.41, -25.4, -25.53

 

CMYK 100 / 16 / 0 / 30

HEX #0096B3

RGB 0 150 179

HSL 189.72, 1%, 0.35%

LAB 57.14, -22.69, -24.49

 

CMYK 90 / 13 / 0 / 0

HEX #19DEFF

RGB 25 222 255

HSL 188.61, 1%, 0.55%

LAB 81.66, -32.48, -28.45

 

CMYK 90 / 37 / 0 / 0

HEX #19A0FF

RGB 25 160 255

HSL 204.78, 1%, 0.55%

LAB 63.81, 0.25, -56.32

 

CMYK 90 / 62 / 0 / 0

HEX #1962FF

RGB 25 98 255

HSL 220.96, 1%, 0.55%

LAB 47.19, 38.4, -83.19

 

CMYK 90 / 86 / 0 / 0

HEX #1924FF

RGB 25 36 255

HSL 237.13, 1%, 0.55%

LAB 35.38, 71.32, -102.72

 

CMYK 70 / 90 / 0 / 0

HEX #4C19FF

RGB 76 25 255

HSL 253.3, 1%, 0.55%

LAB 36.84, 76.32, -100.21

 

CMYK 90 / 13 / 0 / 0

HEX #19DEFF

RGB 25 222 255

HSL 188.61, 1%, 0.55%

LAB 81.66, -32.48, -28.45

 

CMYK 90 / 37 / 0 / 0

HEX #19A0FF

RGB 25 160 255

HSL 204.78, 1%, 0.55%

LAB 63.81, 0.25, -56.32

 

CMYK 90 / 62 / 0 / 0

HEX #1962FF

RGB 25 98 255

HSL 220.96, 1%, 0.55%

LAB 47.19, 38.4, -83.19

 

CMYK 90 / 86 / 0 / 0

HEX #1924FF

RGB 25 36 255

HSL 237.13, 1%, 0.55%

LAB 35.38, 71.32, -102.72

 

CMYK 90 / 90 / 0 / 0

HEX #1919FF

RGB 25 25 255

HSL 240, 1%, 0.55%

LAB 34.24, 74.78, -104.62

 

CMYK 90 / 13 / 0 / 0

HEX #19DEFF

RGB 25 222 255

HSL 188.61, 1%, 0.55%

LAB 81.66, -32.48, -28.45

 

CMYK 90 / 13 / 0 / 0

HEX #19DEFF

RGB 25 222 255

HSL 188.61, 1%, 0.55%

LAB 81.66, -32.48, -28.45

 

CMYK 81 / 12 / 0 / 7

HEX #2CD0EC

RGB 44 208 236

HSL 188.75, 0.83%, 0.55%

LAB 77.1, -30.6, -25.27

 

CMYK 71 / 10 / 0 / 15

HEX #3EC3D9

RGB 62 195 217

HSL 188.52, 0.67%, 0.55%

LAB 72.93, -28.31, -21.35

 

CMYK 59 / 9 / 0 / 22

HEX #51B6C7

RGB 81 182 199

HSL 188.64, 0.51%, 0.55%

LAB 68.99, -24.28, -17.45

 

CMYK 45 / 6 / 0 / 29

HEX #63A9B4

RGB 99 169 180

HSL 188.15, 0.35%, 0.55%

LAB 65.22, -19.09, -12.55

 

CMYK 90 / 0 / 36 / 0

HEX #19FFA3

RGB 25 255 163

HSL 156, 1%, 0.55%

LAB 89.1, -69.85, 30.32

 

CMYK 90 / 0 / 12 / 0

HEX #19FFE0

RGB 25 255 224

HSL 171.91, 1%, 0.55%

LAB 90.37, -55.91, 0.85

 

CMYK 90 / 12 / 0 / 0

HEX #19E0FF

RGB 25 224 255

HSL 188.09, 1%, 0.55%

LAB 82.24, -33.43, -27.56

 

CMYK 90 / 36 / 0 / 0

HEX #19A3FF

RGB 25 163 255

HSL 204, 1%, 0.55%

LAB 64.66, -1.48, -54.97

 

CMYK 90 / 60 / 0 / 0

HEX #1966FF

RGB 25 102 255

HSL 219.91, 1%, 0.55%

LAB 48.17, 35.89, -81.57

 

CMYK 100 / 14 / 0 / 23

HEX #00A9C5

RGB 0 169 197

HSL 188.53, 1%, 0.39%

LAB 63.68, -26.25, -24.56

 

CMYK 100 / 15 / 0 / 6

HEX #00CCEF

RGB 0 204 239

HSL 188.79, 1%, 0.47%

LAB 75.71, -29.65, -29.05

 

CMYK 90 / 13 / 0 / 0

HEX #19DEFF

RGB 25 222 255

HSL 188.61, 1%, 0.55%

LAB 81.66, -32.48, -28.45

 

CMYK 74 / 11 / 0 / 0

HEX #42E3FF

RGB 66 227 255

HSL 188.89, 1%, 0.63%

LAB 83.61, -31.82, -25.42

 

CMYK 58 / 9 / 0 / 0

HEX #6CE9FF

RGB 108 233 255

HSL 188.98, 1%, 0.71%

LAB 86.35, -28.65, -21.16

 

CMYK 90 / 13 / 0 / 0

HEX #19DEFF

RGB 25 222 255

HSL 188.61, 1%, 0.55%

LAB 81.66, -32.48, -28.45

 

CMYK 60 / 90 / 0 / 0

HEX #6519FF

RGB 101 25 255

HSL 259.83, 1%, 0.55%

LAB 39.04, 77.75, -96.49

 

CMYK 0 / 24 / 90 / 0

HEX #FFC119

RGB 255 193 25

HSL 43.83, 1%, 0.55%

LAB 81.55, 9.6, 80.39

 

CMYK 90 / 13 / 0 / 0

HEX #19DEFF

RGB 25 222 255

HSL 188.61, 1%, 0.55%

LAB 81.66, -32.48, -28.45

 

CMYK 0 / 90 / 12 / 0

HEX #FF19E0

RGB 255 25 224

HSL 308.09, 1%, 0.55%

LAB 59.29, 92.26, -45.16

 

CMYK 12 / 0 / 90 / 0

HEX #E0FF19

RGB 224 255 25

HSL 68.09, 1%, 0.55%

LAB 94.92, -33.85, 89.63

 

CMYK 90 / 13 / 0 / 0

HEX #19DEFF

RGB 25 222 255

HSL 188.61, 1%, 0.55%

LAB 81.66, -32.48, -28.45

 

CMYK 60 / 90 / 0 / 0

HEX #6519FF

RGB 101 25 255

HSL 259.83, 1%, 0.55%

LAB 39.04, 77.75, -96.49

 

CMYK 0 / 78 / 90 / 0

HEX #FF3819

RGB 255 56 25

HSL 8.09, 1%, 0.55%

LAB 56.25, 71.92, 62.05

 

CMYK 30 / 0 / 90 / 0

HEX #B2FF19

RGB 178 255 25

HSL 80.09, 1%, 0.55%

LAB 92.16, -51.32, 86.25

 

CMYK 90 / 13 / 0 / 0

HEX #19DEFF

RGB 25 222 255

HSL 188.61, 1%, 0.55%

LAB 81.66, -32.48, -28.45

 

CMYK 33 / 90 / 0 / 0

HEX #AA19FF

RGB 170 25 255

HSL 277.83, 1%, 0.55%

LAB 47.57, 84.27, -82.13

 

CMYK 0 / 78 / 90 / 0

HEX #FF3819

RGB 255 56 25

HSL 8.09, 1%, 0.55%

LAB 56.25, 71.92, 62.05

 

CMYK 57 / 0 / 90 / 0

HEX #6DFF19

RGB 109 255 25

HSL 98.09, 1%, 0.55%

LAB 89.32, -72.39, 82.75

 

Description

Color code: RGB 25 222 255 | qconv.com Color code: RGB 25 222 255 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 25 red, 222 green and 255 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
25 222 255 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 90 cyan, 13 magenta, none yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
90% 13% 0% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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