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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 26 132 185 it is the complementary color RGB 229 123 70. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 26 132 185. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 26 132 185 shade: RGB 31 132 180, RGB 48 150 199, RGB 65 168 218, RGB 82 186 237 and RGB 99 204 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 26 132 185. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 26 132 185 shade: RGB 26 132 185, RGB 9 114 166, RGB 0 96 147, RGB 0 78 128 and RGB 0 60 109

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 26 132 185 shade: RGB 26 130 182, RGB 26 88 182, RGB 26 46 182, RGB 48 26 182 and RGB 90 26 182

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 26 132 185 shade: RGB 26 130 182, RGB 26 88 182, RGB 26 46 182 and RGB 26 26 182

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 26 132 185 shade matches the following richer shades: RGB 26 130 182 and RGB 9 136 199

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 26 132 185 shade: RGB 26 130 182, RGB 43 125 166, RGB 59 119 149, RGB 76 113 132 and RGB 93 108 115

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 26 132 185 shade: RGB 26 182 151, RGB 26 172 182, RGB 26 130 182, RGB 26 88 182 and RGB 26 47 182

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 26 132 185 shade: RGB 15 79 110, RGB 20 104 146, RGB 26 130 182, RGB 31 156 219 and RGB 63 173 227

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 26 132 185 shade: RGB 26 132 185, RGB 109 26 182 and RGB 182 172 26

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 26 132 185 shade: RGB 26 132 185, RGB 182 26 130 and RGB 130 182 26

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 26 132 185 shade: RGB 26 132 185, RGB 109 26 182, RGB 182 78 26 and RGB 99 182 26

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 26 132 185 shade: RGB 26 132 185, RGB 156 26 182, RGB 182 78 26 and RGB 52 182 26

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 86 / 29 / 0 / 27

HEX #1A84B9

RGB 26 132 185

HSL 200, 0.75%, 0.41%

LAB 52.09, -9.4, -35.75

 

Complementary color

CMYK 0 / 46 / 69 / 10

HEX #E57B46

RGB 229 123 70

HSL 20, 0.75%, 0.59%

LAB 62.73, 36.89, 46.44

 

CMYK 83 / 27 / 0 / 29

HEX #1F84B4

RGB 31 132 180

HSL 199.33, 0.71%, 0.41%

LAB 51.94, -10.82, -33.11

 

CMYK 76 / 25 / 0 / 22

HEX #3096C7

RGB 48 150 199

HSL 199.47, 0.61%, 0.48%

LAB 58.57, -12.42, -33.54

 

CMYK 70 / 23 / 0 / 15

HEX #41A8DA

RGB 65 168 218

HSL 199.61, 0.67%, 0.55%

LAB 65.11, -13.65, -33.91

 

CMYK 65 / 22 / 0 / 7

HEX #52BAED

RGB 82 186 237

HSL 199.74, 0.81%, 0.63%

LAB 71.57, -14.62, -34.25

 

CMYK 61 / 20 / 0 / 0

HEX #63CCFF

RGB 99 204 255

HSL 199.62, 1%, 0.69%

LAB 77.91, -15.7, -34.09

 

CMYK 86 / 29 / 0 / 27

HEX #1A84B9

RGB 26 132 185

HSL 200, 0.75%, 0.41%

LAB 52.09, -9.4, -35.75

 

CMYK 95 / 31 / 0 / 35

HEX #0972A6

RGB 9 114 166

HSL 199.87, 0.9%, 0.34%

LAB 45.42, -7.05, -35.23

 

CMYK 100 / 35 / 0 / 42

HEX #006093

RGB 0 96 147

HSL 200.82, 1%, 0.29%

LAB 38.68, -4.05, -34.6

 

CMYK 100 / 39 / 0 / 50

HEX #004E80

RGB 0 78 128

HSL 203.44, 1%, 0.25%

LAB 31.82, -0.41, -33.87

 

CMYK 100 / 45 / 0 / 57

HEX #003C6D

RGB 0 60 109

HSL 206.97, 1%, 0.21%

LAB 24.75, 3.55, -33.2

 

CMYK 86 / 29 / 0 / 29

HEX #1A82B6

RGB 26 130 182

HSL 200, 0.75%, 0.41%

LAB 51.34, -9.36, -35.2

 

CMYK 86 / 52 / 0 / 29

HEX #1A58B6

RGB 26 88 182

HSL 216.15, 0.75%, 0.41%

LAB 38.86, 16.86, -55.1

 

CMYK 86 / 75 / 0 / 29

HEX #1A2EB6

RGB 26 46 182

HSL 232.31, 0.75%, 0.41%

LAB 28.25, 44.1, -72.47

 

CMYK 74 / 86 / 0 / 29

HEX #301AB6

RGB 48 26 182

HSL 248.46, 0.75%, 0.41%

LAB 25.99, 55.28, -76.18

 

CMYK 51 / 86 / 0 / 29

HEX #5A1AB6

RGB 90 26 182

HSL 264.62, 0.75%, 0.41%

LAB 30.13, 58.96, -69.2

 

CMYK 86 / 29 / 0 / 29

HEX #1A82B6

RGB 26 130 182

HSL 200, 0.75%, 0.41%

LAB 51.34, -9.36, -35.2

 

CMYK 86 / 52 / 0 / 29

HEX #1A58B6

RGB 26 88 182

HSL 216.15, 0.75%, 0.41%

LAB 38.86, 16.86, -55.1

 

CMYK 86 / 75 / 0 / 29

HEX #1A2EB6

RGB 26 46 182

HSL 232.31, 0.75%, 0.41%

LAB 28.25, 44.1, -72.47

 

CMYK 86 / 86 / 0 / 29

HEX #1A1AB6

RGB 26 26 182

HSL 240, 0.75%, 0.41%

LAB 24.75, 54.24, -78.28

 

CMYK 86 / 29 / 0 / 29

HEX #1A82B6

RGB 26 130 182

HSL 200, 0.75%, 0.41%

LAB 51.34, -9.36, -35.2

 

CMYK 95 / 32 / 0 / 22

HEX #0988C7

RGB 9 136 199

HSL 199.89, 0.91%, 0.41%

LAB 53.8, -7.37, -41.05

 

CMYK 86 / 29 / 0 / 29

HEX #1A82B6

RGB 26 130 182

HSL 200, 0.75%, 0.41%

LAB 51.34, -9.36, -35.2

 

CMYK 74 / 25 / 0 / 35

HEX #2B7DA6

RGB 43 125 166

HSL 200, 0.59%, 0.41%

LAB 49.42, -10.49, -28.93

 

CMYK 60 / 20 / 0 / 42

HEX #3B7795

RGB 59 119 149

HSL 200, 0.43%, 0.41%

LAB 47.36, -10.14, -22.12

 

CMYK 42 / 14 / 0 / 48

HEX #4C7184

RGB 76 113 132

HSL 200.36, 0.27%, 0.41%

LAB 45.65, -7.79, -14.58

 

CMYK 19 / 6 / 0 / 55

HEX #5D6C73

RGB 93 108 115

HSL 199.09, 0.11%, 0.41%

LAB 44.65, -3.98, -5.8

 

CMYK 86 / 0 / 17 / 29

HEX #1AB697

RGB 26 182 151

HSL 168.08, 0.75%, 0.41%

LAB 66.45, -44.99, 5.14

 

CMYK 86 / 5 / 0 / 29

HEX #1AACB6

RGB 26 172 182

HSL 183.85, 0.75%, 0.41%

LAB 64.24, -31.52, -15.33

 

CMYK 86 / 29 / 0 / 29

HEX #1A82B6

RGB 26 130 182

HSL 200, 0.75%, 0.41%

LAB 51.34, -9.36, -35.2

 

CMYK 86 / 52 / 0 / 29

HEX #1A58B6

RGB 26 88 182

HSL 216.15, 0.75%, 0.41%

LAB 38.86, 16.86, -55.1

 

CMYK 86 / 74 / 0 / 29

HEX #1A2FB6

RGB 26 47 182

HSL 231.92, 0.75%, 0.41%

LAB 28.46, 43.51, -72.12

 

CMYK 86 / 28 / 0 / 57

HEX #0F4F6E

RGB 15 79 110

HSL 199.58, 0.76%, 0.25%

LAB 31.39, -7.34, -23.3

 

CMYK 86 / 29 / 0 / 43

HEX #146892

RGB 20 104 146

HSL 200, 0.76%, 0.33%

LAB 41.41, -8.12, -29.67

 

CMYK 86 / 29 / 0 / 29

HEX #1A82B6

RGB 26 130 182

HSL 200, 0.75%, 0.41%

LAB 51.34, -9.36, -35.2

 

CMYK 86 / 29 / 0 / 14

HEX #1F9CDB

RGB 31 156 219

HSL 200.11, 0.75%, 0.49%

LAB 60.94, -10.27, -41.03

 

CMYK 72 / 24 / 0 / 11

HEX #3FADE3

RGB 63 173 227

HSL 199.76, 0.75%, 0.57%

LAB 66.89, -13.65, -36.1

 

CMYK 86 / 29 / 0 / 27

HEX #1A84B9

RGB 26 132 185

HSL 200, 0.75%, 0.41%

LAB 52.09, -9.4, -35.75

 

CMYK 40 / 86 / 0 / 29

HEX #6D1AB6

RGB 109 26 182

HSL 271.92, 0.75%, 0.41%

LAB 32.63, 61.31, -65

 

CMYK 0 / 5 / 86 / 29

HEX #B6AC1A

RGB 182 172 26

HSL 56.15, 0.75%, 0.41%

LAB 69.13, -11.2, 67.42

 

CMYK 86 / 29 / 0 / 27

HEX #1A84B9

RGB 26 132 185

HSL 200, 0.75%, 0.41%

LAB 52.09, -9.4, -35.75

 

CMYK 0 / 86 / 29 / 29

HEX #B61A82

RGB 182 26 130

HSL 320, 0.75%, 0.41%

LAB 41.68, 66.03, -18.34

 

CMYK 29 / 0 / 86 / 29

HEX #82B61A

RGB 130 182 26

HSL 80, 0.75%, 0.41%

LAB 68.22, -37.96, 65.14

 

CMYK 86 / 29 / 0 / 27

HEX #1A84B9

RGB 26 132 185

HSL 200, 0.75%, 0.41%

LAB 52.09, -9.4, -35.75

 

CMYK 40 / 86 / 0 / 29

HEX #6D1AB6

RGB 109 26 182

HSL 271.92, 0.75%, 0.41%

LAB 32.63, 61.31, -65

 

CMYK 0 / 57 / 86 / 29

HEX #B64E1A

RGB 182 78 26

HSL 20, 0.75%, 0.41%

LAB 46.27, 39.53, 48.38

 

CMYK 46 / 0 / 86 / 29

HEX #63B61A

RGB 99 182 26

HSL 91.92, 0.75%, 0.41%

LAB 66.66, -49.02, 63.17

 

CMYK 86 / 29 / 0 / 27

HEX #1A84B9

RGB 26 132 185

HSL 200, 0.75%, 0.41%

LAB 52.09, -9.4, -35.75

 

CMYK 14 / 86 / 0 / 29

HEX #9C1AB6

RGB 156 26 182

HSL 290, 0.75%, 0.41%

LAB 39.89, 68.51, -52.87

 

CMYK 0 / 57 / 86 / 29

HEX #B64E1A

RGB 182 78 26

HSL 20, 0.75%, 0.41%

LAB 46.27, 39.53, 48.38

 

CMYK 71 / 0 / 86 / 29

HEX #34B61A

RGB 52 182 26

HSL 110, 0.75%, 0.41%

LAB 65.17, -60.99, 61.29

 

Description

Color code: RGB 26 132 185 | qconv.com Color code: RGB 26 132 185 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 26 red, 132 green and 185 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
26 132 185 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 86 cyan, 29 magenta, none yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
86% 29% 0% 27% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

35% - werather.net
Link: http://werather.net

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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HKS® to Sherwin Williams®

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