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Color name
RGB 26 146 213

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 26 146 213 it is the complementary color RGB 229 109 42. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 26 146 213. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 26 146 213 shade: RGB 31 146 208, RGB 48 164 227, RGB 65 182 246, RGB 82 200 255 and RGB 99 218 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 26 146 213. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 26 146 213 shade: RGB 26 146 213, RGB 9 128 194, RGB 0 110 175, RGB 0 92 156 and RGB 0 74 137

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 26 146 213 shade: RGB 26 146 213, RGB 26 95 213, RGB 26 45 213, RGB 57 26 213 and RGB 108 26 213

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 26 146 213 shade: RGB 26 146 213, RGB 26 95 213, RGB 26 45 213 and RGB 26 26 213

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 26 146 213 shade matches the following richer shades: RGB 26 146 213 and RGB 6 151 232

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 26 146 213 shade: RGB 26 146 213, RGB 45 140 193, RGB 65 135 174, RGB 84 129 155 and RGB 103 124 135

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 26 146 213 shade: RGB 26 213 179, RGB 26 197 213, RGB 26 147 213, RGB 26 98 213 and RGB 26 48 213

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 26 146 213 shade: RGB 17 95 139, RGB 21 121 176, RGB 26 146 213, RGB 51 165 229 and RGB 87 181 234

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 26 146 213 shade: RGB 26 146 213, RGB 129 26 213 and RGB 213 203 26

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 26 146 213 shade: RGB 26 146 213, RGB 213 26 147 and RGB 147 213 26

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 26 146 213 shade: RGB 26 146 213, RGB 129 26 213, RGB 213 91 26 and RGB 110 213 26

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 26 146 213 shade: RGB 26 146 213, RGB 185 26 213, RGB 213 91 26 and RGB 54 213 26

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 88 / 31 / 0 / 16

HEX #1A92D5

RGB 26 146 213

HSL 201.5, 0.78%, 0.47%

LAB 57.64, -7.12, -42.89

 

Complementary color

CMYK 0 / 52 / 82 / 10

HEX #E56D2A

RGB 229 109 42

HSL 21.5, 0.78%, 0.53%

LAB 59.67, 42.81, 56.38

 

CMYK 85 / 30 / 0 / 18

HEX #1F92D0

RGB 31 146 208

HSL 201.02, 0.74%, 0.47%

LAB 57.47, -8.61, -40.35

 

CMYK 79 / 28 / 0 / 11

HEX #30A4E3

RGB 48 164 227

HSL 201.12, 0.76%, 0.54%

LAB 63.94, -10.45, -40.74

 

CMYK 74 / 26 / 0 / 4

HEX #41B6F6

RGB 65 182 246

HSL 201.22, 0.91%, 0.61%

LAB 70.34, -11.93, -41.09

 

CMYK 68 / 22 / 0 / 0

HEX #52C8FF

RGB 82 200 255

HSL 199.08, 1%, 0.66%

LAB 76.27, -16.31, -36.68

 

CMYK 61 / 15 / 0 / 0

HEX #63DAFF

RGB 99 218 255

HSL 194.23, 1%, 0.69%

LAB 81.85, -22.84, -28.04

 

CMYK 88 / 31 / 0 / 16

HEX #1A92D5

RGB 26 146 213

HSL 201.5, 0.78%, 0.47%

LAB 57.64, -7.12, -42.89

 

CMYK 95 / 34 / 0 / 24

HEX #0980C2

RGB 9 128 194

HSL 201.41, 0.91%, 0.4%

LAB 51.14, -4.58, -42.41

 

CMYK 100 / 37 / 0 / 31

HEX #006EAF

RGB 0 110 175

HSL 202.29, 1%, 0.34%

LAB 44.59, -1.47, -41.83

 

CMYK 100 / 41 / 0 / 39

HEX #005C9C

RGB 0 92 156

HSL 204.62, 1%, 0.31%

LAB 37.94, 2.18, -41.17

 

CMYK 100 / 46 / 0 / 46

HEX #004A89

RGB 0 74 137

HSL 207.59, 1%, 0.27%

LAB 31.12, 6.11, -40.56

 

CMYK 88 / 31 / 0 / 16

HEX #1A92D5

RGB 26 146 213

HSL 201.5, 0.78%, 0.47%

LAB 57.64, -7.12, -42.89

 

CMYK 88 / 55 / 0 / 16

HEX #1A5FD5

RGB 26 95 213

HSL 217.86, 0.78%, 0.47%

LAB 43.08, 24.45, -66.23

 

CMYK 88 / 79 / 0 / 16

HEX #1A2DD5

RGB 26 45 213

HSL 233.9, 0.78%, 0.47%

LAB 31.58, 54.98, -85.13

 

CMYK 73 / 88 / 0 / 16

HEX #391AD5

RGB 57 26 213

HSL 249.95, 0.78%, 0.47%

LAB 30.43, 64.35, -87

 

CMYK 49 / 88 / 0 / 16

HEX #6C1AD5

RGB 108 26 213

HSL 266.31, 0.78%, 0.47%

LAB 35.46, 68.28, -78.51

 

CMYK 88 / 31 / 0 / 16

HEX #1A92D5

RGB 26 146 213

HSL 201.5, 0.78%, 0.47%

LAB 57.64, -7.12, -42.89

 

CMYK 88 / 55 / 0 / 16

HEX #1A5FD5

RGB 26 95 213

HSL 217.86, 0.78%, 0.47%

LAB 43.08, 24.45, -66.23

 

CMYK 88 / 79 / 0 / 16

HEX #1A2DD5

RGB 26 45 213

HSL 233.9, 0.78%, 0.47%

LAB 31.58, 54.98, -85.13

 

CMYK 88 / 88 / 0 / 16

HEX #1A1AD5

RGB 26 26 213

HSL 240, 0.78%, 0.47%

LAB 28.81, 63.2, -89.75

 

CMYK 88 / 31 / 0 / 16

HEX #1A92D5

RGB 26 146 213

HSL 201.5, 0.78%, 0.47%

LAB 57.64, -7.12, -42.89

 

CMYK 97 / 35 / 0 / 9

HEX #0697E8

RGB 6 151 232

HSL 201.5, 0.95%, 0.47%

LAB 59.89, -3.75, -49.93

 

CMYK 88 / 31 / 0 / 16

HEX #1A92D5

RGB 26 146 213

HSL 201.5, 0.78%, 0.47%

LAB 57.64, -7.12, -42.89

 

CMYK 77 / 27 / 0 / 24

HEX #2D8CC1

RGB 45 140 193

HSL 201.49, 0.62%, 0.47%

LAB 55.24, -9.25, -35.35

 

CMYK 63 / 22 / 0 / 32

HEX #4187AE

RGB 65 135 174

HSL 201.47, 0.46%, 0.47%

LAB 53.5, -9.89, -27.16

 

CMYK 46 / 17 / 0 / 39

HEX #54819B

RGB 84 129 155

HSL 201.97, 0.3%, 0.47%

LAB 51.78, -8.14, -18.74

 

CMYK 24 / 8 / 0 / 47

HEX #677C87

RGB 103 124 135

HSL 200.63, 0.13%, 0.47%

LAB 50.74, -5.01, -8.51

 

CMYK 88 / 0 / 16 / 16

HEX #1AD5B3

RGB 26 213 179

HSL 169.09, 0.78%, 0.47%

LAB 76.72, -50.52, 4.74

 

CMYK 88 / 8 / 0 / 16

HEX #1AC5D5

RGB 26 197 213

HSL 185.13, 0.78%, 0.47%

LAB 72.86, -33.74, -19.34

 

CMYK 88 / 31 / 0 / 16

HEX #1A93D5

RGB 26 147 213

HSL 201.18, 0.78%, 0.47%

LAB 57.93, -7.69, -42.42

 

CMYK 88 / 54 / 0 / 16

HEX #1A62D5

RGB 26 98 213

HSL 216.9, 0.78%, 0.47%

LAB 43.89, 22.5, -64.91

 

CMYK 88 / 77 / 0 / 16

HEX #1A30D5

RGB 26 48 213

HSL 232.94, 0.78%, 0.47%

LAB 32.12, 53.43, -84.24

 

CMYK 88 / 32 / 0 / 45

HEX #115F8B

RGB 17 95 139

HSL 201.64, 0.78%, 0.31%

LAB 38.14, -5.61, -30.6

 

CMYK 88 / 31 / 0 / 31

HEX #1579B0

RGB 21 121 176

HSL 201.29, 0.79%, 0.39%

LAB 48.22, -6.71, -36.64

 

CMYK 88 / 31 / 0 / 16

HEX #1A92D5

RGB 26 146 213

HSL 201.5, 0.78%, 0.47%

LAB 57.64, -7.12, -42.89

 

CMYK 78 / 28 / 0 / 10

HEX #33A5E5

RGB 51 165 229

HSL 201.57, 0.77%, 0.55%

LAB 64.38, -10, -41.15

 

CMYK 63 / 23 / 0 / 8

HEX #57B5EA

RGB 87 181 234

HSL 201.63, 0.78%, 0.63%

LAB 70.19, -12.07, -34.76

 

CMYK 88 / 31 / 0 / 16

HEX #1A92D5

RGB 26 146 213

HSL 201.5, 0.78%, 0.47%

LAB 57.64, -7.12, -42.89

 

CMYK 39 / 88 / 0 / 16

HEX #811AD5

RGB 129 26 213

HSL 273.05, 0.78%, 0.47%

LAB 38.22, 70.64, -73.88

 

CMYK 0 / 5 / 88 / 16

HEX #D5CB1A

RGB 213 203 26

HSL 56.79, 0.78%, 0.47%

LAB 80.14, -13.53, 77.42

 

CMYK 88 / 31 / 0 / 16

HEX #1A92D5

RGB 26 146 213

HSL 201.5, 0.78%, 0.47%

LAB 57.64, -7.12, -42.89

 

CMYK 0 / 88 / 31 / 16

HEX #D51A93

RGB 213 26 147

HSL 321.18, 0.78%, 0.47%

LAB 48.25, 74.76, -18.11

 

CMYK 31 / 0 / 88 / 16

HEX #93D51A

RGB 147 213 26

HSL 81.18, 0.78%, 0.47%

LAB 78.38, -45.02, 74.1

 

CMYK 88 / 31 / 0 / 16

HEX #1A92D5

RGB 26 146 213

HSL 201.5, 0.78%, 0.47%

LAB 57.64, -7.12, -42.89

 

CMYK 39 / 88 / 0 / 16

HEX #811AD5

RGB 129 26 213

HSL 273.05, 0.78%, 0.47%

LAB 38.22, 70.64, -73.88

 

CMYK 0 / 57 / 88 / 16

HEX #D55B1A

RGB 213 91 26

HSL 20.86, 0.78%, 0.47%

LAB 53.71, 45.06, 56.52

 

CMYK 48 / 0 / 88 / 16

HEX #6ED51A

RGB 110 213 26

HSL 93.05, 0.78%, 0.47%

LAB 76.67, -57.44, 71.96

 

CMYK 88 / 31 / 0 / 16

HEX #1A92D5

RGB 26 146 213

HSL 201.5, 0.78%, 0.47%

LAB 57.64, -7.12, -42.89

 

CMYK 13 / 88 / 0 / 16

HEX #B91AD5

RGB 185 26 213

HSL 291.02, 0.78%, 0.47%

LAB 46.79, 78.6, -59.55

 

CMYK 0 / 57 / 88 / 16

HEX #D55B1A

RGB 213 91 26

HSL 20.86, 0.78%, 0.47%

LAB 53.71, 45.06, 56.52

 

CMYK 75 / 0 / 88 / 16

HEX #36D51A

RGB 54 213 26

HSL 111.02, 0.78%, 0.47%

LAB 75.11, -70.21, 70.01

 

Description

Color code: RGB 26 146 213 | qconv.com Color code: RGB 26 146 213 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 26 red, 146 green and 213 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
26 146 213 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 88 cyan, 31 magenta, none yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
88% 31% 0% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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