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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 26 156 217 it is the complementary color RGB 229 99 38. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 26 156 217. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 26 156 217 shade: RGB 31 156 212, RGB 48 174 231, RGB 65 192 250, RGB 82 210 255 and RGB 99 228 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 26 156 217. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 26 156 217 shade: RGB 26 156 217, RGB 9 138 198, RGB 0 120 179, RGB 0 102 160 and RGB 0 84 141

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 26 156 217 shade: RGB 25 157 219, RGB 25 105 219, RGB 25 53 219, RGB 50 25 219 and RGB 102 25 219

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 26 156 217 shade: RGB 25 157 219, RGB 25 105 219, RGB 25 53 219 and RGB 25 25 219

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 26 156 217 shade matches the following richer shades: RGB 25 157 219 and RGB 5 164 238

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 26 156 217 shade: RGB 25 157 219, RGB 45 150 199, RGB 65 143 179, RGB 85 135 159 and RGB 104 128 139

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 26 156 217 shade: RGB 25 219 177, RGB 25 209 219, RGB 25 157 219, RGB 25 106 219 and RGB 25 54 219

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 26 156 217 shade: RGB 17 104 145, RGB 21 130 182, RGB 25 157 219, RGB 54 174 231 and RGB 91 189 235

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 26 156 217 shade: RGB 26 156 217, RGB 125 25 219 and RGB 219 202 25

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 26 156 217 shade: RGB 26 156 217, RGB 219 25 157 and RGB 157 219 25

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 26 156 217 shade: RGB 26 156 217, RGB 125 25 219, RGB 219 86 25 and RGB 119 219 25

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 26 156 217 shade: RGB 26 156 217, RGB 183 25 219, RGB 219 86 25 and RGB 61 219 25

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 88 / 28 / 0 / 15

HEX #1A9CD9

RGB 26 156 217

HSL 199.16, 0.79%, 0.48%

LAB 60.79, -11.31, -40.17

 

Complementary color

CMYK 0 / 57 / 83 / 10

HEX #E56326

RGB 229 99 38

HSL 19.16, 0.79%, 0.52%

LAB 57.77, 47.51, 56.34

 

CMYK 85 / 26 / 0 / 17

HEX #1F9CD4

RGB 31 156 212

HSL 198.56, 0.74%, 0.48%

LAB 60.62, -12.77, -37.64

 

CMYK 79 / 25 / 0 / 9

HEX #30AEE7

RGB 48 174 231

HSL 198.69, 0.79%, 0.55%

LAB 67.03, -14.53, -38.11

 

CMYK 74 / 23 / 0 / 2

HEX #41C0FA

RGB 65 192 250

HSL 198.81, 0.95%, 0.62%

LAB 73.37, -15.94, -38.53

 

CMYK 68 / 18 / 0 / 0

HEX #52D2FF

RGB 82 210 255

HSL 195.61, 1%, 0.66%

LAB 79.1, -21.46, -32.29

 

CMYK 61 / 11 / 0 / 0

HEX #63E4FF

RGB 99 228 255

HSL 190.38, 1%, 0.69%

LAB 84.67, -27.78, -23.74

 

CMYK 88 / 28 / 0 / 15

HEX #1A9CD9

RGB 26 156 217

HSL 199.16, 0.79%, 0.48%

LAB 60.79, -11.31, -40.17

 

CMYK 95 / 30 / 0 / 22

HEX #098AC6

RGB 9 138 198

HSL 199.05, 0.91%, 0.41%

LAB 54.36, -8.9, -39.61

 

CMYK 100 / 33 / 0 / 30

HEX #0078B3

RGB 0 120 179

HSL 199.78, 1%, 0.35%

LAB 47.86, -5.96, -38.96

 

CMYK 100 / 36 / 0 / 37

HEX #0066A0

RGB 0 102 160

HSL 201.75, 1%, 0.31%

LAB 41.28, -2.53, -38.24

 

CMYK 100 / 40 / 0 / 45

HEX #00548D

RGB 0 84 141

HSL 204.26, 1%, 0.28%

LAB 34.53, 1.14, -37.56

 

CMYK 89 / 28 / 0 / 14

HEX #199DDB

RGB 25 157 219

HSL 199.18, 0.8%, 0.48%

LAB 61.16, -11.2, -40.69

 

CMYK 89 / 52 / 0 / 14

HEX #1969DB

RGB 25 105 219

HSL 215.26, 0.8%, 0.48%

LAB 46.21, 20.25, -64.56

 

CMYK 89 / 76 / 0 / 14

HEX #1935DB

RGB 25 53 219

HSL 231.34, 0.8%, 0.48%

LAB 33.71, 52.67, -85.07

 

CMYK 77 / 89 / 0 / 14

HEX #3219DB

RGB 50 25 219

HSL 247.73, 0.8%, 0.48%

LAB 30.61, 65.94, -90.18

 

CMYK 53 / 89 / 0 / 14

HEX #6619DB

RGB 102 25 219

HSL 263.81, 0.8%, 0.48%

LAB 35.27, 69.36, -82.31

 

CMYK 89 / 28 / 0 / 14

HEX #199DDB

RGB 25 157 219

HSL 199.18, 0.8%, 0.48%

LAB 61.16, -11.2, -40.69

 

CMYK 89 / 52 / 0 / 14

HEX #1969DB

RGB 25 105 219

HSL 215.26, 0.8%, 0.48%

LAB 46.21, 20.25, -64.56

 

CMYK 89 / 76 / 0 / 14

HEX #1935DB

RGB 25 53 219

HSL 231.34, 0.8%, 0.48%

LAB 33.71, 52.67, -85.07

 

CMYK 89 / 89 / 0 / 14

HEX #1919DB

RGB 25 25 219

HSL 240, 0.8%, 0.48%

LAB 29.45, 65.18, -92.14

 

CMYK 89 / 28 / 0 / 14

HEX #199DDB

RGB 25 157 219

HSL 199.18, 0.8%, 0.48%

LAB 61.16, -11.2, -40.69

 

CMYK 98 / 31 / 0 / 7

HEX #05A4EE

RGB 5 164 238

HSL 199.06, 0.96%, 0.48%

LAB 63.96, -8.95, -46.79

 

CMYK 89 / 28 / 0 / 14

HEX #199DDB

RGB 25 157 219

HSL 199.18, 0.8%, 0.48%

LAB 61.16, -11.2, -40.69

 

CMYK 77 / 25 / 0 / 22

HEX #2D96C7

RGB 45 150 199

HSL 199.09, 0.63%, 0.48%

LAB 58.5, -12.76, -33.65

 

CMYK 64 / 20 / 0 / 30

HEX #418FB3

RGB 65 143 179

HSL 198.95, 0.47%, 0.48%

LAB 56.11, -12.74, -25.98

 

CMYK 47 / 15 / 0 / 38

HEX #55879F

RGB 85 135 159

HSL 199.46, 0.3%, 0.48%

LAB 53.77, -10.11, -18.02

 

CMYK 25 / 8 / 0 / 45

HEX #68808B

RGB 104 128 139

HSL 198.86, 0.14%, 0.48%

LAB 52.11, -5.99, -8.8

 

CMYK 89 / 0 / 19 / 14

HEX #19DBB1

RGB 25 219 177

HSL 167.01, 0.8%, 0.48%

LAB 78.49, -53.5, 8.35

 

CMYK 89 / 5 / 0 / 14

HEX #19D1DB

RGB 25 209 219

HSL 183.09, 0.8%, 0.48%

LAB 76.63, -37.55, -16.88

 

CMYK 89 / 28 / 0 / 14

HEX #199DDB

RGB 25 157 219

HSL 199.18, 0.8%, 0.48%

LAB 61.16, -11.2, -40.69

 

CMYK 89 / 52 / 0 / 14

HEX #196ADB

RGB 25 106 219

HSL 214.95, 0.8%, 0.48%

LAB 46.48, 19.61, -64.11

 

CMYK 89 / 75 / 0 / 14

HEX #1936DB

RGB 25 54 219

HSL 231.03, 0.8%, 0.48%

LAB 33.9, 52.12, -84.75

 

CMYK 88 / 28 / 0 / 43

HEX #116891

RGB 17 104 145

HSL 199.22, 0.79%, 0.32%

LAB 41.32, -8.74, -29.22

 

CMYK 88 / 29 / 0 / 29

HEX #1582B6

RGB 21 130 182

HSL 199.38, 0.79%, 0.4%

LAB 51.27, -9.71, -35.32

 

CMYK 89 / 28 / 0 / 14

HEX #199DDB

RGB 25 157 219

HSL 199.18, 0.8%, 0.48%

LAB 61.16, -11.2, -40.69

 

CMYK 77 / 25 / 0 / 9

HEX #36AEE7

RGB 54 174 231

HSL 199.32, 0.79%, 0.56%

LAB 67.15, -13.91, -37.92

 

CMYK 61 / 20 / 0 / 8

HEX #5BBDEB

RGB 91 189 235

HSL 199.17, 0.78%, 0.64%

LAB 72.64, -15.32, -31.5

 

CMYK 88 / 28 / 0 / 15

HEX #1A9CD9

RGB 26 156 217

HSL 199.16, 0.79%, 0.48%

LAB 60.79, -11.31, -40.17

 

CMYK 43 / 89 / 0 / 14

HEX #7D19DB

RGB 125 25 219

HSL 270.93, 0.8%, 0.48%

LAB 38.15, 71.7, -77.47

 

CMYK 0 / 8 / 89 / 14

HEX #DBCA19

RGB 219 202 25

HSL 54.74, 0.8%, 0.48%

LAB 80.39, -10.47, 78.01

 

CMYK 88 / 28 / 0 / 15

HEX #1A9CD9

RGB 26 156 217

HSL 199.16, 0.79%, 0.48%

LAB 60.79, -11.31, -40.17

 

CMYK 0 / 89 / 28 / 14

HEX #DB199D

RGB 219 25 157

HSL 319.18, 0.8%, 0.48%

LAB 49.73, 77.28, -21.74

 

CMYK 28 / 0 / 89 / 14

HEX #9DDB19

RGB 157 219 25

HSL 79.18, 0.8%, 0.48%

LAB 80.68, -43.89, 76.41

 

CMYK 88 / 28 / 0 / 15

HEX #1A9CD9

RGB 26 156 217

HSL 199.16, 0.79%, 0.48%

LAB 60.79, -11.31, -40.17

 

CMYK 43 / 89 / 0 / 14

HEX #7D19DB

RGB 125 25 219

HSL 270.93, 0.8%, 0.48%

LAB 38.15, 71.7, -77.47

 

CMYK 0 / 61 / 89 / 14

HEX #DB5619

RGB 219 86 25

HSL 18.87, 0.8%, 0.48%

LAB 53.8, 49.56, 57.36

 

CMYK 46 / 0 / 89 / 14

HEX #77DB19

RGB 119 219 25

HSL 90.93, 0.8%, 0.48%

LAB 78.84, -56.97, 74.12

 

CMYK 88 / 28 / 0 / 15

HEX #1A9CD9

RGB 26 156 217

HSL 199.16, 0.79%, 0.48%

LAB 60.79, -11.31, -40.17

 

CMYK 16 / 89 / 0 / 14

HEX #B719DB

RGB 183 25 219

HSL 288.87, 0.8%, 0.48%

LAB 46.81, 79.47, -62.96

 

CMYK 0 / 61 / 89 / 14

HEX #DB5619

RGB 219 86 25

HSL 18.87, 0.8%, 0.48%

LAB 53.8, 49.56, 57.36

 

CMYK 72 / 0 / 89 / 14

HEX #3DDB19

RGB 61 219 25

HSL 108.87, 0.8%, 0.48%

LAB 77.12, -70.94, 71.97

 

Description

Color code: RGB 26 156 217 | qconv.com Color code: RGB 26 156 217 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 26 red, 156 green and 217 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
26 156 217 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 88 cyan, 28 magenta, none yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
88% 28% 0% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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