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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 28 125 69 it is the complementary color RGB 227 130 186. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 28 125 69. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 28 125 69 shade: RGB 33 125 64, RGB 50 143 83, RGB 67 161 102, RGB 84 179 121 and RGB 101 197 140

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 28 125 69. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 28 125 69 shade: RGB 28 125 69, RGB 11 107 50, RGB 0 89 31, RGB 0 71 12 and RGB 0 53 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 28 125 69 shade: RGB 28 124 69, RGB 28 124 43, RGB 39 124 28, RGB 65 124 28 and RGB 91 124 28

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 28 125 69 shade: RGB 28 124 69, RGB 28 124 95, RGB 28 124 121, RGB 28 102 124 and RGB 28 76 124

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 28 125 69 shade matches the following richer shades: RGB 28 124 69, RGB 15 137 67 and RGB 3 149 65

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 28 125 69 shade: RGB 28 124 69, RGB 40 112 70, RGB 53 99 72, RGB 65 87 74 and RGB 77 75 76

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 28 125 69 shade: RGB 39 124 28, RGB 28 124 42, RGB 28 124 68, RGB 28 124 94 and RGB 28 124 119

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 28 125 69 shade: RGB 13 57 31, RGB 20 91 50, RGB 28 124 69, RGB 35 158 87 and RGB 43 191 106

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 28 125 69 shade: RGB 28 125 69, RGB 28 65 124 and RGB 124 29 28

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 28 125 69 shade: RGB 28 125 69, RGB 68 28 124 and RGB 124 68 28

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 28 125 69 shade: RGB 28 125 69, RGB 28 65 124, RGB 124 28 84 and RGB 124 87 28

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 28 125 69 shade: RGB 28 125 69, RGB 28 36 124, RGB 124 28 84 and RGB 124 116 28

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 78 / 0 / 45 / 51

HEX #1C7D45

RGB 28 125 69

HSL 145.36, 0.63%, 0.3%

LAB 46.1, -40.74, 22.88

 

Complementary color

CMYK 0 / 43 / 18 / 11

HEX #E382BA

RGB 227 130 186

HSL 325.36, 0.63%, 0.7%

LAB 66.4, 44.45, -13.07

 

CMYK 74 / 0 / 49 / 51

HEX #217D40

RGB 33 125 64

HSL 140.22, 0.58%, 0.31%

LAB 46.12, -40.85, 25.69

 

CMYK 65 / 0 / 42 / 44

HEX #328F53

RGB 50 143 83

HSL 141.29, 0.48%, 0.38%

LAB 52.89, -41.34, 24.08

 

CMYK 58 / 0 / 37 / 37

HEX #43A166

RGB 67 161 102

HSL 142.34, 0.41%, 0.45%

LAB 59.56, -41.49, 22.62

 

CMYK 53 / 0 / 32 / 30

HEX #54B379

RGB 84 179 121

HSL 143.37, 0.38%, 0.52%

LAB 66.14, -41.45, 21.28

 

CMYK 49 / 0 / 29 / 23

HEX #65C58C

RGB 101 197 140

HSL 144.38, 0.45%, 0.58%

LAB 72.62, -41.31, 20.06

 

CMYK 78 / 0 / 45 / 51

HEX #1C7D45

RGB 28 125 69

HSL 145.36, 0.63%, 0.3%

LAB 46.1, -40.74, 22.88

 

CMYK 90 / 0 / 53 / 58

HEX #0B6B32

RGB 11 107 50

HSL 144.38, 0.81%, 0.23%

LAB 39.27, -39.46, 24.69

 

CMYK 100 / 0 / 65 / 65

HEX #00591F

RGB 0 89 31

HSL 140.9, 1%, 0.17%

LAB 32.36, -37.16, 26.58

 

CMYK 100 / 0 / 83 / 72

HEX #00470C

RGB 0 71 12

HSL 130.14, 1%, 0.14%

LAB 25.36, -33.25, 28.07

 

CMYK 100 / 0 / 100 / 79

HEX #003500

RGB 0 53 0

HSL 120, 1%, 0.1%

LAB 18.13, -28.35, 25.18

 

CMYK 77 / 0 / 44 / 51

HEX #1C7C45

RGB 28 124 69

HSL 145.63, 0.63%, 0.3%

LAB 45.76, -40.35, 22.43

 

CMYK 77 / 0 / 65 / 51

HEX #1C7C2B

RGB 28 124 43

HSL 129.38, 0.63%, 0.3%

LAB 45.41, -44.46, 35.62

 

CMYK 69 / 0 / 77 / 51

HEX #277C1C

RGB 39 124 28

HSL 113.13, 0.63%, 0.3%

LAB 45.54, -43.84, 42.24

 

CMYK 48 / 0 / 77 / 51

HEX #417C1C

RGB 65 124 28

HSL 96.88, 0.63%, 0.3%

LAB 46.48, -36.46, 43.48

 

CMYK 27 / 0 / 77 / 51

HEX #5B7C1C

RGB 91 124 28

HSL 80.63, 0.63%, 0.3%

LAB 47.91, -26.52, 45.36

 

CMYK 77 / 0 / 44 / 51

HEX #1C7C45

RGB 28 124 69

HSL 145.63, 0.63%, 0.3%

LAB 45.76, -40.35, 22.43

 

CMYK 77 / 0 / 23 / 51

HEX #1C7C5F

RGB 28 124 95

HSL 161.88, 0.63%, 0.3%

LAB 46.3, -34.44, 8.17

 

CMYK 77 / 0 / 2 / 51

HEX #1C7C79

RGB 28 124 121

HSL 178.13, 0.63%, 0.3%

LAB 47.03, -27.01, -6.14

 

CMYK 77 / 18 / 0 / 51

HEX #1C667C

RGB 28 102 124

HSL 193.75, 0.63%, 0.3%

LAB 39.92, -14.27, -18.7

 

CMYK 77 / 39 / 0 / 51

HEX #1C4C7C

RGB 28 76 124

HSL 210, 0.63%, 0.3%

LAB 31.51, 1.77, -31.85

 

CMYK 77 / 0 / 44 / 51

HEX #1C7C45

RGB 28 124 69

HSL 145.63, 0.63%, 0.3%

LAB 45.76, -40.35, 22.43

 

CMYK 89 / 0 / 51 / 46

HEX #0F8943

RGB 15 137 67

HSL 145.57, 0.8%, 0.3%

LAB 49.98, -47.11, 28.86

 

CMYK 98 / 0 / 56 / 42

HEX #039541

RGB 3 149 65

HSL 145.48, 0.96%, 0.3%

LAB 53.92, -52.36, 34.71

 

CMYK 77 / 0 / 44 / 51

HEX #1C7C45

RGB 28 124 69

HSL 145.63, 0.63%, 0.3%

LAB 45.76, -40.35, 22.43

 

CMYK 64 / 0 / 38 / 56

HEX #287046

RGB 40 112 70

HSL 145, 0.47%, 0.3%

LAB 41.97, -32.83, 16.91

 

CMYK 46 / 0 / 27 / 61

HEX #356348

RGB 53 99 72

HSL 144.78, 0.3%, 0.3%

LAB 38.11, -22.65, 10.53

 

CMYK 25 / 0 / 15 / 66

HEX #41574A

RGB 65 87 74

HSL 144.55, 0.14%, 0.3%

LAB 34.87, -11.46, 4.84

 

CMYK 0 / 3 / 1 / 70

HEX #4D4B4C

RGB 77 75 76

HSL 330, 0.01%, 0.3%

LAB 32.1, 1.04, -0.31

 

CMYK 69 / 0 / 77 / 51

HEX #277C1C

RGB 39 124 28

HSL 113.13, 0.63%, 0.3%

LAB 45.54, -43.84, 42.24

 

CMYK 77 / 0 / 66 / 51

HEX #1C7C2A

RGB 28 124 42

HSL 128.75, 0.63%, 0.3%

LAB 45.4, -44.58, 36.08

 

CMYK 77 / 0 / 45 / 51

HEX #1C7C44

RGB 28 124 68

HSL 145, 0.63%, 0.3%

LAB 45.74, -40.54, 22.97

 

CMYK 77 / 0 / 24 / 51

HEX #1C7C5E

RGB 28 124 94

HSL 161.25, 0.63%, 0.3%

LAB 46.27, -34.7, 8.72

 

CMYK 77 / 0 / 4 / 51

HEX #1C7C77

RGB 28 124 119

HSL 176.88, 0.63%, 0.3%

LAB 46.97, -27.63, -5.05

 

CMYK 77 / 0 / 46 / 78

HEX #0D391F

RGB 13 57 31

HSL 144.55, 0.63%, 0.14%

LAB 20.48, -22.12, 11.97

 

CMYK 78 / 0 / 45 / 64

HEX #145B32

RGB 20 91 50

HSL 145.35, 0.64%, 0.22%

LAB 33.69, -31.91, 17.61

 

CMYK 77 / 0 / 44 / 51

HEX #1C7C45

RGB 28 124 69

HSL 145.63, 0.63%, 0.3%

LAB 45.76, -40.35, 22.43

 

CMYK 78 / 0 / 45 / 38

HEX #239E57

RGB 35 158 87

HSL 145.37, 0.64%, 0.38%

LAB 57.56, -49.04, 27.92

 

CMYK 77 / 0 / 45 / 25

HEX #2BBF6A

RGB 43 191 106

HSL 145.54, 0.63%, 0.46%

LAB 68.62, -56.68, 32.29

 

CMYK 78 / 0 / 45 / 51

HEX #1C7D45

RGB 28 125 69

HSL 145.36, 0.63%, 0.3%

LAB 46.1, -40.74, 22.88

 

CMYK 77 / 48 / 0 / 51

HEX #1C417C

RGB 28 65 124

HSL 216.88, 0.63%, 0.3%

LAB 28.07, 9.22, -37.35

 

CMYK 0 / 77 / 77 / 51

HEX #7C1D1C

RGB 124 29 28

HSL 0.63, 0.63%, 0.3%

LAB 27.43, 40.37, 25.49

 

CMYK 78 / 0 / 45 / 51

HEX #1C7D45

RGB 28 125 69

HSL 145.36, 0.63%, 0.3%

LAB 46.1, -40.74, 22.88

 

CMYK 45 / 77 / 0 / 51

HEX #441C7C

RGB 68 28 124

HSL 265, 0.63%, 0.3%

LAB 22, 40.03, -47.04

 

CMYK 0 / 45 / 77 / 51

HEX #7C441C

RGB 124 68 28

HSL 25, 0.63%, 0.3%

LAB 35.01, 20.72, 33.62

 

CMYK 78 / 0 / 45 / 51

HEX #1C7D45

RGB 28 125 69

HSL 145.36, 0.63%, 0.3%

LAB 46.1, -40.74, 22.88

 

CMYK 77 / 48 / 0 / 51

HEX #1C417C

RGB 28 65 124

HSL 216.88, 0.63%, 0.3%

LAB 28.07, 9.22, -37.35

 

CMYK 0 / 77 / 32 / 51

HEX #7C1C54

RGB 124 28 84

HSL 325, 0.63%, 0.3%

LAB 28.79, 45.54, -9.75

 

CMYK 0 / 30 / 77 / 51

HEX #7C571C

RGB 124 87 28

HSL 36.88, 0.63%, 0.3%

LAB 39.89, 9.44, 38.56

 

CMYK 78 / 0 / 45 / 51

HEX #1C7D45

RGB 28 125 69

HSL 145.36, 0.63%, 0.3%

LAB 46.1, -40.74, 22.88

 

CMYK 77 / 71 / 0 / 51

HEX #1C247C

RGB 28 36 124

HSL 235, 0.63%, 0.3%

LAB 19.9, 29.41, -50.63

 

CMYK 0 / 77 / 32 / 51

HEX #7C1C54

RGB 124 28 84

HSL 325, 0.63%, 0.3%

LAB 28.79, 45.54, -9.75

 

CMYK 0 / 6 / 77 / 51

HEX #7C741C

RGB 124 116 28

HSL 55, 0.63%, 0.3%

LAB 48.08, -7.42, 46.45

 

Description

Color code: RGB 28 125 69 | qconv.com Color code: RGB 28 125 69 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 28 red, 125 green and 69 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
28 125 69 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 78 cyan, none magenta, 45 yellow and 51 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
78% 0% 45% 51% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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