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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 28 196 120 it is the complementary color RGB 227 59 135. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 28 196 120. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 28 196 120 shade: RGB 33 196 115, RGB 50 214 134, RGB 67 232 153, RGB 84 250 172 and RGB 101 255 191

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 28 196 120. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 28 196 120 shade: RGB 28 196 120, RGB 11 178 101, RGB 0 160 82, RGB 0 142 63 and RGB 0 124 44

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 28 196 120 shade: RGB 28 196 120, RGB 28 196 74, RGB 28 196 29, RGB 72 196 28 and RGB 117 196 28

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 28 196 120 shade: RGB 28 196 120, RGB 28 196 165, RGB 28 181 196, RGB 28 136 196 and RGB 28 90 196

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 28 196 120 shade matches the following richer shades: RGB 28 196 120 and RGB 9 214 121

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 28 196 120 shade: RGB 28 196 120, RGB 46 178 118, RGB 64 160 116, RGB 82 141 115 and RGB 100 123 113

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 28 196 120 shade: RGB 28 196 28, RGB 28 196 72, RGB 28 196 117, RGB 28 196 162 and RGB 28 185 196

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 28 196 120 shade: RGB 17 124 76, RGB 22 160 98, RGB 28 196 120, RGB 41 224 141 and RGB 77 229 160

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 28 196 120 shade: RGB 28 196 120, RGB 28 72 196 and RGB 196 50 28

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 28 196 120 shade: RGB 28 196 120, RGB 117 28 196 and RGB 196 117 28

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 28 196 120 shade: RGB 28 196 120, RGB 28 72 196, RGB 196 28 106 and RGB 196 151 28

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 28 196 120 shade: RGB 28 196 120, RGB 33 28 196, RGB 196 28 106 and RGB 190 196 28

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 86 / 0 / 39 / 23

HEX #1CC478

RGB 28 196 120

HSL 152.86, 0.75%, 0.44%

LAB 70.23, -57.39, 27.11

 

Complementary color

CMYK 0 / 74 / 41 / 11

HEX #E33B87

RGB 227 59 135

HSL 332.86, 0.75%, 0.56%

LAB 53.18, 68.92, -3.25

 

CMYK 83 / 0 / 41 / 23

HEX #21C473

RGB 33 196 115

HSL 150.18, 0.71%, 0.45%

LAB 70.2, -57.92, 29.68

 

CMYK 77 / 0 / 37 / 16

HEX #32D686

RGB 50 214 134

HSL 150.73, 0.67%, 0.52%

LAB 76.37, -58.99, 28.06

 

CMYK 71 / 0 / 34 / 9

HEX #43E899

RGB 67 232 153

HSL 151.27, 0.78%, 0.59%

LAB 82.49, -59.7, 26.56

 

CMYK 66 / 0 / 31 / 2

HEX #54FAAC

RGB 84 250 172

HSL 151.81, 0.94%, 0.65%

LAB 88.56, -60.16, 25.18

 

CMYK 60 / 0 / 25 / 0

HEX #65FFBF

RGB 101 255 191

HSL 155.06, 1%, 0.7%

LAB 90.8, -55.3, 18.65

 

CMYK 86 / 0 / 39 / 23

HEX #1CC478

RGB 28 196 120

HSL 152.86, 0.75%, 0.44%

LAB 70.23, -57.39, 27.11

 

CMYK 94 / 0 / 43 / 30

HEX #0BB265

RGB 11 178 101

HSL 152.34, 0.88%, 0.37%

LAB 64.04, -55.72, 28.88

 

CMYK 100 / 0 / 49 / 37

HEX #00A052

RGB 0 160 82

HSL 150.75, 1%, 0.31%

LAB 57.8, -53.46, 30.79

 

CMYK 100 / 0 / 56 / 44

HEX #008E3F

RGB 0 142 63

HSL 146.62, 1%, 0.28%

LAB 51.5, -50.51, 32.79

 

CMYK 100 / 0 / 65 / 51

HEX #007C2C

RGB 0 124 44

HSL 141.29, 1%, 0.24%

LAB 45.08, -47.27, 34.67

 

CMYK 86 / 0 / 39 / 23

HEX #1CC478

RGB 28 196 120

HSL 152.86, 0.75%, 0.44%

LAB 70.23, -57.39, 27.11

 

CMYK 86 / 0 / 62 / 23

HEX #1CC44A

RGB 28 196 74

HSL 136.43, 0.75%, 0.44%

LAB 69.63, -64.64, 48.87

 

CMYK 86 / 0 / 85 / 23

HEX #1CC41D

RGB 28 196 29

HSL 120.36, 0.75%, 0.44%

LAB 69.34, -68.27, 64.18

 

CMYK 63 / 0 / 86 / 23

HEX #48C41C

RGB 72 196 28

HSL 104.29, 0.75%, 0.44%

LAB 70.13, -61.41, 65.41

 

CMYK 40 / 0 / 86 / 23

HEX #75C41C

RGB 117 196 28

HSL 88.21, 0.75%, 0.44%

LAB 71.79, -48.56, 67.5

 

CMYK 86 / 0 / 39 / 23

HEX #1CC478

RGB 28 196 120

HSL 152.86, 0.75%, 0.44%

LAB 70.23, -57.39, 27.11

 

CMYK 86 / 0 / 16 / 23

HEX #1CC4A5

RGB 28 196 165

HSL 168.93, 0.75%, 0.44%

LAB 71.18, -47.03, 4.29

 

CMYK 86 / 8 / 0 / 23

HEX #1CB5C4

RGB 28 181 196

HSL 185.36, 0.75%, 0.44%

LAB 67.49, -31.31, -18.18

 

CMYK 86 / 31 / 0 / 23

HEX #1C88C4

RGB 28 136 196

HSL 201.43, 0.75%, 0.44%

LAB 53.86, -7.5, -39.25

 

CMYK 86 / 54 / 0 / 23

HEX #1C5AC4

RGB 28 90 196

HSL 217.86, 0.75%, 0.44%

LAB 40.48, 21.22, -60.64

 

CMYK 86 / 0 / 39 / 23

HEX #1CC478

RGB 28 196 120

HSL 152.86, 0.75%, 0.44%

LAB 70.23, -57.39, 27.11

 

CMYK 96 / 0 / 43 / 16

HEX #09D679

RGB 9 214 121

HSL 152.78, 0.92%, 0.44%

LAB 75.78, -64.46, 33.85

 

CMYK 86 / 0 / 39 / 23

HEX #1CC478

RGB 28 196 120

HSL 152.86, 0.75%, 0.44%

LAB 70.23, -57.39, 27.11

 

CMYK 74 / 0 / 34 / 30

HEX #2EB276

RGB 46 178 118

HSL 152.73, 0.59%, 0.44%

LAB 64.75, -49.09, 20.84

 

CMYK 60 / 0 / 28 / 37

HEX #40A074

RGB 64 160 116

HSL 152.5, 0.43%, 0.44%

LAB 59.43, -38.85, 14.7

 

CMYK 42 / 0 / 18 / 45

HEX #528D73

RGB 82 141 115

HSL 153.56, 0.26%, 0.44%

LAB 54.11, -25.57, 7.89

 

CMYK 19 / 0 / 8 / 52

HEX #647B71

RGB 100 123 113

HSL 153.91, 0.1%, 0.44%

LAB 49.58, -10.56, 2.69

 

CMYK 86 / 0 / 86 / 23

HEX #1CC41C

RGB 28 196 28

HSL 120, 0.75%, 0.44%

LAB 69.33, -68.32, 64.4

 

CMYK 86 / 0 / 63 / 23

HEX #1CC448

RGB 28 196 72

HSL 135.71, 0.75%, 0.44%

LAB 69.61, -64.88, 49.72

 

CMYK 86 / 0 / 40 / 23

HEX #1CC475

RGB 28 196 117

HSL 151.79, 0.75%, 0.44%

LAB 70.18, -57.98, 28.61

 

CMYK 86 / 0 / 17 / 23

HEX #1CC4A2

RGB 28 196 162

HSL 167.86, 0.75%, 0.44%

LAB 71.1, -47.81, 5.82

 

CMYK 86 / 6 / 0 / 23

HEX #1CB9C4

RGB 28 185 196

HSL 183.93, 0.75%, 0.44%

LAB 68.7, -33.22, -16.35

 

CMYK 86 / 0 / 39 / 51

HEX #117C4C

RGB 17 124 76

HSL 153.08, 0.76%, 0.28%

LAB 45.71, -40.29, 18.37

 

CMYK 86 / 0 / 39 / 37

HEX #16A062

RGB 22 160 98

HSL 153.04, 0.76%, 0.36%

LAB 58.22, -49.08, 22.84

 

CMYK 86 / 0 / 39 / 23

HEX #1CC478

RGB 28 196 120

HSL 152.86, 0.75%, 0.44%

LAB 70.23, -57.39, 27.11

 

CMYK 82 / 0 / 37 / 12

HEX #29E08D

RGB 41 224 141

HSL 152.79, 0.75%, 0.52%

LAB 79.45, -62.21, 28.55

 

CMYK 66 / 0 / 30 / 10

HEX #4DE5A0

RGB 77 229 160

HSL 152.76, 0.75%, 0.6%

LAB 81.92, -55.6, 22.21

 

CMYK 86 / 0 / 39 / 23

HEX #1CC478

RGB 28 196 120

HSL 152.86, 0.75%, 0.44%

LAB 70.23, -57.39, 27.11

 

CMYK 86 / 63 / 0 / 23

HEX #1C48C4

RGB 28 72 196

HSL 224.29, 0.75%, 0.44%

LAB 35.73, 33.06, -68.4

 

CMYK 0 / 74 / 86 / 23

HEX #C4321C

RGB 196 50 28

HSL 7.86, 0.75%, 0.44%

LAB 44.38, 56.29, 46.88

 

CMYK 86 / 0 / 39 / 23

HEX #1CC478

RGB 28 196 120

HSL 152.86, 0.75%, 0.44%

LAB 70.23, -57.39, 27.11

 

CMYK 40 / 86 / 0 / 23

HEX #751CC4

RGB 117 28 196

HSL 271.79, 0.75%, 0.44%

LAB 35.2, 64.93, -69

 

CMYK 0 / 40 / 86 / 23

HEX #C4751C

RGB 196 117 28

HSL 31.79, 0.75%, 0.44%

LAB 56.63, 24.86, 57.17

 

CMYK 86 / 0 / 39 / 23

HEX #1CC478

RGB 28 196 120

HSL 152.86, 0.75%, 0.44%

LAB 70.23, -57.39, 27.11

 

CMYK 86 / 63 / 0 / 23

HEX #1C48C4

RGB 28 72 196

HSL 224.29, 0.75%, 0.44%

LAB 35.73, 33.06, -68.4

 

CMYK 0 / 86 / 46 / 23

HEX #C41C6A

RGB 196 28 106

HSL 332.14, 0.75%, 0.44%

LAB 43.66, 66.49, -0.2

 

CMYK 0 / 23 / 86 / 23

HEX #C4971C

RGB 196 151 28

HSL 43.93, 0.75%, 0.44%

LAB 64.93, 6.26, 64.02

 

CMYK 86 / 0 / 39 / 23

HEX #1CC478

RGB 28 196 120

HSL 152.86, 0.75%, 0.44%

LAB 70.23, -57.39, 27.11

 

CMYK 83 / 86 / 0 / 23

HEX #211CC4

RGB 33 28 196

HSL 241.79, 0.75%, 0.44%

LAB 27.13, 57.81, -82.61

 

CMYK 0 / 86 / 46 / 23

HEX #C41C6A

RGB 196 28 106

HSL 332.14, 0.75%, 0.44%

LAB 43.66, 66.49, -0.2

 

CMYK 3 / 0 / 86 / 23

HEX #BEC41C

RGB 190 196 28

HSL 62.14, 0.75%, 0.44%

LAB 76.38, -19.84, 73.21

 

Description

Color code: RGB 28 196 120 | qconv.com Color code: RGB 28 196 120 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 28 red, 196 green and 120 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
28 196 120 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 86 cyan, none magenta, 39 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
86% 0% 39% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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