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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 28 203 226 it is the complementary color RGB 227 52 29. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 28 203 226. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 28 203 226 shade: RGB 33 203 221, RGB 50 221 240, RGB 67 239 255, RGB 84 255 255 and RGB 101 255 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 28 203 226. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 28 203 226 shade: RGB 28 203 226, RGB 11 185 207, RGB 0 167 188, RGB 0 149 169 and RGB 0 131 150

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 28 203 226 shade: RGB 28 203 226, RGB 28 150 226, RGB 28 96 226, RGB 28 42 226 and RGB 66 28 226

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 28 203 226 shade: RGB 28 203 226, RGB 28 150 226, RGB 28 96 226, RGB 28 42 226 and RGB 28 28 226

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 28 203 226 shade matches the following richer shades: RGB 28 203 226 and RGB 7 219 247

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 28 203 226 shade: RGB 28 203 226, RGB 48 188 206, RGB 69 172 185, RGB 89 156 165 and RGB 110 140 144

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 28 203 226 shade: RGB 28 226 140, RGB 28 226 193, RGB 28 207 226, RGB 28 154 226 and RGB 28 100 226

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 28 203 226 shade: RGB 18 137 153, RGB 23 170 190, RGB 28 203 226, RGB 64 212 231 and RGB 101 220 236

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 28 203 226 shade: RGB 28 203 226, RGB 87 28 226 and RGB 226 167 28

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 28 203 226 shade: RGB 28 203 226, RGB 226 28 207 and RGB 207 226 28

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 28 203 226 shade: RGB 28 203 226, RGB 87 28 226, RGB 226 47 28 and RGB 167 226 28

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 28 203 226 shade: RGB 28 203 226, RGB 147 28 226, RGB 226 47 28 and RGB 107 226 28

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 88 / 10 / 0 / 11

HEX #1CCBE2

RGB 28 203 226

HSL 186.97, 0.78%, 0.5%

LAB 75.11, -32.41, -22.96

 

Complementary color

CMYK 0 / 77 / 87 / 11

HEX #E3341D

RGB 227 52 29

HSL 6.97, 0.78%, 0.5%

LAB 50.54, 65.06, 53.92

 

CMYK 85 / 8 / 0 / 13

HEX #21CBDD

RGB 33 203 221

HSL 185.74, 0.74%, 0.5%

LAB 74.99, -33.68, -20.44

 

CMYK 79 / 8 / 0 / 6

HEX #32DDF0

RGB 50 221 240

HSL 186, 0.86%, 0.57%

LAB 81.12, -35.07, -21.29

 

CMYK 74 / 6 / 0 / 0

HEX #43EFFF

RGB 67 239 255

HSL 185.11, 1%, 0.63%

LAB 87.07, -37.35, -20.17

 

CMYK 67 / 0 / 0 / 0

HEX #54FFFF

RGB 84 255 255

HSL 180, 1%, 0.66%

LAB 91.96, -42.57, -12.78

 

CMYK 60 / 0 / 0 / 0

HEX #65FFFF

RGB 101 255 255

HSL 180, 1%, 0.7%

LAB 92.36, -40.11, -12.16

 

CMYK 88 / 10 / 0 / 11

HEX #1CCBE2

RGB 28 203 226

HSL 186.97, 0.78%, 0.5%

LAB 75.11, -32.41, -22.96

 

CMYK 95 / 11 / 0 / 19

HEX #0BB9CF

RGB 11 185 207

HSL 186.73, 0.9%, 0.43%

LAB 68.95, -30.53, -22.02

 

CMYK 100 / 11 / 0 / 26

HEX #00A7BC

RGB 0 167 188

HSL 186.7, 1%, 0.37%

LAB 62.73, -28.26, -20.99

 

CMYK 100 / 12 / 0 / 34

HEX #0095A9

RGB 0 149 169

HSL 187.1, 1%, 0.33%

LAB 56.45, -25.62, -19.86

 

CMYK 100 / 13 / 0 / 41

HEX #008396

RGB 0 131 150

HSL 187.6, 1%, 0.29%

LAB 50.02, -22.91, -18.72

 

CMYK 88 / 10 / 0 / 11

HEX #1CCBE2

RGB 28 203 226

HSL 186.97, 0.78%, 0.5%

LAB 75.11, -32.41, -22.96

 

CMYK 88 / 34 / 0 / 11

HEX #1C96E2

RGB 28 150 226

HSL 203.03, 0.78%, 0.5%

LAB 59.48, -4.51, -47.23

 

CMYK 88 / 58 / 0 / 11

HEX #1C60E2

RGB 28 96 226

HSL 219.39, 0.78%, 0.5%

LAB 44.38, 28.92, -71.5

 

CMYK 88 / 81 / 0 / 11

HEX #1C2AE2

RGB 28 42 226

HSL 235.76, 0.78%, 0.5%

LAB 32.69, 60.55, -90.77

 

CMYK 71 / 88 / 0 / 11

HEX #421CE2

RGB 66 28 226

HSL 251.52, 0.78%, 0.5%

LAB 32.88, 67.63, -90.4

 

CMYK 88 / 10 / 0 / 11

HEX #1CCBE2

RGB 28 203 226

HSL 186.97, 0.78%, 0.5%

LAB 75.11, -32.41, -22.96

 

CMYK 88 / 34 / 0 / 11

HEX #1C96E2

RGB 28 150 226

HSL 203.03, 0.78%, 0.5%

LAB 59.48, -4.51, -47.23

 

CMYK 88 / 58 / 0 / 11

HEX #1C60E2

RGB 28 96 226

HSL 219.39, 0.78%, 0.5%

LAB 44.38, 28.92, -71.5

 

CMYK 88 / 81 / 0 / 11

HEX #1C2AE2

RGB 28 42 226

HSL 235.76, 0.78%, 0.5%

LAB 32.69, 60.55, -90.77

 

CMYK 88 / 88 / 0 / 11

HEX #1C1CE2

RGB 28 28 226

HSL 240, 0.78%, 0.5%

LAB 30.8, 66.17, -93.91

 

CMYK 88 / 10 / 0 / 11

HEX #1CCBE2

RGB 28 203 226

HSL 186.97, 0.78%, 0.5%

LAB 75.11, -32.41, -22.96

 

CMYK 97 / 11 / 0 / 3

HEX #07DBF7

RGB 7 219 247

HSL 187, 0.94%, 0.5%

LAB 80.42, -34.13, -26.11

 

CMYK 88 / 10 / 0 / 11

HEX #1CCBE2

RGB 28 203 226

HSL 186.97, 0.78%, 0.5%

LAB 75.11, -32.41, -22.96

 

CMYK 77 / 9 / 0 / 19

HEX #30BCCE

RGB 48 188 206

HSL 186.84, 0.62%, 0.5%

LAB 70.21, -29.88, -19.52

 

CMYK 63 / 7 / 0 / 27

HEX #45ACB9

RGB 69 172 185

HSL 186.72, 0.46%, 0.5%

LAB 65.18, -25.48, -15.51

 

CMYK 46 / 5 / 0 / 35

HEX #599CA5

RGB 89 156 165

HSL 187.11, 0.3%, 0.5%

LAB 60.44, -18.82, -11.35

 

CMYK 24 / 3 / 0 / 44

HEX #6E8C90

RGB 110 140 144

HSL 187.06, 0.13%, 0.5%

LAB 56.17, -9.57, -5.61

 

CMYK 88 / 0 / 38 / 11

HEX #1CE28C

RGB 28 226 140

HSL 153.94, 0.78%, 0.5%

LAB 79.92, -64.12, 29.67

 

CMYK 88 / 0 / 15 / 11

HEX #1CE2C1

RGB 28 226 193

HSL 170, 0.78%, 0.5%

LAB 81.01, -52.08, 3.5

 

CMYK 88 / 8 / 0 / 11

HEX #1CCFE2

RGB 28 207 226

HSL 185.76, 0.78%, 0.5%

LAB 76.29, -34.32, -21.16

 

CMYK 88 / 32 / 0 / 11

HEX #1C9AE2

RGB 28 154 226

HSL 201.82, 0.78%, 0.5%

LAB 60.65, -6.8, -45.39

 

CMYK 88 / 56 / 0 / 11

HEX #1C64E2

RGB 28 100 226

HSL 218.18, 0.78%, 0.5%

LAB 45.43, 26.35, -69.79

 

CMYK 88 / 10 / 0 / 40

HEX #128999

RGB 18 137 153

HSL 187.11, 0.79%, 0.34%

LAB 52.2, -24.08, -17.13

 

CMYK 88 / 11 / 0 / 25

HEX #17AABE

RGB 23 170 190

HSL 187.19, 0.78%, 0.42%

LAB 63.88, -28.17, -20.35

 

CMYK 88 / 10 / 0 / 11

HEX #1CCBE2

RGB 28 203 226

HSL 186.97, 0.78%, 0.5%

LAB 75.11, -32.41, -22.96

 

CMYK 72 / 8 / 0 / 9

HEX #40D4E7

RGB 64 212 231

HSL 186.83, 0.78%, 0.58%

LAB 78.43, -32.08, -20.55

 

CMYK 57 / 7 / 0 / 7

HEX #65DCEC

RGB 101 220 236

HSL 187.11, 0.78%, 0.66%

LAB 81.84, -28.89, -17.96

 

CMYK 88 / 10 / 0 / 11

HEX #1CCBE2

RGB 28 203 226

HSL 186.97, 0.78%, 0.5%

LAB 75.11, -32.41, -22.96

 

CMYK 62 / 88 / 0 / 11

HEX #571CE2

RGB 87 28 226

HSL 257.88, 0.78%, 0.5%

LAB 34.7, 69, -87.33

 

CMYK 0 / 26 / 88 / 11

HEX #E2A71C

RGB 226 167 28

HSL 42.12, 0.78%, 0.5%

LAB 72.15, 10.85, 71.2

 

CMYK 88 / 10 / 0 / 11

HEX #1CCBE2

RGB 28 203 226

HSL 186.97, 0.78%, 0.5%

LAB 75.11, -32.41, -22.96

 

CMYK 0 / 88 / 8 / 11

HEX #E21CCF

RGB 226 28 207

HSL 305.76, 0.78%, 0.5%

LAB 53.5, 84.41, -44.97

 

CMYK 8 / 0 / 88 / 11

HEX #CFE21C

RGB 207 226 28

HSL 65.76, 0.78%, 0.5%

LAB 85.88, -27.23, 81.46

 

CMYK 88 / 10 / 0 / 11

HEX #1CCBE2

RGB 28 203 226

HSL 186.97, 0.78%, 0.5%

LAB 75.11, -32.41, -22.96

 

CMYK 62 / 88 / 0 / 11

HEX #571CE2

RGB 87 28 226

HSL 257.88, 0.78%, 0.5%

LAB 34.7, 69, -87.33

 

CMYK 0 / 79 / 88 / 11

HEX #E22F1C

RGB 226 47 28

HSL 5.76, 0.78%, 0.5%

LAB 49.84, 66.16, 53.72

 

CMYK 26 / 0 / 88 / 11

HEX #A7E21C

RGB 167 226 28

HSL 77.88, 0.78%, 0.5%

LAB 83.28, -43.08, 78.26

 

CMYK 88 / 10 / 0 / 11

HEX #1CCBE2

RGB 28 203 226

HSL 186.97, 0.78%, 0.5%

LAB 75.11, -32.41, -22.96

 

CMYK 35 / 88 / 0 / 11

HEX #931CE2

RGB 147 28 226

HSL 276.06, 0.78%, 0.5%

LAB 42.04, 75.14, -74.97

 

CMYK 0 / 79 / 88 / 11

HEX #E22F1C

RGB 226 47 28

HSL 5.76, 0.78%, 0.5%

LAB 49.84, 66.16, 53.72

 

CMYK 53 / 0 / 88 / 11

HEX #6BE21C

RGB 107 226 28

HSL 96.06, 0.78%, 0.5%

LAB 80.52, -62.94, 74.83

 

Description

Color code: RGB 28 203 226 | qconv.com Color code: RGB 28 203 226 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 28 red, 203 green and 226 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
28 203 226 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 88 cyan, 10 magenta, none yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
88% 10% 0% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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