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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 28 226 126 it is the complementary color RGB 227 29 129. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 28 226 126. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 28 226 126 shade: RGB 33 226 121, RGB 50 244 140, RGB 67 255 159, RGB 84 255 178 and RGB 101 255 197

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 28 226 126. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 28 226 126 shade: RGB 28 226 126, RGB 11 208 107, RGB 0 190 88, RGB 0 172 69 and RGB 0 154 50

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 28 226 126 shade: RGB 28 226 126, RGB 28 226 72, RGB 36 226 28, RGB 90 226 28 and RGB 144 226 28

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 28 226 126 shade: RGB 28 226 126, RGB 28 226 180, RGB 28 220 226, RGB 28 166 226 and RGB 28 112 226

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 28 226 126 shade matches the following richer shades: RGB 28 226 126 and RGB 7 247 126

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 28 226 126 shade: RGB 28 226 126, RGB 48 206 126, RGB 69 185 126, RGB 89 165 127 and RGB 110 144 127

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 28 226 126 shade: RGB 37 226 28, RGB 28 226 71, RGB 28 226 124, RGB 28 226 177 and RGB 28 223 226

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 28 226 126 shade: RGB 18 153 85, RGB 23 190 106, RGB 28 226 126, RGB 64 231 147 and RGB 101 236 168

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 28 226 126 shade: RGB 28 226 126, RGB 28 91 226 and RGB 226 44 28

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 28 226 126 shade: RGB 28 226 126, RGB 124 28 226 and RGB 226 124 28

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 28 226 126 shade: RGB 28 226 126, RGB 28 91 226, RGB 226 28 130 and RGB 226 163 28

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 28 226 126 shade: RGB 28 226 126, RGB 28 31 226, RGB 226 28 130 and RGB 226 223 28

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 88 / 0 / 44 / 11

HEX #1CE27E

RGB 28 226 126

HSL 149.7, 0.78%, 0.5%

LAB 79.7, -66.69, 36.44

 

Complementary color

CMYK 0 / 87 / 43 / 11

HEX #E31D81

RGB 227 29 129

HSL 329.7, 0.78%, 0.5%

LAB 50.45, 75.63, -3.67

 

CMYK 85 / 0 / 46 / 11

HEX #21E279

RGB 33 226 121

HSL 147.36, 0.77%, 0.51%

LAB 79.67, -67.18, 38.88

 

CMYK 80 / 0 / 43 / 4

HEX #32F48C

RGB 50 244 140

HSL 147.84, 0.9%, 0.58%

LAB 85.64, -68.48, 37.24

 

CMYK 74 / 0 / 38 / 0

HEX #43FF9F

RGB 67 255 159

HSL 149.36, 1%, 0.63%

LAB 89.49, -66.95, 32.93

 

CMYK 67 / 0 / 30 / 0

HEX #54FFB2

RGB 84 255 178

HSL 152.98, 1%, 0.66%

LAB 90.15, -60.87, 24.3

 

CMYK 60 / 0 / 23 / 0

HEX #65FFC5

RGB 101 255 197

HSL 157.4, 1%, 0.7%

LAB 90.92, -54.04, 15.74

 

CMYK 88 / 0 / 44 / 11

HEX #1CE27E

RGB 28 226 126

HSL 149.7, 0.78%, 0.5%

LAB 79.7, -66.69, 36.44

 

CMYK 95 / 0 / 49 / 18

HEX #0BD06B

RGB 11 208 107

HSL 149.24, 0.9%, 0.43%

LAB 73.7, -64.82, 38.2

 

CMYK 100 / 0 / 54 / 25

HEX #00BE58

RGB 0 190 88

HSL 147.79, 1%, 0.37%

LAB 67.67, -62.4, 40.03

 

CMYK 100 / 0 / 60 / 33

HEX #00AC45

RGB 0 172 69

HSL 144.07, 1%, 0.34%

LAB 61.6, -59.4, 41.86

 

CMYK 100 / 0 / 68 / 40

HEX #009A32

RGB 0 154 50

HSL 139.48, 1%, 0.3%

LAB 55.42, -56.11, 43.47

 

CMYK 88 / 0 / 44 / 11

HEX #1CE27E

RGB 28 226 126

HSL 149.7, 0.78%, 0.5%

LAB 79.7, -66.69, 36.44

 

CMYK 88 / 0 / 68 / 11

HEX #1CE248

RGB 28 226 72

HSL 133.33, 0.78%, 0.5%

LAB 79.1, -73.92, 60.11

 

CMYK 84 / 0 / 88 / 11

HEX #24E21C

RGB 36 226 28

HSL 117.58, 0.78%, 0.5%

LAB 78.96, -76.07, 72.87

 

CMYK 60 / 0 / 88 / 11

HEX #5AE21C

RGB 90 226 28

HSL 101.21, 0.78%, 0.5%

LAB 79.98, -67.26, 74.16

 

CMYK 36 / 0 / 88 / 11

HEX #90E21C

RGB 144 226 28

HSL 84.85, 0.78%, 0.5%

LAB 82.06, -51.41, 76.75

 

CMYK 88 / 0 / 44 / 11

HEX #1CE27E

RGB 28 226 126

HSL 149.7, 0.78%, 0.5%

LAB 79.7, -66.69, 36.44

 

CMYK 88 / 0 / 20 / 11

HEX #1CE2B4

RGB 28 226 180

HSL 166.06, 0.78%, 0.5%

LAB 80.7, -55.35, 9.93

 

CMYK 88 / 3 / 0 / 11

HEX #1CDCE2

RGB 28 220 226

HSL 181.82, 0.78%, 0.5%

LAB 80.14, -40.32, -15.35

 

CMYK 88 / 27 / 0 / 11

HEX #1CA6E2

RGB 28 166 226

HSL 198.18, 0.78%, 0.5%

LAB 64.17, -13.49, -39.85

 

CMYK 88 / 50 / 0 / 11

HEX #1C70E2

RGB 28 112 226

HSL 214.55, 0.78%, 0.5%

LAB 48.67, 18.65, -64.54

 

CMYK 88 / 0 / 44 / 11

HEX #1CE27E

RGB 28 226 126

HSL 149.7, 0.78%, 0.5%

LAB 79.7, -66.69, 36.44

 

CMYK 97 / 0 / 49 / 3

HEX #07F77E

RGB 7 247 126

HSL 149.75, 0.94%, 0.5%

LAB 86.04, -74.38, 44.47

 

CMYK 88 / 0 / 44 / 11

HEX #1CE27E

RGB 28 226 126

HSL 149.7, 0.78%, 0.5%

LAB 79.7, -66.69, 36.44

 

CMYK 77 / 0 / 39 / 19

HEX #30CE7E

RGB 48 206 126

HSL 149.62, 0.62%, 0.5%

LAB 73.73, -57.83, 28.67

 

CMYK 63 / 0 / 32 / 27

HEX #45B97E

RGB 69 185 126

HSL 149.48, 0.46%, 0.5%

LAB 67.63, -46.34, 20.54

 

CMYK 46 / 0 / 23 / 35

HEX #59A57F

RGB 89 165 127

HSL 150, 0.3%, 0.5%

LAB 62.14, -32.6, 12.5

 

CMYK 24 / 0 / 12 / 44

HEX #6E907F

RGB 110 144 127

HSL 150, 0.13%, 0.5%

LAB 56.87, -15.56, 5.17

 

CMYK 84 / 0 / 88 / 11

HEX #25E21C

RGB 37 226 28

HSL 117.27, 0.78%, 0.5%

LAB 78.97, -75.98, 72.89

 

CMYK 88 / 0 / 69 / 11

HEX #1CE247

RGB 28 226 71

HSL 133.03, 0.78%, 0.5%

LAB 79.1, -74.01, 60.49

 

CMYK 88 / 0 / 45 / 11

HEX #1CE27C

RGB 28 226 124

HSL 149.09, 0.78%, 0.5%

LAB 79.67, -67.03, 37.39

 

CMYK 88 / 0 / 22 / 11

HEX #1CE2B1

RGB 28 226 177

HSL 165.15, 0.78%, 0.5%

LAB 80.64, -56.08, 11.41

 

CMYK 88 / 1 / 0 / 11

HEX #1CDFE2

RGB 28 223 226

HSL 180.91, 0.78%, 0.5%

LAB 81.02, -41.66, -14.02

 

CMYK 88 / 0 / 44 / 40

HEX #129955

RGB 18 153 85

HSL 149.78, 0.79%, 0.34%

LAB 55.65, -49.39, 26.48

 

CMYK 88 / 0 / 44 / 25

HEX #17BE6A

RGB 23 190 106

HSL 149.82, 0.78%, 0.42%

LAB 68.06, -58.29, 31.51

 

CMYK 88 / 0 / 44 / 11

HEX #1CE27E

RGB 28 226 126

HSL 149.7, 0.78%, 0.5%

LAB 79.7, -66.69, 36.44

 

CMYK 72 / 0 / 36 / 9

HEX #40E793

RGB 64 231 147

HSL 149.82, 0.78%, 0.58%

LAB 82.03, -60.91, 29

 

CMYK 57 / 0 / 29 / 7

HEX #65ECA8

RGB 101 236 168

HSL 149.78, 0.78%, 0.66%

LAB 84.78, -52.28, 22.11

 

CMYK 88 / 0 / 44 / 11

HEX #1CE27E

RGB 28 226 126

HSL 149.7, 0.78%, 0.5%

LAB 79.7, -66.69, 36.44

 

CMYK 88 / 60 / 0 / 11

HEX #1C5BE2

RGB 28 91 226

HSL 220.91, 0.78%, 0.5%

LAB 43.09, 32.14, -73.61

 

CMYK 0 / 81 / 88 / 11

HEX #E22C1C

RGB 226 44 28

HSL 4.85, 0.78%, 0.5%

LAB 49.56, 66.95, 53.5

 

CMYK 88 / 0 / 44 / 11

HEX #1CE27E

RGB 28 226 126

HSL 149.7, 0.78%, 0.5%

LAB 79.7, -66.69, 36.44

 

CMYK 45 / 88 / 0 / 11

HEX #7C1CE2

RGB 124 28 226

HSL 269.09, 0.78%, 0.5%

LAB 38.91, 72.42, -80.23

 

CMYK 0 / 45 / 88 / 11

HEX #E27C1C

RGB 226 124 28

HSL 29.09, 0.78%, 0.5%

LAB 62.23, 33.67, 63.38

 

CMYK 88 / 0 / 44 / 11

HEX #1CE27E

RGB 28 226 126

HSL 149.7, 0.78%, 0.5%

LAB 79.7, -66.69, 36.44

 

CMYK 88 / 60 / 0 / 11

HEX #1C5BE2

RGB 28 91 226

HSL 220.91, 0.78%, 0.5%

LAB 43.09, 32.14, -73.61

 

CMYK 0 / 88 / 42 / 11

HEX #E21C82

RGB 226 28 130

HSL 329.09, 0.78%, 0.5%

LAB 50.23, 75.65, -4.62

 

CMYK 0 / 28 / 88 / 11

HEX #E2A31C

RGB 226 163 28

HSL 40.91, 0.78%, 0.5%

LAB 71.18, 12.98, 70.43

 

CMYK 88 / 0 / 44 / 11

HEX #1CE27E

RGB 28 226 126

HSL 149.7, 0.78%, 0.5%

LAB 79.7, -66.69, 36.44

 

CMYK 88 / 86 / 0 / 11

HEX #1C1FE2

RGB 28 31 226

HSL 239.09, 0.78%, 0.5%

LAB 31.16, 65.11, -93.32

 

CMYK 0 / 88 / 42 / 11

HEX #E21C82

RGB 226 28 130

HSL 329.09, 0.78%, 0.5%

LAB 50.23, 75.65, -4.62

 

CMYK 0 / 1 / 88 / 11

HEX #E2DF1C

RGB 226 223 28

HSL 59.09, 0.78%, 0.5%

LAB 86.52, -17.88, 82.58

 

Description

Color code: RGB 28 226 126 | qconv.com Color code: RGB 28 226 126 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 28 red, 226 green and 126 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
28 226 126 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 88 cyan, none magenta, 44 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
88% 0% 44% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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