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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 28 240 112 it is the complementary color RGB 227 15 143. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 28 240 112. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 28 240 112 shade: RGB 33 240 107, RGB 50 255 126, RGB 67 255 145, RGB 84 255 164 and RGB 101 255 183

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 28 240 112. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 28 240 112 shade: RGB 28 240 112, RGB 11 222 93, RGB 0 204 74, RGB 0 186 55 and RGB 0 168 36

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 28 240 112 shade: RGB 29 240 113, RGB 29 240 56, RGB 59 240 29, RGB 116 240 29 and RGB 173 240 29

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 28 240 112 shade: RGB 29 240 113, RGB 29 240 170, RGB 29 240 227, RGB 29 197 240 and RGB 29 140 240

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 28 240 112 shade matches the following richer shades: RGB 29 240 113

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 28 240 112 shade: RGB 29 240 113, RGB 49 221 117, RGB 68 201 121, RGB 87 182 125 and RGB 107 163 129

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 28 240 112 shade: RGB 61 240 29, RGB 29 240 54, RGB 29 240 110, RGB 29 240 166 and RGB 29 240 223

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 28 240 112 shade: RGB 11 176 76, RGB 13 215 93, RGB 29 240 113, RGB 68 243 137 and RGB 107 245 162

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 28 240 112 shade: RGB 28 240 112, RGB 29 117 240 and RGB 240 29 33

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 28 240 112 shade: RGB 28 240 112, RGB 110 29 240 and RGB 240 110 29

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 28 240 112 shade: RGB 28 240 112, RGB 29 117 240, RGB 240 29 159 and RGB 240 152 29

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 28 240 112 shade: RGB 28 240 112, RGB 29 54 240, RGB 240 29 159 and RGB 240 216 29

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 88 / 0 / 53 / 6

HEX #1CF070

RGB 28 240 112

HSL 143.77, 0.88%, 0.53%

LAB 83.83, -73.41, 48.34

 

Complementary color

CMYK 0 / 93 / 37 / 11

HEX #E30F8F

RGB 227 15 143

HSL 323.77, 0.88%, 0.47%

LAB 50.28, 78.75, -12.37

 

CMYK 86 / 0 / 55 / 6

HEX #21F06B

RGB 33 240 107

HSL 141.45, 0.87%, 0.54%

LAB 83.81, -73.76, 50.62

 

CMYK 80 / 0 / 51 / 0

HEX #32FF7E

RGB 50 255 126

HSL 142.24, 1%, 0.6%

LAB 88.78, -74.35, 47.95

 

CMYK 74 / 0 / 43 / 0

HEX #43FF91

RGB 67 255 145

HSL 144.89, 1%, 0.63%

LAB 89.28, -69.4, 39.55

 

CMYK 67 / 0 / 36 / 0

HEX #54FFA4

RGB 84 255 164

HSL 148.07, 1%, 0.66%

LAB 89.9, -63.56, 31.03

 

CMYK 60 / 0 / 28 / 0

HEX #65FFB7

RGB 101 255 183

HSL 151.95, 1%, 0.7%

LAB 90.65, -56.93, 22.51

 

CMYK 88 / 0 / 53 / 6

HEX #1CF070

RGB 28 240 112

HSL 143.77, 0.88%, 0.53%

LAB 83.83, -73.41, 48.34

 

CMYK 95 / 0 / 58 / 13

HEX #0BDE5D

RGB 11 222 93

HSL 143.32, 0.91%, 0.46%

LAB 77.94, -71.28, 49.97

 

CMYK 100 / 0 / 64 / 20

HEX #00CC4A

RGB 0 204 74

HSL 141.76, 1%, 0.4%

LAB 72.01, -68.57, 51.51

 

CMYK 100 / 0 / 70 / 27

HEX #00BA37

RGB 0 186 55

HSL 137.74, 1%, 0.36%

LAB 66.05, -65.23, 52.82

 

CMYK 100 / 0 / 79 / 34

HEX #00A824

RGB 0 168 36

HSL 132.86, 1%, 0.33%

LAB 60.01, -61.56, 53.51

 

CMYK 88 / 0 / 53 / 6

HEX #1DF071

RGB 29 240 113

HSL 143.89, 0.88%, 0.53%

LAB 83.85, -73.2, 47.9

 

CMYK 88 / 0 / 77 / 6

HEX #1DF038

RGB 29 240 56

HSL 127.68, 0.88%, 0.53%

LAB 83.37, -79.12, 69.98

 

CMYK 75 / 0 / 88 / 6

HEX #3BF01D

RGB 59 240 29

HSL 111.47, 0.88%, 0.53%

LAB 83.62, -77.32, 76.84

 

CMYK 52 / 0 / 88 / 6

HEX #74F01D

RGB 116 240 29

HSL 95.26, 0.88%, 0.53%

LAB 85.06, -65.38, 78.64

 

CMYK 28 / 0 / 88 / 6

HEX #ADF01D

RGB 173 240 29

HSL 79.05, 0.88%, 0.53%

LAB 87.63, -46.8, 81.83

 

CMYK 88 / 0 / 53 / 6

HEX #1DF071

RGB 29 240 113

HSL 143.89, 0.88%, 0.53%

LAB 83.85, -73.2, 47.9

 

CMYK 88 / 0 / 29 / 6

HEX #1DF0AA

RGB 29 240 170

HSL 160.09, 0.88%, 0.53%

LAB 84.73, -62.89, 20.81

 

CMYK 88 / 0 / 5 / 6

HEX #1DF0E3

RGB 29 240 227

HSL 176.3, 0.88%, 0.53%

LAB 86.07, -48.73, -7.03

 

CMYK 88 / 18 / 0 / 6

HEX #1DC5F0

RGB 29 197 240

HSL 192.23, 0.88%, 0.53%

LAB 73.86, -24.89, -32.42

 

CMYK 88 / 42 / 0 / 6

HEX #1D8CF0

RGB 29 140 240

HSL 208.44, 0.88%, 0.53%

LAB 57.37, 6.69, -58.35

 

CMYK 88 / 0 / 53 / 6

HEX #1DF071

RGB 29 240 113

HSL 143.89, 0.88%, 0.53%

LAB 83.85, -73.2, 47.9

 

CMYK 88 / 0 / 53 / 6

HEX #1DF071

RGB 29 240 113

HSL 143.89, 0.88%, 0.53%

LAB 83.85, -73.2, 47.9

 

CMYK 78 / 0 / 47 / 13

HEX #31DD75

RGB 49 221 117

HSL 143.72, 0.72%, 0.53%

LAB 78.26, -64.59, 39.09

 

CMYK 66 / 0 / 40 / 21

HEX #44C979

RGB 68 201 121

HSL 143.91, 0.55%, 0.53%

LAB 72.48, -53.84, 29.69

 

CMYK 52 / 0 / 31 / 29

HEX #57B67D

RGB 87 182 125

HSL 144, 0.39%, 0.53%

LAB 67.25, -41.23, 20.65

 

CMYK 34 / 0 / 21 / 36

HEX #6BA381

RGB 107 163 129

HSL 143.57, 0.23%, 0.53%

LAB 62.43, -25.92, 11.92

 

CMYK 75 / 0 / 88 / 6

HEX #3DF01D

RGB 61 240 29

HSL 110.9, 0.88%, 0.53%

LAB 83.65, -77.03, 76.88

 

CMYK 88 / 0 / 78 / 6

HEX #1DF036

RGB 29 240 54

HSL 127.11, 0.88%, 0.53%

LAB 83.36, -79.25, 70.57

 

CMYK 88 / 0 / 54 / 6

HEX #1DF06E

RGB 29 240 110

HSL 143.03, 0.88%, 0.53%

LAB 83.81, -73.63, 49.25

 

CMYK 88 / 0 / 31 / 6

HEX #1DF0A6

RGB 29 240 166

HSL 158.96, 0.88%, 0.53%

LAB 84.66, -63.75, 22.76

 

CMYK 88 / 0 / 7 / 6

HEX #1DF0DF

RGB 29 240 223

HSL 175.17, 0.88%, 0.53%

LAB 85.96, -49.83, -5.09

 

CMYK 94 / 0 / 57 / 31

HEX #0BB04C

RGB 11 176 76

HSL 143.64, 0.88%, 0.37%

LAB 63.05, -59.19, 40.26

 

CMYK 94 / 0 / 57 / 16

HEX #0DD75D

RGB 13 215 93

HSL 143.76, 0.89%, 0.45%

LAB 75.75, -69.06, 47.39

 

CMYK 88 / 0 / 53 / 6

HEX #1DF071

RGB 29 240 113

HSL 143.89, 0.88%, 0.53%

LAB 83.85, -73.2, 47.9

 

CMYK 72 / 0 / 44 / 5

HEX #44F389

RGB 68 243 137

HSL 143.66, 0.88%, 0.61%

LAB 85.57, -66.43, 38.68

 

CMYK 56 / 0 / 34 / 4

HEX #6BF5A2

RGB 107 245 162

HSL 143.91, 0.87%, 0.69%

LAB 87.5, -55.76, 28.92

 

CMYK 88 / 0 / 53 / 6

HEX #1CF070

RGB 28 240 112

HSL 143.77, 0.88%, 0.53%

LAB 83.83, -73.41, 48.34

 

CMYK 88 / 51 / 0 / 6

HEX #1D75F0

RGB 29 117 240

HSL 214.98, 0.88%, 0.53%

LAB 51.01, 20.92, -68.6

 

CMYK 0 / 88 / 86 / 6

HEX #F01D21

RGB 240 29 33

HSL 358.86, 0.88%, 0.53%

LAB 51.28, 73.91, 53.81

 

CMYK 88 / 0 / 53 / 6

HEX #1CF070

RGB 28 240 112

HSL 143.77, 0.88%, 0.53%

LAB 83.83, -73.41, 48.34

 

CMYK 54 / 88 / 0 / 6

HEX #6E1DF0

RGB 110 29 240

HSL 263.03, 0.88%, 0.53%

LAB 38.7, 73.98, -88.59

 

CMYK 0 / 54 / 88 / 6

HEX #F06E1D

RGB 240 110 29

HSL 23.03, 0.88%, 0.53%

LAB 61.45, 46.19, 63.34

 

CMYK 88 / 0 / 53 / 6

HEX #1CF070

RGB 28 240 112

HSL 143.77, 0.88%, 0.53%

LAB 83.83, -73.41, 48.34

 

CMYK 88 / 51 / 0 / 6

HEX #1D75F0

RGB 29 117 240

HSL 214.98, 0.88%, 0.53%

LAB 51.01, 20.92, -68.6

 

CMYK 0 / 88 / 34 / 6

HEX #F01D9F

RGB 240 29 159

HSL 323.03, 0.88%, 0.53%

LAB 53.93, 81.32, -16.15

 

CMYK 0 / 37 / 88 / 6

HEX #F0981D

RGB 240 152 29

HSL 34.98, 0.88%, 0.53%

LAB 70.23, 24.8, 70.13

 

CMYK 88 / 0 / 53 / 6

HEX #1CF070

RGB 28 240 112

HSL 143.77, 0.88%, 0.53%

LAB 83.83, -73.41, 48.34

 

CMYK 88 / 78 / 0 / 6

HEX #1D36F0

RGB 29 54 240

HSL 232.89, 0.88%, 0.53%

LAB 36.35, 59.1, -92.65

 

CMYK 0 / 88 / 34 / 6

HEX #F01D9F

RGB 240 29 159

HSL 323.03, 0.88%, 0.53%

LAB 53.93, 81.32, -16.15

 

CMYK 0 / 10 / 88 / 6

HEX #F0D81D

RGB 240 216 29

HSL 53.18, 0.88%, 0.53%

LAB 85.87, -8.48, 82.39

 

Description

Color code: RGB 28 240 112 | qconv.com Color code: RGB 28 240 112 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 28 red, 240 green and 112 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
28 240 112 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 88 cyan, none magenta, 53 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
88% 0% 53% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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