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Color name
RGB 29 86 173

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 29 86 173 it is the complementary color RGB 226 169 82. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 29 86 173. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 29 86 173 shade: RGB 34 86 168, RGB 51 104 187, RGB 68 122 206, RGB 85 140 225 and RGB 102 158 244

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 29 86 173. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 29 86 173 shade: RGB 29 86 173, RGB 12 68 154, RGB 0 50 135, RGB 0 32 116 and RGB 0 14 97

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 29 86 173 shade: RGB 29 86 174, RGB 29 47 174, RGB 50 29 174, RGB 89 29 174 and RGB 128 29 174

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 29 86 173 shade: RGB 29 86 174, RGB 29 47 174 and RGB 29 29 174

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 29 86 173 shade matches the following richer shades: RGB 29 86 174 and RGB 13 83 190

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 29 86 173 shade: RGB 29 86 174, RGB 46 90 157, RGB 62 93 141, RGB 79 97 124 and RGB 95 100 108

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 29 86 173 shade: RGB 29 164 174, RGB 29 126 174, RGB 29 87 174, RGB 29 48 174 and RGB 48 29 174

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 29 86 173 shade: RGB 17 51 103, RGB 23 69 139, RGB 29 86 174, RGB 35 104 209 and RGB 63 126 222

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 29 86 173 shade: RGB 29 86 173, RGB 145 29 174 and RGB 145 174 29

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 29 86 173 shade: RGB 29 86 173, RGB 174 29 87 and RGB 87 174 29

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 29 86 173 shade: RGB 29 86 173, RGB 145 29 174, RGB 174 116 29 and RGB 58 174 29

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 29 86 173 shade: RGB 29 86 173, RGB 174 29 159, RGB 174 116 29 and RGB 29 174 44

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 83 / 50 / 0 / 32

HEX #1D56AD

RGB 29 86 173

HSL 216.25, 0.71%, 0.4%

LAB 37.72, 14.85, -51.62

 

Complementary color

CMYK 0 / 25 / 64 / 11

HEX #E2A952

RGB 226 169 82

HSL 36.25, 0.71%, 0.6%

LAB 72.99, 12.01, 51.97

 

CMYK 80 / 49 / 0 / 34

HEX #2256A8

RGB 34 86 168

HSL 216.72, 0.66%, 0.4%

LAB 37.52, 13.37, -48.97

 

CMYK 73 / 44 / 0 / 27

HEX #3368BB

RGB 51 104 187

HSL 216.62, 0.57%, 0.47%

LAB 44.51, 11.1, -48.89

 

CMYK 67 / 41 / 0 / 19

HEX #447ACE

RGB 68 122 206

HSL 216.52, 0.58%, 0.54%

LAB 51.39, 9.31, -48.78

 

CMYK 62 / 38 / 0 / 12

HEX #558CE1

RGB 85 140 225

HSL 216.43, 0.7%, 0.61%

LAB 58.15, 7.89, -48.67

 

CMYK 58 / 35 / 0 / 4

HEX #669EF4

RGB 102 158 244

HSL 216.34, 0.87%, 0.68%

LAB 64.81, 6.73, -48.59

 

CMYK 83 / 50 / 0 / 32

HEX #1D56AD

RGB 29 86 173

HSL 216.25, 0.71%, 0.4%

LAB 37.72, 14.85, -51.62

 

CMYK 92 / 56 / 0 / 40

HEX #0C449A

RGB 12 68 154

HSL 216.34, 0.86%, 0.33%

LAB 30.75, 18.09, -51.55

 

CMYK 100 / 63 / 0 / 47

HEX #003287

RGB 0 50 135

HSL 217.78, 1%, 0.26%

LAB 23.77, 22.13, -51.24

 

CMYK 100 / 72 / 0 / 55

HEX #002074

RGB 0 32 116

HSL 223.45, 1%, 0.23%

LAB 16.96, 26.91, -50.38

 

CMYK 100 / 86 / 0 / 62

HEX #000E61

RGB 0 14 97

HSL 231.34, 1%, 0.19%

LAB 10.39, 31.19, -48.81

 

CMYK 83 / 51 / 0 / 32

HEX #1D56AE

RGB 29 86 174

HSL 216.41, 0.71%, 0.4%

LAB 37.79, 15.25, -52.1

 

CMYK 83 / 73 / 0 / 32

HEX #1D2FAE

RGB 29 47 174

HSL 232.55, 0.71%, 0.4%

LAB 27.71, 40.86, -68.58

 

CMYK 71 / 83 / 0 / 32

HEX #321DAE

RGB 50 29 174

HSL 248.69, 0.71%, 0.4%

LAB 25.6, 51.86, -72.03

 

CMYK 49 / 83 / 0 / 32

HEX #591DAE

RGB 89 29 174

HSL 264.83, 0.71%, 0.4%

LAB 29.56, 55.83, -65.37

 

CMYK 26 / 83 / 0 / 32

HEX #801DAE

RGB 128 29 174

HSL 280.97, 0.71%, 0.4%

LAB 35.05, 61.56, -56.16

 

CMYK 83 / 51 / 0 / 32

HEX #1D56AE

RGB 29 86 174

HSL 216.41, 0.71%, 0.4%

LAB 37.79, 15.25, -52.1

 

CMYK 83 / 73 / 0 / 32

HEX #1D2FAE

RGB 29 47 174

HSL 232.55, 0.71%, 0.4%

LAB 27.71, 40.86, -68.58

 

CMYK 83 / 83 / 0 / 32

HEX #1D1DAE

RGB 29 29 174

HSL 240, 0.71%, 0.4%

LAB 24.31, 50.6, -74.22

 

CMYK 83 / 51 / 0 / 32

HEX #1D56AE

RGB 29 86 174

HSL 216.41, 0.71%, 0.4%

LAB 37.79, 15.25, -52.1

 

CMYK 93 / 56 / 0 / 25

HEX #0D53BE

RGB 13 83 190

HSL 216.27, 0.87%, 0.4%

LAB 37.82, 22.63, -61.48

 

CMYK 83 / 51 / 0 / 32

HEX #1D56AE

RGB 29 86 174

HSL 216.41, 0.71%, 0.4%

LAB 37.79, 15.25, -52.1

 

CMYK 71 / 43 / 0 / 38

HEX #2E5A9D

RGB 46 90 157

HSL 216.22, 0.55%, 0.4%

LAB 38.42, 8.1, -40.94

 

CMYK 56 / 34 / 0 / 45

HEX #3E5D8D

RGB 62 93 141

HSL 216.46, 0.39%, 0.4%

LAB 39.2, 3.56, -30.03

 

CMYK 36 / 22 / 0 / 51

HEX #4F617C

RGB 79 97 124

HSL 216, 0.22%, 0.4%

LAB 40.68, 0.35, -17.34

 

CMYK 12 / 7 / 0 / 58

HEX #5F646C

RGB 95 100 108

HSL 216.92, 0.06%, 0.4%

LAB 42.2, -0.15, -5.18

 

CMYK 83 / 6 / 0 / 32

HEX #1DA4AE

RGB 29 164 174

HSL 184.14, 0.71%, 0.4%

LAB 61.54, -29.94, -14.93

 

CMYK 83 / 28 / 0 / 32

HEX #1D7EAE

RGB 29 126 174

HSL 199.86, 0.71%, 0.4%

LAB 49.78, -9.75, -33.02

 

CMYK 83 / 50 / 0 / 32

HEX #1D57AE

RGB 29 87 174

HSL 216, 0.71%, 0.4%

LAB 38.08, 14.58, -51.64

 

CMYK 83 / 72 / 0 / 32

HEX #1D30AE

RGB 29 48 174

HSL 232.14, 0.71%, 0.4%

LAB 27.93, 40.25, -68.22

 

CMYK 72 / 83 / 0 / 32

HEX #301DAE

RGB 48 29 174

HSL 247.86, 0.71%, 0.4%

LAB 25.45, 51.71, -72.29

 

CMYK 83 / 50 / 0 / 60

HEX #113367

RGB 17 51 103

HSL 216.28, 0.72%, 0.24%

LAB 21.82, 8.89, -34.02

 

CMYK 83 / 50 / 0 / 45

HEX #17458B

RGB 23 69 139

HSL 216.21, 0.72%, 0.32%

LAB 30.16, 12.01, -43.31

 

CMYK 83 / 51 / 0 / 32

HEX #1D56AE

RGB 29 86 174

HSL 216.41, 0.71%, 0.4%

LAB 37.79, 15.25, -52.1

 

CMYK 83 / 50 / 0 / 18

HEX #2368D1

RGB 35 104 209

HSL 216.21, 0.71%, 0.48%

LAB 45.44, 17.71, -60.09

 

CMYK 72 / 43 / 0 / 13

HEX #3F7EDE

RGB 63 126 222

HSL 216.23, 0.71%, 0.56%

LAB 53.22, 11.81, -54.9

 

CMYK 83 / 50 / 0 / 32

HEX #1D56AD

RGB 29 86 173

HSL 216.25, 0.71%, 0.4%

LAB 37.72, 14.85, -51.62

 

CMYK 17 / 83 / 0 / 32

HEX #911DAE

RGB 145 29 174

HSL 288, 0.71%, 0.4%

LAB 37.76, 64.46, -51.64

 

CMYK 17 / 0 / 83 / 32

HEX #91AE1D

RGB 145 174 29

HSL 72, 0.71%, 0.4%

LAB 66.81, -28.11, 63.58

 

CMYK 83 / 50 / 0 / 32

HEX #1D56AD

RGB 29 86 173

HSL 216.25, 0.71%, 0.4%

LAB 37.72, 14.85, -51.62

 

CMYK 0 / 83 / 50 / 32

HEX #AE1D57

RGB 174 29 87

HSL 336, 0.71%, 0.4%

LAB 38.84, 59.1, 4.25

 

CMYK 50 / 0 / 83 / 32

HEX #57AE1D

RGB 87 174 29

HSL 96, 0.71%, 0.4%

LAB 63.66, -49.54, 59.6

 

CMYK 83 / 50 / 0 / 32

HEX #1D56AD

RGB 29 86 173

HSL 216.25, 0.71%, 0.4%

LAB 37.72, 14.85, -51.62

 

CMYK 17 / 83 / 0 / 32

HEX #911DAE

RGB 145 29 174

HSL 288, 0.71%, 0.4%

LAB 37.76, 64.46, -51.64

 

CMYK 0 / 33 / 83 / 32

HEX #AE741D

RGB 174 116 29

HSL 36, 0.71%, 0.4%

LAB 53.58, 15.79, 53.11

 

CMYK 67 / 0 / 83 / 32

HEX #3AAE1D

RGB 58 174 29

HSL 108, 0.71%, 0.4%

LAB 62.73, -57.06, 58.4

 

CMYK 83 / 50 / 0 / 32

HEX #1D56AD

RGB 29 86 173

HSL 216.25, 0.71%, 0.4%

LAB 37.72, 14.85, -51.62

 

CMYK 0 / 83 / 9 / 32

HEX #AE1D9F

RGB 174 29 159

HSL 306.21, 0.71%, 0.4%

LAB 41.81, 67.5, -35.9

 

CMYK 0 / 33 / 83 / 32

HEX #AE741D

RGB 174 116 29

HSL 36, 0.71%, 0.4%

LAB 53.58, 15.79, 53.11

 

CMYK 83 / 0 / 75 / 32

HEX #1DAE2C

RGB 29 174 44

HSL 126.21, 0.71%, 0.4%

LAB 62.27, -60.72, 53.09

 

Description

Color code: RGB 29 86 173 | qconv.com Color code: RGB 29 86 173 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 29 red, 86 green and 173 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
29 86 173 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 83 cyan, 50 magenta, none yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
83% 50% 0% 32% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

39% - 甘肃省国家税务局
Link: http://www.gs-n-tax.gov.cn

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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